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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 136 227 it is the complementary color RGB 253 119 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 136 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 136 227 shade: RGB 7 136 222, RGB 24 154 241, RGB 41 172 255, RGB 58 190 255 and RGB 75 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 136 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 0 118 208, RGB 0 100 189, RGB 0 82 170 and RGB 0 64 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 2 75 227, RGB 2 14 227, RGB 50 2 227 and RGB 110 2 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 2 75 227, RGB 2 14 227 and RGB 2 2 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 136 227 shade matches the following richer shades: RGB 2 136 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 20 132 208, RGB 39 129 190, RGB 57 125 171 and RGB 76 122 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 136 227 shade: RGB 2 227 197, RGB 2 197 227, RGB 2 137 227, RGB 2 77 227 and RGB 2 17 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 136 227 shade: RGB 1 87 145, RGB 1 111 186, RGB 2 136 227, RGB 18 157 252 and RGB 58 174 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 137 2 227 and RGB 227 227 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 227 2 137 and RGB 137 227 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 137 2 227, RGB 227 92 2 and RGB 92 227 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 136 227 shade: RGB 2 136 227, RGB 204 2 227, RGB 227 92 2 and RGB 24 227 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

Complementary color

CMYK 0 / 53 / 89 / 1

HEX #FD771C

RGB 253 119 28

HSL 24.27, 0.98%, 0.55%

LAB 65.09, 46.74, 67.25

 

CMYK 97 / 39 / 0 / 13

HEX #0788DE

RGB 7 136 222

HSL 204, 0.94%, 0.45%

LAB 55, 1.33, -52.13

 

CMYK 90 / 36 / 0 / 5

HEX #189AF1

RGB 24 154 241

HSL 204.06, 0.89%, 0.52%

LAB 61.36, -1.5, -52.55

 

CMYK 84 / 33 / 0 / 0

HEX #29ACFF

RGB 41 172 255

HSL 203.27, 1%, 0.58%

LAB 67.42, -5.64, -50.58

 

CMYK 77 / 25 / 0 / 0

HEX #3ABEFF

RGB 58 190 255

HSL 199.8, 1%, 0.61%

LAB 72.86, -13.99, -42.02

 

CMYK 71 / 18 / 0 / 0

HEX #4BD0FF

RGB 75 208 255

HSL 195.67, 1%, 0.65%

LAB 78.36, -21.39, -33.45

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 100 / 43 / 0 / 18

HEX #0076D0

RGB 0 118 208

HSL 205.96, 1%, 0.41%

LAB 48.9, 6.67, -53.98

 

CMYK 100 / 47 / 0 / 26

HEX #0064BD

RGB 0 100 189

HSL 208.25, 1%, 0.37%

LAB 42.44, 10.52, -53.42

 

CMYK 100 / 52 / 0 / 33

HEX #0052AA

RGB 0 82 170

HSL 211.06, 1%, 0.33%

LAB 35.86, 14.63, -52.88

 

CMYK 100 / 58 / 0 / 41

HEX #004097

RGB 0 64 151

HSL 214.57, 1%, 0.3%

LAB 29.16, 19.02, -52.31

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 99 / 67 / 0 / 11

HEX #024BE3

RGB 2 75 227

HSL 220.53, 0.98%, 0.45%

LAB 38.88, 41.83, -81.1

 

CMYK 99 / 94 / 0 / 11

HEX #020EE3

RGB 2 14 227

HSL 236.8, 0.98%, 0.45%

LAB 29.09, 70, -97.36

 

CMYK 78 / 99 / 0 / 11

HEX #3202E3

RGB 50 2 227

HSL 252.8, 0.98%, 0.45%

LAB 30.08, 72.8, -95.67

 

CMYK 52 / 99 / 0 / 11

HEX #6E02E3

RGB 110 2 227

HSL 268.8, 0.98%, 0.45%

LAB 35.8, 75.68, -85.99

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 99 / 67 / 0 / 11

HEX #024BE3

RGB 2 75 227

HSL 220.53, 0.98%, 0.45%

LAB 38.88, 41.83, -81.1

 

CMYK 99 / 94 / 0 / 11

HEX #020EE3

RGB 2 14 227

HSL 236.8, 0.98%, 0.45%

LAB 29.09, 70, -97.36

 

CMYK 99 / 99 / 0 / 11

HEX #0202E3

RGB 2 2 227

HSL 240, 0.98%, 0.45%

LAB 28.39, 72.18, -98.53

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 90 / 37 / 0 / 18

HEX #1484D0

RGB 20 132 208

HSL 204.26, 0.82%, 0.45%

LAB 53.17, -1.14, -47.14

 

CMYK 79 / 32 / 0 / 25

HEX #2781BE

RGB 39 129 190

HSL 204.24, 0.66%, 0.45%

LAB 51.67, -4.63, -39.26

 

CMYK 67 / 27 / 0 / 33

HEX #397DAB

RGB 57 125 171

HSL 204.21, 0.5%, 0.45%

LAB 50.07, -6.59, -30.78

 

CMYK 50 / 20 / 0 / 40

HEX #4C7A98

RGB 76 122 152

HSL 203.68, 0.33%, 0.45%

LAB 49.16, -7.05, -21.05

 

CMYK 99 / 0 / 13 / 11

HEX #02E3C5

RGB 2 227 197

HSL 172, 0.98%, 0.45%

LAB 81.28, -52.36, 1.75

 

CMYK 99 / 13 / 0 / 11

HEX #02C5E3

RGB 2 197 227

HSL 188, 0.98%, 0.45%

LAB 73.21, -30.11, -26.4

 

CMYK 99 / 40 / 0 / 11

HEX #0289E3

RGB 2 137 227

HSL 204, 0.98%, 0.45%

LAB 55.53, 2.5, -54.07

 

CMYK 99 / 66 / 0 / 11

HEX #024DE3

RGB 2 77 227

HSL 220, 0.98%, 0.45%

LAB 39.36, 40.57, -80.32

 

CMYK 99 / 93 / 0 / 11

HEX #0211E3

RGB 2 17 227

HSL 236, 0.98%, 0.45%

LAB 29.31, 69.32, -96.99

 

CMYK 99 / 40 / 0 / 43

HEX #015791

RGB 1 87 145

HSL 204.17, 0.99%, 0.29%

LAB 35.73, 0.91, -38.07

 

CMYK 99 / 40 / 0 / 27

HEX #016FBA

RGB 1 111 186

HSL 204.32, 0.99%, 0.37%

LAB 45.53, 2.34, -46.73

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 93 / 38 / 0 / 1

HEX #129DFC

RGB 18 157 252

HSL 204.36, 0.98%, 0.53%

LAB 62.74, 0.59, -56.4

 

CMYK 77 / 31 / 0 / 1

HEX #3AAEFD

RGB 58 174 253

HSL 204.31, 0.98%, 0.61%

LAB 68.21, -5.94, -48.23

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 40 / 99 / 0 / 11

HEX #8902E3

RGB 137 2 227

HSL 276, 0.98%, 0.45%

LAB 39.42, 78.02, -79.89

 

CMYK 0 / 0 / 99 / 11

HEX #E3E302

RGB 227 227 2

HSL 60, 0.98%, 0.45%

LAB 87.62, -19.72, 86.37

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 0 / 99 / 40 / 11

HEX #E30289

RGB 227 2 137

HSL 324, 0.98%, 0.45%

LAB 49.71, 79.23, -9.6

 

CMYK 40 / 0 / 99 / 11

HEX #89E302

RGB 137 227 2

HSL 84, 0.98%, 0.45%

LAB 81.98, -54.64, 79.62

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 40 / 99 / 0 / 11

HEX #8902E3

RGB 137 2 227

HSL 276, 0.98%, 0.45%

LAB 39.42, 78.02, -79.89

 

CMYK 0 / 59 / 99 / 11

HEX #E35C02

RGB 227 92 2

HSL 24, 0.98%, 0.45%

LAB 56.08, 49.46, 65.13

 

CMYK 59 / 0 / 99 / 11

HEX #5CE302

RGB 92 227 2

HSL 96, 0.98%, 0.45%

LAB 80.3, -67.64, 77.58

 

CMYK 99 / 40 / 0 / 11

HEX #0288E3

RGB 2 136 227

HSL 204.27, 0.98%, 0.45%

LAB 55.24, 3.1, -54.54

 

CMYK 10 / 99 / 0 / 11

HEX #CC02E3

RGB 204 2 227

HSL 293.87, 0.98%, 0.45%

LAB 50.01, 86.35, -62.18

 

CMYK 0 / 59 / 99 / 11

HEX #E35C02

RGB 227 92 2

HSL 24, 0.98%, 0.45%

LAB 56.08, 49.46, 65.13

 

CMYK 89 / 0 / 99 / 11

HEX #18E302

RGB 24 227 2

HSL 114.13, 0.98%, 0.45%

LAB 79.12, -77.88, 76.14

 

Description

Color code: RGB 2 136 227 | qconv.com Color code: RGB 2 136 227 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 136 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 136 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 40 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 40% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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