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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 134 195 it is the complementary color RGB 253 121 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 134 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 134 195 shade: RGB 7 134 190, RGB 24 152 209, RGB 41 170 228, RGB 58 188 247 and RGB 75 206 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 134 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 134 195 shade: RGB 2 134 195, RGB 0 116 176, RGB 0 98 157, RGB 0 80 138 and RGB 0 62 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 134 195 shade: RGB 1 135 196, RGB 1 82 196, RGB 1 30 196, RGB 26 1 196 and RGB 78 1 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 134 195 shade: RGB 1 135 196, RGB 1 82 196, RGB 1 30 196 and RGB 1 1 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 134 195 shade matches the following richer shades: RGB 1 135 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 134 195 shade: RGB 1 135 196, RGB 18 129 180, RGB 34 123 164, RGB 50 117 148 and RGB 66 111 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 134 195 shade: RGB 1 196 151, RGB 1 190 196, RGB 1 138 196, RGB 1 86 196 and RGB 1 34 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 134 195 shade: RGB 1 79 115, RGB 1 107 156, RGB 1 135 196, RGB 2 163 237 and RGB 28 181 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 134 195 shade: RGB 2 134 195, RGB 99 1 196 and RGB 196 177 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 134 195 shade: RGB 2 134 195, RGB 196 1 138 and RGB 138 196 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 134 195 shade: RGB 2 134 195, RGB 99 1 196, RGB 196 60 1 and RGB 99 196 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 134 195 shade: RGB 2 134 195, RGB 157 1 196, RGB 196 60 1 and RGB 40 196 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

Complementary color

CMYK 0 / 52 / 76 / 1

HEX #FD793C

RGB 253 121 60

HSL 18.96, 0.98%, 0.61%

LAB 65.66, 46.64, 55.41

 

CMYK 96 / 29 / 0 / 25

HEX #0786BE

RGB 7 134 190

HSL 198.36, 0.93%, 0.39%

LAB 52.74, -9.68, -37.59

 

CMYK 89 / 27 / 0 / 18

HEX #1898D1

RGB 24 152 209

HSL 198.49, 0.79%, 0.46%

LAB 59.21, -12.09, -38.18

 

CMYK 82 / 25 / 0 / 11

HEX #29AAE4

RGB 41 170 228

HSL 198.61, 0.78%, 0.53%

LAB 65.61, -14.03, -38.69

 

CMYK 77 / 24 / 0 / 3

HEX #3ABCF7

RGB 58 188 247

HSL 198.73, 0.92%, 0.6%

LAB 71.95, -15.6, -39.13

 

CMYK 71 / 19 / 0 / 0

HEX #4BCEFF

RGB 75 206 255

HSL 196.33, 1%, 0.65%

LAB 77.79, -20.37, -34.33

 

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

CMYK 100 / 34 / 0 / 31

HEX #0074B0

RGB 0 116 176

HSL 200.45, 1%, 0.35%

LAB 46.48, -4.73, -39.41

 

CMYK 100 / 38 / 0 / 38

HEX #00629D

RGB 0 98 157

HSL 202.55, 1%, 0.31%

LAB 39.86, -1.24, -38.7

 

CMYK 100 / 42 / 0 / 46

HEX #00508A

RGB 0 80 138

HSL 205.22, 1%, 0.27%

LAB 33.08, 2.51, -38.04

 

CMYK 100 / 48 / 0 / 53

HEX #003E77

RGB 0 62 119

HSL 208.74, 1%, 0.23%

LAB 26.09, 6.58, -37.42

RGB 0 62 119

CMYK 99 / 31 / 0 / 23

HEX #0187C4

RGB 1 135 196

HSL 198.77, 0.99%, 0.39%

LAB 53.3, -8.2, -40.15

 

CMYK 99 / 58 / 0 / 23

HEX #0152C4

RGB 1 82 196

HSL 215.08, 0.99%, 0.39%

LAB 37.89, 25.29, -64.88

 

CMYK 99 / 85 / 0 / 23

HEX #011EC4

RGB 1 30 196

HSL 231.08, 0.99%, 0.39%

LAB 26.51, 56.24, -83.67

 

CMYK 87 / 99 / 0 / 23

HEX #1A01C4

RGB 26 1 196

HSL 247.69, 0.99%, 0.39%

LAB 24.41, 64.98, -87.15

 

CMYK 60 / 99 / 0 / 23

HEX #4E01C4

RGB 78 1 196

HSL 263.69, 0.99%, 0.39%

LAB 28.45, 66.78, -80.31

 

CMYK 99 / 31 / 0 / 23

HEX #0187C4

RGB 1 135 196

HSL 198.77, 0.99%, 0.39%

LAB 53.3, -8.2, -40.15

 

CMYK 99 / 58 / 0 / 23

HEX #0152C4

RGB 1 82 196

HSL 215.08, 0.99%, 0.39%

LAB 37.89, 25.29, -64.88

 

CMYK 99 / 85 / 0 / 23

HEX #011EC4

RGB 1 30 196

HSL 231.08, 0.99%, 0.39%

LAB 26.51, 56.24, -83.67

 

CMYK 99 / 99 / 0 / 23

HEX #0101C4

RGB 1 1 196

HSL 240, 0.99%, 0.39%

LAB 23.72, 64.75, -88.33

 

CMYK 99 / 31 / 0 / 23

HEX #0187C4

RGB 1 135 196

HSL 198.77, 0.99%, 0.39%

LAB 53.3, -8.2, -40.15

 

CMYK 99 / 31 / 0 / 23

HEX #0187C4

RGB 1 135 196

HSL 198.77, 0.99%, 0.39%

LAB 53.3, -8.2, -40.15

 

CMYK 90 / 28 / 0 / 29

HEX #1281B4

RGB 18 129 180

HSL 198.89, 0.82%, 0.39%

LAB 50.83, -10.06, -34.85

 

CMYK 79 / 25 / 0 / 36

HEX #227BA4

RGB 34 123 164

HSL 198.92, 0.66%, 0.39%

LAB 48.49, -11.17, -29.22

 

CMYK 66 / 21 / 0 / 42

HEX #327594

RGB 50 117 148

HSL 198.98, 0.49%, 0.39%

LAB 46.36, -11.05, -23.09

 

CMYK 50 / 16 / 0 / 48

HEX #426F84

RGB 66 111 132

HSL 199.09, 0.33%, 0.39%

LAB 44.51, -9.31, -16.37

 

CMYK 99 / 0 / 23 / 23

HEX #01C497

RGB 1 196 151

HSL 166.15, 0.99%, 0.39%

LAB 70.68, -51.81, 11.15

 

CMYK 99 / 3 / 0 / 23

HEX #01BEC4

RGB 1 190 196

HSL 181.85, 0.99%, 0.39%

LAB 70.05, -36.67, -14.33

 

CMYK 99 / 30 / 0 / 23

HEX #018AC4

RGB 1 138 196

HSL 197.85, 0.99%, 0.39%

LAB 54.21, -9.93, -38.72

 

CMYK 99 / 56 / 0 / 23

HEX #0156C4

RGB 1 86 196

HSL 213.85, 0.99%, 0.39%

LAB 38.98, 22.62, -63.1

 

CMYK 99 / 83 / 0 / 23

HEX #0122C4

RGB 1 34 196

HSL 229.85, 0.99%, 0.39%

LAB 27.12, 54.42, -82.65

 

CMYK 99 / 31 / 0 / 55

HEX #014F73

RGB 1 79 115

HSL 198.95, 0.98%, 0.23%

LAB 31.43, -6.44, -26.4

 

CMYK 99 / 31 / 0 / 39

HEX #016B9C

RGB 1 107 156

HSL 198.97, 0.99%, 0.31%

LAB 42.65, -7.14, -33.71

 

CMYK 99 / 31 / 0 / 23

HEX #0187C4

RGB 1 135 196

HSL 198.77, 0.99%, 0.39%

LAB 53.3, -8.2, -40.15

 

CMYK 99 / 31 / 0 / 7

HEX #02A3ED

RGB 2 163 237

HSL 198.89, 0.98%, 0.47%

LAB 63.61, -8.84, -46.8

 

CMYK 89 / 28 / 0 / 1

HEX #1CB5FC

RGB 28 181 252

HSL 199.02, 0.97%, 0.55%

LAB 69.7, -12.47, -45.38

 

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

CMYK 49 / 99 / 0 / 23

HEX #6301C4

RGB 99 1 196

HSL 270.15, 0.99%, 0.39%

LAB 31.02, 68.25, -75.97

 

CMYK 0 / 10 / 99 / 23

HEX #C4B101

RGB 196 177 1

HSL 54.15, 0.99%, 0.39%

LAB 71.68, -8, 73.67

 

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

CMYK 0 / 99 / 30 / 23

HEX #C4018A

RGB 196 1 138

HSL 317.85, 0.99%, 0.39%

LAB 43.64, 73.07, -20

 

CMYK 30 / 0 / 99 / 23

HEX #8AC401

RGB 138 196 1

HSL 77.85, 0.99%, 0.39%

LAB 72.82, -41.54, 72.63

 

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

CMYK 49 / 99 / 0 / 23

HEX #6301C4

RGB 99 1 196

HSL 270.15, 0.99%, 0.39%

LAB 31.02, 68.25, -75.97

 

CMYK 0 / 69 / 99 / 23

HEX #C43C01

RGB 196 60 1

HSL 18.15, 0.99%, 0.39%

LAB 45.59, 52.23, 56.87

 

CMYK 49 / 0 / 99 / 23

HEX #63C401

RGB 99 196 1

HSL 89.85, 0.99%, 0.39%

LAB 70.96, -54.95, 70.39

 

CMYK 99 / 31 / 0 / 24

HEX #0286C3

RGB 2 134 195

HSL 198.96, 0.98%, 0.39%

LAB 52.95, -7.97, -40.12

 

CMYK 20 / 99 / 0 / 23

HEX #9D01C4

RGB 157 1 196

HSL 288, 0.99%, 0.39%

LAB 39.87, 74.66, -61.11

 

CMYK 0 / 69 / 99 / 23

HEX #C43C01

RGB 196 60 1

HSL 18.15, 0.99%, 0.39%

LAB 45.59, 52.23, 56.87

 

CMYK 80 / 0 / 99 / 23

HEX #28C401

RGB 40 196 1

HSL 108, 0.99%, 0.39%

LAB 69.42, -67.76, 68.52

 

Description

Color code: RGB 2 134 195 | qconv.com Color code: RGB 2 134 195 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 134 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 134 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 31 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 31% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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