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Color name
RGB 2 109 54

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 109 54 it is the complementary color RGB 253 146 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 109 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 109 54 shade: RGB 7 109 49, RGB 24 127 68, RGB 41 145 87, RGB 58 163 106 and RGB 75 181 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 109 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 0 91 35, RGB 0 73 16, RGB 0 55 0 and RGB 0 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 2 109 25, RGB 7 109 2, RGB 37 109 2 and RGB 66 109 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 2 109 83, RGB 2 107 109, RGB 2 78 109 and RGB 2 49 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 109 54 shade matches the following richer shades: RGB 2 109 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 11 100 54, RGB 20 91 55, RGB 29 82 55 and RGB 38 73 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 109 54 shade: RGB 7 109 2, RGB 2 109 25, RGB 2 109 54, RGB 2 109 83 and RGB 2 108 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 109 54 shade: RGB 0 29 14, RGB 1 69 34, RGB 2 109 54, RGB 3 150 74 and RGB 3 190 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 2 36 109 and RGB 109 11 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 54 2 109 and RGB 109 54 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 2 36 109, RGB 109 2 57 and RGB 109 75 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 109 54 shade: RGB 2 109 54, RGB 2 4 109, RGB 109 2 57 and RGB 109 108 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

Complementary color

CMYK 0 / 42 / 21 / 1

HEX #FD92C9

RGB 253 146 201

HSL 329.16, 0.96%, 0.78%

LAB 73.32, 47.05, -10.72

 

CMYK 94 / 0 / 55 / 57

HEX #076D31

RGB 7 109 49

HSL 144.71, 0.88%, 0.23%

LAB 39.92, -40.74, 26.03

 

CMYK 81 / 0 / 46 / 50

HEX #187F44

RGB 24 127 68

HSL 145.63, 0.68%, 0.3%

LAB 46.7, -42.27, 24.19

 

CMYK 72 / 0 / 40 / 43

HEX #299157

RGB 41 145 87

HSL 146.54, 0.56%, 0.36%

LAB 53.4, -43.1, 22.5

 

CMYK 64 / 0 / 35 / 36

HEX #3AA36A

RGB 58 163 106

HSL 147.43, 0.48%, 0.43%

LAB 60.01, -43.49, 20.99

 

CMYK 59 / 0 / 31 / 29

HEX #4BB57D

RGB 75 181 125

HSL 148.3, 0.42%, 0.5%

LAB 66.54, -43.62, 19.62

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 100 / 0 / 62 / 64

HEX #005B23

RGB 0 91 35

HSL 143.08, 1%, 0.18%

LAB 33.14, -37.26, 25.38

 

CMYK 100 / 0 / 78 / 71

HEX #004910

RGB 0 73 16

HSL 133.15, 1%, 0.14%

LAB 26.16, -33.52, 27.14

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 0 / 77 / 57

HEX #026D19

RGB 2 109 25

HSL 132.9, 0.96%, 0.22%

LAB 39.61, -44.36, 37.22

 

CMYK 94 / 0 / 98 / 57

HEX #076D02

RGB 7 109 2

HSL 117.2, 0.96%, 0.22%

LAB 39.56, -45.3, 44.05

 

CMYK 66 / 0 / 98 / 57

HEX #256D02

RGB 37 109 2

HSL 100.37, 0.96%, 0.22%

LAB 40.14, -40.25, 44.77

 

CMYK 39 / 0 / 98 / 57

HEX #426D02

RGB 66 109 2

HSL 84.11, 0.96%, 0.22%

LAB 41.37, -30.71, 46.28

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 0 / 24 / 57

HEX #026D53

RGB 2 109 83

HSL 165.42, 0.96%, 0.22%

LAB 40.53, -33.54, 7.1

 

CMYK 98 / 2 / 0 / 57

HEX #026B6D

RGB 2 107 109

HSL 181.12, 0.96%, 0.22%

LAB 40.63, -24.56, -8.54

 

CMYK 98 / 28 / 0 / 57

HEX #024E6D

RGB 2 78 109

HSL 197.38, 0.96%, 0.22%

LAB 30.8, -8.2, -23.62

 

CMYK 98 / 55 / 0 / 57

HEX #02316D

RGB 2 49 109

HSL 213.64, 0.96%, 0.22%

LAB 21.26, 11.62, -38.83

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 89 / 0 / 46 / 61

HEX #0B6436

RGB 11 100 54

HSL 148.99, 0.8%, 0.22%

LAB 36.84, -36.01, 19.33

 

CMYK 78 / 0 / 40 / 64

HEX #145B37

RGB 20 91 55

HSL 149.58, 0.64%, 0.22%

LAB 33.79, -30.83, 14.74

 

CMYK 65 / 0 / 33 / 68

HEX #1D5237

RGB 29 82 55

HSL 149.43, 0.48%, 0.22%

LAB 30.81, -24.81, 10.75

 

CMYK 48 / 0 / 25 / 71

HEX #264937

RGB 38 73 55

HSL 149.14, 0.32%, 0.22%

LAB 27.99, -17.57, 6.88

 

CMYK 94 / 0 / 98 / 57

HEX #076D02

RGB 7 109 2

HSL 117.2, 0.96%, 0.22%

LAB 39.56, -45.3, 44.05

 

CMYK 98 / 0 / 77 / 57

HEX #026D19

RGB 2 109 25

HSL 132.9, 0.96%, 0.22%

LAB 39.61, -44.36, 37.22

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 0 / 24 / 57

HEX #026D53

RGB 2 109 83

HSL 165.42, 0.96%, 0.22%

LAB 40.53, -33.54, 7.1

 

CMYK 98 / 1 / 0 / 57

HEX #026C6D

RGB 2 108 109

HSL 180.56, 0.96%, 0.22%

LAB 40.96, -25.07, -8.03

 

CMYK 100 / 0 / 52 / 89

HEX #001D0E

RGB 0 29 14

HSL 148.97, 1%, 0.06%

LAB 8.22, -14.19, 6.11

 

CMYK 99 / 0 / 51 / 73

HEX #014522

RGB 1 69 34

HSL 149.12, 0.97%, 0.14%

LAB 24.88, -28.94, 15.77

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 0 / 51 / 41

HEX #03964A

RGB 3 150 74

HSL 148.98, 0.96%, 0.3%

LAB 54.37, -51.25, 30.66

 

CMYK 98 / 0 / 51 / 25

HEX #03BE5E

RGB 3 190 94

HSL 149.2, 0.97%, 0.38%

LAB 67.77, -61.34, 37.2

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 67 / 0 / 57

HEX #02246D

RGB 2 36 109

HSL 220.93, 0.96%, 0.22%

LAB 17.36, 21.21, -45.19

 

CMYK 0 / 90 / 98 / 57

HEX #6D0B02

RGB 109 11 2

HSL 5.05, 0.96%, 0.22%

LAB 21.93, 40.34, 32.19

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 50 / 98 / 0 / 57

HEX #36026D

RGB 54 2 109

HSL 269.16, 0.96%, 0.22%

LAB 15.13, 44.05, -48.74

 

CMYK 0 / 50 / 98 / 57

HEX #6D3602

RGB 109 54 2

HSL 29.16, 0.96%, 0.22%

LAB 29.14, 21.17, 38.91

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 67 / 0 / 57

HEX #02246D

RGB 2 36 109

HSL 220.93, 0.96%, 0.22%

LAB 17.36, 21.21, -45.19

 

CMYK 0 / 98 / 48 / 57

HEX #6D0239

RGB 109 2 57

HSL 329.16, 0.96%, 0.22%

LAB 22.27, 45.3, -1.55

 

CMYK 0 / 31 / 98 / 57

HEX #6D4B02

RGB 109 75 2

HSL 40.93, 0.96%, 0.22%

LAB 34.58, 8.49, 42.8

 

CMYK 98 / 0 / 50 / 57

HEX #026D36

RGB 2 109 54

HSL 149.16, 0.96%, 0.22%

LAB 39.94, -40.3, 23.29

 

CMYK 98 / 96 / 0 / 57

HEX #02046D

RGB 2 4 109

HSL 238.88, 0.96%, 0.22%

LAB 10.59, 40.36, -56.42

 

CMYK 0 / 98 / 48 / 57

HEX #6D0239

RGB 109 2 57

HSL 329.16, 0.96%, 0.22%

LAB 22.27, 45.3, -1.55

 

CMYK 0 / 1 / 98 / 57

HEX #6D6C02

RGB 109 108 2

HSL 59.44, 0.96%, 0.22%

LAB 44.21, -10.92, 49.83

 

Description

Color code: RGB 2 109 54 | qconv.com Color code: RGB 2 109 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 109 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 109 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 50 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 50% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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