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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 190 206 it is the complementary color RGB 253 65 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 190 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 190 206 shade: RGB 7 190 201, RGB 24 208 220, RGB 41 226 239, RGB 58 244 255 and RGB 75 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 190 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 190 206 shade: RGB 2 190 206, RGB 0 172 187, RGB 0 154 168, RGB 0 136 149 and RGB 0 118 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 190 206 shade: RGB 2 190 207, RGB 2 135 207, RGB 2 80 207, RGB 2 25 207 and RGB 34 2 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 190 206 shade: RGB 2 190 207, RGB 2 135 207, RGB 2 80 207, RGB 2 25 207 and RGB 2 2 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 190 206 shade matches the following richer shades: RGB 2 190 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 190 206 shade: RGB 2 190 207, RGB 19 176 190, RGB 35 162 173, RGB 52 148 156 and RGB 69 133 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 190 206 shade: RGB 2 207 111, RGB 2 207 166, RGB 2 193 207, RGB 2 138 207 and RGB 2 84 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 190 206 shade: RGB 1 115 125, RGB 1 153 166, RGB 2 190 207, RGB 2 228 247 and RGB 38 236 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 190 206 shade: RGB 2 190 206, RGB 56 2 207 and RGB 207 138 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 190 206 shade: RGB 2 190 206, RGB 207 2 193 and RGB 193 207 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 190 206 shade: RGB 2 190 206, RGB 56 2 207, RGB 207 15 2 and RGB 152 207 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 190 206 shade: RGB 2 190 206, RGB 118 2 207, RGB 207 15 2 and RGB 90 207 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

Complementary color

CMYK 0 / 74 / 81 / 1

HEX #FD4131

RGB 253 65 49

HSL 4.71, 0.98%, 0.59%

LAB 56.96, 69.2, 52.11

 

CMYK 97 / 5 / 0 / 21

HEX #07BEC9

RGB 7 190 201

HSL 183.4, 0.93%, 0.41%

LAB 70.24, -34.94, -16.78

 

CMYK 89 / 5 / 0 / 14

HEX #18D0DC

RGB 24 208 220

HSL 183.67, 0.8%, 0.48%

LAB 76.36, -36.84, -17.83

 

CMYK 83 / 5 / 0 / 6

HEX #29E2EF

RGB 41 226 239

HSL 183.94, 0.86%, 0.55%

LAB 82.43, -38.39, -18.79

 

CMYK 77 / 4 / 0 / 0

HEX #3AF4FF

RGB 58 244 255

HSL 183.35, 1%, 0.61%

LAB 88.36, -40.52, -18.23

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

CMYK 100 / 8 / 0 / 27

HEX #00ACBB

RGB 0 172 187

HSL 184.81, 1%, 0.37%

LAB 64.24, -31.04, -18.14

 

CMYK 100 / 8 / 0 / 34

HEX #009AA8

RGB 0 154 168

HSL 185, 1%, 0.33%

LAB 57.98, -28.46, -16.96

 

CMYK 100 / 9 / 0 / 42

HEX #008895

RGB 0 136 149

HSL 185.23, 1%, 0.29%

LAB 51.59, -25.83, -15.75

 

CMYK 100 / 9 / 0 / 49

HEX #007682

RGB 0 118 130

HSL 185.54, 1%, 0.25%

LAB 45.04, -23.12, -14.52

 

CMYK 99 / 8 / 0 / 19

HEX #02BECF

RGB 2 190 207

HSL 184.98, 0.98%, 0.41%

LAB 70.42, -33.19, -19.79

 

CMYK 99 / 35 / 0 / 19

HEX #0287CF

RGB 2 135 207

HSL 201.07, 0.98%, 0.41%

LAB 53.86, -3.98, -45.49

 

CMYK 99 / 61 / 0 / 19

HEX #0250CF

RGB 2 80 207

HSL 217.17, 0.98%, 0.41%

LAB 38.3, 31, -70.59

 

CMYK 99 / 88 / 0 / 19

HEX #0219CF

RGB 2 25 207

HSL 233.27, 0.98%, 0.41%

LAB 27.33, 61.48, -88.73

 

CMYK 84 / 99 / 0 / 19

HEX #2202CF

RGB 34 2 207

HSL 249.37, 0.98%, 0.41%

LAB 26.41, 67.62, -90.24

 

CMYK 99 / 8 / 0 / 19

HEX #02BECF

RGB 2 190 207

HSL 184.98, 0.98%, 0.41%

LAB 70.42, -33.19, -19.79

 

CMYK 99 / 35 / 0 / 19

HEX #0287CF

RGB 2 135 207

HSL 201.07, 0.98%, 0.41%

LAB 53.86, -3.98, -45.49

 

CMYK 99 / 61 / 0 / 19

HEX #0250CF

RGB 2 80 207

HSL 217.17, 0.98%, 0.41%

LAB 38.3, 31, -70.59

 

CMYK 99 / 88 / 0 / 19

HEX #0219CF

RGB 2 25 207

HSL 233.27, 0.98%, 0.41%

LAB 27.33, 61.48, -88.73

 

CMYK 99 / 99 / 0 / 19

HEX #0202CF

RGB 2 2 207

HSL 240, 0.98%, 0.41%

LAB 25.45, 67.28, -91.88

 

CMYK 99 / 8 / 0 / 19

HEX #02BECF

RGB 2 190 207

HSL 184.98, 0.98%, 0.41%

LAB 70.42, -33.19, -19.79

 

CMYK 99 / 8 / 0 / 19

HEX #02BECF

RGB 2 190 207

HSL 184.98, 0.98%, 0.41%

LAB 70.42, -33.19, -19.79

 

CMYK 90 / 7 / 0 / 25

HEX #13B0BE

RGB 19 176 190

HSL 184.91, 0.82%, 0.41%

LAB 65.68, -31.32, -17.62

 

CMYK 80 / 6 / 0 / 32

HEX #23A2AD

RGB 35 162 173

HSL 184.78, 0.66%, 0.41%

LAB 60.97, -28.75, -15.22

 

CMYK 67 / 5 / 0 / 39

HEX #34949C

RGB 52 148 156

HSL 184.62, 0.5%, 0.41%

LAB 56.4, -24.89, -12.44

 

CMYK 50 / 4 / 0 / 45

HEX #45858B

RGB 69 133 139

HSL 185.14, 0.34%, 0.41%

LAB 51.73, -18.75, -9.57

 

CMYK 99 / 0 / 46 / 19

HEX #02CF6F

RGB 2 207 111

HSL 151.9, 0.98%, 0.41%

LAB 73.41, -64.13, 35.82

 

CMYK 99 / 0 / 20 / 19

HEX #02CFA6

RGB 2 207 166

HSL 168, 0.98%, 0.41%

LAB 74.44, -52.37, 8.42

 

CMYK 99 / 7 / 0 / 19

HEX #02C1CF

RGB 2 193 207

HSL 184.1, 0.98%, 0.41%

LAB 71.32, -34.61, -18.42

 

CMYK 99 / 33 / 0 / 19

HEX #028ACF

RGB 2 138 207

HSL 200.2, 0.98%, 0.41%

LAB 54.76, -5.74, -44.08

 

CMYK 99 / 59 / 0 / 19

HEX #0254CF

RGB 2 84 207

HSL 216, 0.98%, 0.41%

LAB 39.34, 28.37, -68.88

 

CMYK 99 / 8 / 0 / 51

HEX #01737D

RGB 1 115 125

HSL 184.84, 0.98%, 0.25%

LAB 43.87, -23.25, -13.31

 

CMYK 99 / 8 / 0 / 35

HEX #0199A6

RGB 1 153 166

HSL 184.73, 0.99%, 0.33%

LAB 57.6, -28.59, -16.39

 

CMYK 99 / 8 / 0 / 19

HEX #02BECF

RGB 2 190 207

HSL 184.98, 0.98%, 0.41%

LAB 70.42, -33.19, -19.79

 

CMYK 99 / 8 / 0 / 3

HEX #02E4F7

RGB 2 228 247

HSL 184.65, 0.98%, 0.49%

LAB 83.03, -38.43, -22.14

 

CMYK 85 / 6 / 0 / 1

HEX #26ECFC

RGB 38 236 252

HSL 184.49, 0.97%, 0.57%

LAB 85.72, -39.27, -20.67

 

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

CMYK 73 / 99 / 0 / 19

HEX #3802CF

RGB 56 2 207

HSL 255.8, 0.98%, 0.41%

LAB 27.82, 68.19, -87.87

 

CMYK 0 / 33 / 99 / 19

HEX #CF8A02

RGB 207 138 2

HSL 39.8, 0.98%, 0.41%

LAB 62.88, 17.79, 67.94

 

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

CMYK 0 / 99 / 7 / 19

HEX #CF02C1

RGB 207 2 193

HSL 304.1, 0.98%, 0.41%

LAB 48.46, 81.83, -45.09

 

CMYK 7 / 0 / 99 / 19

HEX #C1CF02

RGB 193 207 2

HSL 64.1, 0.98%, 0.41%

LAB 79.6, -24.34, 79.26

 

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

CMYK 73 / 99 / 0 / 19

HEX #3802CF

RGB 56 2 207

HSL 255.8, 0.98%, 0.41%

LAB 27.82, 68.19, -87.87

 

CMYK 0 / 93 / 99 / 19

HEX #CF0F02

RGB 207 15 2

HSL 3.8, 0.98%, 0.41%

LAB 43.67, 67.02, 56.95

 

CMYK 27 / 0 / 99 / 19

HEX #98CF02

RGB 152 207 2

HSL 76.1, 0.98%, 0.41%

LAB 76.86, -40.96, 75.99

 

CMYK 99 / 8 / 0 / 19

HEX #02BECE

RGB 2 190 206

HSL 184.71, 0.98%, 0.41%

LAB 70.38, -33.51, -19.3

 

CMYK 43 / 99 / 0 / 19

HEX #7602CF

RGB 118 2 207

HSL 273.95, 0.98%, 0.41%

LAB 34.8, 72.12, -76.07

 

CMYK 0 / 93 / 99 / 19

HEX #CF0F02

RGB 207 15 2

HSL 3.8, 0.98%, 0.41%

LAB 43.67, 67.02, 56.95

 

CMYK 57 / 0 / 99 / 19

HEX #5ACF02

RGB 90 207 2

HSL 94.24, 0.98%, 0.41%

LAB 74.06, -61.4, 72.6

 

Description

Color code: RGB 2 190 206 | qconv.com Color code: RGB 2 190 206 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 190 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 190 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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