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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 213 212 it is the complementary color RGB 226 42 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 213 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 213 212 shade: RGB 34 213 207, RGB 51 231 226, RGB 68 249 245, RGB 85 255 255 and RGB 102 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 213 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 213 212 shade: RGB 29 213 212, RGB 12 195 193, RGB 0 177 174, RGB 0 159 155 and RGB 0 141 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 213 212 shade: RGB 28 210 209, RGB 28 210 160, RGB 28 210 111, RGB 28 210 62 and RGB 44 210 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 213 212 shade: RGB 28 210 209, RGB 28 162 210, RGB 28 113 210, RGB 28 64 210 and RGB 28 28 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 213 212 shade matches the following richer shades: RGB 28 210 209 and RGB 9 230 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 213 212 shade: RGB 28 210 209, RGB 48 191 190, RGB 67 172 171, RGB 86 152 152 and RGB 106 133 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 213 212 shade: RGB 28 210 110, RGB 28 210 159, RGB 28 210 207, RGB 28 165 210 and RGB 28 116 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 213 212 shade: RGB 18 138 137, RGB 23 174 173, RGB 28 210 209, RGB 53 227 226 and RGB 89 232 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 213 212 shade: RGB 29 213 212, RGB 62 28 210 and RGB 210 135 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 213 212 shade: RGB 29 213 212, RGB 207 28 210 and RGB 210 207 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 213 212 shade: RGB 29 213 212, RGB 62 28 210, RGB 210 28 31 and RGB 177 210 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 213 212 shade: RGB 29 213 212, RGB 116 28 210, RGB 210 28 31 and RGB 122 210 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

Complementary color

CMYK 0 / 81 / 81 / 11

HEX #E22A2B

RGB 226 42 43

HSL 359.67, 0.76%, 0.53%

LAB 49.5, 67.79, 46.22

 

CMYK 84 / 0 / 3 / 16

HEX #22D5CF

RGB 34 213 207

HSL 177.99, 0.72%, 0.48%

LAB 77.54, -42.38, -9.07

 

CMYK 78 / 0 / 2 / 9

HEX #33E7E2

RGB 51 231 226

HSL 178.33, 0.79%, 0.55%

LAB 83.62, -43.6, -10.1

 

CMYK 73 / 0 / 2 / 2

HEX #44F9F5

RGB 68 249 245

HSL 178.67, 0.94%, 0.62%

LAB 89.66, -44.56, -11.05

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

CMYK 94 / 0 / 1 / 24

HEX #0CC3C1

RGB 12 195 193

HSL 179.34, 0.88%, 0.41%

LAB 71.53, -39.54, -10.47

 

CMYK 100 / 0 / 2 / 31

HEX #00B1AE

RGB 0 177 174

HSL 178.98, 1%, 0.35%

LAB 65.36, -37.48, -9.22

 

CMYK 100 / 0 / 3 / 38

HEX #009F9B

RGB 0 159 155

HSL 178.49, 1%, 0.31%

LAB 59.12, -35.02, -7.85

 

CMYK 100 / 0 / 4 / 45

HEX #008D88

RGB 0 141 136

HSL 177.87, 1%, 0.28%

LAB 52.76, -32.52, -6.44

 

CMYK 87 / 0 / 0 / 18

HEX #1CD2D1

RGB 28 210 209

HSL 179.67, 0.76%, 0.47%

LAB 76.64, -40.83, -11.48

 

CMYK 87 / 0 / 24 / 18

HEX #1CD2A0

RGB 28 210 160

HSL 163.52, 0.76%, 0.47%

LAB 75.38, -53.92, 12.98

 

CMYK 87 / 0 / 47 / 18

HEX #1CD26F

RGB 28 210 111

HSL 147.36, 0.76%, 0.47%

LAB 74.5, -63.88, 37.25

 

CMYK 87 / 0 / 70 / 18

HEX #1CD23E

RGB 28 210 62

HSL 131.21, 0.76%, 0.47%

LAB 73.99, -70.13, 58.52

 

CMYK 79 / 0 / 87 / 18

HEX #2CD21C

RGB 44 210 28

HSL 114.73, 0.76%, 0.47%

LAB 74.01, -70.64, 68.6

 

CMYK 87 / 0 / 0 / 18

HEX #1CD2D1

RGB 28 210 209

HSL 179.67, 0.76%, 0.47%

LAB 76.64, -40.83, -11.48

 

CMYK 87 / 23 / 0 / 18

HEX #1CA2D2

RGB 28 162 210

HSL 195.82, 0.76%, 0.47%

LAB 62.29, -16.95, -33.93

 

CMYK 87 / 46 / 0 / 18

HEX #1C71D2

RGB 28 113 210

HSL 211.98, 0.76%, 0.47%

LAB 47.89, 11.82, -56.72

 

CMYK 87 / 70 / 0 / 18

HEX #1C40D2

RGB 28 64 210

HSL 228.13, 0.76%, 0.47%

LAB 35.14, 43.3, -77.51

 

CMYK 87 / 87 / 0 / 18

HEX #1C1CD2

RGB 28 28 210

HSL 240, 0.76%, 0.47%

LAB 28.72, 61.68, -88.14

 

CMYK 87 / 0 / 0 / 18

HEX #1CD2D1

RGB 28 210 209

HSL 179.67, 0.76%, 0.47%

LAB 76.64, -40.83, -11.48

 

CMYK 96 / 0 / 0 / 10

HEX #09E6E5

RGB 9 230 229

HSL 179.73, 0.92%, 0.47%

LAB 83.08, -44.56, -12.54

 

CMYK 87 / 0 / 0 / 18

HEX #1CD2D1

RGB 28 210 209

HSL 179.67, 0.76%, 0.47%

LAB 76.64, -40.83, -11.48

 

CMYK 75 / 0 / 1 / 25

HEX #30BFBE

RGB 48 191 190

HSL 179.58, 0.6%, 0.47%

LAB 70.6, -36.11, -10.17

 

CMYK 61 / 0 / 1 / 33

HEX #43ACAB

RGB 67 172 171

HSL 179.43, 0.44%, 0.47%

LAB 64.67, -29.88, -8.47

 

CMYK 43 / 0 / 0 / 40

HEX #569898

RGB 86 152 152

HSL 180, 0.28%, 0.47%

LAB 58.7, -20.98, -6.59

 

CMYK 20 / 0 / 0 / 48

HEX #6A8585

RGB 106 133 133

HSL 180, 0.11%, 0.47%

LAB 53.53, -9.58, -3.19

 

CMYK 87 / 0 / 48 / 18

HEX #1CD26E

RGB 28 210 110

HSL 147.03, 0.76%, 0.47%

LAB 74.49, -64.05, 37.73

 

CMYK 87 / 0 / 24 / 18

HEX #1CD29F

RGB 28 210 159

HSL 163.19, 0.76%, 0.47%

LAB 75.35, -54.15, 13.48

 

CMYK 87 / 0 / 1 / 18

HEX #1CD2CF

RGB 28 210 207

HSL 179.01, 0.76%, 0.47%

LAB 76.59, -41.42, -10.49

 

CMYK 87 / 21 / 0 / 18

HEX #1CA5D2

RGB 28 165 210

HSL 194.84, 0.76%, 0.47%

LAB 63.19, -18.56, -32.53

 

CMYK 87 / 45 / 0 / 18

HEX #1C74D2

RGB 28 116 210

HSL 210.99, 0.76%, 0.47%

LAB 48.75, 9.93, -55.34

 

CMYK 87 / 0 / 1 / 46

HEX #128A89

RGB 18 138 137

HSL 179.5, 0.77%, 0.31%

LAB 51.96, -29.81, -8.19

 

CMYK 87 / 0 / 1 / 32

HEX #17AEAD

RGB 23 174 173

HSL 179.6, 0.77%, 0.39%

LAB 64.54, -35.44, -9.87

 

CMYK 87 / 0 / 0 / 18

HEX #1CD2D1

RGB 28 210 209

HSL 179.67, 0.76%, 0.47%

LAB 76.64, -40.83, -11.48

 

CMYK 77 / 0 / 0 / 11

HEX #35E3E2

RGB 53 227 226

HSL 179.66, 0.76%, 0.55%

LAB 82.48, -41.64, -11.81

 

CMYK 62 / 0 / 0 / 9

HEX #59E8E7

RGB 89 232 231

HSL 179.58, 0.76%, 0.63%

LAB 84.8, -37.96, -10.92

 

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

CMYK 70 / 87 / 0 / 18

HEX #3E1CD2

RGB 62 28 210

HSL 251.21, 0.76%, 0.47%

LAB 30.66, 63.16, -84.87

 

CMYK 0 / 36 / 87 / 18

HEX #D2871C

RGB 210 135 28

HSL 35.27, 0.76%, 0.47%

LAB 62.6, 21.11, 62.8

 

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

CMYK 1 / 87 / 0 / 18

HEX #CF1CD2

RGB 207 28 210

HSL 299.01, 0.76%, 0.47%

LAB 50.39, 81.46, -51.83

 

CMYK 0 / 1 / 87 / 18

HEX #D2CF1C

RGB 210 207 28

HSL 59.01, 0.76%, 0.47%

LAB 80.97, -16.77, 77.6

 

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

CMYK 70 / 87 / 0 / 18

HEX #3E1CD2

RGB 62 28 210

HSL 251.21, 0.76%, 0.47%

LAB 30.66, 63.16, -84.87

 

CMYK 0 / 87 / 85 / 18

HEX #D21C1F

RGB 210 28 31

HSL 359.01, 0.76%, 0.47%

LAB 45.12, 66.19, 47.18

 

CMYK 16 / 0 / 87 / 18

HEX #B1D21C

RGB 177 210 28

HSL 70.88, 0.76%, 0.47%

LAB 79.34, -31.98, 75.26

 

CMYK 86 / 0 / 0 / 16

HEX #1DD5D4

RGB 29 213 212

HSL 179.67, 0.76%, 0.47%

LAB 77.64, -41.24, -11.6

 

CMYK 45 / 87 / 0 / 18

HEX #741CD2

RGB 116 28 210

HSL 269.01, 0.76%, 0.47%

LAB 36.36, 67.94, -75.26

 

CMYK 0 / 87 / 85 / 18

HEX #D21C1F

RGB 210 28 31

HSL 359.01, 0.76%, 0.47%

LAB 45.12, 66.19, 47.18

 

CMYK 42 / 0 / 87 / 18

HEX #7AD21C

RGB 122 210 28

HSL 89.01, 0.76%, 0.47%

LAB 76.26, -52.47, 71.43

 

Description

Color code: RGB 29 213 212 | qconv.com Color code: RGB 29 213 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 213 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 213 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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