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Color name
RGB 29 164 96

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 164 96 it is the complementary color RGB 226 91 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 164 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 164 96 shade: RGB 34 164 91, RGB 51 182 110, RGB 68 200 129, RGB 85 218 148 and RGB 102 236 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 164 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 12 146 77, RGB 0 128 58, RGB 0 110 39 and RGB 0 92 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 29 164 59, RGB 34 164 29, RGB 71 164 29 and RGB 108 164 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 29 164 132, RGB 29 159 164, RGB 29 123 164 and RGB 29 86 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 164 96 shade matches the following richer shades: RGB 29 164 96 and RGB 13 180 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 44 149 96, RGB 60 133 96, RGB 76 117 96 and RGB 91 102 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 164 96 shade: RGB 35 164 29, RGB 29 164 58, RGB 29 164 94, RGB 29 164 130 and RGB 29 162 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 164 96 shade: RGB 16 94 55, RGB 22 129 75, RGB 29 164 96, RGB 35 199 116 and RGB 56 219 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 29 72 164 and RGB 164 40 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 94 29 164 and RGB 164 94 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 29 72 164, RGB 164 29 99 and RGB 164 121 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 164 96 shade: RGB 29 164 96, RGB 29 31 164, RGB 164 29 99 and RGB 164 162 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

Complementary color

CMYK 0 / 60 / 30 / 11

HEX #E25B9F

RGB 226 91 159

HSL 329.78, 0.7%, 0.62%

LAB 58.18, 59.15, -9.97

 

CMYK 79 / 0 / 45 / 36

HEX #22A45B

RGB 34 164 91

HSL 146.31, 0.66%, 0.39%

LAB 59.57, -50.67, 28.39

 

CMYK 72 / 0 / 40 / 29

HEX #33B66E

RGB 51 182 110

HSL 147.02, 0.56%, 0.46%

LAB 65.97, -51.49, 26.77

 

CMYK 66 / 0 / 36 / 22

HEX #44C881

RGB 68 200 129

HSL 147.73, 0.55%, 0.53%

LAB 72.31, -51.96, 25.28

 

CMYK 61 / 0 / 32 / 15

HEX #55DA94

RGB 85 218 148

HSL 148.42, 0.64%, 0.59%

LAB 78.59, -52.19, 23.92

 

CMYK 57 / 0 / 29 / 7

HEX #66ECA7

RGB 102 236 167

HSL 149.1, 0.78%, 0.66%

LAB 84.79, -52.27, 22.65

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 92 / 0 / 47 / 43

HEX #0C924D

RGB 12 146 77

HSL 149.1, 0.85%, 0.31%

LAB 53.14, -48.78, 27.52

 

CMYK 100 / 0 / 55 / 50

HEX #00803A

RGB 0 128 58

HSL 147.19, 1%, 0.25%

LAB 46.64, -46.54, 29.45

 

CMYK 100 / 0 / 65 / 57

HEX #006E27

RGB 0 110 39

HSL 141.27, 1%, 0.22%

LAB 40.08, -43.27, 31.4

 

CMYK 100 / 0 / 78 / 64

HEX #005C14

RGB 0 92 20

HSL 133.04, 1%, 0.18%

LAB 33.36, -39.52, 32.86

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 0 / 64 / 36

HEX #1DA43B

RGB 29 164 59

HSL 133.33, 0.7%, 0.38%

LAB 59.09, -56.07, 43.64

 

CMYK 79 / 0 / 82 / 36

HEX #22A41D

RGB 34 164 29

HSL 117.78, 0.7%, 0.38%

LAB 58.96, -58.04, 54.75

 

CMYK 57 / 0 / 82 / 36

HEX #47A41D

RGB 71 164 29

HSL 101.33, 0.7%, 0.38%

LAB 59.87, -50.4, 55.93

 

CMYK 34 / 0 / 82 / 36

HEX #6CA41D

RGB 108 164 29

HSL 84.89, 0.7%, 0.38%

LAB 61.51, -38.27, 58.02

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 0 / 20 / 36

HEX #1DA484

RGB 29 164 132

HSL 165.78, 0.7%, 0.38%

LAB 60.32, -42.11, 6.9

 

CMYK 82 / 3 / 0 / 36

HEX #1D9FA4

RGB 29 159 164

HSL 182.22, 0.7%, 0.38%

LAB 59.65, -30.65, -12.14

 

CMYK 82 / 25 / 0 / 36

HEX #1D7BA4

RGB 29 123 164

HSL 198.22, 0.7%, 0.38%

LAB 48.4, -11.69, -29.38

 

CMYK 82 / 48 / 0 / 36

HEX #1D56A4

RGB 29 86 164

HSL 214.67, 0.7%, 0.38%

LAB 37.11, 11.26, -47.26

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 93 / 0 / 47 / 29

HEX #0DB460

RGB 13 180 96

HSL 149.82, 0.87%, 0.38%

LAB 64.62, -57.23, 32.23

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 70 / 0 / 36 / 42

HEX #2C9560

RGB 44 149 96

HSL 149.71, 0.54%, 0.38%

LAB 54.94, -42.38, 19.6

 

CMYK 55 / 0 / 28 / 48

HEX #3C8560

RGB 60 133 96

HSL 149.59, 0.38%, 0.38%

LAB 50.19, -31.98, 13.18

 

CMYK 35 / 0 / 18 / 54

HEX #4C7560

RGB 76 117 96

HSL 149.27, 0.21%, 0.38%

LAB 45.78, -19.31, 7.08

 

CMYK 11 / 0 / 6 / 60

HEX #5B6660

RGB 91 102 96

HSL 147.27, 0.06%, 0.38%

LAB 42.11, -5.51, 1.95

 

CMYK 79 / 0 / 82 / 36

HEX #23A41D

RGB 35 164 29

HSL 117.33, 0.7%, 0.38%

LAB 58.97, -57.9, 54.77

 

CMYK 82 / 0 / 65 / 36

HEX #1DA43A

RGB 29 164 58

HSL 132.89, 0.7%, 0.38%

LAB 59.08, -56.19, 44.08

 

CMYK 82 / 0 / 43 / 36

HEX #1DA45E

RGB 29 164 94

HSL 148.89, 0.7%, 0.38%

LAB 59.54, -50.68, 26.75

 

CMYK 82 / 0 / 21 / 36

HEX #1DA482

RGB 29 164 130

HSL 164.89, 0.7%, 0.38%

LAB 60.27, -42.62, 7.95

 

CMYK 82 / 1 / 0 / 36

HEX #1DA2A4

RGB 29 162 164

HSL 180.89, 0.7%, 0.38%

LAB 60.59, -32.1, -10.73

 

CMYK 83 / 0 / 41 / 63

HEX #105E37

RGB 16 94 55

HSL 150, 0.71%, 0.22%

LAB 34.79, -32.74, 16.06

 

CMYK 83 / 0 / 42 / 49

HEX #16814B

RGB 22 129 75

HSL 149.72, 0.71%, 0.3%

LAB 47.47, -41.93, 21.29

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 0 / 42 / 22

HEX #23C774

RGB 35 199 116

HSL 149.63, 0.7%, 0.46%

LAB 71.19, -58.62, 30.46

 

CMYK 74 / 0 / 37 / 14

HEX #38DB89

RGB 56 219 137

HSL 149.82, 0.69%, 0.54%

LAB 78.06, -59.49, 28.79

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 56 / 0 / 36

HEX #1D48A4

RGB 29 72 164

HSL 220.89, 0.7%, 0.38%

LAB 33.08, 20.67, -53.77

 

CMYK 0 / 76 / 82 / 36

HEX #A4281D

RGB 164 40 29

HSL 4.89, 0.7%, 0.38%

LAB 36.93, 49.6, 37.3

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 43 / 82 / 0 / 36

HEX #5E1DA4

RGB 94 29 164

HSL 268.89, 0.7%, 0.38%

LAB 29.26, 54.05, -59.81

 

CMYK 0 / 43 / 82 / 36

HEX #A45E1D

RGB 164 94 29

HSL 28.89, 0.7%, 0.38%

LAB 46.96, 23.7, 46.71

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 56 / 0 / 36

HEX #1D48A4

RGB 29 72 164

HSL 220.89, 0.7%, 0.38%

LAB 33.08, 20.67, -53.77

 

CMYK 0 / 82 / 40 / 36

HEX #A41D63

RGB 164 29 99

HSL 328.89, 0.7%, 0.38%

LAB 37.25, 57.62, -5.97

 

CMYK 0 / 26 / 82 / 36

HEX #A4791D

RGB 164 121 29

HSL 40.89, 0.7%, 0.38%

LAB 53.66, 8.44, 52.72

 

CMYK 82 / 0 / 41 / 36

HEX #1DA460

RGB 29 164 96

HSL 149.78, 0.7%, 0.38%

LAB 59.58, -50.3, 25.73

 

CMYK 82 / 81 / 0 / 36

HEX #1D1FA4

RGB 29 31 164

HSL 239.11, 0.7%, 0.38%

LAB 23.41, 46.45, -69.67

 

CMYK 0 / 82 / 40 / 36

HEX #A41D63

RGB 164 29 99

HSL 328.89, 0.7%, 0.38%

LAB 37.25, 57.62, -5.97

 

CMYK 0 / 1 / 82 / 36

HEX #A4A21D

RGB 164 162 29

HSL 59.11, 0.7%, 0.38%

LAB 64.82, -13.89, 62.44

 

Description

Color code: RGB 29 164 96 | qconv.com Color code: RGB 29 164 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 164 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 164 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 41 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 41% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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