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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 158 130 it is the complementary color RGB 226 97 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 158 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 158 130 shade: RGB 34 158 125, RGB 51 176 144, RGB 68 194 163, RGB 85 212 182 and RGB 102 230 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 158 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 158 130 shade: RGB 29 158 130, RGB 12 140 111, RGB 0 122 92, RGB 0 104 73 and RGB 0 86 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 158 130 shade: RGB 29 159 131, RGB 29 159 96, RGB 29 159 60, RGB 32 159 29 and RGB 67 159 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 158 130 shade: RGB 29 159 131, RGB 29 152 159, RGB 29 117 159, RGB 29 82 159 and RGB 29 47 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 158 130 shade matches the following richer shades: RGB 29 159 131 and RGB 13 174 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 158 130 shade: RGB 29 159 131, RGB 44 144 122, RGB 59 128 113, RGB 75 113 105 and RGB 90 98 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 158 130 shade: RGB 29 159 59, RGB 29 159 94, RGB 29 159 129, RGB 29 155 159 and RGB 29 120 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 158 130 shade: RGB 16 89 73, RGB 22 124 102, RGB 29 159 131, RGB 35 194 159 and RGB 53 217 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 158 130 shade: RGB 29 158 130, RGB 29 33 159 and RGB 159 76 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 158 130 shade: RGB 29 158 130, RGB 129 29 159 and RGB 159 129 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 158 130 shade: RGB 29 158 130, RGB 29 33 159, RGB 159 29 59 and RGB 159 155 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 158 130 shade: RGB 29 158 130, RGB 63 29 159, RGB 159 29 59 and RGB 124 159 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

Complementary color

CMYK 0 / 57 / 45 / 11

HEX #E2617D

RGB 226 97 125

HSL 346.98, 0.69%, 0.63%

LAB 58.23, 52.69, 9.93

 

CMYK 78 / 0 / 21 / 38

HEX #229E7D

RGB 34 158 125

HSL 164.03, 0.65%, 0.38%

LAB 58.3, -40.82, 7.96

 

CMYK 71 / 0 / 18 / 31

HEX #33B090

RGB 51 176 144

HSL 164.64, 0.55%, 0.45%

LAB 64.78, -41.54, 6.65

 

CMYK 65 / 0 / 16 / 24

HEX #44C2A3

RGB 68 194 163

HSL 165.24, 0.51%, 0.51%

LAB 71.18, -41.97, 5.48

 

CMYK 60 / 0 / 14 / 17

HEX #55D4B6

RGB 85 212 182

HSL 165.83, 0.6%, 0.58%

LAB 77.52, -42.22, 4.42

 

CMYK 56 / 0 / 13 / 10

HEX #66E6C9

RGB 102 230 201

HSL 166.41, 0.72%, 0.65%

LAB 83.78, -42.35, 3.45

 

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

CMYK 91 / 0 / 21 / 45

HEX #0C8C6F

RGB 12 140 111

HSL 166.41, 0.84%, 0.3%

LAB 51.82, -38.73, 6.67

 

CMYK 100 / 0 / 25 / 52

HEX #007A5C

RGB 0 122 92

HSL 165.25, 1%, 0.24%

LAB 45.21, -36.86, 8.35

 

CMYK 100 / 0 / 30 / 59

HEX #006849

RGB 0 104 73

HSL 162.12, 1%, 0.2%

LAB 38.52, -34.23, 10.29

 

CMYK 100 / 0 / 37 / 66

HEX #005636

RGB 0 86 54

HSL 157.67, 1%, 0.17%

LAB 31.63, -31.47, 12.38

 

CMYK 82 / 0 / 18 / 38

HEX #1D9F83

RGB 29 159 131

HSL 167.08, 0.69%, 0.37%

LAB 58.69, -40.23, 5.13

 

CMYK 82 / 0 / 40 / 38

HEX #1D9F60

RGB 29 159 96

HSL 150.92, 0.69%, 0.37%

LAB 57.94, -48.43, 23.57

 

CMYK 82 / 0 / 62 / 38

HEX #1D9F3C

RGB 29 159 60

HSL 134.31, 0.69%, 0.37%

LAB 57.45, -54.29, 41.32

 

CMYK 80 / 0 / 82 / 38

HEX #209F1D

RGB 32 159 29

HSL 118.62, 0.69%, 0.37%

LAB 57.26, -56.75, 53.16

 

CMYK 58 / 0 / 82 / 38

HEX #439F1D

RGB 67 159 29

HSL 102.46, 0.69%, 0.37%

LAB 58.11, -49.64, 54.26

 

CMYK 82 / 0 / 18 / 38

HEX #1D9F83

RGB 29 159 131

HSL 167.08, 0.69%, 0.37%

LAB 58.69, -40.23, 5.13

 

CMYK 82 / 4 / 0 / 38

HEX #1D989F

RGB 29 152 159

HSL 183.23, 0.69%, 0.37%

LAB 57.29, -28.81, -12.85

 

CMYK 82 / 26 / 0 / 38

HEX #1D759F

RGB 29 117 159

HSL 199.38, 0.69%, 0.37%

LAB 46.29, -10.06, -29.73

 

CMYK 82 / 48 / 0 / 38

HEX #1D529F

RGB 29 82 159

HSL 215.54, 0.69%, 0.37%

LAB 35.59, 11.93, -46.71

 

CMYK 82 / 70 / 0 / 38

HEX #1D2F9F

RGB 29 47 159

HSL 231.69, 0.69%, 0.37%

LAB 26.15, 35.43, -62.1

 

CMYK 82 / 0 / 18 / 38

HEX #1D9F83

RGB 29 159 131

HSL 167.08, 0.69%, 0.37%

LAB 58.69, -40.23, 5.13

 

CMYK 93 / 0 / 20 / 32

HEX #0DAE8B

RGB 13 174 139

HSL 166.96, 0.86%, 0.37%

LAB 63.53, -45.58, 7.56

 

CMYK 82 / 0 / 18 / 38

HEX #1D9F83

RGB 29 159 131

HSL 167.08, 0.69%, 0.37%

LAB 58.69, -40.23, 5.13

 

CMYK 69 / 0 / 15 / 44

HEX #2C907A

RGB 44 144 122

HSL 166.8, 0.53%, 0.37%

LAB 53.91, -34.01, 3.4

 

CMYK 54 / 0 / 12 / 50

HEX #3B8071

RGB 59 128 113

HSL 166.96, 0.37%, 0.37%

LAB 48.96, -25.7, 1.52

 

CMYK 34 / 0 / 7 / 56

HEX #4B7169

RGB 75 113 105

HSL 167.37, 0.2%, 0.37%

LAB 44.7, -15.36, 0.15

 

CMYK 8 / 0 / 2 / 62

HEX #5A6260

RGB 90 98 96

HSL 165, 0.04%, 0.37%

LAB 40.82, -3.53, 0.07

 

CMYK 82 / 0 / 63 / 38

HEX #1D9F3B

RGB 29 159 59

HSL 133.85, 0.69%, 0.37%

LAB 57.44, -54.42, 41.77

 

CMYK 82 / 0 / 41 / 38

HEX #1D9F5E

RGB 29 159 94

HSL 150, 0.69%, 0.37%

LAB 57.91, -48.82, 24.61

 

CMYK 82 / 0 / 19 / 38

HEX #1D9F81

RGB 29 159 129

HSL 166.15, 0.69%, 0.37%

LAB 58.64, -40.75, 6.19

 

CMYK 82 / 3 / 0 / 38

HEX #1D9B9F

RGB 29 155 159

HSL 181.85, 0.69%, 0.37%

LAB 58.23, -30.28, -11.43

 

CMYK 82 / 25 / 0 / 38

HEX #1D789F

RGB 29 120 159

HSL 198, 0.69%, 0.37%

LAB 47.23, -11.8, -28.26

 

CMYK 82 / 0 / 18 / 65

HEX #105949

RGB 16 89 73

HSL 166.85, 0.7%, 0.21%

LAB 33.43, -25.84, 3.11

 

CMYK 82 / 0 / 18 / 51

HEX #167C66

RGB 22 124 102

HSL 167.06, 0.7%, 0.29%

LAB 46.37, -33.3, 4.14

 

CMYK 82 / 0 / 18 / 38

HEX #1D9F83

RGB 29 159 131

HSL 167.08, 0.69%, 0.37%

LAB 58.69, -40.23, 5.13

 

CMYK 82 / 0 / 18 / 24

HEX #23C29F

RGB 35 194 159

HSL 166.79, 0.69%, 0.45%

LAB 70.49, -47.2, 6.57

 

CMYK 76 / 0 / 16 / 15

HEX #35D9B6

RGB 53 217 182

HSL 167.2, 0.68%, 0.53%

LAB 78.32, -49.12, 5.49

 

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

CMYK 82 / 79 / 0 / 38

HEX #1D219F

RGB 29 33 159

HSL 238.15, 0.69%, 0.37%

LAB 23.18, 43.75, -67.01

 

CMYK 0 / 52 / 82 / 38

HEX #9F4C1D

RGB 159 76 29

HSL 21.69, 0.69%, 0.37%

LAB 42.2, 31.43, 42.03

 

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

CMYK 19 / 82 / 0 / 38

HEX #811D9F

RGB 129 29 159

HSL 286.15, 0.69%, 0.37%

LAB 34.08, 58.75, -48.7

 

CMYK 0 / 19 / 82 / 38

HEX #9F811D

RGB 159 129 29

HSL 46.15, 0.69%, 0.37%

LAB 55.24, 1.65, 53.91

 

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

CMYK 82 / 79 / 0 / 38

HEX #1D219F

RGB 29 33 159

HSL 238.15, 0.69%, 0.37%

LAB 23.18, 43.75, -67.01

 

CMYK 0 / 82 / 63 / 38

HEX #9F1D3B

RGB 159 29 59

HSL 346.15, 0.69%, 0.37%

LAB 35.13, 52.92, 16.67

 

CMYK 0 / 3 / 82 / 38

HEX #9F9B1D

RGB 159 155 29

HSL 58.15, 0.69%, 0.37%

LAB 62.43, -12.46, 60.21

 

CMYK 82 / 0 / 18 / 38

HEX #1D9E82

RGB 29 158 130

HSL 166.98, 0.69%, 0.37%

LAB 58.35, -40.06, 5.2

 

CMYK 60 / 82 / 0 / 38

HEX #3F1D9F

RGB 63 29 159

HSL 255.69, 0.69%, 0.37%

LAB 25.07, 48.71, -63.8

 

CMYK 0 / 82 / 63 / 38

HEX #9F1D3B

RGB 159 29 59

HSL 346.15, 0.69%, 0.37%

LAB 35.13, 52.92, 16.67

 

CMYK 22 / 0 / 82 / 38

HEX #7C9F1D

RGB 124 159 29

HSL 76.15, 0.69%, 0.37%

LAB 60.93, -29.66, 57.87

 

Description

Color code: RGB 29 158 130 | qconv.com Color code: RGB 29 158 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 158 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 158 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 18 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 18% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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