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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 87 241 it is the complementary color RGB 226 168 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 87 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 87 241 shade: RGB 34 87 236, RGB 51 105 255, RGB 68 123 255, RGB 85 141 255 and RGB 102 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 87 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 87 241 shade: RGB 29 87 241, RGB 12 69 222, RGB 0 51 203, RGB 0 33 184 and RGB 0 15 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 87 241 shade: RGB 29 87 240, RGB 29 30 240, RGB 85 29 240, RGB 142 29 240 and RGB 199 29 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 87 241 shade: RGB 29 87 240, RGB 29 30 240 and RGB 29 29 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 87 241 shade matches the following richer shades: RGB 29 87 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 87 241 shade: RGB 29 87 240, RGB 49 96 221, RGB 68 104 201, RGB 87 113 182 and RGB 107 122 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 87 241 shade: RGB 29 201 240, RGB 29 145 240, RGB 29 89 240, RGB 29 33 240 and RGB 82 29 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 87 241 shade: RGB 11 56 176, RGB 13 68 215, RGB 29 87 240, RGB 68 116 243 and RGB 107 145 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 87 241 shade: RGB 29 87 241, RGB 223 29 240 and RGB 173 240 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 87 241 shade: RGB 29 87 241, RGB 240 29 89 and RGB 89 240 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 87 241 shade: RGB 29 87 241, RGB 223 29 240, RGB 240 180 29 and RGB 47 240 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 87 241 shade: RGB 29 87 241, RGB 240 29 194, RGB 240 180 29 and RGB 29 240 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

Complementary color

CMYK 0 / 26 / 94 / 11

HEX #E2A80E

RGB 226 168 14

HSL 43.58, 0.88%, 0.47%

LAB 72.37, 10.09, 73.98

 

CMYK 86 / 63 / 0 / 7

HEX #2257EC

RGB 34 87 236

HSL 224.26, 0.84%, 0.53%

LAB 43.08, 38.75, -79.28

 

CMYK 80 / 59 / 0 / 0

HEX #3369FF

RGB 51 105 255

HSL 224.12, 1%, 0.6%

LAB 49.53, 35.61, -79.33

 

CMYK 73 / 52 / 0 / 0

HEX #447BFF

RGB 68 123 255

HSL 222.35, 1%, 0.63%

LAB 54.67, 26.14, -70.94

 

CMYK 67 / 45 / 0 / 0

HEX #558DFF

RGB 85 141 255

HSL 220.24, 1%, 0.67%

LAB 60.07, 17.47, -62.21

 

CMYK 60 / 38 / 0 / 0

HEX #669FFF

RGB 102 159 255

HSL 217.65, 1%, 0.7%

LAB 65.62, 9.69, -53.31

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 95 / 69 / 0 / 13

HEX #0C45DE

RGB 12 69 222

HSL 223.71, 0.9%, 0.46%

LAB 37.13, 43.95, -81.13

 

CMYK 100 / 75 / 0 / 20

HEX #0033CB

RGB 0 51 203

HSL 224.93, 1%, 0.4%

LAB 31.07, 47.71, -80.19

 

CMYK 100 / 82 / 0 / 28

HEX #0021B8

RGB 0 33 184

HSL 229.24, 1%, 0.36%

LAB 25.41, 51.06, -78.4

 

CMYK 100 / 91 / 0 / 35

HEX #000FA5

RGB 0 15 165

HSL 234.55, 1%, 0.32%

LAB 20.28, 52.85, -75.52

 

CMYK 88 / 64 / 0 / 6

HEX #1D57F0

RGB 29 87 240

HSL 223.51, 0.88%, 0.53%

LAB 43.31, 39.95, -81.15

 

CMYK 88 / 88 / 0 / 6

HEX #1D1EF0

RGB 29 30 240

HSL 239.72, 0.88%, 0.53%

LAB 32.88, 69.36, -98.43

 

CMYK 65 / 88 / 0 / 6

HEX #551DF0

RGB 85 29 240

HSL 255.92, 0.88%, 0.53%

LAB 36.18, 72.06, -92.84

 

CMYK 41 / 88 / 0 / 6

HEX #8E1DF0

RGB 142 29 240

HSL 272.13, 0.88%, 0.53%

LAB 42.64, 77.21, -81.95

 

CMYK 17 / 88 / 0 / 6

HEX #C71DF0

RGB 199 29 240

HSL 288.34, 0.88%, 0.53%

LAB 51.05, 84.81, -67.88

 

CMYK 88 / 64 / 0 / 6

HEX #1D57F0

RGB 29 87 240

HSL 223.51, 0.88%, 0.53%

LAB 43.31, 39.95, -81.15

 

CMYK 88 / 88 / 0 / 6

HEX #1D1EF0

RGB 29 30 240

HSL 239.72, 0.88%, 0.53%

LAB 32.88, 69.36, -98.43

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 88 / 64 / 0 / 6

HEX #1D57F0

RGB 29 87 240

HSL 223.51, 0.88%, 0.53%

LAB 43.31, 39.95, -81.15

 

CMYK 88 / 64 / 0 / 6

HEX #1D57F0

RGB 29 87 240

HSL 223.51, 0.88%, 0.53%

LAB 43.31, 39.95, -81.15

 

CMYK 78 / 57 / 0 / 13

HEX #3160DD

RGB 49 96 221

HSL 223.6, 0.72%, 0.53%

LAB 44.57, 28.67, -68.32

 

CMYK 66 / 48 / 0 / 21

HEX #4468C9

RGB 68 104 201

HSL 223.76, 0.55%, 0.53%

LAB 46.11, 18.78, -54.37

 

CMYK 52 / 38 / 0 / 29

HEX #5771B6

RGB 87 113 182

HSL 223.58, 0.39%, 0.53%

LAB 48.53, 10.47, -39.48

 

CMYK 34 / 25 / 0 / 36

HEX #6B7AA3

RGB 107 122 163

HSL 223.93, 0.23%, 0.53%

LAB 51.48, 4.69, -23.73

 

CMYK 88 / 16 / 0 / 6

HEX #1DC9F0

RGB 29 201 240

HSL 191.09, 0.88%, 0.53%

LAB 75.03, -26.89, -30.62

 

CMYK 88 / 40 / 0 / 6

HEX #1D91F0

RGB 29 145 240

HSL 207.01, 0.88%, 0.53%

LAB 58.79, 3.69, -56.08

 

CMYK 88 / 63 / 0 / 6

HEX #1D59F0

RGB 29 89 240

HSL 222.94, 0.88%, 0.53%

LAB 43.8, 38.7, -80.36

 

CMYK 88 / 86 / 0 / 6

HEX #1D21F0

RGB 29 33 240

HSL 238.86, 0.88%, 0.53%

LAB 33.22, 68.32, -97.85

 

CMYK 66 / 88 / 0 / 6

HEX #521DF0

RGB 82 29 240

HSL 255.07, 0.88%, 0.53%

LAB 35.91, 71.87, -93.29

 

CMYK 94 / 68 / 0 / 31

HEX #0B38B0

RGB 11 56 176

HSL 223.64, 0.88%, 0.37%

LAB 29.5, 35.02, -66.85

 

CMYK 94 / 68 / 0 / 16

HEX #0D44D7

RGB 13 68 215

HSL 223.66, 0.89%, 0.45%

LAB 36.23, 42.05, -78.61

 

CMYK 88 / 64 / 0 / 6

HEX #1D57F0

RGB 29 87 240

HSL 223.51, 0.88%, 0.53%

LAB 43.31, 39.95, -81.15

 

CMYK 72 / 52 / 0 / 5

HEX #4474F3

RGB 68 116 243

HSL 223.54, 0.88%, 0.61%

LAB 52.05, 26.2, -68.53

 

CMYK 56 / 41 / 0 / 4

HEX #6B91F5

RGB 107 145 245

HSL 223.48, 0.87%, 0.69%

LAB 61.63, 15.65, -54.17

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 7 / 88 / 0 / 6

HEX #DF1DF0

RGB 223 29 240

HSL 295.17, 0.88%, 0.53%

LAB 54.93, 88.55, -61.43

 

CMYK 28 / 0 / 88 / 6

HEX #ADF01D

RGB 173 240 29

HSL 79.05, 0.88%, 0.53%

LAB 87.63, -46.8, 81.83

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 0 / 88 / 63 / 6

HEX #F01D59

RGB 240 29 89

HSL 342.94, 0.88%, 0.53%

LAB 51.98, 75.9, 23.15

 

CMYK 63 / 0 / 88 / 6

HEX #59F01D

RGB 89 240 29

HSL 102.94, 0.88%, 0.53%

LAB 84.24, -71.99, 77.62

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 7 / 88 / 0 / 6

HEX #DF1DF0

RGB 223 29 240

HSL 295.17, 0.88%, 0.53%

LAB 54.93, 88.55, -61.43

 

CMYK 0 / 25 / 88 / 6

HEX #F0B41D

RGB 240 180 29

HSL 42.94, 0.88%, 0.53%

LAB 76.83, 10.04, 75.29

 

CMYK 80 / 0 / 88 / 6

HEX #2FF01D

RGB 47 240 29

HSL 114.88, 0.88%, 0.53%

LAB 83.45, -78.83, 76.63

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 0 / 88 / 19 / 6

HEX #F01DC2

RGB 240 29 194

HSL 313.08, 0.88%, 0.53%

LAB 55.38, 85.21, -34.36

 

CMYK 0 / 25 / 88 / 6

HEX #F0B41D

RGB 240 180 29

HSL 42.94, 0.88%, 0.53%

LAB 76.83, 10.04, 75.29

 

CMYK 88 / 0 / 69 / 6

HEX #1DF04B

RGB 29 240 75

HSL 133.08, 0.88%, 0.53%

LAB 83.49, -77.64, 63.63

 

Description

Color code: RGB 29 87 241 | qconv.com Color code: RGB 29 87 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 87 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 87 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 64 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 64% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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