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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 46 39 it is the complementary color RGB 226 209 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 46 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 46 39 shade: RGB 34 46 34, RGB 51 64 53, RGB 68 82 72, RGB 85 100 91 and RGB 102 118 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 46 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 46 39 shade: RGB 29 46 39, RGB 12 28 20 and RGB 0 10 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 46 39 shade: RGB 29 47 39, RGB 29 47 35, RGB 29 47 30, RGB 33 47 29 and RGB 38 47 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 46 39 shade: RGB 29 47 39, RGB 29 47 44, RGB 29 44 47, RGB 29 40 47 and RGB 29 35 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 46 39 shade matches the following richer shades: RGB 29 47 39, RGB 23 53 40, RGB 17 59 41, RGB 10 65 43 and RGB 4 71 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 46 39 shade: RGB 29 47 39, RGB 35 40 38, RGB 41 34 37, RGB 48 28 36 and RGB 54 22 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 46 39 shade: RGB 29 47 30, RGB 29 47 35, RGB 29 47 39, RGB 29 47 44 and RGB 29 44 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 46 39 shade: RGB 29 46 39, RGB 29 33 47 and RGB 47 32 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 46 39 shade: RGB 29 46 39, RGB 39 29 47 and RGB 47 39 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 46 39 shade: RGB 29 46 39, RGB 29 33 47, RGB 47 29 36 and RGB 47 43 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 46 39 shade: RGB 29 46 39, RGB 30 29 47, RGB 47 29 36 and RGB 45 47 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

Complementary color

CMYK 0 / 8 / 4 / 11

HEX #E2D1D8

RGB 226 209 216

HSL 335.29, 0.23%, 0.85%

LAB 85.37, 7.09, -1.34

 

CMYK 26 / 0 / 26 / 82

HEX #222E22

RGB 34 46 34

HSL 120, 0.15%, 0.16%

LAB 17.5, -8.12, 6.1

 

CMYK 20 / 0 / 17 / 75

HEX #334035

RGB 51 64 53

HSL 129.23, 0.11%, 0.23%

LAB 25.65, -7.92, 4.99

 

CMYK 17 / 0 / 12 / 68

HEX #445248

RGB 68 82 72

HSL 137.14, 0.09%, 0.29%

LAB 33.42, -7.79, 4.04

 

CMYK 15 / 0 / 9 / 61

HEX #55645B

RGB 85 100 91

HSL 144, 0.08%, 0.36%

LAB 40.9, -7.71, 3.18

 

CMYK 14 / 0 / 7 / 54

HEX #66766E

RGB 102 118 110

HSL 150, 0.07%, 0.43%

LAB 48.14, -7.65, 2.4

 

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

CMYK 57 / 0 / 29 / 89

HEX #0C1C14

RGB 12 28 20

HSL 150, 0.4%, 0.08%

LAB 8.65, -8.88, 3.32

 

CMYK 100 / 0 / 90 / 96

HEX #000A01

RGB 0 10 1

HSL 126, 1%, 0.02%

LAB 1.98, -3.87, 2.48

 

CMYK 38 / 0 / 17 / 82

HEX #1D2F27

RGB 29 47 39

HSL 153.33, 0.24%, 0.15%

LAB 17.65, -9.59, 2.8

 

CMYK 38 / 0 / 26 / 82

HEX #1D2F23

RGB 29 47 35

HSL 140, 0.24%, 0.15%

LAB 17.53, -10.61, 5.4

 

CMYK 38 / 0 / 36 / 82

HEX #1D2F1E

RGB 29 47 30

HSL 123.33, 0.24%, 0.15%

LAB 17.4, -11.76, 8.64

 

CMYK 30 / 0 / 38 / 82

HEX #212F1D

RGB 33 47 29

HSL 106.67, 0.24%, 0.15%

LAB 17.67, -10.25, 9.72

 

CMYK 19 / 0 / 38 / 82

HEX #262F1D

RGB 38 47 29

HSL 90, 0.24%, 0.15%

LAB 18.07, -7.96, 10.33

 

CMYK 38 / 0 / 17 / 82

HEX #1D2F27

RGB 29 47 39

HSL 153.33, 0.24%, 0.15%

LAB 17.65, -9.59, 2.8

 

CMYK 38 / 0 / 6 / 82

HEX #1D2F2C

RGB 29 47 44

HSL 170, 0.24%, 0.15%

LAB 17.81, -8.21, -0.43

 

CMYK 38 / 6 / 0 / 82

HEX #1D2C2F

RGB 29 44 47

HSL 190, 0.24%, 0.15%

LAB 16.83, -5.34, -3.97

 

CMYK 38 / 15 / 0 / 82

HEX #1D282F

RGB 29 40 47

HSL 203.33, 0.24%, 0.15%

LAB 15.4, -2.61, -6.12

 

CMYK 38 / 26 / 0 / 82

HEX #1D232F

RGB 29 35 47

HSL 220, 0.24%, 0.15%

LAB 13.64, 0.93, -8.8

 

CMYK 38 / 0 / 17 / 82

HEX #1D2F27

RGB 29 47 39

HSL 153.33, 0.24%, 0.15%

LAB 17.65, -9.59, 2.8

 

CMYK 57 / 0 / 25 / 79

HEX #173528

RGB 23 53 40

HSL 154, 0.39%, 0.15%

LAB 19.56, -15.03, 4.79

 

CMYK 71 / 0 / 31 / 77

HEX #113B29

RGB 17 59 41

HSL 154.29, 0.55%, 0.15%

LAB 21.61, -19.7, 6.95

 

CMYK 85 / 0 / 34 / 75

HEX #0A412B

RGB 10 65 43

HSL 156, 0.73%, 0.15%

LAB 23.74, -23.55, 8.56

 

CMYK 94 / 0 / 38 / 72

HEX #04472C

RGB 4 71 44

HSL 155.82, 0.89%, 0.15%

LAB 25.9, -26.98, 10.87

 

CMYK 38 / 0 / 17 / 82

HEX #1D2F27

RGB 29 47 39

HSL 153.33, 0.24%, 0.15%

LAB 17.65, -9.59, 2.8

 

CMYK 13 / 0 / 5 / 84

HEX #232826

RGB 35 40 38

HSL 156, 0.07%, 0.15%

LAB 15.56, -2.74, 0.55

 

CMYK 0 / 17 / 10 / 84

HEX #292225

RGB 41 34 37

HSL 334.29, 0.09%, 0.15%

LAB 14.11, 3.99, -0.78

 

CMYK 0 / 42 / 25 / 81

HEX #301C24

RGB 48 28 36

HSL 336, 0.26%, 0.15%

LAB 13.15, 11.31, -1.37

 

CMYK 0 / 59 / 35 / 79

HEX #361623

RGB 54 22 35

HSL 335.63, 0.42%, 0.15%

LAB 12.48, 17.82, -1.51

 

CMYK 38 / 0 / 36 / 82

HEX #1D2F1E

RGB 29 47 30

HSL 123.33, 0.24%, 0.15%

LAB 17.4, -11.76, 8.64

 

CMYK 38 / 0 / 26 / 82

HEX #1D2F23

RGB 29 47 35

HSL 140, 0.24%, 0.15%

LAB 17.53, -10.61, 5.4

 

CMYK 38 / 0 / 17 / 82

HEX #1D2F27

RGB 29 47 39

HSL 153.33, 0.24%, 0.15%

LAB 17.65, -9.59, 2.8

 

CMYK 38 / 0 / 6 / 82

HEX #1D2F2C

RGB 29 47 44

HSL 170, 0.24%, 0.15%

LAB 17.81, -8.21, -0.43

 

CMYK 38 / 6 / 0 / 82

HEX #1D2C2F

RGB 29 44 47

HSL 190, 0.24%, 0.15%

LAB 16.83, -5.34, -3.97

 

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

CMYK 38 / 30 / 0 / 82

HEX #1D212F

RGB 29 33 47

HSL 226.67, 0.24%, 0.15%

LAB 12.95, 2.39, -9.86

 

CMYK 0 / 32 / 38 / 82

HEX #2F201D

RGB 47 32 29

HSL 10, 0.24%, 0.15%

LAB 13.98, 6.73, 4.89

 

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

CMYK 17 / 38 / 0 / 82

HEX #271D2F

RGB 39 29 47

HSL 273.33, 0.24%, 0.15%

LAB 12.71, 9.28, -10.15

 

CMYK 0 / 17 / 38 / 82

HEX #2F271D

RGB 47 39 29

HSL 33.33, 0.24%, 0.15%

LAB 16.23, 1.83, 8

 

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

CMYK 38 / 30 / 0 / 82

HEX #1D212F

RGB 29 33 47

HSL 226.67, 0.24%, 0.15%

LAB 12.95, 2.39, -9.86

 

CMYK 0 / 38 / 23 / 82

HEX #2F1D24

RGB 47 29 36

HSL 336.67, 0.24%, 0.15%

LAB 13.29, 10.15, -1.17

 

CMYK 0 / 9 / 38 / 82

HEX #2F2B1D

RGB 47 43 29

HSL 46.67, 0.24%, 0.15%

LAB 17.56, -0.91, 9.8

 

CMYK 37 / 0 / 15 / 82

HEX #1D2E27

RGB 29 46 39

HSL 155.29, 0.23%, 0.15%

LAB 17.28, -8.96, 2.27

 

CMYK 36 / 38 / 0 / 82

HEX #1E1D2F

RGB 30 29 47

HSL 243.33, 0.24%, 0.15%

LAB 11.69, 5.73, -11.81

 

CMYK 0 / 38 / 23 / 82

HEX #2F1D24

RGB 47 29 36

HSL 336.67, 0.24%, 0.15%

LAB 13.29, 10.15, -1.17

 

CMYK 4 / 0 / 38 / 82

HEX #2D2F1D

RGB 45 47 29

HSL 66.67, 0.24%, 0.15%

LAB 18.71, -4.57, 11.3

 

Description

Color code: RGB 29 46 39 | qconv.com Color code: RGB 29 46 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 46 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 46 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 15 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 15% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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