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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 253 121 it is the complementary color RGB 227 2 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 253 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 253 121 shade: RGB 33 253 116, RGB 50 255 135, RGB 67 255 154, RGB 84 255 173 and RGB 101 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 253 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 253 121 shade: RGB 28 253 121, RGB 11 235 102, RGB 0 217 83, RGB 0 199 64 and RGB 0 181 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 253 121 shade: RGB 27 252 120, RGB 27 252 60, RGB 56 252 27, RGB 116 252 27 and RGB 177 252 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 253 121 shade: RGB 27 252 120, RGB 27 252 181, RGB 27 252 242, RGB 27 202 252 and RGB 27 142 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 253 121 shade matches the following richer shades: RGB 27 252 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 253 121 shade: RGB 27 252 120, RGB 46 234 123, RGB 64 215 127, RGB 83 197 130 and RGB 102 178 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 253 121 shade: RGB 57 252 27, RGB 27 252 57, RGB 27 252 117, RGB 27 252 177 and RGB 27 252 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 253 121 shade: RGB 1 196 82, RGB 2 236 99, RGB 27 252 120, RGB 68 253 144 and RGB 109 253 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 253 121 shade: RGB 28 253 121, RGB 27 117 252 and RGB 252 27 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 253 121 shade: RGB 28 253 121, RGB 117 27 252 and RGB 252 117 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 253 121 shade: RGB 28 253 121, RGB 27 117 252, RGB 252 27 162 and RGB 252 162 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 253 121 shade: RGB 28 253 121, RGB 27 50 252, RGB 252 27 162 and RGB 252 230 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

Complementary color

CMYK 0 / 99 / 41 / 11

HEX #E30286

RGB 227 2 134

HSL 324.8, 0.98%, 0.45%

LAB 49.61, 78.97, -7.94

 

CMYK 87 / 0 / 54 / 1

HEX #21FD74

RGB 33 253 116

HSL 142.64, 0.98%, 0.56%

LAB 87.89, -76.55, 51.43

 

CMYK 80 / 0 / 47 / 0

HEX #32FF87

RGB 50 255 135

HSL 144.88, 1%, 0.6%

LAB 88.9, -72.98, 43.84

 

CMYK 74 / 0 / 40 / 0

HEX #43FF9A

RGB 67 255 154

HSL 147.77, 1%, 0.63%

LAB 89.41, -67.86, 35.31

 

CMYK 67 / 0 / 32 / 0

HEX #54FFAD

RGB 84 255 173

HSL 151.23, 1%, 0.66%

LAB 90.05, -61.86, 26.71

 

CMYK 60 / 0 / 25 / 0

HEX #65FFC0

RGB 101 255 192

HSL 155.45, 1%, 0.7%

LAB 90.82, -55.09, 18.16

 

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

CMYK 95 / 0 / 57 / 8

HEX #0BEB66

RGB 11 235 102

HSL 144.38, 0.91%, 0.48%

LAB 82.08, -74.04, 50.8

 

CMYK 100 / 0 / 62 / 15

HEX #00D953

RGB 0 217 83

HSL 142.95, 1%, 0.43%

LAB 76.22, -71.39, 52.39

 

CMYK 100 / 0 / 68 / 22

HEX #00C740

RGB 0 199 64

HSL 139.3, 1%, 0.39%

LAB 70.33, -68.17, 53.81

 

CMYK 100 / 0 / 75 / 29

HEX #00B52D

RGB 0 181 45

HSL 134.92, 1%, 0.35%

LAB 64.35, -64.65, 54.76

 

CMYK 89 / 0 / 52 / 1

HEX #1BFC78

RGB 27 252 120

HSL 144.8, 0.97%, 0.55%

LAB 87.59, -76.06, 49.22

 

CMYK 89 / 0 / 76 / 1

HEX #1BFC3C

RGB 27 252 60

HSL 128.8, 0.97%, 0.55%

LAB 87.09, -82.31, 72.37

 

CMYK 78 / 0 / 89 / 1

HEX #38FC1B

RGB 56 252 27

HSL 112.27, 0.97%, 0.55%

LAB 87.26, -81.2, 80.26

 

CMYK 54 / 0 / 89 / 1

HEX #74FC1B

RGB 116 252 27

HSL 96.27, 0.97%, 0.55%

LAB 88.64, -69.58, 81.98

 

CMYK 30 / 0 / 89 / 1

HEX #B1FC1B

RGB 177 252 27

HSL 80, 0.97%, 0.55%

LAB 91.26, -50.4, 85.21

 

CMYK 89 / 0 / 52 / 1

HEX #1BFC78

RGB 27 252 120

HSL 144.8, 0.97%, 0.55%

LAB 87.59, -76.06, 49.22

 

CMYK 89 / 0 / 28 / 1

HEX #1BFCB5

RGB 27 252 181

HSL 161.07, 0.97%, 0.55%

LAB 88.54, -64.97, 20.43

 

CMYK 89 / 0 / 4 / 1

HEX #1BFCF2

RGB 27 252 242

HSL 177.33, 0.97%, 0.55%

LAB 89.98, -49.75, -9.07

 

CMYK 89 / 20 / 0 / 1

HEX #1BCAFC

RGB 27 202 252

HSL 193.33, 0.97%, 0.55%

LAB 75.76, -23.53, -35.93

 

CMYK 89 / 44 / 0 / 1

HEX #1B8EFC

RGB 27 142 252

HSL 209.33, 0.97%, 0.55%

LAB 58.61, 9.89, -62.99

 

CMYK 89 / 0 / 52 / 1

HEX #1BFC78

RGB 27 252 120

HSL 144.8, 0.97%, 0.55%

LAB 87.59, -76.06, 49.22

 

CMYK 89 / 0 / 52 / 1

HEX #1BFC78

RGB 27 252 120

HSL 144.8, 0.97%, 0.55%

LAB 87.59, -76.06, 49.22

 

CMYK 80 / 0 / 47 / 8

HEX #2EEA7B

RGB 46 234 123

HSL 144.57, 0.82%, 0.55%

LAB 82.3, -68.34, 41.27

 

CMYK 70 / 0 / 41 / 16

HEX #40D77F

RGB 64 215 127

HSL 145.03, 0.65%, 0.55%

LAB 76.81, -58.7, 32.28

 

CMYK 58 / 0 / 34 / 23

HEX #53C582

RGB 83 197 130

HSL 144.74, 0.5%, 0.55%

LAB 71.81, -47.56, 24.16

 

CMYK 43 / 0 / 25 / 30

HEX #66B285

RGB 102 178 133

HSL 144.47, 0.33%, 0.55%

LAB 66.79, -33.83, 15.78

 

CMYK 77 / 0 / 89 / 1

HEX #39FC1B

RGB 57 252 27

HSL 112, 0.97%, 0.55%

LAB 87.28, -81.07, 80.28

 

CMYK 89 / 0 / 77 / 1

HEX #1BFC39

RGB 27 252 57

HSL 128, 0.97%, 0.55%

LAB 87.07, -82.5, 73.25

 

CMYK 89 / 0 / 54 / 1

HEX #1BFC75

RGB 27 252 117

HSL 144, 0.97%, 0.55%

LAB 87.55, -76.48, 50.55

 

CMYK 89 / 0 / 30 / 1

HEX #1BFCB1

RGB 27 252 177

HSL 160, 0.97%, 0.55%

LAB 88.46, -65.84, 22.37

 

CMYK 89 / 0 / 6 / 1

HEX #1BFCED

RGB 27 252 237

HSL 176, 0.97%, 0.55%

LAB 89.84, -51.13, -6.67

 

CMYK 99 / 0 / 58 / 23

HEX #01C452

RGB 1 196 82

HSL 144.92, 0.99%, 0.39%

LAB 69.54, -65.11, 45.11

 

CMYK 99 / 0 / 58 / 7

HEX #02EC63

RGB 2 236 99

HSL 144.87, 0.98%, 0.47%

LAB 82.33, -75, 52.42

 

CMYK 89 / 0 / 52 / 1

HEX #1BFC78

RGB 27 252 120

HSL 144.8, 0.97%, 0.55%

LAB 87.59, -76.06, 49.22

 

CMYK 73 / 0 / 43 / 1

HEX #44FD90

RGB 68 253 144

HSL 144.65, 0.98%, 0.63%

LAB 88.68, -68.74, 39.27

 

CMYK 57 / 0 / 33 / 1

HEX #6DFDA9

RGB 109 253 169

HSL 145, 0.97%, 0.71%

LAB 90.03, -57.22, 28.8

 

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

CMYK 89 / 54 / 0 / 1

HEX #1B75FC

RGB 27 117 252

HSL 216, 0.97%, 0.55%

LAB 51.82, 25.38, -73.96

 

CMYK 0 / 89 / 89 / 1

HEX #FC1B1B

RGB 252 27 27

HSL 0, 0.97%, 0.55%

LAB 53.56, 77.17, 59.18

 

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

CMYK 54 / 89 / 0 / 1

HEX #751BFC

RGB 117 27 252

HSL 264, 0.97%, 0.55%

LAB 40.56, 77.82, -92.24

 

CMYK 0 / 54 / 89 / 1

HEX #FC751B

RGB 252 117 27

HSL 24, 0.97%, 0.55%

LAB 64.56, 47.31, 67.08

 

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

CMYK 89 / 54 / 0 / 1

HEX #1B75FC

RGB 27 117 252

HSL 216, 0.97%, 0.55%

LAB 51.82, 25.38, -73.96

 

CMYK 0 / 89 / 36 / 1

HEX #FC1BA2

RGB 252 27 162

HSL 324, 0.97%, 0.55%

LAB 56.18, 84.45, -14.3

 

CMYK 0 / 36 / 89 / 1

HEX #FCA21B

RGB 252 162 27

HSL 36, 0.97%, 0.55%

LAB 73.94, 24.54, 74.1

 

CMYK 89 / 0 / 52 / 1

HEX #1CFD79

RGB 28 253 121

HSL 144.8, 0.98%, 0.55%

LAB 87.91, -76.17, 49.15

 

CMYK 89 / 80 / 0 / 1

HEX #1B32FC

RGB 27 50 252

HSL 233.87, 0.97%, 0.55%

LAB 37.01, 64.7, -98.32

 

CMYK 0 / 89 / 36 / 1

HEX #FC1BA2

RGB 252 27 162

HSL 324, 0.97%, 0.55%

LAB 56.18, 84.45, -14.3

 

CMYK 0 / 9 / 89 / 1

HEX #FCE61B

RGB 252 230 27

HSL 54.13, 0.97%, 0.55%

LAB 90.49, -10.42, 86.78

 

Description

Color code: RGB 28 253 121 | qconv.com Color code: RGB 28 253 121 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 253 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 253 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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