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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 227 78 it is the complementary color RGB 227 28 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 227 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 227 78 shade: RGB 33 227 73, RGB 50 245 92, RGB 67 255 111, RGB 84 255 130 and RGB 101 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 227 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 227 78 shade: RGB 28 227 78, RGB 11 209 59, RGB 0 191 40, RGB 0 173 21 and RGB 0 155 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 227 78 shade: RGB 28 226 78, RGB 31 226 28, RGB 85 226 28, RGB 138 226 28 and RGB 192 226 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 227 78 shade: RGB 28 226 78, RGB 28 226 131, RGB 28 226 185, RGB 28 214 226 and RGB 28 161 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 227 78 shade matches the following richer shades: RGB 28 226 78 and RGB 7 247 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 227 78 shade: RGB 28 226 78, RGB 48 206 88, RGB 69 185 98, RGB 89 165 108 and RGB 110 144 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 227 78 shade: RGB 84 226 28, RGB 31 226 28, RGB 28 226 77, RGB 28 226 130 and RGB 28 226 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 227 78 shade: RGB 18 153 52, RGB 23 190 65, RGB 28 226 78, RGB 64 231 106 and RGB 101 236 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 227 78 shade: RGB 28 227 78, RGB 28 137 226 and RGB 226 28 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 227 78 shade: RGB 28 227 78, RGB 77 28 226 and RGB 226 77 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 227 78 shade: RGB 28 227 78, RGB 28 137 226, RGB 226 28 177 and RGB 226 117 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 227 78 shade: RGB 28 227 78, RGB 28 77 226, RGB 226 28 177 and RGB 226 177 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

Complementary color

CMYK 0 / 88 / 22 / 11

HEX #E31CB1

RGB 227 28 177

HSL 315.08, 0.78%, 0.5%

LAB 52.21, 80.76, -29.59

 

CMYK 85 / 0 / 68 / 11

HEX #21E349

RGB 33 227 73

HSL 132.37, 0.78%, 0.51%

LAB 79.47, -73.74, 60.13

 

CMYK 80 / 0 / 62 / 4

HEX #32F55C

RGB 50 245 92

HSL 132.92, 0.91%, 0.58%

LAB 85.38, -75.56, 59.02

 

CMYK 74 / 0 / 56 / 0

HEX #43FF6F

RGB 67 255 111

HSL 134.04, 1%, 0.63%

LAB 88.86, -74.35, 54.92

 

CMYK 67 / 0 / 49 / 0

HEX #54FF82

RGB 84 255 130

HSL 136.14, 1%, 0.66%

LAB 89.4, -69.16, 46.96

 

CMYK 60 / 0 / 42 / 0

HEX #65FF95

RGB 101 255 149

HSL 138.7, 1%, 0.7%

LAB 90.07, -63.08, 38.77

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

CMYK 95 / 0 / 72 / 18

HEX #0BD13B

RGB 11 209 59

HSL 134.55, 0.9%, 0.43%

LAB 73.54, -71.11, 59.12

 

CMYK 100 / 0 / 79 / 25

HEX #00BF28

RGB 0 191 40

HSL 132.57, 1%, 0.37%

LAB 67.59, -67.86, 59.56

 

CMYK 100 / 0 / 88 / 32

HEX #00AD15

RGB 0 173 21

HSL 127.28, 1%, 0.34%

LAB 61.6, -63.82, 59.01

 

CMYK 100 / 0 / 99 / 39

HEX #009B02

RGB 0 155 2

HSL 120.77, 1%, 0.3%

LAB 55.53, -59.36, 57.04

 

CMYK 88 / 0 / 65 / 11

HEX #1CE24E

RGB 28 226 78

HSL 135.15, 0.78%, 0.5%

LAB 79.15, -73.33, 57.79

 

CMYK 86 / 0 / 88 / 11

HEX #1FE21C

RGB 31 226 28

HSL 119.09, 0.78%, 0.5%

LAB 78.91, -76.51, 72.81

 

CMYK 62 / 0 / 88 / 11

HEX #55E21C

RGB 85 226 28

HSL 102.73, 0.78%, 0.5%

LAB 79.85, -68.39, 73.99

 

CMYK 39 / 0 / 88 / 11

HEX #8AE21C

RGB 138 226 28

HSL 86.67, 0.78%, 0.5%

LAB 81.77, -53.46, 76.4

 

CMYK 15 / 0 / 88 / 11

HEX #C0E21C

RGB 192 226 28

HSL 70.3, 0.78%, 0.5%

LAB 84.83, -33.32, 80.18

 

CMYK 88 / 0 / 65 / 11

HEX #1CE24E

RGB 28 226 78

HSL 135.15, 0.78%, 0.5%

LAB 79.15, -73.33, 57.79

 

CMYK 88 / 0 / 42 / 11

HEX #1CE283

RGB 28 226 131

HSL 151.21, 0.78%, 0.5%

LAB 79.77, -65.8, 34.03

 

CMYK 88 / 0 / 18 / 11

HEX #1CE2B9

RGB 28 226 185

HSL 167.58, 0.78%, 0.5%

LAB 80.82, -54.11, 7.45

 

CMYK 88 / 5 / 0 / 11

HEX #1CD6E2

RGB 28 214 226

HSL 183.64, 0.78%, 0.5%

LAB 78.36, -37.58, -18.02

 

CMYK 88 / 29 / 0 / 11

HEX #1CA1E2

RGB 28 161 226

HSL 199.7, 0.78%, 0.5%

LAB 62.7, -10.74, -42.16

 

CMYK 88 / 0 / 65 / 11

HEX #1CE24E

RGB 28 226 78

HSL 135.15, 0.78%, 0.5%

LAB 79.15, -73.33, 57.79

 

CMYK 97 / 0 / 73 / 3

HEX #07F743

RGB 7 247 67

HSL 135, 0.94%, 0.5%

LAB 85.49, -81.27, 68.51

 

CMYK 88 / 0 / 65 / 11

HEX #1CE24E

RGB 28 226 78

HSL 135.15, 0.78%, 0.5%

LAB 79.15, -73.33, 57.79

 

CMYK 77 / 0 / 57 / 19

HEX #30CE58

RGB 48 206 88

HSL 135.19, 0.62%, 0.5%

LAB 73.2, -63.92, 46.76

 

CMYK 63 / 0 / 47 / 27

HEX #45B962

RGB 69 185 98

HSL 135, 0.46%, 0.5%

LAB 67.16, -51.42, 34.63

 

CMYK 46 / 0 / 35 / 35

HEX #59A56C

RGB 89 165 108

HSL 135, 0.3%, 0.5%

LAB 61.75, -36.37, 22.43

 

CMYK 24 / 0 / 17 / 44

HEX #6E9077

RGB 110 144 119

HSL 135.88, 0.13%, 0.5%

LAB 56.68, -17.2, 9.46

 

CMYK 63 / 0 / 88 / 11

HEX #54E21C

RGB 84 226 28

HSL 103.03, 0.78%, 0.5%

LAB 79.82, -68.61, 73.96

 

CMYK 86 / 0 / 88 / 11

HEX #1FE21C

RGB 31 226 28

HSL 119.09, 0.78%, 0.5%

LAB 78.91, -76.51, 72.81

 

CMYK 88 / 0 / 66 / 11

HEX #1CE24D

RGB 28 226 77

HSL 134.85, 0.78%, 0.5%

LAB 79.14, -73.43, 58.19

 

CMYK 88 / 0 / 42 / 11

HEX #1CE282

RGB 28 226 130

HSL 150.91, 0.78%, 0.5%

LAB 79.76, -65.98, 34.52

 

CMYK 88 / 0 / 19 / 11

HEX #1CE2B7

RGB 28 226 183

HSL 166.97, 0.78%, 0.5%

LAB 80.77, -54.61, 8.44

 

CMYK 88 / 0 / 66 / 40

HEX #129934

RGB 18 153 52

HSL 135.11, 0.79%, 0.34%

LAB 55.24, -54.42, 42.42

 

CMYK 88 / 0 / 66 / 25

HEX #17BE41

RGB 23 190 65

HSL 135.09, 0.78%, 0.42%

LAB 67.57, -64.21, 50.43

 

CMYK 88 / 0 / 65 / 11

HEX #1CE24E

RGB 28 226 78

HSL 135.15, 0.78%, 0.5%

LAB 79.15, -73.33, 57.79

 

CMYK 72 / 0 / 54 / 9

HEX #40E76A

RGB 64 231 106

HSL 135.09, 0.78%, 0.58%

LAB 81.45, -67.57, 48.34

 

CMYK 57 / 0 / 43 / 7

HEX #65EC87

RGB 101 236 135

HSL 135.11, 0.78%, 0.66%

LAB 84.23, -58.15, 38.09

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

CMYK 88 / 39 / 0 / 11

HEX #1C89E2

RGB 28 137 226

HSL 206.97, 0.78%, 0.5%

LAB 55.71, 3.15, -53.21

 

CMYK 0 / 88 / 75 / 11

HEX #E21C39

RGB 226 28 57

HSL 351.21, 0.78%, 0.5%

LAB 48.63, 71.13, 37.52

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

CMYK 66 / 88 / 0 / 11

HEX #4D1CE2

RGB 77 28 226

HSL 254.85, 0.78%, 0.5%

LAB 33.77, 68.3, -88.89

 

CMYK 0 / 66 / 88 / 11

HEX #E24D1C

RGB 226 77 28

HSL 14.85, 0.78%, 0.5%

LAB 53.56, 55.91, 56.6

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

CMYK 88 / 39 / 0 / 11

HEX #1C89E2

RGB 28 137 226

HSL 206.97, 0.78%, 0.5%

LAB 55.71, 3.15, -53.21

 

CMYK 0 / 88 / 22 / 11

HEX #E21CB1

RGB 226 28 177

HSL 314.85, 0.78%, 0.5%

LAB 52.03, 80.56, -29.89

 

CMYK 0 / 48 / 88 / 11

HEX #E2751C

RGB 226 117 28

HSL 26.97, 0.78%, 0.5%

LAB 60.76, 37.27, 62.23

 

CMYK 88 / 0 / 66 / 11

HEX #1CE34E

RGB 28 227 78

HSL 135.08, 0.78%, 0.5%

LAB 79.46, -73.63, 58.14

 

CMYK 88 / 66 / 0 / 11

HEX #1C4DE2

RGB 28 77 226

HSL 225.15, 0.78%, 0.5%

LAB 39.66, 41.04, -79.24

 

CMYK 0 / 88 / 22 / 11

HEX #E21CB1

RGB 226 28 177

HSL 314.85, 0.78%, 0.5%

LAB 52.03, 80.56, -29.89

 

CMYK 0 / 22 / 88 / 11

HEX #E2B11C

RGB 226 177 28

HSL 45.15, 0.78%, 0.5%

LAB 74.63, 5.55, 73.16

 

Description

Color code: RGB 28 227 78 | qconv.com Color code: RGB 28 227 78 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 227 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 227 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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