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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 216 81 it is the complementary color RGB 227 39 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 216 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 216 81 shade: RGB 33 216 76, RGB 50 234 95, RGB 67 252 114, RGB 84 255 133 and RGB 101 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 216 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 11 198 62, RGB 0 180 43, RGB 0 162 24 and RGB 0 144 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 28 216 30, RGB 76 216 28, RGB 127 216 28 and RGB 178 216 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 28 216 132, RGB 28 216 182, RGB 28 199 216 and RGB 28 148 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 216 81 shade matches the following richer shades: RGB 28 216 81 and RGB 8 236 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 47 196 89, RGB 67 177 98, RGB 87 157 107 and RGB 107 137 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 216 81 shade: RGB 78 216 28, RGB 28 216 28, RGB 28 216 78, RGB 28 216 128 and RGB 28 216 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 216 81 shade: RGB 18 143 53, RGB 23 180 67, RGB 28 216 81, RGB 56 229 105 and RGB 93 233 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 28 128 216 and RGB 216 28 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 78 28 216 and RGB 216 78 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 28 128 216, RGB 216 28 166 and RGB 216 116 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 216 81 shade: RGB 28 216 81, RGB 28 72 216, RGB 216 28 166 and RGB 216 172 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

Complementary color

CMYK 0 / 83 / 23 / 11

HEX #E327AE

RGB 227 39 174

HSL 316.91, 0.77%, 0.52%

LAB 52.77, 78.4, -26.97

 

CMYK 85 / 0 / 65 / 15

HEX #21D84C

RGB 33 216 76

HSL 134.1, 0.73%, 0.49%

LAB 76.04, -70.14, 55.21

 

CMYK 79 / 0 / 59 / 8

HEX #32EA5F

RGB 50 234 95

HSL 134.67, 0.81%, 0.56%

LAB 82.03, -71.81, 53.93

 

CMYK 73 / 0 / 55 / 1

HEX #43FC72

RGB 67 252 114

HSL 135.24, 0.97%, 0.63%

LAB 87.98, -73, 52.54

 

CMYK 67 / 0 / 48 / 0

HEX #54FF85

RGB 84 255 133

HSL 137.19, 1%, 0.66%

LAB 89.44, -68.72, 45.59

 

CMYK 60 / 0 / 40 / 0

HEX #65FF98

RGB 101 255 152

HSL 139.87, 1%, 0.7%

LAB 90.12, -62.59, 37.35

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 94 / 0 / 69 / 22

HEX #0BC63E

RGB 11 198 62

HSL 136.36, 0.89%, 0.41%

LAB 70.04, -67.63, 54.31

 

CMYK 100 / 0 / 76 / 29

HEX #00B42B

RGB 0 180 43

HSL 134.33, 1%, 0.35%

LAB 64.01, -64.52, 55.11

 

CMYK 100 / 0 / 85 / 36

HEX #00A218

RGB 0 162 24

HSL 128.89, 1%, 0.32%

LAB 57.95, -60.57, 55.05

 

CMYK 100 / 0 / 97 / 44

HEX #009005

RGB 0 144 5

HSL 122.08, 1%, 0.28%

LAB 51.79, -56.15, 53.48

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 87 / 0 / 86 / 15

HEX #1CD81E

RGB 28 216 30

HSL 120.64, 0.77%, 0.48%

LAB 75.73, -73.89, 69.63

 

CMYK 65 / 0 / 87 / 15

HEX #4CD81C

RGB 76 216 28

HSL 104.68, 0.77%, 0.48%

LAB 76.52, -67.09, 71.03

 

CMYK 41 / 0 / 87 / 15

HEX #7FD81C

RGB 127 216 28

HSL 88.4, 0.77%, 0.48%

LAB 78.29, -53.18, 73.25

 

CMYK 18 / 0 / 87 / 15

HEX #B2D81C

RGB 178 216 28

HSL 72.13, 0.77%, 0.48%

LAB 81.1, -34.34, 76.74

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 87 / 0 / 39 / 15

HEX #1CD884

RGB 28 216 132

HSL 153.19, 0.77%, 0.48%

LAB 76.69, -62.16, 29.47

 

CMYK 87 / 0 / 16 / 15

HEX #1CD8B6

RGB 28 216 182

HSL 169.15, 0.77%, 0.48%

LAB 77.72, -50.85, 4.58

 

CMYK 87 / 8 / 0 / 15

HEX #1CC7D8

RGB 28 199 216

HSL 185.43, 0.77%, 0.48%

LAB 73.58, -33.64, -19.88

 

CMYK 87 / 31 / 0 / 15

HEX #1C94D8

RGB 28 148 216

HSL 201.7, 0.77%, 0.48%

LAB 58.4, -7.03, -43.36

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 97 / 0 / 69 / 7

HEX #08EC48

RGB 8 236 72

HSL 136.84, 0.93%, 0.48%

LAB 82.11, -77.76, 63.27

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 76 / 0 / 55 / 23

HEX #2FC459

RGB 47 196 89

HSL 136.91, 0.61%, 0.48%

LAB 70.04, -60.57, 42.52

 

CMYK 62 / 0 / 45 / 31

HEX #43B162

RGB 67 177 98

HSL 136.91, 0.45%, 0.48%

LAB 64.58, -48.74, 31.32

 

CMYK 45 / 0 / 32 / 38

HEX #579D6B

RGB 87 157 107

HSL 137.14, 0.29%, 0.48%

LAB 59.16, -33.47, 19.46

 

CMYK 22 / 0 / 16 / 46

HEX #6B8973

RGB 107 137 115

HSL 136, 0.12%, 0.48%

LAB 54.3, -15.32, 8.35

 

CMYK 64 / 0 / 87 / 15

HEX #4ED81C

RGB 78 216 28

HSL 104.04, 0.77%, 0.48%

LAB 76.57, -66.67, 71.09

 

CMYK 87 / 0 / 87 / 15

HEX #1CD81C

RGB 28 216 28

HSL 120, 0.77%, 0.48%

LAB 75.73, -73.97, 70.03

 

CMYK 87 / 0 / 64 / 15

HEX #1CD84E

RGB 28 216 78

HSL 135.96, 0.77%, 0.48%

LAB 76.01, -70.34, 54.33

 

CMYK 87 / 0 / 41 / 15

HEX #1CD880

RGB 28 216 128

HSL 151.91, 0.77%, 0.48%

LAB 76.63, -62.92, 31.43

 

CMYK 87 / 0 / 18 / 15

HEX #1CD8B2

RGB 28 216 178

HSL 167.87, 0.77%, 0.48%

LAB 77.62, -51.87, 6.58

 

CMYK 87 / 0 / 63 / 44

HEX #128F35

RGB 18 143 53

HSL 136.8, 0.78%, 0.32%

LAB 51.87, -51.01, 38.18

 

CMYK 87 / 0 / 63 / 29

HEX #17B443

RGB 23 180 67

HSL 136.82, 0.77%, 0.4%

LAB 64.35, -60.86, 45.97

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 76 / 0 / 54 / 10

HEX #38E569

RGB 56 229 105

HSL 136.99, 0.77%, 0.56%

LAB 80.68, -68.18, 47.85

 

CMYK 60 / 0 / 43 / 9

HEX #5DE984

RGB 93 233 132

HSL 136.71, 0.76%, 0.64%

LAB 83.06, -59.22, 38.02

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 87 / 41 / 0 / 15

HEX #1C80D8

RGB 28 128 216

HSL 208.09, 0.77%, 0.48%

LAB 52.56, 4.8, -52.64

 

CMYK 0 / 87 / 75 / 15

HEX #D81C35

RGB 216 28 53

HSL 352.02, 0.77%, 0.48%

LAB 46.56, 68.4, 36.98

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 64 / 87 / 0 / 15

HEX #4E1CD8

RGB 78 28 216

HSL 255.96, 0.77%, 0.48%

LAB 32.72, 65.81, -84.88

 

CMYK 0 / 64 / 87 / 15

HEX #D84E1C

RGB 216 78 28

HSL 15.96, 0.77%, 0.48%

LAB 51.99, 52.07, 54.63

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 87 / 41 / 0 / 15

HEX #1C80D8

RGB 28 128 216

HSL 208.09, 0.77%, 0.48%

LAB 52.56, 4.8, -52.64

 

CMYK 0 / 87 / 23 / 15

HEX #D81CA6

RGB 216 28 166

HSL 315.96, 0.77%, 0.48%

LAB 49.72, 77.21, -27.15

 

CMYK 0 / 46 / 87 / 15

HEX #D8741C

RGB 216 116 28

HSL 28.09, 0.77%, 0.48%

LAB 59.13, 33.75, 60.34

 

CMYK 87 / 0 / 63 / 15

HEX #1CD851

RGB 28 216 81

HSL 136.91, 0.77%, 0.48%

LAB 76.04, -70, 53.09

 

CMYK 87 / 67 / 0 / 15

HEX #1C48D8

RGB 28 72 216

HSL 225.96, 0.77%, 0.48%

LAB 37.55, 40.51, -76.98

 

CMYK 0 / 87 / 23 / 15

HEX #D81CA6

RGB 216 28 166

HSL 315.96, 0.77%, 0.48%

LAB 49.72, 77.21, -27.15

 

CMYK 0 / 20 / 87 / 15

HEX #D8AC1C

RGB 216 172 28

HSL 45.96, 0.77%, 0.48%

LAB 72.35, 3.84, 70.91

 

Description

Color code: RGB 28 216 81 | qconv.com Color code: RGB 28 216 81 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 216 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 216 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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