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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 215 199 it is the complementary color RGB 227 40 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 215 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 215 199 shade: RGB 33 215 194, RGB 50 233 213, RGB 67 251 232, RGB 84 255 251 and RGB 101 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 215 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 215 199 shade: RGB 28 215 199, RGB 11 197 180, RGB 0 179 161, RGB 0 161 142 and RGB 0 143 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 215 199 shade: RGB 28 216 200, RGB 28 216 149, RGB 28 216 98, RGB 28 216 48 and RGB 59 216 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 215 199 shade: RGB 28 216 200, RGB 28 181 216, RGB 28 131 216, RGB 28 80 216 and RGB 28 29 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 215 199 shade matches the following richer shades: RGB 28 216 200 and RGB 8 236 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 215 199 shade: RGB 28 216 200, RGB 47 196 184, RGB 67 177 167, RGB 87 157 151 and RGB 107 137 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 215 199 shade: RGB 28 216 97, RGB 28 216 147, RGB 28 216 197, RGB 28 185 216 and RGB 28 134 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 215 199 shade: RGB 18 143 132, RGB 23 180 166, RGB 28 216 200, RGB 56 229 214 and RGB 93 233 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 215 199 shade: RGB 28 215 199, RGB 47 28 216 and RGB 216 122 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 215 199 shade: RGB 28 215 199, RGB 197 28 216 and RGB 216 197 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 215 199 shade: RGB 28 215 199, RGB 47 28 216, RGB 216 28 47 and RGB 197 216 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 215 199 shade: RGB 28 215 199, RGB 103 28 216, RGB 216 28 47 and RGB 141 216 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

Complementary color

CMYK 0 / 82 / 75 / 11

HEX #E32838

RGB 227 40 56

HSL 354.87, 0.77%, 0.52%

LAB 49.66, 68.95, 39.3

 

CMYK 85 / 0 / 10 / 16

HEX #21D7C2

RGB 33 215 194

HSL 173.08, 0.73%, 0.49%

LAB 77.77, -46.94, -1.76

 

CMYK 79 / 0 / 9 / 9

HEX #32E9D5

RGB 50 233 213

HSL 173.44, 0.81%, 0.55%

LAB 83.84, -48.11, -2.92

 

CMYK 73 / 0 / 8 / 2

HEX #43FBE8

RGB 67 251 232

HSL 173.8, 0.96%, 0.62%

LAB 89.87, -49.02, -3.99

 

CMYK 67 / 0 / 2 / 0

HEX #54FFFB

RGB 84 255 251

HSL 178.6, 1%, 0.66%

LAB 91.85, -43.65, -10.88

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

CMYK 94 / 0 / 9 / 23

HEX #0BC5B4

RGB 11 197 180

HSL 174.52, 0.89%, 0.41%

LAB 71.76, -44.22, -3.04

 

CMYK 100 / 0 / 10 / 30

HEX #00B3A1

RGB 0 179 161

HSL 173.97, 1%, 0.35%

LAB 65.6, -42.19, -1.64

 

CMYK 100 / 0 / 12 / 37

HEX #00A18E

RGB 0 161 142

HSL 172.92, 1%, 0.32%

LAB 59.38, -39.79, -0.11

 

CMYK 100 / 0 / 14 / 44

HEX #008F7B

RGB 0 143 123

HSL 171.61, 1%, 0.28%

LAB 53.03, -37.33, 1.48

 

CMYK 87 / 0 / 7 / 15

HEX #1CD8C8

RGB 28 216 200

HSL 174.89, 0.77%, 0.48%

LAB 78.19, -46.03, -4.36

 

CMYK 87 / 0 / 31 / 15

HEX #1CD895

RGB 28 216 149

HSL 158.62, 0.77%, 0.48%

LAB 77, -58.69, 21.06

 

CMYK 87 / 0 / 55 / 15

HEX #1CD862

RGB 28 216 98

HSL 142.34, 0.77%, 0.48%

LAB 76.22, -67.83, 45.65

 

CMYK 87 / 0 / 78 / 15

HEX #1CD830

RGB 28 216 48

HSL 126.38, 0.77%, 0.48%

LAB 75.81, -72.95, 65.09

 

CMYK 73 / 0 / 87 / 15

HEX #3BD81C

RGB 59 216 28

HSL 110.11, 0.77%, 0.48%

LAB 76.15, -70.26, 70.56

 

CMYK 87 / 0 / 7 / 15

HEX #1CD8C8

RGB 28 216 200

HSL 174.89, 0.77%, 0.48%

LAB 78.19, -46.03, -4.36

 

CMYK 87 / 16 / 0 / 15

HEX #1CB5D8

RGB 28 181 216

HSL 191.17, 0.77%, 0.48%

LAB 68.21, -24.82, -28.09

 

CMYK 87 / 39 / 0 / 15

HEX #1C83D8

RGB 28 131 216

HSL 207.13, 0.77%, 0.48%

LAB 53.42, 2.98, -51.25

 

CMYK 87 / 63 / 0 / 15

HEX #1C50D8

RGB 28 80 216

HSL 223.4, 0.77%, 0.48%

LAB 39.48, 35.44, -73.81

 

CMYK 87 / 87 / 0 / 15

HEX #1C1DD8

RGB 28 29 216

HSL 239.68, 0.77%, 0.48%

LAB 29.62, 63.02, -90.12

 

CMYK 87 / 0 / 7 / 15

HEX #1CD8C8

RGB 28 216 200

HSL 174.89, 0.77%, 0.48%

LAB 78.19, -46.03, -4.36

 

CMYK 97 / 0 / 8 / 7

HEX #08ECD8

RGB 8 236 216

HSL 174.74, 0.93%, 0.48%

LAB 84.48, -50.81, -3.6

 

CMYK 87 / 0 / 7 / 15

HEX #1CD8C8

RGB 28 216 200

HSL 174.89, 0.77%, 0.48%

LAB 78.19, -46.03, -4.36

 

CMYK 76 / 0 / 6 / 23

HEX #2FC4B8

RGB 47 196 184

HSL 175.17, 0.61%, 0.48%

LAB 71.92, -40.2, -4.93

 

CMYK 62 / 0 / 6 / 31

HEX #43B1A7

RGB 67 177 167

HSL 174.55, 0.45%, 0.48%

LAB 66.08, -33.38, -4.16

 

CMYK 45 / 0 / 4 / 38

HEX #579D97

RGB 87 157 151

HSL 174.86, 0.29%, 0.48%

LAB 60.23, -23.56, -3.75

 

CMYK 22 / 0 / 2 / 46

HEX #6B8986

RGB 107 137 134

HSL 174, 0.12%, 0.48%

LAB 54.8, -11.23, -1.89

 

CMYK 87 / 0 / 55 / 15

HEX #1CD861

RGB 28 216 97

HSL 142.02, 0.77%, 0.48%

LAB 76.21, -67.97, 46.11

 

CMYK 87 / 0 / 32 / 15

HEX #1CD893

RGB 28 216 147

HSL 157.98, 0.77%, 0.48%

LAB 76.96, -59.12, 22.06

 

CMYK 87 / 0 / 9 / 15

HEX #1CD8C5

RGB 28 216 197

HSL 173.94, 0.77%, 0.48%

LAB 78.1, -46.86, -2.88

 

CMYK 87 / 14 / 0 / 15

HEX #1CB9D8

RGB 28 185 216

HSL 189.89, 0.77%, 0.48%

LAB 69.4, -26.83, -26.25

 

CMYK 87 / 38 / 0 / 15

HEX #1C86D8

RGB 28 134 216

HSL 206.17, 0.77%, 0.48%

LAB 54.3, 1.17, -49.87

 

CMYK 87 / 0 / 8 / 44

HEX #128F84

RGB 18 143 132

HSL 174.72, 0.78%, 0.32%

LAB 53.43, -33.72, -3.12

 

CMYK 87 / 0 / 8 / 29

HEX #17B4A6

RGB 23 180 166

HSL 174.65, 0.77%, 0.4%

LAB 66.2, -40.22, -3.53

 

CMYK 87 / 0 / 7 / 15

HEX #1CD8C8

RGB 28 216 200

HSL 174.89, 0.77%, 0.48%

LAB 78.19, -46.03, -4.36

 

CMYK 76 / 0 / 7 / 10

HEX #38E5D6

RGB 56 229 214

HSL 174.8, 0.77%, 0.56%

LAB 82.77, -45.55, -5.01

 

CMYK 60 / 0 / 5 / 9

HEX #5DE9DD

RGB 93 233 221

HSL 174.86, 0.76%, 0.64%

LAB 84.91, -40.39, -5.47

 

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

CMYK 78 / 87 / 0 / 15

HEX #2F1CD8

RGB 47 28 216

HSL 246.06, 0.77%, 0.48%

LAB 30.38, 64.02, -88.83

 

CMYK 0 / 44 / 87 / 15

HEX #D87A1C

RGB 216 122 28

HSL 30, 0.77%, 0.48%

LAB 60.43, 30.61, 61.37

 

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

CMYK 9 / 87 / 0 / 15

HEX #C51CD8

RGB 197 28 216

HSL 293.94, 0.77%, 0.48%

LAB 49.08, 80.7, -57.47

 

CMYK 0 / 9 / 87 / 15

HEX #D8C51C

RGB 216 197 28

HSL 53.94, 0.77%, 0.48%

LAB 78.82, -9.17, 76.09

 

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

CMYK 78 / 87 / 0 / 15

HEX #2F1CD8

RGB 47 28 216

HSL 246.06, 0.77%, 0.48%

LAB 30.38, 64.02, -88.83

 

CMYK 0 / 87 / 78 / 15

HEX #D81C2F

RGB 216 28 47

HSL 353.94, 0.77%, 0.48%

LAB 46.49, 68.2, 40.35

 

CMYK 9 / 0 / 87 / 15

HEX #C5D81C

RGB 197 216 28

HSL 66.06, 0.77%, 0.48%

LAB 82.41, -26.6, 78.35

 

CMYK 87 / 0 / 7 / 16

HEX #1CD7C7

RGB 28 215 199

HSL 174.87, 0.77%, 0.48%

LAB 77.86, -45.88, -4.31

 

CMYK 52 / 87 / 0 / 15

HEX #671CD8

RGB 103 28 216

HSL 263.94, 0.77%, 0.48%

LAB 35.34, 67.95, -80.45

 

CMYK 0 / 87 / 78 / 15

HEX #D81C2F

RGB 216 28 47

HSL 353.94, 0.77%, 0.48%

LAB 46.49, 68.2, 40.35

 

CMYK 35 / 0 / 87 / 15

HEX #8DD81C

RGB 141 216 28

HSL 83.94, 0.77%, 0.48%

LAB 78.96, -48.38, 74.08

 

Description

Color code: RGB 28 215 199 | qconv.com Color code: RGB 28 215 199 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 215 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 215 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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