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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 195 13 it is the complementary color RGB 227 60 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 195 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 195 13 shade: RGB 33 195 8, RGB 50 213 27, RGB 67 231 46, RGB 84 249 65 and RGB 101 255 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 195 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 195 13 shade: RGB 28 195 13, RGB 11 177 0, RGB 0 159 0, RGB 0 141 0 and RGB 0 123 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 195 13 shade: RGB 27 196 12, RGB 77 196 12, RGB 126 196 12, RGB 176 196 12 and RGB 196 166 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 195 13 shade: RGB 27 196 12, RGB 12 196 46, RGB 12 196 96, RGB 12 196 146 and RGB 12 196 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 195 13 shade matches the following richer shades: RGB 27 196 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 195 13 shade: RGB 27 196 12, RGB 41 179 29, RGB 55 162 46, RGB 70 145 63 and RGB 84 128 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 195 13 shade: RGB 126 196 12, RGB 76 196 12, RGB 27 196 12, RGB 12 196 46 and RGB 12 196 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 195 13 shade: RGB 16 118 7, RGB 22 157 10, RGB 27 196 12, RGB 33 235 15 and RGB 65 241 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 195 13 shade: RGB 28 195 13, RGB 12 175 196 and RGB 196 12 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 195 13 shade: RGB 28 195 13, RGB 12 27 196 and RGB 196 12 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 195 13 shade: RGB 28 195 13, RGB 12 175 196, RGB 181 12 196 and RGB 196 34 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 195 13 shade: RGB 28 195 13, RGB 12 119 196, RGB 181 12 196 and RGB 196 89 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

Complementary color

CMYK 6 / 75 / 0 / 5

HEX #E33CF2

RGB 227 60 242

HSL 295.05, 0.88%, 0.59%

LAB 58.01, 82.78, -57.57

 

CMYK 83 / 0 / 96 / 24

HEX #21C308

RGB 33 195 8

HSL 111.98, 0.92%, 0.4%

LAB 69.02, -68.15, 67.37

 

CMYK 77 / 0 / 87 / 16

HEX #32D51B

RGB 50 213 27

HSL 112.58, 0.78%, 0.47%

LAB 75.04, -70.76, 69.74

 

CMYK 71 / 0 / 80 / 9

HEX #43E72E

RGB 67 231 46

HSL 113.19, 0.79%, 0.54%

LAB 81.04, -72.68, 70.81

 

CMYK 66 / 0 / 74 / 2

HEX #54F941

RGB 84 249 65

HSL 113.8, 0.94%, 0.62%

LAB 87.01, -74.08, 71

 

CMYK 60 / 0 / 67 / 0

HEX #65FF54

RGB 101 255 84

HSL 114.04, 1%, 0.66%

LAB 89.36, -71.11, 66.84

 

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

CMYK 94 / 0 / 100 / 31

HEX #0BB100

RGB 11 177 0

HSL 116.27, 1%, 0.35%

LAB 62.94, -64.99, 63.32

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 61 / 0 / 94 / 23

HEX #4DC40C

RGB 77 196 12

HSL 98.8, 0.88%, 0.41%

LAB 70.23, -60.73, 68.28

 

CMYK 36 / 0 / 94 / 23

HEX #7EC40C

RGB 126 196 12

HSL 82.83, 0.88%, 0.41%

LAB 72.19, -45.82, 70.68

 

CMYK 10 / 0 / 94 / 23

HEX #B0C40C

RGB 176 196 12

HSL 66.52, 0.88%, 0.41%

LAB 75.29, -26.07, 74.44

 

CMYK 0 / 15 / 94 / 23

HEX #C4A60C

RGB 196 166 12

HSL 50.22, 0.88%, 0.41%

LAB 68.78, -2.09, 70.23

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 94 / 0 / 77 / 23

HEX #0CC42E

RGB 12 196 46

HSL 131.09, 0.88%, 0.41%

LAB 69.29, -68.36, 59.35

 

CMYK 94 / 0 / 51 / 23

HEX #0CC460

RGB 12 196 96

HSL 147.39, 0.88%, 0.41%

LAB 69.76, -62.63, 38.69

 

CMYK 94 / 0 / 26 / 23

HEX #0CC492

RGB 12 196 146

HSL 163.7, 0.88%, 0.41%

LAB 70.62, -52.65, 13.78

 

CMYK 94 / 0 / 1 / 23

HEX #0CC4C3

RGB 12 196 195

HSL 179.67, 0.88%, 0.41%

LAB 71.89, -39.39, -11.01

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 77 / 0 / 84 / 30

HEX #29B31D

RGB 41 179 29

HSL 115.2, 0.72%, 0.41%

LAB 64, -61.7, 59.43

 

CMYK 66 / 0 / 72 / 36

HEX #37A22E

RGB 55 162 46

HSL 115.34, 0.56%, 0.41%

LAB 58.84, -52.43, 48.99

 

CMYK 52 / 0 / 57 / 43

HEX #46913F

RGB 70 145 63

HSL 114.88, 0.39%, 0.41%

LAB 53.93, -40.25, 36.05

 

CMYK 34 / 0 / 38 / 50

HEX #548050

RGB 84 128 80

HSL 115, 0.23%, 0.41%

LAB 49.38, -25.36, 21.39

 

CMYK 36 / 0 / 94 / 23

HEX #7EC40C

RGB 126 196 12

HSL 82.83, 0.88%, 0.41%

LAB 72.19, -45.82, 70.68

 

CMYK 61 / 0 / 94 / 23

HEX #4CC40C

RGB 76 196 12

HSL 99.13, 0.88%, 0.41%

LAB 70.21, -60.97, 68.25

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 94 / 0 / 77 / 23

HEX #0CC42E

RGB 12 196 46

HSL 131.09, 0.88%, 0.41%

LAB 69.29, -68.36, 59.35

 

CMYK 94 / 0 / 52 / 23

HEX #0CC45F

RGB 12 196 95

HSL 147.07, 0.88%, 0.41%

LAB 69.74, -62.78, 39.17

 

CMYK 86 / 0 / 94 / 54

HEX #107607

RGB 16 118 7

HSL 115.14, 0.89%, 0.25%

LAB 42.89, -46.97, 45.68

 

CMYK 86 / 0 / 94 / 38

HEX #169D0A

RGB 22 157 10

HSL 115.1, 0.88%, 0.33%

LAB 56.39, -58.16, 56.59

 

CMYK 86 / 0 / 94 / 23

HEX #1BC40C

RGB 27 196 12

HSL 115.11, 0.88%, 0.41%

LAB 69.28, -68.93, 67.11

 

CMYK 86 / 0 / 94 / 8

HEX #21EB0F

RGB 33 235 15

HSL 115.09, 0.88%, 0.49%

LAB 81.72, -79.17, 77.09

 

CMYK 73 / 0 / 80 / 5

HEX #41F131

RGB 65 241 49

HSL 115, 0.87%, 0.57%

LAB 84.1, -75.87, 72.84

 

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

CMYK 94 / 11 / 0 / 23

HEX #0CAFC4

RGB 12 175 196

HSL 186.85, 0.88%, 0.41%

LAB 65.53, -29.18, -21.17

 

CMYK 0 / 94 / 48 / 23

HEX #C40C65

RGB 196 12 101

HSL 330.98, 0.88%, 0.41%

LAB 42.67, 68.52, 1.48

 

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

CMYK 94 / 86 / 0 / 23

HEX #0C1BC4

RGB 12 27 196

HSL 235.11, 0.88%, 0.41%

LAB 26.3, 57.66, -84.01

 

CMYK 0 / 94 / 86 / 23

HEX #C40C1B

RGB 196 12 27

HSL 355.11, 0.88%, 0.41%

LAB 41.34, 64.85, 44.8

 

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

CMYK 94 / 11 / 0 / 23

HEX #0CAFC4

RGB 12 175 196

HSL 186.85, 0.88%, 0.41%

LAB 65.53, -29.18, -21.17

 

CMYK 8 / 94 / 0 / 23

HEX #B50CC4

RGB 181 12 196

HSL 295.11, 0.88%, 0.41%

LAB 44.34, 77.12, -53.7

 

CMYK 0 / 83 / 94 / 23

HEX #C4220C

RGB 196 34 12

HSL 7.17, 0.88%, 0.41%

LAB 42.62, 60.71, 52.03

 

CMYK 86 / 0 / 93 / 24

HEX #1CC30D

RGB 28 195 13

HSL 115.05, 0.88%, 0.41%

LAB 68.97, -68.54, 66.73

 

CMYK 94 / 39 / 0 / 23

HEX #0C77C4

RGB 12 119 196

HSL 205.11, 0.88%, 0.41%

LAB 48.58, 1.74, -47.62

 

CMYK 8 / 94 / 0 / 23

HEX #B50CC4

RGB 181 12 196

HSL 295.11, 0.88%, 0.41%

LAB 44.34, 77.12, -53.7

 

CMYK 0 / 55 / 94 / 23

HEX #C4590C

RGB 196 89 12

HSL 25.11, 0.88%, 0.41%

LAB 50.58, 39.27, 57.16

 

Description

Color code: RGB 28 195 13 | qconv.com Color code: RGB 28 195 13 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 195 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 195 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 93 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 93% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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