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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 150 236 it is the complementary color RGB 227 105 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 150 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 150 236 shade: RGB 33 150 231, RGB 50 168 250, RGB 67 186 255, RGB 84 204 255 and RGB 101 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 150 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 11 132 217, RGB 0 114 198, RGB 0 96 179 and RGB 0 78 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 28 94 236, RGB 28 38 236, RGB 74 28 236 and RGB 130 28 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 28 94 236, RGB 28 38 236 and RGB 28 28 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 150 236 shade matches the following richer shades: RGB 28 150 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 48 147 216, RGB 68 143 197, RGB 87 140 177 and RGB 107 136 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 150 236 shade: RGB 28 236 208, RGB 28 208 236, RGB 28 153 236, RGB 28 97 236 and RGB 28 42 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 150 236 shade: RGB 13 104 168, RGB 16 128 207, RGB 28 150 236, RGB 66 168 239 and RGB 104 185 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 153 28 236 and RGB 236 236 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 236 28 153 and RGB 153 236 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 153 28 236, RGB 236 111 28 and RGB 111 236 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 150 236 shade: RGB 28 150 236, RGB 215 28 236, RGB 236 111 28 and RGB 49 236 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

Complementary color

CMYK 0 / 54 / 92 / 11

HEX #E36913

RGB 227 105 19

HSL 24.81, 0.85%, 0.48%

LAB 58.49, 43.5, 63.16

 

CMYK 86 / 35 / 0 / 9

HEX #2196E7

RGB 33 150 231

HSL 204.55, 0.8%, 0.52%

LAB 59.8, -2.34, -49.49

 

CMYK 80 / 33 / 0 / 2

HEX #32A8FA

RGB 50 168 250

HSL 204.6, 0.95%, 0.59%

LAB 66.2, -4.42, -49.78

 

CMYK 74 / 27 / 0 / 0

HEX #43BAFF

RGB 67 186 255

HSL 202.02, 1%, 0.63%

LAB 71.91, -10.84, -43.48

 

CMYK 67 / 20 / 0 / 0

HEX #54CCFF

RGB 84 204 255

HSL 197.89, 1%, 0.66%

LAB 77.45, -18.1, -34.83

 

CMYK 60 / 13 / 0 / 0

HEX #65DEFF

RGB 101 222 255

HSL 192.86, 1%, 0.7%

LAB 83.04, -24.5, -26.22

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 95 / 39 / 0 / 15

HEX #0B84D9

RGB 11 132 217

HSL 204.76, 0.9%, 0.45%

LAB 53.58, 1.93, -51.58

 

CMYK 100 / 42 / 0 / 22

HEX #0072C6

RGB 0 114 198

HSL 205.45, 1%, 0.39%

LAB 47.12, 5.21, -51.11

 

CMYK 100 / 46 / 0 / 30

HEX #0060B3

RGB 0 96 179

HSL 207.82, 1%, 0.35%

LAB 40.61, 9.05, -50.54

 

CMYK 100 / 51 / 0 / 37

HEX #004EA0

RGB 0 78 160

HSL 210.75, 1%, 0.31%

LAB 33.96, 13.16, -49.98

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 88 / 60 / 0 / 7

HEX #1C5EEC

RGB 28 94 236

HSL 220.96, 0.85%, 0.52%

LAB 44.67, 33.99, -76.68

 

CMYK 88 / 84 / 0 / 7

HEX #1C26EC

RGB 28 38 236

HSL 237.12, 0.85%, 0.52%

LAB 33.33, 65.25, -95.41

 

CMYK 69 / 88 / 0 / 7

HEX #4A1CEC

RGB 74 28 236

HSL 253.27, 0.85%, 0.52%

LAB 34.69, 70.66, -93.08

 

CMYK 45 / 88 / 0 / 7

HEX #821CEC

RGB 130 28 236

HSL 269.42, 0.85%, 0.52%

LAB 40.63, 75.26, -83.06

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 88 / 60 / 0 / 7

HEX #1C5EEC

RGB 28 94 236

HSL 220.96, 0.85%, 0.52%

LAB 44.67, 33.99, -76.68

 

CMYK 88 / 84 / 0 / 7

HEX #1C26EC

RGB 28 38 236

HSL 237.12, 0.85%, 0.52%

LAB 33.33, 65.25, -95.41

 

CMYK 88 / 88 / 0 / 7

HEX #1C1CEC

RGB 28 28 236

HSL 240, 0.85%, 0.52%

LAB 32.11, 68.91, -97.44

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 78 / 32 / 0 / 15

HEX #3093D8

RGB 48 147 216

HSL 204.64, 0.68%, 0.52%

LAB 58.47, -4.73, -43.24

 

CMYK 65 / 27 / 0 / 23

HEX #448FC5

RGB 68 143 197

HSL 205.12, 0.53%, 0.52%

LAB 56.98, -6.27, -34.84

 

CMYK 51 / 21 / 0 / 31

HEX #578CB1

RGB 87 140 177

HSL 204.67, 0.37%, 0.52%

LAB 56.04, -7.1, -24.87

 

CMYK 32 / 13 / 0 / 38

HEX #6B889D

RGB 107 136 157

HSL 205.2, 0.2%, 0.52%

LAB 55.25, -5.04, -14.51

 

CMYK 88 / 0 / 12 / 7

HEX #1CECD0

RGB 28 236 208

HSL 171.92, 0.85%, 0.52%

LAB 84.38, -52.24, 0.47

 

CMYK 88 / 12 / 0 / 7

HEX #1CD0EC

RGB 28 208 236

HSL 188.08, 0.85%, 0.52%

LAB 76.93, -31.65, -25.56

 

CMYK 88 / 35 / 0 / 7

HEX #1C99EC

RGB 28 153 236

HSL 203.94, 0.85%, 0.52%

LAB 60.86, -2.55, -50.59

 

CMYK 88 / 59 / 0 / 7

HEX #1C61EC

RGB 28 97 236

HSL 220.1, 0.85%, 0.52%

LAB 45.43, 32.08, -75.43

 

CMYK 88 / 82 / 0 / 7

HEX #1C2AEC

RGB 28 42 236

HSL 235.96, 0.85%, 0.52%

LAB 33.9, 63.55, -94.46

 

CMYK 92 / 38 / 0 / 34

HEX #0D68A8

RGB 13 104 168

HSL 204.77, 0.86%, 0.35%

LAB 42.48, 0.04, -41.06

 

CMYK 92 / 38 / 0 / 19

HEX #1080CF

RGB 16 128 207

HSL 204.82, 0.86%, 0.44%

LAB 51.9, 0.69, -48.61

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 72 / 30 / 0 / 6

HEX #42A8EF

RGB 66 168 239

HSL 204.62, 0.84%, 0.6%

LAB 66.06, -6.47, -43.98

 

CMYK 57 / 24 / 0 / 5

HEX #68B9F2

RGB 104 185 242

HSL 204.78, 0.84%, 0.68%

LAB 72.26, -8.63, -35.83

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 35 / 88 / 0 / 7

HEX #991CEC

RGB 153 28 236

HSL 276.06, 0.85%, 0.52%

LAB 43.74, 77.91, -77.83

 

CMYK 0 / 0 / 88 / 7

HEX #ECEC1C

RGB 236 236 28

HSL 60, 0.85%, 0.52%

LAB 90.74, -20.02, 86.26

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 0 / 88 / 35 / 7

HEX #EC1C99

RGB 236 28 153

HSL 323.94, 0.85%, 0.52%

LAB 52.91, 80.02, -14.21

 

CMYK 35 / 0 / 88 / 7

HEX #99EC1C

RGB 153 236 28

HSL 83.94, 0.85%, 0.52%

LAB 85.43, -52.33, 79.74

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 35 / 88 / 0 / 7

HEX #991CEC

RGB 153 28 236

HSL 276.06, 0.85%, 0.52%

LAB 43.74, 77.91, -77.83

 

CMYK 0 / 53 / 88 / 7

HEX #EC6F1C

RGB 236 111 28

HSL 23.94, 0.85%, 0.52%

LAB 61.03, 44.17, 63.07

 

CMYK 53 / 0 / 88 / 7

HEX #6FEC1C

RGB 111 236 28

HSL 96.06, 0.85%, 0.52%

LAB 83.68, -65.37, 77.57

 

CMYK 88 / 36 / 0 / 7

HEX #1C96EC

RGB 28 150 236

HSL 204.81, 0.85%, 0.52%

LAB 59.99, -0.81, -51.96

 

CMYK 9 / 88 / 0 / 7

HEX #D71CEC

RGB 215 28 236

HSL 293.94, 0.85%, 0.52%

LAB 53.31, 86.79, -61.85

 

CMYK 0 / 53 / 88 / 7

HEX #EC6F1C

RGB 236 111 28

HSL 23.94, 0.85%, 0.52%

LAB 61.03, 44.17, 63.07

 

CMYK 79 / 0 / 88 / 7

HEX #31EC1C

RGB 49 236 28

HSL 113.94, 0.85%, 0.52%

LAB 82.23, -77.5, 75.76

 

Description

Color code: RGB 28 150 236 | qconv.com Color code: RGB 28 150 236 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 150 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 150 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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