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Color name
RGB 28 148 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 148 19 it is the complementary color RGB 227 107 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 148 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 148 19 shade: RGB 33 148 14, RGB 50 166 33, RGB 67 184 52, RGB 84 202 71 and RGB 101 220 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 148 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 11 130 0, RGB 0 112 0, RGB 0 94 0 and RGB 0 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 63 148 19, RGB 98 148 19, RGB 133 148 19 and RGB 148 129 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 19 148 45, RGB 19 148 80, RGB 19 148 115 and RGB 19 147 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 148 19 shade matches the following richer shades: RGB 28 148 19 and RGB 16 162 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 40 135 32, RGB 51 121 46, RGB 63 108 60 and RGB 75 94 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 148 19 shade: RGB 99 148 19, RGB 64 148 19, RGB 30 148 19, RGB 19 148 43 and RGB 19 148 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 148 19 shade: RGB 14 75 9, RGB 21 112 14, RGB 28 148 19, RGB 35 185 24 and RGB 42 221 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 19 133 148 and RGB 148 19 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 19 30 148 and RGB 148 19 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 19 133 148, RGB 138 19 148 and RGB 148 34 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 148 19 shade: RGB 28 148 19, RGB 19 94 148, RGB 138 19 148 and RGB 148 73 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

Complementary color

CMYK 4 / 55 / 0 / 7

HEX #E36BEC

RGB 227 107 236

HSL 295.81, 0.77%, 0.67%

LAB 64.08, 63.96, -44.6

 

CMYK 78 / 0 / 91 / 42

HEX #21940E

RGB 33 148 14

HSL 111.49, 0.83%, 0.32%

LAB 53.53, -53.87, 53.52

 

CMYK 70 / 0 / 80 / 35

HEX #32A621

RGB 50 166 33

HSL 112.33, 0.67%, 0.39%

LAB 59.94, -55.79, 54.61

 

CMYK 64 / 0 / 72 / 28

HEX #43B834

RGB 67 184 52

HSL 113.18, 0.56%, 0.46%

LAB 66.31, -57.01, 54.51

 

CMYK 58 / 0 / 65 / 21

HEX #54CA47

RGB 84 202 71

HSL 114.05, 0.55%, 0.54%

LAB 72.62, -57.74, 53.8

 

CMYK 54 / 0 / 59 / 14

HEX #65DC5A

RGB 101 220 90

HSL 114.92, 0.65%, 0.61%

LAB 78.86, -58.16, 52.78

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 92 / 0 / 100 / 49

HEX #0B8200

RGB 11 130 0

HSL 114.92, 1%, 0.25%

LAB 47.02, -51.43, 50.57

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 57 / 0 / 87 / 42

HEX #3F9413

RGB 63 148 19

HSL 99.53, 0.77%, 0.33%

LAB 54.33, -47.13, 53.44

 

CMYK 34 / 0 / 87 / 42

HEX #629413

RGB 98 148 19

HSL 83.26, 0.77%, 0.33%

LAB 55.91, -35.36, 55.43

 

CMYK 10 / 0 / 87 / 42

HEX #859413

RGB 133 148 19

HSL 66.98, 0.77%, 0.33%

LAB 58.24, -20.73, 58.33

 

CMYK 0 / 13 / 87 / 42

HEX #948113

RGB 148 129 19

HSL 51.16, 0.77%, 0.33%

LAB 54.07, -3.75, 55.42

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 87 / 0 / 70 / 42

HEX #13942D

RGB 19 148 45

HSL 132.09, 0.77%, 0.33%

LAB 53.5, -53.48, 43.57

 

CMYK 87 / 0 / 46 / 42

HEX #139450

RGB 19 148 80

HSL 148.37, 0.77%, 0.33%

LAB 53.92, -48.42, 26.93

 

CMYK 87 / 0 / 22 / 42

HEX #139473

RGB 19 148 115

HSL 164.65, 0.77%, 0.33%

LAB 54.61, -40.6, 8.36

 

CMYK 87 / 1 / 0 / 42

HEX #139394

RGB 19 147 148

HSL 180.47, 0.77%, 0.33%

LAB 55.22, -30.63, -9.68

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 90 / 0 / 97 / 36

HEX #10A205

RGB 16 162 5

HSL 115.8, 0.94%, 0.33%

LAB 58, -60.29, 58.64

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 70 / 0 / 76 / 47

HEX #288720

RGB 40 135 32

HSL 115.34, 0.62%, 0.33%

LAB 49.35, -47.24, 44.56

 

CMYK 58 / 0 / 62 / 53

HEX #33792E

RGB 51 121 46

HSL 116, 0.45%, 0.33%

LAB 45.05, -37.84, 33.92

 

CMYK 42 / 0 / 44 / 58

HEX #3F6C3C

RGB 63 108 60

HSL 116.25, 0.29%, 0.33%

LAB 41.39, -26.17, 22.09

 

CMYK 20 / 0 / 22 / 63

HEX #4B5E49

RGB 75 94 73

HSL 114.29, 0.13%, 0.33%

LAB 37.81, -11.85, 9.7

 

CMYK 33 / 0 / 87 / 42

HEX #639413

RGB 99 148 19

HSL 82.79, 0.77%, 0.33%

LAB 55.97, -34.97, 55.5

 

CMYK 57 / 0 / 87 / 42

HEX #409413

RGB 64 148 19

HSL 99.07, 0.77%, 0.33%

LAB 54.36, -46.85, 53.48

 

CMYK 80 / 0 / 87 / 42

HEX #1E9413

RGB 30 148 19

HSL 114.88, 0.77%, 0.33%

LAB 53.5, -54.11, 52.38

 

CMYK 87 / 0 / 71 / 42

HEX #13942B

RGB 19 148 43

HSL 131.16, 0.77%, 0.33%

LAB 53.48, -53.68, 44.38

 

CMYK 87 / 0 / 48 / 42

HEX #13944D

RGB 19 148 77

HSL 146.98, 0.77%, 0.33%

LAB 53.87, -48.97, 28.47

 

CMYK 81 / 0 / 88 / 71

HEX #0E4B09

RGB 14 75 9

HSL 115.45, 0.79%, 0.16%

LAB 27.14, -32.54, 31.06

 

CMYK 81 / 0 / 88 / 56

HEX #15700E

RGB 21 112 14

HSL 115.71, 0.78%, 0.25%

LAB 40.86, -44.01, 42.25

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 81 / 0 / 87 / 27

HEX #23B918

RGB 35 185 24

HSL 115.9, 0.77%, 0.41%

LAB 65.84, -64.54, 62.21

 

CMYK 81 / 0 / 87 / 13

HEX #2ADD1C

RGB 42 221 28

HSL 115.65, 0.78%, 0.49%

LAB 77.45, -74.05, 71.6

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 87 / 10 / 0 / 42

HEX #138594

RGB 19 133 148

HSL 186.98, 0.77%, 0.33%

LAB 50.75, -23.64, -16.43

 

CMYK 0 / 87 / 45 / 42

HEX #941351

RGB 148 19 81

HSL 331.16, 0.77%, 0.33%

LAB 32.6, 54.13, -1.58

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 87 / 80 / 0 / 42

HEX #131E94

RGB 19 30 148

HSL 234.88, 0.77%, 0.33%

LAB 20.85, 41.12, -64.13

 

CMYK 0 / 87 / 80 / 42

HEX #94131E

RGB 148 19 30

HSL 354.88, 0.77%, 0.33%

LAB 31.48, 50.85, 30.13

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 87 / 10 / 0 / 42

HEX #138594

RGB 19 133 148

HSL 186.98, 0.77%, 0.33%

LAB 50.75, -23.64, -16.43

 

CMYK 7 / 87 / 0 / 42

HEX #8A1394

RGB 138 19 148

HSL 295.35, 0.77%, 0.33%

LAB 34, 60.91, -42.06

 

CMYK 0 / 77 / 87 / 42

HEX #942213

RGB 148 34 19

HSL 6.98, 0.77%, 0.33%

LAB 32.89, 46.23, 37.65

 

CMYK 81 / 0 / 87 / 42

HEX #1C9413

RGB 28 148 19

HSL 115.81, 0.77%, 0.33%

LAB 53.46, -54.38, 52.34

 

CMYK 87 / 36 / 0 / 42

HEX #135E94

RGB 19 94 148

HSL 205.12, 0.77%, 0.33%

LAB 38.34, -1.25, -35.71

 

CMYK 7 / 87 / 0 / 42

HEX #8A1394

RGB 138 19 148

HSL 295.35, 0.77%, 0.33%

LAB 34, 60.91, -42.06

 

CMYK 0 / 51 / 87 / 42

HEX #944913

RGB 148 73 19

HSL 25.12, 0.77%, 0.33%

LAB 39.76, 28.11, 43.51

 

Description

Color code: RGB 28 148 19 | qconv.com Color code: RGB 28 148 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 148 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 148 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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