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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 113 215 it is the complementary color RGB 227 142 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 113 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 113 215 shade: RGB 33 113 210, RGB 50 131 229, RGB 67 149 248, RGB 84 167 255 and RGB 101 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 113 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 113 215 shade: RGB 28 113 215, RGB 11 95 196, RGB 0 77 177, RGB 0 59 158 and RGB 0 41 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 113 215 shade: RGB 28 113 216, RGB 28 62 216, RGB 44 28 216, RGB 94 28 216 and RGB 145 28 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 113 215 shade: RGB 28 113 216, RGB 28 62 216 and RGB 28 28 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 113 215 shade matches the following richer shades: RGB 28 113 216 and RGB 8 112 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 113 215 shade: RGB 28 113 216, RGB 47 115 196, RGB 67 117 177, RGB 87 119 157 and RGB 107 121 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 113 215 shade: RGB 28 216 216, RGB 28 166 216, RGB 28 116 216, RGB 28 65 216 and RGB 40 28 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 113 215 shade: RGB 18 75 143, RGB 23 94 180, RGB 28 113 216, RGB 56 135 229 and RGB 93 157 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 113 215 shade: RGB 28 113 215, RGB 166 28 216 and RGB 191 216 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 113 215 shade: RGB 28 113 215, RGB 216 28 116 and RGB 116 216 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 113 215 shade: RGB 28 113 215, RGB 166 28 216, RGB 216 128 28 and RGB 78 216 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 113 215 shade: RGB 28 113 215, RGB 216 28 210, RGB 216 128 28 and RGB 28 216 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

Complementary color

CMYK 0 / 37 / 82 / 11

HEX #E38E28

RGB 227 142 40

HSL 32.73, 0.77%, 0.52%

LAB 66.39, 24.91, 63

 

CMYK 84 / 46 / 0 / 18

HEX #2171D2

RGB 33 113 210

HSL 212.88, 0.73%, 0.48%

LAB 47.99, 12.19, -56.55

 

CMYK 78 / 43 / 0 / 10

HEX #3283E5

RGB 50 131 229

HSL 212.85, 0.77%, 0.55%

LAB 54.62, 9.74, -56.61

 

CMYK 73 / 40 / 0 / 3

HEX #4395F8

RGB 67 149 248

HSL 212.82, 0.93%, 0.62%

LAB 61.19, 7.74, -56.61

 

CMYK 67 / 35 / 0 / 0

HEX #54A7FF

RGB 84 167 255

HSL 210.88, 1%, 0.66%

LAB 67.08, 2.05, -51.05

 

CMYK 60 / 27 / 0 / 0

HEX #65B9FF

RGB 101 185 255

HSL 207.27, 1%, 0.7%

LAB 72.68, -5.19, -42.2

 

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

CMYK 94 / 52 / 0 / 23

HEX #0B5FC4

RGB 11 95 196

HSL 212.76, 0.89%, 0.41%

LAB 41.6, 17.01, -58.85

 

CMYK 100 / 56 / 0 / 31

HEX #004DB1

RGB 0 77 177

HSL 213.9, 1%, 0.35%

LAB 34.97, 20.91, -58.49

 

CMYK 100 / 63 / 0 / 38

HEX #003B9E

RGB 0 59 158

HSL 217.59, 1%, 0.31%

LAB 28.37, 25.43, -57.87

 

CMYK 100 / 71 / 0 / 45

HEX #00298B

RGB 0 41 139

HSL 222.3, 1%, 0.27%

LAB 21.76, 30.07, -57.04

 

CMYK 87 / 48 / 0 / 15

HEX #1C71D8

RGB 28 113 216

HSL 212.87, 0.77%, 0.48%

LAB 48.28, 14.15, -59.51

 

CMYK 87 / 71 / 0 / 15

HEX #1C3ED8

RGB 28 62 216

HSL 229.15, 0.77%, 0.48%

LAB 35.3, 46.63, -80.7

 

CMYK 80 / 87 / 0 / 15

HEX #2C1CD8

RGB 44 28 216

HSL 245.11, 0.77%, 0.48%

LAB 30.22, 63.9, -89.11

 

CMYK 56 / 87 / 0 / 15

HEX #5E1CD8

RGB 94 28 216

HSL 261.06, 0.77%, 0.48%

LAB 34.33, 67.11, -82.16

 

CMYK 33 / 87 / 0 / 15

HEX #911CD8

RGB 145 28 216

HSL 277.34, 0.77%, 0.48%

LAB 40.91, 72.85, -71.1

 

CMYK 87 / 48 / 0 / 15

HEX #1C71D8

RGB 28 113 216

HSL 212.87, 0.77%, 0.48%

LAB 48.28, 14.15, -59.51

 

CMYK 87 / 71 / 0 / 15

HEX #1C3ED8

RGB 28 62 216

HSL 229.15, 0.77%, 0.48%

LAB 35.3, 46.63, -80.7

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD8

RGB 28 28 216

HSL 240, 0.77%, 0.48%

LAB 29.5, 63.38, -90.32

 

CMYK 87 / 48 / 0 / 15

HEX #1C71D8

RGB 28 113 216

HSL 212.87, 0.77%, 0.48%

LAB 48.28, 14.15, -59.51

 

CMYK 97 / 53 / 0 / 7

HEX #0870EC

RGB 8 112 236

HSL 212.63, 0.93%, 0.48%

LAB 49.13, 21.72, -69.43

 

CMYK 87 / 48 / 0 / 15

HEX #1C71D8

RGB 28 113 216

HSL 212.87, 0.77%, 0.48%

LAB 48.28, 14.15, -59.51

 

CMYK 76 / 41 / 0 / 23

HEX #2F73C4

RGB 47 115 196

HSL 212.62, 0.61%, 0.48%

LAB 48.07, 7.01, -48.39

 

CMYK 62 / 34 / 0 / 31

HEX #4375B1

RGB 67 117 177

HSL 212.73, 0.45%, 0.48%

LAB 48.37, 2.08, -36.9

 

CMYK 45 / 24 / 0 / 38

HEX #57779D

RGB 87 119 157

HSL 212.57, 0.29%, 0.48%

LAB 49.07, -0.93, -24.06

 

CMYK 22 / 12 / 0 / 46

HEX #6B7989

RGB 107 121 137

HSL 212, 0.12%, 0.48%

LAB 50.22, -1.45, -10.44

 

CMYK 87 / 0 / 0 / 15

HEX #1CD8D8

RGB 28 216 216

HSL 180, 0.77%, 0.48%

LAB 78.65, -41.47, -12.24

 

CMYK 87 / 23 / 0 / 15

HEX #1CA6D8

RGB 28 166 216

HSL 195.96, 0.77%, 0.48%

LAB 63.74, -17, -35.01

 

CMYK 87 / 46 / 0 / 15

HEX #1C74D8

RGB 28 116 216

HSL 211.91, 0.77%, 0.48%

LAB 49.12, 12.25, -58.14

 

CMYK 87 / 70 / 0 / 15

HEX #1C41D8

RGB 28 65 216

HSL 228.19, 0.77%, 0.48%

LAB 35.96, 44.83, -79.62

 

CMYK 81 / 87 / 0 / 15

HEX #281CD8

RGB 40 28 216

HSL 243.83, 0.77%, 0.48%

LAB 30.01, 63.75, -89.46

 

CMYK 87 / 48 / 0 / 44

HEX #124B8F

RGB 18 75 143

HSL 212.64, 0.78%, 0.32%

LAB 32.13, 9.1, -42.6

 

CMYK 87 / 48 / 0 / 29

HEX #175EB4

RGB 23 94 180

HSL 212.87, 0.77%, 0.4%

LAB 40.38, 11.88, -51.47

 

CMYK 87 / 48 / 0 / 15

HEX #1C71D8

RGB 28 113 216

HSL 212.87, 0.77%, 0.48%

LAB 48.28, 14.15, -59.51

 

CMYK 76 / 41 / 0 / 10

HEX #3887E5

RGB 56 135 229

HSL 212.6, 0.77%, 0.56%

LAB 55.91, 7.97, -54.54

 

CMYK 60 / 33 / 0 / 9

HEX #5D9DE9

RGB 93 157 233

HSL 212.57, 0.76%, 0.64%

LAB 63.61, 2.06, -44.47

 

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

CMYK 23 / 87 / 0 / 15

HEX #A61CD8

RGB 166 28 216

HSL 284.04, 0.77%, 0.48%

LAB 44.08, 75.83, -65.79

 

CMYK 12 / 0 / 87 / 15

HEX #BFD81C

RGB 191 216 28

HSL 67.98, 0.77%, 0.48%

LAB 81.99, -29.08, 77.83

 

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

CMYK 0 / 87 / 46 / 15

HEX #D81C74

RGB 216 28 116

HSL 331.91, 0.77%, 0.48%

LAB 47.87, 72.13, 0.22

 

CMYK 46 / 0 / 87 / 15

HEX #74D81C

RGB 116 216 28

HSL 91.91, 0.77%, 0.48%

LAB 77.82, -56.68, 72.66

 

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

CMYK 23 / 87 / 0 / 15

HEX #A61CD8

RGB 166 28 216

HSL 284.04, 0.77%, 0.48%

LAB 44.08, 75.83, -65.79

 

CMYK 0 / 41 / 87 / 15

HEX #D8801C

RGB 216 128 28

HSL 31.91, 0.77%, 0.48%

LAB 61.76, 27.42, 62.44

 

CMYK 64 / 0 / 87 / 15

HEX #4ED81C

RGB 78 216 28

HSL 104.04, 0.77%, 0.48%

LAB 76.57, -66.67, 71.09

 

CMYK 87 / 47 / 0 / 16

HEX #1C71D7

RGB 28 113 215

HSL 212.73, 0.77%, 0.48%

LAB 48.21, 13.76, -59.04

 

CMYK 0 / 87 / 3 / 15

HEX #D81CD2

RGB 216 28 210

HSL 301.91, 0.77%, 0.48%

LAB 51.93, 83.03, -49.29

 

CMYK 0 / 41 / 87 / 15

HEX #D8801C

RGB 216 128 28

HSL 31.91, 0.77%, 0.48%

LAB 61.76, 27.42, 62.44

 

CMYK 87 / 0 / 84 / 15

HEX #1CD822

RGB 28 216 34

HSL 121.91, 0.77%, 0.48%

LAB 75.75, -73.72, 68.77

 

Description

Color code: RGB 28 113 215 | qconv.com Color code: RGB 28 113 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 113 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 113 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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