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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 79 72 it is the complementary color RGB 227 176 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 79 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 79 72 shade: RGB 33 79 67, RGB 50 97 86, RGB 67 115 105, RGB 84 133 124 and RGB 101 151 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 79 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 79 72 shade: RGB 28 79 72, RGB 11 61 53, RGB 0 43 34, RGB 0 25 15 and RGB 0 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 79 72 shade: RGB 27 79 72, RGB 27 79 58, RGB 27 79 44, RGB 27 79 30 and RGB 38 79 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 79 72 shade: RGB 27 79 72, RGB 27 72 79, RGB 27 58 79, RGB 27 44 79 and RGB 27 30 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 79 72 shade matches the following richer shades: RGB 27 79 72, RGB 19 87 78, RGB 10 96 84 and RGB 1 105 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 79 72 shade: RGB 27 79 72, RGB 36 70 65, RGB 45 61 59, RGB 53 53 53 and RGB 62 44 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 79 72 shade: RGB 27 79 44, RGB 27 79 57, RGB 27 79 71, RGB 27 73 79 and RGB 27 59 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 79 72 shade: RGB 6 18 16, RGB 17 48 44, RGB 27 79 72, RGB 38 109 100 and RGB 49 140 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 79 72 shade: RGB 28 79 72, RGB 30 27 79 and RGB 79 50 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 79 72 shade: RGB 28 79 72, RGB 71 27 79 and RGB 79 71 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 79 72 shade: RGB 28 79 72, RGB 30 27 79, RGB 79 27 35 and RGB 76 79 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 79 72 shade: RGB 28 79 72, RGB 45 27 79, RGB 79 27 35 and RGB 61 79 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

Complementary color

CMYK 0 / 22 / 19 / 11

HEX #E3B0B7

RGB 227 176 183

HSL 351.76, 0.48%, 0.79%

LAB 76.56, 19.59, 3.59

 

CMYK 58 / 0 / 15 / 69

HEX #214F43

RGB 33 79 67

HSL 164.35, 0.41%, 0.22%

LAB 30.21, -19.14, 2.33

 

CMYK 48 / 0 / 11 / 62

HEX #326156

RGB 50 97 86

HSL 165.96, 0.32%, 0.29%

LAB 37.66, -19.06, 1.3

 

CMYK 42 / 0 / 9 / 55

HEX #437369

RGB 67 115 105

HSL 167.5, 0.26%, 0.36%

LAB 44.91, -18.9, 0.4

 

CMYK 37 / 0 / 7 / 48

HEX #54857C

RGB 84 133 124

HSL 168.98, 0.23%, 0.43%

LAB 51.97, -18.73, -0.4

 

CMYK 33 / 0 / 5 / 41

HEX #65978F

RGB 101 151 143

HSL 170.4, 0.2%, 0.49%

LAB 58.87, -18.56, -1.13

 

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

CMYK 82 / 0 / 13 / 76

HEX #0B3D35

RGB 11 61 53

HSL 170.4, 0.69%, 0.14%

LAB 22.53, -18.41, 0.25

 

CMYK 100 / 0 / 21 / 83

HEX #002B22

RGB 0 43 34

HSL 167.44, 1%, 0.08%

LAB 14.64, -17.21, 1.8

 

CMYK 100 / 0 / 40 / 90

HEX #00190F

RGB 0 25 15

HSL 156, 1%, 0.05%

LAB 6.59, -10.64, 3.21

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 66 / 0 / 9 / 69

HEX #1B4F48

RGB 27 79 72

HSL 171.92, 0.49%, 0.21%

LAB 30.14, -19.11, -1

 

CMYK 66 / 0 / 27 / 69

HEX #1B4F3A

RGB 27 79 58

HSL 155.77, 0.49%, 0.21%

LAB 29.74, -23.06, 7.36

 

CMYK 66 / 0 / 44 / 69

HEX #1B4F2C

RGB 27 79 44

HSL 139.62, 0.49%, 0.21%

LAB 29.43, -26.32, 15.67

 

CMYK 66 / 0 / 62 / 69

HEX #1B4F1E

RGB 27 79 30

HSL 123.46, 0.49%, 0.21%

LAB 29.21, -28.79, 23.57

 

CMYK 52 / 0 / 66 / 69

HEX #264F1B

RGB 38 79 27

HSL 107.31, 0.49%, 0.21%

LAB 29.62, -25.78, 25.79

 

CMYK 66 / 0 / 9 / 69

HEX #1B4F48

RGB 27 79 72

HSL 171.92, 0.49%, 0.21%

LAB 30.14, -19.11, -1

 

CMYK 66 / 9 / 0 / 69

HEX #1B484F

RGB 27 72 79

HSL 188.08, 0.49%, 0.21%

LAB 27.93, -12.87, -8.8

 

CMYK 66 / 27 / 0 / 69

HEX #1B3A4F

RGB 27 58 79

HSL 204.23, 0.49%, 0.21%

LAB 23.08, -4.08, -16.24

 

CMYK 66 / 44 / 0 / 69

HEX #1B2C4F

RGB 27 44 79

HSL 220.38, 0.49%, 0.21%

LAB 18.36, 5.65, -23.65

 

CMYK 66 / 62 / 0 / 69

HEX #1B1E4F

RGB 27 30 79

HSL 236.54, 0.49%, 0.21%

LAB 13.98, 15.98, -30.69

 

CMYK 66 / 0 / 9 / 69

HEX #1B4F48

RGB 27 79 72

HSL 171.92, 0.49%, 0.21%

LAB 30.14, -19.11, -1

 

CMYK 78 / 0 / 10 / 66

HEX #13574E

RGB 19 87 78

HSL 172.06, 0.64%, 0.21%

LAB 32.93, -22.91, -0.75

 

CMYK 90 / 0 / 13 / 62

HEX #0A6054

RGB 10 96 84

HSL 171.63, 0.81%, 0.21%

LAB 36.12, -26.59, 0.15

 

CMYK 99 / 0 / 13 / 59

HEX #01695B

RGB 1 105 91

HSL 171.92, 0.98%, 0.21%

LAB 39.35, -29.48, 0.55

 

CMYK 66 / 0 / 9 / 69

HEX #1B4F48

RGB 27 79 72

HSL 171.92, 0.49%, 0.21%

LAB 30.14, -19.11, -1

 

CMYK 49 / 0 / 7 / 73

HEX #244641

RGB 36 70 65

HSL 171.18, 0.32%, 0.21%

LAB 27.12, -13.83, -0.85

 

CMYK 26 / 0 / 3 / 76

HEX #2D3D3B

RGB 45 61 59

HSL 172.5, 0.15%, 0.21%

LAB 24.36, -6.97, -0.89

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 0 / 29 / 24 / 76

HEX #3E2C2F

RGB 62 44 47

HSL 350, 0.17%, 0.21%

LAB 20.17, 8.86, 1.32

 

CMYK 66 / 0 / 44 / 69

HEX #1B4F2C

RGB 27 79 44

HSL 139.62, 0.49%, 0.21%

LAB 29.43, -26.32, 15.67

 

CMYK 66 / 0 / 28 / 69

HEX #1B4F39

RGB 27 79 57

HSL 154.62, 0.49%, 0.21%

LAB 29.71, -23.32, 7.96

 

CMYK 66 / 0 / 10 / 69

HEX #1B4F47

RGB 27 79 71

HSL 170.77, 0.49%, 0.21%

LAB 30.11, -19.41, -0.4

 

CMYK 66 / 8 / 0 / 69

HEX #1B494F

RGB 27 73 79

HSL 186.92, 0.49%, 0.21%

LAB 28.28, -13.46, -8.27

 

CMYK 66 / 25 / 0 / 69

HEX #1B3B4F

RGB 27 59 79

HSL 203.08, 0.49%, 0.21%

LAB 23.42, -4.74, -15.71

 

CMYK 67 / 0 / 11 / 93

HEX #061210

RGB 6 18 16

HSL 170, 0.5%, 0.05%

LAB 4.6, -4.04, -0.2

 

CMYK 65 / 0 / 8 / 81

HEX #11302C

RGB 17 48 44

HSL 172.26, 0.48%, 0.13%

LAB 17.53, -12.68, -0.92

 

CMYK 66 / 0 / 9 / 69

HEX #1B4F48

RGB 27 79 72

HSL 171.92, 0.49%, 0.21%

LAB 30.14, -19.11, -1

 

CMYK 65 / 0 / 8 / 57

HEX #266D64

RGB 38 109 100

HSL 172.39, 0.48%, 0.29%

LAB 41.64, -24.26, -1.5

 

CMYK 65 / 0 / 9 / 45

HEX #318C7F

RGB 49 140 127

HSL 171.43, 0.48%, 0.37%

LAB 52.89, -29.91, -0.96

 

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

CMYK 62 / 66 / 0 / 69

HEX #1E1B4F

RGB 30 27 79

HSL 243.46, 0.49%, 0.21%

LAB 13.38, 18.8, -31.65

 

CMYK 0 / 37 / 66 / 69

HEX #4F321B

RGB 79 50 27

HSL 26.54, 0.49%, 0.21%

LAB 23.75, 10.4, 19.82

 

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

CMYK 10 / 66 / 0 / 69

HEX #471B4F

RGB 71 27 79

HSL 290.77, 0.49%, 0.21%

LAB 18.75, 29.78, -22.74

 

CMYK 0 / 10 / 66 / 69

HEX #4F471B

RGB 79 71 27

HSL 50.77, 0.49%, 0.21%

LAB 30.03, -2.97, 27.09

 

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

CMYK 62 / 66 / 0 / 69

HEX #1E1B4F

RGB 30 27 79

HSL 243.46, 0.49%, 0.21%

LAB 13.38, 18.8, -31.65

 

CMYK 0 / 66 / 56 / 69

HEX #4F1B23

RGB 79 27 35

HSL 350.77, 0.49%, 0.21%

LAB 18.22, 25.24, 7.32

 

CMYK 4 / 0 / 66 / 69

HEX #4C4F1B

RGB 76 79 27

HSL 63.46, 0.49%, 0.21%

LAB 32.27, -9.28, 29.48

 

CMYK 65 / 0 / 9 / 69

HEX #1C4F48

RGB 28 79 72

HSL 171.76, 0.48%, 0.21%

LAB 30.17, -18.89, -0.94

 

CMYK 43 / 66 / 0 / 69

HEX #2D1B4F

RGB 45 27 79

HSL 260.77, 0.49%, 0.21%

LAB 14.99, 22.41, -28.97

 

CMYK 0 / 66 / 56 / 69

HEX #4F1B23

RGB 79 27 35

HSL 350.77, 0.49%, 0.21%

LAB 18.22, 25.24, 7.32

 

CMYK 23 / 0 / 66 / 69

HEX #3D4F1B

RGB 61 79 27

HSL 80.77, 0.49%, 0.21%

LAB 31.03, -16.38, 27.76

 

Description

Color code: RGB 28 79 72 | qconv.com Color code: RGB 28 79 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 79 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 79 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 9 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 9% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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