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Color name
RGB 28 42 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 42 111 it is the complementary color RGB 227 213 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 42 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 42 111 shade: RGB 33 42 106, RGB 50 60 125, RGB 67 78 144, RGB 84 96 163 and RGB 101 114 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 42 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 42 111 shade: RGB 28 42 111, RGB 11 24 92, RGB 0 6 73, RGB 0 0 54 and RGB 0 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 42 111 shade: RGB 27 41 110, RGB 35 27 110, RGB 58 27 110, RGB 80 27 110 and RGB 102 27 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 42 111 shade: RGB 27 41 110 and RGB 27 27 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 42 111 shade matches the following richer shades: RGB 27 41 110, RGB 16 34 121 and RGB 5 26 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 42 111 shade: RGB 27 41 110, RGB 38 48 99, RGB 49 56 87, RGB 60 63 76 and RGB 72 71 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 42 111 shade: RGB 27 86 110, RGB 27 64 110, RGB 27 42 110, RGB 34 27 110 and RGB 56 27 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 42 111 shade: RGB 11 16 44, RGB 19 29 77, RGB 27 41 110, RGB 35 53 143 and RGB 44 66 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 42 111 shade: RGB 28 42 111, RGB 110 27 108 and RGB 75 110 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 42 111 shade: RGB 28 42 111, RGB 110 27 42 and RGB 42 110 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 42 111 shade: RGB 28 42 111, RGB 110 27 108, RGB 110 95 27 and RGB 27 110 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 42 111 shade: RGB 28 42 111, RGB 110 27 83, RGB 110 95 27 and RGB 27 110 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

Complementary color

CMYK 0 / 6 / 37 / 11

HEX #E3D590

RGB 227 213 144

HSL 49.88, 0.6%, 0.73%

LAB 84.96, -5.06, 35.88

 

CMYK 69 / 60 / 0 / 58

HEX #212A6A

RGB 33 42 106

HSL 232.6, 0.53%, 0.27%

LAB 20.12, 19.03, -38.68

 

CMYK 60 / 52 / 0 / 51

HEX #323C7D

RGB 50 60 125

HSL 232, 0.43%, 0.34%

LAB 27.82, 16.98, -38.31

 

CMYK 53 / 46 / 0 / 44

HEX #434E90

RGB 67 78 144

HSL 231.43, 0.36%, 0.41%

LAB 35.31, 15.44, -37.99

 

CMYK 48 / 41 / 0 / 36

HEX #5460A3

RGB 84 96 163

HSL 230.89, 0.32%, 0.48%

LAB 42.6, 14.25, -37.74

 

CMYK 45 / 37 / 0 / 29

HEX #6572B6

RGB 101 114 182

HSL 230.37, 0.36%, 0.55%

LAB 49.71, 13.3, -37.55

 

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

CMYK 88 / 74 / 0 / 64

HEX #0B185C

RGB 11 24 92

HSL 230.37, 0.79%, 0.2%

LAB 12.59, 23.38, -41.8

 

CMYK 100 / 92 / 0 / 71

HEX #000649

RGB 0 6 73

HSL 235.07, 1%, 0.14%

LAB 5.52, 25.81, -40.47

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 75 / 63 / 0 / 57

HEX #1B296E

RGB 27 41 110

HSL 229.88, 0.61%, 0.27%

LAB 19.82, 20.37, -41.78

 

CMYK 68 / 75 / 0 / 57

HEX #231B6E

RGB 35 27 110

HSL 245.78, 0.61%, 0.27%

LAB 16.83, 30.94, -46.65

 

CMYK 47 / 75 / 0 / 57

HEX #3A1B6E

RGB 58 27 110

HSL 262.41, 0.61%, 0.27%

LAB 19.26, 34.74, -42.57

 

CMYK 27 / 75 / 0 / 57

HEX #501B6E

RGB 80 27 110

HSL 278.31, 0.61%, 0.27%

LAB 22.36, 39.3, -37.41

 

CMYK 7 / 75 / 0 / 57

HEX #661B6E

RGB 102 27 110

HSL 294.22, 0.61%, 0.27%

LAB 25.96, 44.33, -31.42

 

CMYK 75 / 63 / 0 / 57

HEX #1B296E

RGB 27 41 110

HSL 229.88, 0.61%, 0.27%

LAB 19.82, 20.37, -41.78

 

CMYK 75 / 75 / 0 / 57

HEX #1B1B6E

RGB 27 27 110

HSL 240, 0.61%, 0.27%

LAB 16.22, 29.94, -47.68

 

CMYK 75 / 63 / 0 / 57

HEX #1B296E

RGB 27 41 110

HSL 229.88, 0.61%, 0.27%

LAB 19.82, 20.37, -41.78

 

CMYK 87 / 72 / 0 / 53

HEX #102279

RGB 16 34 121

HSL 229.71, 0.77%, 0.27%

LAB 18.52, 28.5, -51.01

 

CMYK 96 / 80 / 0 / 48

HEX #051A84

RGB 5 26 132

HSL 230.08, 0.93%, 0.27%

LAB 17.63, 37.21, -59.48

 

CMYK 75 / 63 / 0 / 57

HEX #1B296E

RGB 27 41 110

HSL 229.88, 0.61%, 0.27%

LAB 19.82, 20.37, -41.78

 

CMYK 62 / 52 / 0 / 61

HEX #263063

RGB 38 48 99

HSL 230.16, 0.45%, 0.27%

LAB 21.68, 13.07, -31.59

 

CMYK 44 / 36 / 0 / 66

HEX #313857

RGB 49 56 87

HSL 228.95, 0.28%, 0.27%

LAB 24.22, 6.17, -19.63

 

CMYK 21 / 17 / 0 / 70

HEX #3C3F4C

RGB 60 63 76

HSL 228.75, 0.12%, 0.27%

LAB 26.84, 2, -8.3

 

CMYK 0 / 1 / 10 / 72

HEX #484741

RGB 72 71 65

HSL 51.43, 0.05%, 0.27%

LAB 30.07, -0.84, 3.75

 

CMYK 75 / 22 / 0 / 57

HEX #1B566E

RGB 27 86 110

HSL 197.35, 0.61%, 0.27%

LAB 34.01, -10.12, -19.2

 

CMYK 75 / 42 / 0 / 57

HEX #1B406E

RGB 27 64 110

HSL 213.25, 0.61%, 0.27%

LAB 26.81, 4.07, -30.52

 

CMYK 75 / 62 / 0 / 57

HEX #1B2A6E

RGB 27 42 110

HSL 229.16, 0.61%, 0.27%

LAB 20.1, 19.66, -41.32

 

CMYK 69 / 75 / 0 / 57

HEX #221B6E

RGB 34 27 110

HSL 245.06, 0.61%, 0.27%

LAB 16.75, 30.81, -46.79

 

CMYK 49 / 75 / 0 / 57

HEX #381B6E

RGB 56 27 110

HSL 260.96, 0.61%, 0.27%

LAB 19.02, 34.36, -42.99

 

CMYK 75 / 64 / 0 / 83

HEX #0B102C

RGB 11 16 44

HSL 230.91, 0.6%, 0.11%

LAB 5.63, 7.59, -19.26

 

CMYK 75 / 62 / 0 / 70

HEX #131D4D

RGB 19 29 77

HSL 229.66, 0.6%, 0.19%

LAB 12.94, 14.38, -31.03

 

CMYK 75 / 63 / 0 / 57

HEX #1B296E

RGB 27 41 110

HSL 229.88, 0.61%, 0.27%

LAB 19.82, 20.37, -41.78

 

CMYK 76 / 63 / 0 / 44

HEX #23358F

RGB 35 53 143

HSL 230, 0.61%, 0.35%

LAB 26.41, 26.02, -51.85

 

CMYK 75 / 63 / 0 / 31

HEX #2C42B0

RGB 44 66 176

HSL 230, 0.6%, 0.43%

LAB 33.06, 30.87, -60.96

 

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

CMYK 0 / 75 / 2 / 57

HEX #6E1B6C

RGB 110 27 108

HSL 301.45, 0.61%, 0.27%

LAB 27.25, 45.87, -28

 

CMYK 32 / 0 / 75 / 57

HEX #4B6E1B

RGB 75 110 27

HSL 85.3, 0.61%, 0.27%

LAB 42.35, -26.38, 39.95

 

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

CMYK 0 / 75 / 62 / 57

HEX #6E1B2A

RGB 110 27 42

HSL 349.16, 0.61%, 0.27%

LAB 24.53, 37.25, 12.05

 

CMYK 62 / 0 / 75 / 57

HEX #2A6E1B

RGB 42 110 27

HSL 109.16, 0.61%, 0.27%

LAB 40.77, -37.87, 37.85

 

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

CMYK 0 / 75 / 2 / 57

HEX #6E1B6C

RGB 110 27 108

HSL 301.45, 0.61%, 0.27%

LAB 27.25, 45.87, -28

 

CMYK 0 / 14 / 75 / 57

HEX #6E5F1B

RGB 110 95 27

HSL 49.16, 0.61%, 0.27%

LAB 40.54, -2.12, 39.11

 

CMYK 75 / 0 / 75 / 57

HEX #1B6E1C

RGB 27 110 28

HSL 120.72, 0.61%, 0.27%

LAB 40.36, -41.25, 36.87

 

CMYK 75 / 62 / 0 / 56

HEX #1C2A6F

RGB 28 42 111

HSL 229.88, 0.6%, 0.27%

LAB 20.25, 20.2, -41.73

 

CMYK 0 / 75 / 25 / 57

HEX #6E1B53

RGB 110 27 83

HSL 319.52, 0.61%, 0.27%

LAB 25.93, 41.83, -13.69

 

CMYK 0 / 14 / 75 / 57

HEX #6E5F1B

RGB 110 95 27

HSL 49.16, 0.61%, 0.27%

LAB 40.54, -2.12, 39.11

 

CMYK 75 / 0 / 52 / 57

HEX #1B6E35

RGB 27 110 53

HSL 138.8, 0.61%, 0.27%

LAB 40.64, -37.9, 24.8

 

Description

Color code: RGB 28 42 111 | qconv.com Color code: RGB 28 42 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 42 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 42 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 62 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 62% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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