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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 148 196 it is the complementary color RGB 229 107 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 148 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 148 196 shade: RGB 31 148 191, RGB 48 166 210, RGB 65 184 229, RGB 82 202 248 and RGB 99 220 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 148 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 148 196 shade: RGB 26 148 196, RGB 9 130 177, RGB 0 112 158, RGB 0 94 139 and RGB 0 76 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 148 196 shade: RGB 25 149 198, RGB 25 103 198, RGB 25 56 198, RGB 41 25 198 and RGB 88 25 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 148 196 shade: RGB 25 149 198, RGB 25 103 198, RGB 25 56 198 and RGB 25 25 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 148 196 shade matches the following richer shades: RGB 25 149 198 and RGB 7 157 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 148 196 shade: RGB 25 149 198, RGB 43 141 180, RGB 62 134 162, RGB 80 126 144 and RGB 98 118 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 148 196 shade: RGB 25 198 152, RGB 25 198 198, RGB 25 152 198, RGB 25 106 198 and RGB 25 60 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 148 196 shade: RGB 16 94 125, RGB 21 122 162, RGB 25 149 198, RGB 38 173 226 and RGB 75 187 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 148 196 shade: RGB 26 148 196, RGB 106 25 198 and RGB 198 175 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 148 196 shade: RGB 26 148 196, RGB 198 25 152 and RGB 152 198 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 148 196 shade: RGB 26 148 196, RGB 106 25 198, RGB 198 71 25 and RGB 117 198 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 148 196 shade: RGB 26 148 196, RGB 158 25 198, RGB 198 71 25 and RGB 66 198 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

Complementary color

CMYK 0 / 53 / 74 / 10

HEX #E56B3B

RGB 229 107 59

HSL 16.94, 0.77%, 0.56%

LAB 59.42, 44.4, 48.34

 

CMYK 84 / 23 / 0 / 25

HEX #1F94BF

RGB 31 148 191

HSL 196.13, 0.72%, 0.44%

LAB 57.3, -15.81, -31.02

 

CMYK 77 / 21 / 0 / 18

HEX #30A6D2

RGB 48 166 210

HSL 196.3, 0.64%, 0.51%

LAB 63.8, -17.36, -31.56

 

CMYK 72 / 20 / 0 / 10

HEX #41B8E5

RGB 65 184 229

HSL 196.46, 0.76%, 0.58%

LAB 70.22, -18.58, -32.04

 

CMYK 67 / 19 / 0 / 3

HEX #52CAF8

RGB 82 202 248

HSL 196.63, 0.92%, 0.65%

LAB 76.57, -19.53, -32.47

 

CMYK 61 / 14 / 0 / 0

HEX #63DCFF

RGB 99 220 255

HSL 193.46, 1%, 0.69%

LAB 82.41, -23.84, -27.18

 

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

CMYK 95 / 27 / 0 / 31

HEX #0982B1

RGB 9 130 177

HSL 196.79, 0.9%, 0.36%

LAB 50.92, -12.18, -33

 

CMYK 100 / 29 / 0 / 38

HEX #00709E

RGB 0 112 158

HSL 197.47, 1%, 0.31%

LAB 44.31, -9.38, -32.27

 

CMYK 100 / 32 / 0 / 45

HEX #005E8B

RGB 0 94 139

HSL 199.42, 1%, 0.27%

LAB 37.61, -6.05, -31.45

 

CMYK 100 / 37 / 0 / 53

HEX #004C78

RGB 0 76 120

HSL 202, 1%, 0.24%

LAB 30.7, -2.49, -30.68

 

CMYK 87 / 25 / 0 / 22

HEX #1995C6

RGB 25 149 198

HSL 196.99, 0.78%, 0.44%

LAB 57.83, -14.32, -34.16

 

CMYK 87 / 48 / 0 / 22

HEX #1967C6

RGB 25 103 198

HSL 212.95, 0.78%, 0.44%

LAB 44.21, 13.31, -55.77

 

CMYK 87 / 72 / 0 / 22

HEX #1938C6

RGB 25 56 198

HSL 229.25, 0.78%, 0.44%

LAB 32.06, 43.73, -75.61

 

CMYK 79 / 87 / 0 / 22

HEX #2919C6

RGB 41 25 198

HSL 245.55, 0.78%, 0.44%

LAB 27.42, 59.83, -83.29

 

CMYK 56 / 87 / 0 / 22

HEX #5819C6

RGB 88 25 198

HSL 261.85, 0.78%, 0.44%

LAB 31.46, 63.01, -76.47

 

CMYK 87 / 25 / 0 / 22

HEX #1995C6

RGB 25 149 198

HSL 196.99, 0.78%, 0.44%

LAB 57.83, -14.32, -34.16

 

CMYK 87 / 48 / 0 / 22

HEX #1967C6

RGB 25 103 198

HSL 212.95, 0.78%, 0.44%

LAB 44.21, 13.31, -55.77

 

CMYK 87 / 72 / 0 / 22

HEX #1938C6

RGB 25 56 198

HSL 229.25, 0.78%, 0.44%

LAB 32.06, 43.73, -75.61

 

CMYK 87 / 87 / 0 / 22

HEX #1919C6

RGB 25 25 198

HSL 240, 0.78%, 0.44%

LAB 26.68, 59.28, -84.55

 

CMYK 87 / 25 / 0 / 22

HEX #1995C6

RGB 25 149 198

HSL 196.99, 0.78%, 0.44%

LAB 57.83, -14.32, -34.16

 

CMYK 97 / 27 / 0 / 15

HEX #079DD8

RGB 7 157 216

HSL 196.94, 0.94%, 0.44%

LAB 60.88, -13.02, -39.47

 

CMYK 87 / 25 / 0 / 22

HEX #1995C6

RGB 25 149 198

HSL 196.99, 0.78%, 0.44%

LAB 57.83, -14.32, -34.16

 

CMYK 76 / 22 / 0 / 29

HEX #2B8DB4

RGB 43 141 180

HSL 197.08, 0.61%, 0.44%

LAB 54.93, -14.6, -28.44

 

CMYK 62 / 17 / 0 / 36

HEX #3E86A2

RGB 62 134 162

HSL 196.8, 0.45%, 0.44%

LAB 52.6, -13.8, -21.64

 

CMYK 44 / 13 / 0 / 44

HEX #507E90

RGB 80 126 144

HSL 196.88, 0.29%, 0.44%

LAB 50.26, -10.68, -14.65

 

CMYK 22 / 6 / 0 / 51

HEX #62767D

RGB 98 118 125

HSL 195.56, 0.12%, 0.44%

LAB 48.3, -5.67, -6.29

 

CMYK 87 / 0 / 23 / 22

HEX #19C698

RGB 25 198 152

HSL 164.05, 0.78%, 0.44%

LAB 71.46, -51.32, 11.74

 

CMYK 87 / 0 / 0 / 22

HEX #19C6C6

RGB 25 198 198

HSL 180, 0.78%, 0.44%

LAB 72.68, -38.83, -11.47

 

CMYK 87 / 23 / 0 / 22

HEX #1998C6

RGB 25 152 198

HSL 195.95, 0.78%, 0.44%

LAB 58.73, -15.96, -32.75

 

CMYK 87 / 46 / 0 / 22

HEX #196AC6

RGB 25 106 198

HSL 211.91, 0.78%, 0.44%

LAB 45.07, 11.39, -54.38

 

CMYK 87 / 70 / 0 / 22

HEX #193CC6

RGB 25 60 198

HSL 227.86, 0.78%, 0.44%

LAB 32.95, 41.28, -74.14

 

CMYK 87 / 25 / 0 / 51

HEX #105E7D

RGB 16 94 125

HSL 197.06, 0.77%, 0.28%

LAB 37.11, -10.54, -23.69

 

CMYK 87 / 25 / 0 / 36

HEX #157AA2

RGB 21 122 162

HSL 197.02, 0.77%, 0.36%

LAB 47.86, -12.54, -29.05

 

CMYK 87 / 25 / 0 / 22

HEX #1995C6

RGB 25 149 198

HSL 196.99, 0.78%, 0.44%

LAB 57.83, -14.32, -34.16

 

CMYK 83 / 23 / 0 / 11

HEX #26ADE2

RGB 38 173 226

HSL 196.91, 0.76%, 0.52%

LAB 66.36, -16.58, -36.42

 

CMYK 68 / 19 / 0 / 9

HEX #4BBBE7

RGB 75 187 231

HSL 196.92, 0.76%, 0.6%

LAB 71.42, -18.11, -31.24

 

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

CMYK 46 / 87 / 0 / 22

HEX #6A19C6

RGB 106 25 198

HSL 268.09, 0.78%, 0.44%

LAB 33.64, 64.87, -72.79

 

CMYK 0 / 12 / 87 / 22

HEX #C6AF19

RGB 198 175 25

HSL 52.02, 0.78%, 0.44%

LAB 71.38, -5.73, 70.06

 

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

CMYK 0 / 87 / 23 / 22

HEX #C61998

RGB 198 25 152

HSL 315.95, 0.78%, 0.44%

LAB 45.59, 72.3, -25.45

 

CMYK 23 / 0 / 87 / 22

HEX #98C619

RGB 152 198 25

HSL 75.95, 0.78%, 0.44%

LAB 74.28, -36.57, 70.98

 

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

CMYK 46 / 87 / 0 / 22

HEX #6A19C6

RGB 106 25 198

HSL 268.09, 0.78%, 0.44%

LAB 33.64, 64.87, -72.79

 

CMYK 0 / 64 / 87 / 22

HEX #C64719

RGB 198 71 25

HSL 15.95, 0.78%, 0.44%

LAB 47.73, 48.7, 51.09

 

CMYK 41 / 0 / 87 / 22

HEX #75C619

RGB 117 198 25

HSL 88.09, 0.78%, 0.44%

LAB 72.39, -49.46, 68.63

 

CMYK 87 / 24 / 0 / 23

HEX #1A94C4

RGB 26 148 196

HSL 196.94, 0.77%, 0.44%

LAB 57.45, -14.41, -33.62

 

CMYK 20 / 87 / 0 / 22

HEX #9E19C6

RGB 158 25 198

HSL 286.13, 0.78%, 0.44%

LAB 41.28, 71.91, -59.99

 

CMYK 0 / 64 / 87 / 22

HEX #C64719

RGB 198 71 25

HSL 15.95, 0.78%, 0.44%

LAB 47.73, 48.7, 51.09

 

CMYK 67 / 0 / 87 / 22

HEX #42C619

RGB 66 198 25

HSL 105.78, 0.78%, 0.44%

LAB 70.61, -63.47, 66.4

 

Description

Color code: RGB 26 148 196 | qconv.com Color code: RGB 26 148 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 148 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 148 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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