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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 135 187 it is the complementary color RGB 229 120 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 135 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 135 187 shade: RGB 31 135 182, RGB 48 153 201, RGB 65 171 220, RGB 82 189 239 and RGB 99 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 135 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 135 187 shade: RGB 26 135 187, RGB 9 117 168, RGB 0 99 149, RGB 0 81 130 and RGB 0 63 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 135 187 shade: RGB 25 135 188, RGB 25 92 188, RGB 25 48 188, RGB 47 25 188 and RGB 91 25 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 135 187 shade: RGB 25 135 188, RGB 25 92 188, RGB 25 48 188 and RGB 25 25 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 135 187 shade matches the following richer shades: RGB 25 135 188 and RGB 8 142 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 135 187 shade: RGB 25 135 188, RGB 43 129 171, RGB 60 123 153, RGB 77 117 136 and RGB 95 111 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 135 187 shade: RGB 25 188 153, RGB 25 180 188, RGB 25 136 188, RGB 25 93 188 and RGB 25 50 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 135 187 shade: RGB 15 83 115, RGB 20 109 152, RGB 25 135 188, RGB 31 161 224 and RGB 67 177 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 135 187 shade: RGB 26 135 187, RGB 109 25 188 and RGB 188 174 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 135 187 shade: RGB 26 135 187, RGB 188 25 136 and RGB 136 188 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 135 187 shade: RGB 26 135 187, RGB 109 25 188, RGB 188 77 25 and RGB 104 188 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 135 187 shade: RGB 26 135 187, RGB 158 25 188, RGB 188 77 25 and RGB 55 188 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

Complementary color

CMYK 0 / 48 / 70 / 10

HEX #E57844

RGB 229 120 68

HSL 19.38, 0.76%, 0.58%

LAB 62.09, 38.33, 46.73

 

CMYK 83 / 26 / 0 / 29

HEX #1F87B6

RGB 31 135 182

HSL 198.68, 0.71%, 0.42%

LAB 52.95, -11.8, -32.68

 

CMYK 76 / 24 / 0 / 21

HEX #3099C9

RGB 48 153 201

HSL 198.82, 0.61%, 0.49%

LAB 59.55, -13.39, -33.13

 

CMYK 70 / 22 / 0 / 14

HEX #41ABDC

RGB 65 171 220

HSL 198.97, 0.69%, 0.56%

LAB 66.07, -14.61, -33.53

 

CMYK 66 / 21 / 0 / 6

HEX #52BDEF

RGB 82 189 239

HSL 199.11, 0.83%, 0.63%

LAB 72.51, -15.58, -33.89

 

CMYK 61 / 19 / 0 / 0

HEX #63CFFF

RGB 99 207 255

HSL 198.46, 1%, 0.69%

LAB 78.75, -17.25, -32.79

 

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

CMYK 95 / 30 / 0 / 34

HEX #0975A8

RGB 9 117 168

HSL 199.25, 0.9%, 0.35%

LAB 46.46, -8.06, -34.77

 

CMYK 100 / 34 / 0 / 42

HEX #006395

RGB 0 99 149

HSL 200.13, 1%, 0.29%

LAB 39.74, -5.1, -34.12

 

CMYK 100 / 38 / 0 / 49

HEX #005182

RGB 0 81 130

HSL 202.62, 1%, 0.25%

LAB 32.91, -1.53, -33.38

RGB 0 81 130

CMYK 100 / 43 / 0 / 56

HEX #003F6F

RGB 0 63 111

HSL 205.95, 1%, 0.22%

LAB 25.87, 2.35, -32.69

RGB 0 63 111

CMYK 87 / 28 / 0 / 26

HEX #1987BC

RGB 25 135 188

HSL 199.51, 0.77%, 0.42%

LAB 53.13, -10.09, -35.83

 

CMYK 87 / 51 / 0 / 26

HEX #195CBC

RGB 25 92 188

HSL 215.34, 0.77%, 0.42%

LAB 40.4, 16.53, -56.13

 

CMYK 87 / 74 / 0 / 26

HEX #1930BC

RGB 25 48 188

HSL 231.53, 0.77%, 0.42%

LAB 29.29, 44.97, -74.31

 

CMYK 75 / 87 / 0 / 26

HEX #2F19BC

RGB 47 25 188

HSL 248.1, 0.77%, 0.42%

LAB 26.54, 57.31, -78.85

 

CMYK 52 / 87 / 0 / 26

HEX #5B19BC

RGB 91 25 188

HSL 264.29, 0.77%, 0.42%

LAB 30.76, 60.85, -71.72

 

CMYK 87 / 28 / 0 / 26

HEX #1987BC

RGB 25 135 188

HSL 199.51, 0.77%, 0.42%

LAB 53.13, -10.09, -35.83

 

CMYK 87 / 51 / 0 / 26

HEX #195CBC

RGB 25 92 188

HSL 215.34, 0.77%, 0.42%

LAB 40.4, 16.53, -56.13

 

CMYK 87 / 74 / 0 / 26

HEX #1930BC

RGB 25 48 188

HSL 231.53, 0.77%, 0.42%

LAB 29.29, 44.97, -74.31

 

CMYK 87 / 87 / 0 / 26

HEX #1919BC

RGB 25 25 188

HSL 240, 0.77%, 0.42%

LAB 25.36, 56.39, -80.83

 

CMYK 87 / 28 / 0 / 26

HEX #1987BC

RGB 25 135 188

HSL 199.51, 0.77%, 0.42%

LAB 53.13, -10.09, -35.83

 

CMYK 96 / 31 / 0 / 20

HEX #088ECD

RGB 8 142 205

HSL 199.19, 0.92%, 0.42%

LAB 55.89, -8.61, -41.15

 

CMYK 87 / 28 / 0 / 26

HEX #1987BC

RGB 25 135 188

HSL 199.51, 0.77%, 0.42%

LAB 53.13, -10.09, -35.83

 

CMYK 75 / 25 / 0 / 33

HEX #2B81AB

RGB 43 129 171

HSL 199.69, 0.6%, 0.42%

LAB 50.87, -11.01, -29.57

 

CMYK 61 / 20 / 0 / 40

HEX #3C7B99

RGB 60 123 153

HSL 199.35, 0.44%, 0.42%

LAB 48.79, -10.92, -22.26

 

CMYK 43 / 14 / 0 / 47

HEX #4D7588

RGB 77 117 136

HSL 199.32, 0.28%, 0.42%

LAB 47.08, -8.67, -14.79

 

CMYK 20 / 7 / 0 / 53

HEX #5F6F77

RGB 95 111 119

HSL 200, 0.11%, 0.42%

LAB 45.82, -4.08, -6.44

 

CMYK 87 / 0 / 19 / 26

HEX #19BC99

RGB 25 188 153

HSL 167.12, 0.77%, 0.42%

LAB 68.37, -47.04, 6.79

 

CMYK 87 / 4 / 0 / 26

HEX #19B4BC

RGB 25 180 188

HSL 182.94, 0.77%, 0.42%

LAB 66.89, -33.53, -14.68

 

CMYK 87 / 28 / 0 / 26

HEX #1988BC

RGB 25 136 188

HSL 199.14, 0.77%, 0.42%

LAB 53.43, -10.66, -35.36

 

CMYK 87 / 51 / 0 / 26

HEX #195DBC

RGB 25 93 188

HSL 214.97, 0.77%, 0.42%

LAB 40.68, 15.87, -55.67

 

CMYK 87 / 73 / 0 / 26

HEX #1932BC

RGB 25 50 188

HSL 230.8, 0.77%, 0.42%

LAB 29.71, 43.79, -73.61

 

CMYK 87 / 28 / 0 / 55

HEX #0F5373

RGB 15 83 115

HSL 199.2, 0.77%, 0.25%

LAB 32.98, -7.85, -23.96

 

CMYK 87 / 28 / 0 / 40

HEX #146D98

RGB 20 109 152

HSL 199.55, 0.77%, 0.34%

LAB 43.29, -8.8, -30.3

 

CMYK 87 / 28 / 0 / 26

HEX #1987BC

RGB 25 135 188

HSL 199.51, 0.77%, 0.42%

LAB 53.13, -10.09, -35.83

 

CMYK 86 / 28 / 0 / 12

HEX #1FA1E0

RGB 31 161 224

HSL 199.59, 0.76%, 0.5%

LAB 62.64, -11.26, -41.13

 

CMYK 71 / 23 / 0 / 10

HEX #43B1E5

RGB 67 177 229

HSL 199.26, 0.76%, 0.58%

LAB 68.24, -14.61, -35.1

 

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

CMYK 42 / 87 / 0 / 26

HEX #6D19BC

RGB 109 25 188

HSL 270.92, 0.77%, 0.42%

LAB 33.09, 62.94, -67.8

 

CMYK 0 / 7 / 87 / 26

HEX #BCAE19

RGB 188 174 25

HSL 54.85, 0.77%, 0.42%

LAB 70.2, -9.62, 68.73

 

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

CMYK 0 / 87 / 28 / 26

HEX #BC1988

RGB 188 25 136

HSL 319.14, 0.77%, 0.42%

LAB 43.01, 68.26, -19.89

 

CMYK 28 / 0 / 87 / 26

HEX #88BC19

RGB 136 188 25

HSL 79.14, 0.77%, 0.42%

LAB 70.37, -38.34, 67.31

 

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

CMYK 42 / 87 / 0 / 26

HEX #6D19BC

RGB 109 25 188

HSL 270.92, 0.77%, 0.42%

LAB 33.09, 62.94, -67.8

 

CMYK 0 / 59 / 87 / 26

HEX #BC4D19

RGB 188 77 25

HSL 19.14, 0.77%, 0.42%

LAB 47.07, 42.29, 49.85

 

CMYK 45 / 0 / 87 / 26

HEX #68BC19

RGB 104 188 25

HSL 90.92, 0.77%, 0.42%

LAB 68.74, -49.8, 65.28

 

CMYK 86 / 28 / 0 / 27

HEX #1A87BB

RGB 26 135 187

HSL 199.38, 0.76%, 0.42%

LAB 53.1, -10.39, -35.31

 

CMYK 16 / 87 / 0 / 26

HEX #9E19BC

RGB 158 25 188

HSL 288.96, 0.77%, 0.42%

LAB 40.57, 70.12, -55.29

 

CMYK 0 / 59 / 87 / 26

HEX #BC4D19

RGB 188 77 25

HSL 19.14, 0.77%, 0.42%

LAB 47.07, 42.29, 49.85

 

CMYK 71 / 0 / 87 / 26

HEX #37BC19

RGB 55 188 25

HSL 108.96, 0.77%, 0.42%

LAB 67.16, -62.39, 63.29

 

Description

Color code: RGB 26 135 187 | qconv.com Color code: RGB 26 135 187 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 135 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 135 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 28 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 28% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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