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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 130 18 it is the complementary color RGB 229 125 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 130 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 130 18 shade: RGB 31 130 13, RGB 48 148 32, RGB 65 166 51, RGB 82 184 70 and RGB 99 202 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 130 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 130 18 shade: RGB 26 130 18, RGB 9 112 0, RGB 0 94 0, RGB 0 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 130 18 shade: RGB 25 130 17, RGB 56 130 17, RGB 86 130 17, RGB 116 130 17 and RGB 130 113 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 130 18 shade: RGB 25 130 17, RGB 17 130 40, RGB 17 130 70, RGB 17 130 100 and RGB 17 129 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 130 18 shade matches the following richer shades: RGB 25 130 17 and RGB 15 142 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 130 18 shade: RGB 25 130 17, RGB 36 118 29, RGB 46 106 41, RGB 56 94 53 and RGB 66 82 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 130 18 shade: RGB 87 130 17, RGB 57 130 17, RGB 27 130 17, RGB 17 130 38 and RGB 17 130 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 130 18 shade: RGB 11 57 7, RGB 18 93 12, RGB 25 130 17, RGB 32 166 22 and RGB 40 202 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 130 18 shade: RGB 26 130 18, RGB 17 117 130 and RGB 130 17 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 130 18 shade: RGB 26 130 18, RGB 17 27 130 and RGB 130 17 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 130 18 shade: RGB 26 130 18, RGB 17 117 130, RGB 120 17 130 and RGB 130 30 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 130 18 shade: RGB 26 130 18, RGB 17 83 130, RGB 120 17 130 and RGB 130 64 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

Complementary color

CMYK 3 / 47 / 0 / 7

HEX #E57DED

RGB 229 125 237

HSL 295.71, 0.76%, 0.71%

LAB 67.61, 56.12, -39.61

 

CMYK 76 / 0 / 90 / 49

HEX #1F820D

RGB 31 130 13

HSL 110.77, 0.82%, 0.28%

LAB 47.35, -48.4, 48.35

 

CMYK 68 / 0 / 78 / 42

HEX #309420

RGB 48 148 32

HSL 111.72, 0.64%, 0.35%

LAB 53.93, -50.12, 49.15

 

CMYK 61 / 0 / 69 / 35

HEX #41A633

RGB 65 166 51

HSL 112.7, 0.53%, 0.43%

LAB 60.46, -51.13, 48.78

 

CMYK 55 / 0 / 62 / 28

HEX #52B846

RGB 82 184 70

HSL 113.68, 0.45%, 0.5%

LAB 66.91, -51.67, 47.88

 

CMYK 51 / 0 / 56 / 21

HEX #63CA59

RGB 99 202 89

HSL 114.69, 0.52%, 0.57%

LAB 73.3, -51.93, 46.74

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 92 / 0 / 100 / 56

HEX #097000

RGB 9 112 0

HSL 115.18, 1%, 0.22%

LAB 40.65, -46.12, 45.46

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 57 / 0 / 87 / 49

HEX #388211

RGB 56 130 17

HSL 99.29, 0.77%, 0.29%

LAB 48.07, -42.37, 48.29

 

CMYK 34 / 0 / 87 / 49

HEX #568211

RGB 86 130 17

HSL 83.36, 0.77%, 0.29%

LAB 49.48, -31.94, 50.08

 

CMYK 11 / 0 / 87 / 49

HEX #748211

RGB 116 130 17

HSL 67.43, 0.77%, 0.29%

LAB 51.52, -19.12, 52.63

 

CMYK 0 / 13 / 87 / 49

HEX #827111

RGB 130 113 17

HSL 50.97, 0.77%, 0.29%

LAB 47.75, -3.3, 49.96

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 87 / 0 / 69 / 49

HEX #118228

RGB 17 130 40

HSL 132.21, 0.77%, 0.29%

LAB 47.28, -48.34, 39.01

 

CMYK 87 / 0 / 46 / 49

HEX #118246

RGB 17 130 70

HSL 148.14, 0.77%, 0.29%

LAB 47.66, -43.83, 24.3

 

CMYK 87 / 0 / 23 / 49

HEX #118264

RGB 17 130 100

HSL 164.07, 0.77%, 0.29%

LAB 48.27, -36.99, 8.01

 

CMYK 87 / 1 / 0 / 49

HEX #118182

RGB 17 129 130

HSL 180.53, 0.77%, 0.29%

LAB 48.8, -27.7, -8.83

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 89 / 0 / 96 / 44

HEX #0F8E05

RGB 15 142 5

HSL 115.62, 0.93%, 0.29%

LAB 51.22, -54.51, 53.05

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 69 / 0 / 75 / 54

HEX #24761D

RGB 36 118 29

HSL 115.28, 0.61%, 0.29%

LAB 43.39, -42.22, 39.66

 

CMYK 57 / 0 / 61 / 58

HEX #2E6A29

RGB 46 106 41

HSL 115.38, 0.44%, 0.29%

LAB 39.66, -33.58, 30.17

 

CMYK 40 / 0 / 44 / 63

HEX #385E35

RGB 56 94 53

HSL 115.61, 0.28%, 0.29%

LAB 36.18, -22.83, 19.34

 

CMYK 20 / 0 / 21 / 68

HEX #425241

RGB 66 82 65

HSL 116.47, 0.12%, 0.29%

LAB 33.08, -10.08, 7.95

 

CMYK 33 / 0 / 87 / 49

HEX #578211

RGB 87 130 17

HSL 82.83, 0.77%, 0.29%

LAB 49.53, -31.55, 50.15

 

CMYK 56 / 0 / 87 / 49

HEX #398211

RGB 57 130 17

HSL 98.76, 0.77%, 0.29%

LAB 48.1, -42.08, 48.34

 

CMYK 79 / 0 / 87 / 49

HEX #1B8211

RGB 27 130 17

HSL 114.69, 0.77%, 0.29%

LAB 47.29, -48.88, 47.3

 

CMYK 87 / 0 / 71 / 49

HEX #118226

RGB 17 130 38

HSL 131.15, 0.77%, 0.29%

LAB 47.27, -48.55, 39.86

 

CMYK 87 / 0 / 48 / 49

HEX #118244

RGB 17 130 68

HSL 147.08, 0.77%, 0.29%

LAB 47.63, -44.2, 25.36

 

CMYK 81 / 0 / 88 / 78

HEX #0B3907

RGB 11 57 7

HSL 115.2, 0.78%, 0.13%

LAB 20.09, -26.39, 24.69

 

CMYK 81 / 0 / 87 / 64

HEX #125D0C

RGB 18 93 12

HSL 115.56, 0.77%, 0.21%

LAB 33.95, -38.11, 36.47

 

CMYK 81 / 0 / 87 / 49

HEX #198211

RGB 25 130 17

HSL 115.75, 0.77%, 0.29%

LAB 47.25, -49.18, 47.26

 

CMYK 81 / 0 / 87 / 35

HEX #20A616

RGB 32 166 22

HSL 115.83, 0.77%, 0.37%

LAB 59.56, -59.28, 57.09

 

CMYK 80 / 0 / 87 / 21

HEX #28CA1B

RGB 40 202 27

HSL 115.54, 0.76%, 0.45%

LAB 71.4, -68.83, 66.49

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 87 / 10 / 0 / 49

HEX #117582

RGB 17 117 130

HSL 186.9, 0.77%, 0.29%

LAB 44.88, -21.56, -14.75

 

CMYK 0 / 87 / 45 / 49

HEX #821148

RGB 130 17 72

HSL 330.8, 0.77%, 0.29%

LAB 28.42, 49.03, -2.21

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 87 / 79 / 0 / 49

HEX #111B82

RGB 17 27 130

HSL 234.69, 0.77%, 0.29%

LAB 17.99, 36.41, -57.61

 

CMYK 0 / 87 / 79 / 49

HEX #82111B

RGB 130 17 27

HSL 354.69, 0.77%, 0.29%

LAB 27.37, 45.95, 26.41

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 87 / 10 / 0 / 49

HEX #117582

RGB 17 117 130

HSL 186.9, 0.77%, 0.29%

LAB 44.88, -21.56, -14.75

 

CMYK 8 / 87 / 0 / 49

HEX #781182

RGB 120 17 130

HSL 294.69, 0.77%, 0.29%

LAB 29.43, 54.86, -38.41

 

CMYK 0 / 77 / 87 / 49

HEX #821E11

RGB 130 30 17

HSL 6.9, 0.77%, 0.29%

LAB 28.68, 41.64, 33.56

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 87 / 36 / 0 / 49

HEX #115382

RGB 17 83 130

HSL 204.96, 0.77%, 0.29%

LAB 33.81, -1.64, -31.94

 

CMYK 8 / 87 / 0 / 49

HEX #781182

RGB 120 17 130

HSL 294.69, 0.77%, 0.29%

LAB 29.43, 54.86, -38.41

 

CMYK 0 / 51 / 87 / 49

HEX #824011

RGB 130 64 17

HSL 24.96, 0.77%, 0.29%

LAB 34.91, 25.26, 39.05

 

Description

Color code: RGB 26 130 18 | qconv.com Color code: RGB 26 130 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 130 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 130 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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