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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 187 10 it is the complementary color RGB 230 68 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 187 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 187 10 shade: RGB 30 187 5, RGB 47 205 24, RGB 64 223 43, RGB 81 241 62 and RGB 98 255 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 187 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 187 10 shade: RGB 25 187 10, RGB 8 169 0, RGB 0 151 0, RGB 0 133 0 and RGB 0 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 187 10 shade: RGB 25 188 9, RGB 73 188 9, RGB 121 188 9, RGB 169 188 9 and RGB 188 159 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 187 10 shade: RGB 25 188 9, RGB 9 188 43, RGB 9 188 91, RGB 9 188 139 and RGB 9 188 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 187 10 shade matches the following richer shades: RGB 25 188 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 187 10 shade: RGB 25 188 9, RGB 38 172 26, RGB 51 156 42, RGB 65 140 58 and RGB 78 124 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 187 10 shade: RGB 123 188 9, RGB 75 188 9, RGB 27 188 9, RGB 9 188 39 and RGB 9 188 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 187 10 shade: RGB 14 110 5, RGB 19 149 7, RGB 25 188 9, RGB 30 228 12 and RGB 55 243 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 187 10 shade: RGB 25 187 10, RGB 9 171 188 and RGB 188 9 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 187 10 shade: RGB 25 187 10, RGB 9 27 188 and RGB 188 9 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 187 10 shade: RGB 25 187 10, RGB 9 171 188, RGB 171 9 188 and RGB 188 27 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 187 10 shade: RGB 25 187 10, RGB 9 117 188, RGB 171 9 188 and RGB 188 81 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

Complementary color

CMYK 6 / 72 / 0 / 4

HEX #E644F5

RGB 230 68 245

HSL 294.92, 0.9%, 0.61%

LAB 59.48, 81.44, -56.87

 

CMYK 84 / 0 / 97 / 27

HEX #1EBB05

RGB 30 187 5

HSL 111.76, 0.95%, 0.38%

LAB 66.39, -66.23, 65.55

 

CMYK 77 / 0 / 88 / 20

HEX #2FCD18

RGB 47 205 24

HSL 112.38, 0.79%, 0.45%

LAB 72.45, -68.92, 68.04

 

CMYK 71 / 0 / 81 / 13

HEX #40DF2B

RGB 64 223 43

HSL 113, 0.74%, 0.52%

LAB 78.48, -70.9, 69.22

 

CMYK 66 / 0 / 74 / 5

HEX #51F13E

RGB 81 241 62

HSL 113.63, 0.86%, 0.59%

LAB 84.49, -72.32, 69.45

 

CMYK 62 / 0 / 68 / 0

HEX #62FF51

RGB 98 255 81

HSL 114.14, 1%, 0.66%

LAB 89.26, -72.01, 67.83

 

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

CMYK 95 / 0 / 100 / 34

HEX #08A900

RGB 8 169 0

HSL 117.16, 1%, 0.33%

LAB 60.27, -62.91, 61.18

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 87 / 0 / 95 / 26

HEX #19BC09

RGB 25 188 9

HSL 114.64, 0.91%, 0.39%

LAB 66.67, -66.91, 65.29

 

CMYK 61 / 0 / 95 / 26

HEX #49BC09

RGB 73 188 9

HSL 98.55, 0.91%, 0.39%

LAB 67.58, -59.04, 66.41

 

CMYK 36 / 0 / 95 / 26

HEX #79BC09

RGB 121 188 9

HSL 82.46, 0.91%, 0.39%

LAB 69.51, -44.33, 68.77

 

CMYK 10 / 0 / 95 / 26

HEX #A9BC09

RGB 169 188 9

HSL 66.37, 0.91%, 0.39%

LAB 72.51, -25.2, 72.41

 

CMYK 0 / 15 / 95 / 26

HEX #BC9F09

RGB 188 159 9

HSL 50.28, 0.91%, 0.39%

LAB 66.14, -1.98, 68.31

 

CMYK 87 / 0 / 95 / 26

HEX #19BC09

RGB 25 188 9

HSL 114.64, 0.91%, 0.39%

LAB 66.67, -66.91, 65.29

 

CMYK 95 / 0 / 77 / 26

HEX #09BC2B

RGB 9 188 43

HSL 131.4, 0.91%, 0.39%

LAB 66.67, -66.41, 57.75

 

CMYK 95 / 0 / 52 / 26

HEX #09BC5B

RGB 9 188 91

HSL 147.49, 0.91%, 0.39%

LAB 67.11, -60.92, 37.88

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8B

RGB 9 188 139

HSL 163.58, 0.91%, 0.39%

LAB 67.94, -51.33, 13.8

 

CMYK 95 / 0 / 1 / 26

HEX #09BCBB

RGB 9 188 187

HSL 179.66, 0.91%, 0.39%

LAB 69.19, -38.26, -10.67

 

CMYK 87 / 0 / 95 / 26

HEX #19BC09

RGB 25 188 9

HSL 114.64, 0.91%, 0.39%

LAB 66.67, -66.91, 65.29

 

CMYK 87 / 0 / 95 / 26

HEX #19BC09

RGB 25 188 9

HSL 114.64, 0.91%, 0.39%

LAB 66.67, -66.91, 65.29

 

CMYK 78 / 0 / 85 / 33

HEX #26AC1A

RGB 38 172 26

HSL 115.07, 0.74%, 0.39%

LAB 61.65, -60.12, 58.04

 

CMYK 67 / 0 / 73 / 39

HEX #339C2A

RGB 51 156 42

HSL 115.26, 0.58%, 0.39%

LAB 56.73, -51.52, 48.34

 

CMYK 54 / 0 / 59 / 45

HEX #418C3A

RGB 65 140 58

HSL 114.88, 0.41%, 0.39%

LAB 52.05, -40.25, 36.26

 

CMYK 37 / 0 / 40 / 51

HEX #4E7C4A

RGB 78 124 74

HSL 115.2, 0.25%, 0.39%

LAB 47.66, -26.49, 22.45

 

CMYK 35 / 0 / 95 / 26

HEX #7BBC09

RGB 123 188 9

HSL 81.79, 0.91%, 0.39%

LAB 69.61, -43.6, 68.89

 

CMYK 60 / 0 / 95 / 26

HEX #4BBC09

RGB 75 188 9

HSL 97.88, 0.91%, 0.39%

LAB 67.64, -58.55, 66.48

 

CMYK 86 / 0 / 95 / 26

HEX #1BBC09

RGB 27 188 9

HSL 113.97, 0.91%, 0.39%

LAB 66.69, -66.72, 65.31

 

CMYK 95 / 0 / 79 / 26

HEX #09BC27

RGB 9 188 39

HSL 130.06, 0.91%, 0.39%

LAB 66.65, -66.68, 58.99

 

CMYK 95 / 0 / 54 / 26

HEX #09BC57

RGB 9 188 87

HSL 146.15, 0.91%, 0.39%

LAB 67.06, -61.54, 39.78

 

CMYK 87 / 0 / 95 / 57

HEX #0E6E05

RGB 14 110 5

HSL 114.86, 0.91%, 0.23%

LAB 40.01, -44.74, 43.7

 

CMYK 87 / 0 / 95 / 42

HEX #139507

RGB 19 149 7

HSL 114.93, 0.91%, 0.31%

LAB 53.65, -56.16, 54.75

 

CMYK 87 / 0 / 95 / 26

HEX #19BC09

RGB 25 188 9

HSL 114.64, 0.91%, 0.39%

LAB 66.67, -66.91, 65.29

 

CMYK 87 / 0 / 95 / 11

HEX #1EE40C

RGB 30 228 12

HSL 115, 0.9%, 0.47%

LAB 79.49, -77.56, 75.56

 

CMYK 77 / 0 / 85 / 5

HEX #37F325

RGB 55 243 37

HSL 114.76, 0.9%, 0.55%

LAB 84.51, -78.43, 76.05

 

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

CMYK 95 / 9 / 0 / 26

HEX #09ABBC

RGB 9 171 188

HSL 185.7, 0.91%, 0.39%

LAB 64.01, -29.93, -19.04

 

CMYK 0 / 95 / 47 / 26

HEX #BC0963

RGB 188 9 99

HSL 329.83, 0.91%, 0.39%

LAB 40.88, 66.82, -0.07

 

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

CMYK 95 / 86 / 0 / 26

HEX #091BBC

RGB 9 27 188

HSL 233.97, 0.91%, 0.39%

LAB 25.18, 55.22, -81.15

 

CMYK 0 / 95 / 86 / 26

HEX #BC091B

RGB 188 9 27

HSL 353.97, 0.91%, 0.39%

LAB 39.52, 63.11, 42.57

 

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

CMYK 95 / 9 / 0 / 26

HEX #09ABBC

RGB 9 171 188

HSL 185.7, 0.91%, 0.39%

LAB 64.01, -29.93, -19.04

 

CMYK 9 / 95 / 0 / 26

HEX #AB09BC

RGB 171 9 188

HSL 294.3, 0.91%, 0.39%

LAB 41.98, 74.55, -52.91

 

CMYK 0 / 86 / 95 / 26

HEX #BC1B09

RGB 188 27 9

HSL 6.03, 0.91%, 0.39%

LAB 40.4, 60.02, 50.83

 

CMYK 87 / 0 / 95 / 27

HEX #19BB0A

RGB 25 187 10

HSL 114.92, 0.9%, 0.39%

LAB 66.34, -66.6, 64.9

 

CMYK 95 / 38 / 0 / 26

HEX #0975BC

RGB 9 117 188

HSL 203.8, 0.91%, 0.39%

LAB 47.51, -0.28, -44.72

 

CMYK 9 / 95 / 0 / 26

HEX #AB09BC

RGB 171 9 188

HSL 294.3, 0.91%, 0.39%

LAB 41.98, 74.55, -52.91

 

CMYK 0 / 57 / 95 / 26

HEX #BC5109

RGB 188 81 9

HSL 24.13, 0.91%, 0.39%

LAB 47.75, 40.07, 55.34

 

Description

Color code: RGB 25 187 10 | qconv.com Color code: RGB 25 187 10 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 187 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 187 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 95 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 95% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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