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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 156 103 it is the complementary color RGB 230 99 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 156 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 156 103 shade: RGB 30 156 98, RGB 47 174 117, RGB 64 192 136, RGB 81 210 155 and RGB 98 228 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 156 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 156 103 shade: RGB 25 156 103, RGB 8 138 84, RGB 0 120 65, RGB 0 102 46 and RGB 0 84 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 156 103 shade: RGB 24 153 101, RGB 24 153 66, RGB 24 153 32, RGB 52 153 24 and RGB 87 153 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 156 103 shade: RGB 24 153 101, RGB 24 153 136, RGB 24 136 153, RGB 24 101 153 and RGB 24 66 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 156 103 shade matches the following richer shades: RGB 24 153 101 and RGB 10 167 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 156 103 shade: RGB 24 153 101, RGB 39 139 98, RGB 53 124 96, RGB 68 110 93 and RGB 82 95 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 156 103 shade: RGB 24 153 31, RGB 24 153 65, RGB 24 153 99, RGB 24 153 134 and RGB 24 138 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 156 103 shade: RGB 13 82 54, RGB 19 118 78, RGB 24 153 101, RGB 30 188 124 and RGB 40 220 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 156 103 shade: RGB 25 156 103, RGB 24 52 153 and RGB 153 48 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 156 103 shade: RGB 25 156 103, RGB 99 24 153 and RGB 153 99 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 156 103 shade: RGB 25 156 103, RGB 24 52 153, RGB 153 24 78 and RGB 153 125 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 156 103 shade: RGB 25 156 103, RGB 35 24 153, RGB 153 24 78 and RGB 142 153 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

Complementary color

CMYK 0 / 57 / 34 / 10

HEX #E66398

RGB 230 99 152

HSL 335.73, 0.72%, 0.65%

LAB 59.9, 55.97, -3.29

 

CMYK 81 / 0 / 37 / 39

HEX #1E9C62

RGB 30 156 98

HSL 152.38, 0.68%, 0.36%

LAB 57.01, -46.75, 21.24

 

CMYK 73 / 0 / 33 / 32

HEX #2FAE75

RGB 47 174 117

HSL 153.07, 0.57%, 0.43%

LAB 63.48, -47.57, 19.65

 

CMYK 67 / 0 / 29 / 25

HEX #40C088

RGB 64 192 136

HSL 153.75, 0.5%, 0.5%

LAB 69.87, -48.04, 18.23

 

CMYK 61 / 0 / 26 / 18

HEX #51D29B

RGB 81 210 155

HSL 154.42, 0.59%, 0.57%

LAB 76.2, -48.28, 16.93

 

CMYK 57 / 0 / 24 / 11

HEX #62E4AE

RGB 98 228 174

HSL 155.08, 0.71%, 0.64%

LAB 82.45, -48.37, 15.74

 

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

CMYK 94 / 0 / 39 / 46

HEX #088A54

RGB 8 138 84

HSL 155.08, 0.89%, 0.29%

LAB 50.53, -44.69, 20.28

 

CMYK 100 / 0 / 46 / 53

HEX #007841

RGB 0 120 65

HSL 152.5, 1%, 0.24%

LAB 43.97, -42.4, 22.28

 

CMYK 100 / 0 / 55 / 60

HEX #00662E

RGB 0 102 46

HSL 147.06, 1%, 0.2%

LAB 37.3, -39.38, 24.42

 

CMYK 100 / 0 / 68 / 67

HEX #00541B

RGB 0 84 27

HSL 139.29, 1%, 0.16%

LAB 30.45, -35.98, 26.46

 

CMYK 84 / 0 / 34 / 40

HEX #189965

RGB 24 153 101

HSL 155.81, 0.73%, 0.35%

LAB 56, -45.57, 18.2

 

CMYK 84 / 0 / 57 / 40

HEX #189942

RGB 24 153 66

HSL 139.53, 0.73%, 0.35%

LAB 55.45, -52.02, 36.09

 

CMYK 84 / 0 / 79 / 40

HEX #189920

RGB 24 153 32

HSL 123.72, 0.73%, 0.35%

LAB 55.16, -55.67, 50.18

 

CMYK 66 / 0 / 84 / 40

HEX #349918

RGB 52 153 24

HSL 106.98, 0.73%, 0.35%

LAB 55.66, -51.46, 53.24

 

CMYK 43 / 0 / 84 / 40

HEX #579918

RGB 87 153 24

HSL 90.7, 0.73%, 0.35%

LAB 56.95, -41.36, 54.89

 

CMYK 84 / 0 / 34 / 40

HEX #189965

RGB 24 153 101

HSL 155.81, 0.73%, 0.35%

LAB 56, -45.57, 18.2

 

CMYK 84 / 0 / 11 / 40

HEX #189988

RGB 24 153 136

HSL 172.09, 0.73%, 0.35%

LAB 56.84, -36.65, -0.41

 

CMYK 84 / 11 / 0 / 40

HEX #188899

RGB 24 136 153

HSL 187.91, 0.73%, 0.35%

LAB 51.95, -23.12, -17.49

 

CMYK 84 / 34 / 0 / 40

HEX #186599

RGB 24 101 153

HSL 204.19, 0.73%, 0.35%

LAB 40.9, -3.23, -34.66

 

CMYK 84 / 57 / 0 / 40

HEX #184299

RGB 24 66 153

HSL 220.47, 0.73%, 0.35%

LAB 30.38, 19.9, -51.53

 

CMYK 84 / 0 / 34 / 40

HEX #189965

RGB 24 153 101

HSL 155.81, 0.73%, 0.35%

LAB 56, -45.57, 18.2

 

CMYK 94 / 0 / 38 / 35

HEX #0AA768

RGB 10 167 104

HSL 155.92, 0.89%, 0.35%

LAB 60.52, -51.22, 22.63

 

CMYK 84 / 0 / 34 / 40

HEX #189965

RGB 24 153 101

HSL 155.81, 0.73%, 0.35%

LAB 56, -45.57, 18.2

 

CMYK 72 / 0 / 29 / 45

HEX #278B62

RGB 39 139 98

HSL 155.4, 0.56%, 0.35%

LAB 51.59, -38.59, 13.87

 

CMYK 57 / 0 / 23 / 51

HEX #357C60

RGB 53 124 96

HSL 156.34, 0.4%, 0.35%

LAB 47, -29.46, 8.67

 

CMYK 38 / 0 / 15 / 57

HEX #446E5D

RGB 68 110 93

HSL 155.71, 0.24%, 0.35%

LAB 43.02, -18.86, 4.88

 

CMYK 14 / 0 / 5 / 63

HEX #525F5A

RGB 82 95 90

HSL 156.92, 0.07%, 0.35%

LAB 39.1, -6.13, 1.16

 

CMYK 84 / 0 / 80 / 40

HEX #18991F

RGB 24 153 31

HSL 123.26, 0.73%, 0.35%

LAB 55.15, -55.74, 50.5

 

CMYK 84 / 0 / 58 / 40

HEX #189941

RGB 24 153 65

HSL 139.07, 0.73%, 0.35%

LAB 55.44, -52.16, 36.57

 

CMYK 84 / 0 / 35 / 40

HEX #189963

RGB 24 153 99

HSL 154.88, 0.73%, 0.35%

LAB 55.96, -46.01, 19.26

 

CMYK 84 / 0 / 12 / 40

HEX #189986

RGB 24 153 134

HSL 171.16, 0.73%, 0.35%

LAB 56.78, -37.22, 0.65

 

CMYK 84 / 10 / 0 / 40

HEX #188A99

RGB 24 138 153

HSL 186.98, 0.73%, 0.35%

LAB 52.59, -24.15, -16.53

 

CMYK 84 / 0 / 34 / 68

HEX #0D5236

RGB 13 82 54

HSL 155.65, 0.73%, 0.19%

LAB 30.37, -28.16, 10.69

 

CMYK 84 / 0 / 34 / 54

HEX #13764E

RGB 19 118 78

HSL 155.76, 0.72%, 0.27%

LAB 43.72, -37.18, 14.53

 

CMYK 84 / 0 / 34 / 40

HEX #189965

RGB 24 153 101

HSL 155.81, 0.73%, 0.35%

LAB 56, -45.57, 18.2

 

CMYK 84 / 0 / 34 / 26

HEX #1EBC7C

RGB 30 188 124

HSL 155.7, 0.72%, 0.43%

LAB 67.8, -53.47, 21.72

 

CMYK 82 / 0 / 33 / 14

HEX #28DC93

RGB 40 220 147

HSL 155.67, 0.72%, 0.51%

LAB 78.31, -59.65, 23.92

 

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

CMYK 84 / 66 / 0 / 40

HEX #183499

RGB 24 52 153

HSL 226.98, 0.73%, 0.35%

LAB 26.59, 29.48, -57.72

 

CMYK 0 / 69 / 84 / 40

HEX #993018

RGB 153 48 24

HSL 11.16, 0.73%, 0.35%

LAB 35.89, 42.62, 38.19

 

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

CMYK 35 / 84 / 0 / 40

HEX #631899

RGB 99 24 153

HSL 274.88, 0.73%, 0.35%

LAB 28.4, 53.93, -54.5

 

CMYK 0 / 35 / 84 / 40

HEX #996318

RGB 153 99 24

HSL 34.88, 0.73%, 0.35%

LAB 46.66, 15.78, 47.83

 

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

CMYK 84 / 66 / 0 / 40

HEX #183499

RGB 24 52 153

HSL 226.98, 0.73%, 0.35%

LAB 26.59, 29.48, -57.72

 

CMYK 0 / 84 / 49 / 40

HEX #99184E

RGB 153 24 78

HSL 334.88, 0.73%, 0.35%

LAB 33.93, 54, 2.44

 

CMYK 0 / 18 / 84 / 40

HEX #997D18

RGB 153 125 24

HSL 46.98, 0.73%, 0.35%

LAB 53.5, 0.95, 53.74

 

CMYK 84 / 0 / 34 / 39

HEX #199C67

RGB 25 156 103

HSL 155.73, 0.72%, 0.35%

LAB 57.04, -46.21, 18.5

 

CMYK 77 / 84 / 0 / 40

HEX #231899

RGB 35 24 153

HSL 245.12, 0.73%, 0.35%

LAB 21.25, 46.71, -66.53

 

CMYK 0 / 84 / 49 / 40

HEX #99184E

RGB 153 24 78

HSL 334.88, 0.73%, 0.35%

LAB 33.93, 54, 2.44

 

CMYK 7 / 0 / 84 / 40

HEX #8E9918

RGB 142 153 24

HSL 65.12, 0.73%, 0.35%

LAB 60.43, -19.15, 59.27

 

Description

Color code: RGB 25 156 103 | qconv.com Color code: RGB 25 156 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 156 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 156 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 34 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 34% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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