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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 117 101 it is the complementary color RGB 230 138 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 117 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 117 101 shade: RGB 30 117 96, RGB 47 135 115, RGB 64 153 134, RGB 81 171 153 and RGB 98 189 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 117 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 117 101 shade: RGB 25 117 101, RGB 8 99 82, RGB 0 81 63, RGB 0 63 44 and RGB 0 45 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 117 101 shade: RGB 24 117 101, RGB 24 117 76, RGB 24 117 51, RGB 24 117 26 and RGB 48 117 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 117 101 shade: RGB 24 117 101, RGB 24 108 117, RGB 24 83 117, RGB 24 58 117 and RGB 24 33 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 117 101 shade matches the following richer shades: RGB 24 117 101, RGB 13 129 109 and RGB 1 140 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 117 101 shade: RGB 24 117 101, RGB 36 106 94, RGB 48 94 86, RGB 59 83 79 and RGB 71 71 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 117 101 shade: RGB 24 117 51, RGB 24 117 76, RGB 24 117 100, RGB 24 110 117 and RGB 24 85 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 117 101 shade: RGB 10 49 42, RGB 17 83 72, RGB 24 117 101, RGB 32 151 131 and RGB 39 185 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 117 101 shade: RGB 25 117 101, RGB 26 24 117 and RGB 117 63 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 117 101 shade: RGB 25 117 101, RGB 100 24 117 and RGB 117 100 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 117 101 shade: RGB 25 117 101, RGB 26 24 117, RGB 117 24 42 and RGB 116 117 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 117 101 shade: RGB 25 117 101, RGB 54 24 117, RGB 117 24 42 and RGB 88 117 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

Complementary color

CMYK 0 / 40 / 33 / 10

HEX #E68A9A

RGB 230 138 154

HSL 349.57, 0.65%, 0.72%

LAB 67.53, 36.91, 6.65

 

CMYK 74 / 0 / 18 / 54

HEX #1E7560

RGB 30 117 96

HSL 165.52, 0.59%, 0.29%

LAB 44.01, -30.69, 4.32

 

CMYK 65 / 0 / 15 / 47

HEX #2F8773

RGB 47 135 115

HSL 166.36, 0.48%, 0.36%

LAB 50.89, -31.14, 3.09

 

CMYK 58 / 0 / 12 / 40

HEX #409986

RGB 64 153 134

HSL 167.19, 0.41%, 0.43%

LAB 57.65, -31.34, 2.02

 

CMYK 53 / 0 / 11 / 33

HEX #51AB99

RGB 81 171 153

HSL 168, 0.36%, 0.49%

LAB 64.3, -31.4, 1.07

 

CMYK 48 / 0 / 9 / 26

HEX #62BDAC

RGB 98 189 172

HSL 168.79, 0.41%, 0.56%

LAB 70.85, -31.37, 0.2

 

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

CMYK 92 / 0 / 17 / 61

HEX #086352

RGB 8 99 82

HSL 168.79, 0.85%, 0.21%

LAB 37.09, -28.8, 2.79

 

CMYK 100 / 0 / 22 / 68

HEX #00513F

RGB 0 81 63

HSL 166.67, 1%, 0.16%

LAB 30.02, -26.8, 4.5

 

CMYK 100 / 0 / 30 / 75

HEX #003F2C

RGB 0 63 44

HSL 161.9, 1%, 0.12%

LAB 22.78, -23.98, 6.55

 

CMYK 100 / 0 / 44 / 82

HEX #002D19

RGB 0 45 25

HSL 153.33, 1%, 0.09%

LAB 15.21, -20.94, 8.85

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 79 / 0 / 35 / 54

HEX #18754C

RGB 24 117 76

HSL 153.55, 0.66%, 0.28%

LAB 43.42, -36.6, 15.3

 

CMYK 79 / 0 / 56 / 54

HEX #187533

RGB 24 117 51

HSL 137.42, 0.66%, 0.28%

LAB 43, -41.42, 28.77

 

CMYK 79 / 0 / 78 / 54

HEX #18751A

RGB 24 117 26

HSL 121.29, 0.66%, 0.28%

LAB 42.75, -44.41, 40.09

 

CMYK 59 / 0 / 79 / 54

HEX #307518

RGB 48 117 24

HSL 104.52, 0.66%, 0.28%

LAB 43.38, -39.2, 41.68

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 79 / 8 / 0 / 54

HEX #186C75

RGB 24 108 117

HSL 185.81, 0.66%, 0.28%

LAB 41.54, -20.53, -11.99

 

CMYK 79 / 29 / 0 / 54

HEX #185375

RGB 24 83 117

HSL 201.94, 0.66%, 0.28%

LAB 33.28, -6.05, -24.72

 

CMYK 79 / 50 / 0 / 54

HEX #183A75

RGB 24 58 117

HSL 218.06, 0.66%, 0.28%

LAB 25.27, 10.69, -37.43

 

CMYK 79 / 72 / 0 / 54

HEX #182175

RGB 24 33 117

HSL 234.19, 0.66%, 0.28%

LAB 18.22, 28.32, -48.93

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 90 / 0 / 16 / 49

HEX #0D816D

RGB 13 129 109

HSL 169.66, 0.82%, 0.28%

LAB 48.12, -34.38, 2.52

 

CMYK 99 / 0 / 17 / 45

HEX #018C74

RGB 1 140 116

HSL 169.64, 0.99%, 0.28%

LAB 51.86, -37.96, 3.84

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 66 / 0 / 11 / 58

HEX #246A5E

RGB 36 106 94

HSL 169.71, 0.49%, 0.28%

LAB 40.4, -24.86, 0.31

 

CMYK 49 / 0 / 9 / 63

HEX #305E56

RGB 48 94 86

HSL 169.57, 0.32%, 0.28%

LAB 36.57, -17.98, -0.31

 

CMYK 29 / 0 / 5 / 67

HEX #3B534F

RGB 59 83 79

HSL 170, 0.17%, 0.28%

LAB 33.31, -10.1, -0.62

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 79 / 0 / 56 / 54

HEX #187533

RGB 24 117 51

HSL 137.42, 0.66%, 0.28%

LAB 43, -41.42, 28.77

 

CMYK 79 / 0 / 35 / 54

HEX #18754C

RGB 24 117 76

HSL 153.55, 0.66%, 0.28%

LAB 43.42, -36.6, 15.3

 

CMYK 79 / 0 / 15 / 54

HEX #187564

RGB 24 117 100

HSL 169.03, 0.66%, 0.28%

LAB 44, -30.39, 1.9

 

CMYK 79 / 6 / 0 / 54

HEX #186E75

RGB 24 110 117

HSL 184.52, 0.66%, 0.28%

LAB 42.2, -21.6, -10.99

 

CMYK 79 / 27 / 0 / 54

HEX #185575

RGB 24 85 117

HSL 200.65, 0.66%, 0.28%

LAB 33.93, -7.29, -23.69

 

CMYK 80 / 0 / 14 / 81

HEX #0A312A

RGB 10 49 42

HSL 169.23, 0.66%, 0.12%

LAB 17.59, -15.55, 0.53

 

CMYK 80 / 0 / 13 / 67

HEX #115348

RGB 17 83 72

HSL 170, 0.66%, 0.2%

LAB 31.29, -23.02, 0.65

 

CMYK 79 / 0 / 14 / 54

HEX #187565

RGB 24 117 101

HSL 169.68, 0.66%, 0.28%

LAB 44.03, -30.11, 1.34

 

CMYK 79 / 0 / 13 / 41

HEX #209783

RGB 32 151 131

HSL 169.92, 0.65%, 0.36%

LAB 56.17, -36.38, 1.49

 

CMYK 79 / 0 / 14 / 27

HEX #27B9A0

RGB 39 185 160

HSL 169.73, 0.65%, 0.44%

LAB 67.77, -42.76, 2.12

 

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

CMYK 78 / 79 / 0 / 54

HEX #1A1875

RGB 26 24 117

HSL 241.29, 0.66%, 0.28%

LAB 16.29, 34.2, -52.1

 

CMYK 0 / 46 / 79 / 54

HEX #753F18

RGB 117 63 24

HSL 25.16, 0.66%, 0.28%

LAB 32.71, 20.28, 32.99

 

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

CMYK 15 / 79 / 0 / 54

HEX #641875

RGB 100 24 117

HSL 289.03, 0.66%, 0.28%

LAB 25.7, 46.38, -36.34

 

CMYK 0 / 15 / 79 / 54

HEX #756418

RGB 117 100 24

HSL 49.03, 0.66%, 0.28%

LAB 42.71, -1.81, 42.68

 

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

CMYK 78 / 79 / 0 / 54

HEX #1A1875

RGB 26 24 117

HSL 241.29, 0.66%, 0.28%

LAB 16.29, 34.2, -52.1

 

CMYK 0 / 79 / 64 / 54

HEX #75182A

RGB 117 24 42

HSL 348.39, 0.66%, 0.28%

LAB 25.57, 40.67, 13.69

 

CMYK 1 / 0 / 79 / 54

HEX #747518

RGB 116 117 24

HSL 60.65, 0.66%, 0.28%

LAB 47.63, -11.91, 47.18

 

CMYK 79 / 0 / 14 / 54

HEX #197565

RGB 25 117 101

HSL 169.57, 0.65%, 0.28%

LAB 44.04, -29.98, 1.37

 

CMYK 54 / 79 / 0 / 54

HEX #361875

RGB 54 24 117

HSL 259.35, 0.66%, 0.28%

LAB 18.89, 37.67, -47.72

 

CMYK 0 / 79 / 64 / 54

HEX #75182A

RGB 117 24 42

HSL 348.39, 0.66%, 0.28%

LAB 25.57, 40.67, 13.69

 

CMYK 25 / 0 / 79 / 54

HEX #587518

RGB 88 117 24

HSL 78.71, 0.66%, 0.28%

LAB 45.45, -24.56, 44.37

 

Description

Color code: RGB 25 117 101 | qconv.com Color code: RGB 25 117 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 117 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 117 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 14 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 14% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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