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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 113 165 it is the complementary color RGB 230 142 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 113 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 113 165 shade: RGB 30 113 160, RGB 47 131 179, RGB 64 149 198, RGB 81 167 217 and RGB 98 185 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 113 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 113 165 shade: RGB 25 113 165, RGB 8 95 146, RGB 0 77 127, RGB 0 59 108 and RGB 0 41 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 113 165 shade: RGB 24 112 164, RGB 24 74 164, RGB 24 36 164, RGB 49 24 164 and RGB 87 24 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 113 165 shade: RGB 24 112 164, RGB 24 74 164, RGB 24 36 164 and RGB 24 24 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 113 165 shade matches the following richer shades: RGB 24 112 164 and RGB 9 116 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 113 165 shade: RGB 24 112 164, RGB 39 108 148, RGB 55 104 133, RGB 70 100 118 and RGB 85 96 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 113 165 shade: RGB 24 164 140, RGB 24 150 164, RGB 24 112 164, RGB 24 75 164 and RGB 24 38 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 113 165 shade: RGB 13 63 92, RGB 19 87 128, RGB 24 112 164, RGB 29 136 200 and RGB 47 158 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 113 165 shade: RGB 25 113 165, RGB 103 24 164 and RGB 164 159 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 113 165 shade: RGB 25 113 165, RGB 164 24 112 and RGB 112 164 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 113 165 shade: RGB 25 113 165, RGB 103 24 164, RGB 164 75 24 and RGB 85 164 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 113 165 shade: RGB 25 113 165, RGB 145 24 164, RGB 164 75 24 and RGB 43 164 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

Complementary color

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 81 / 29 / 0 / 37

HEX #1E71A0

RGB 30 113 160

HSL 201.69, 0.68%, 0.37%

LAB 45.12, -7.24, -32.16

 

CMYK 74 / 27 / 0 / 30

HEX #2F83B3

RGB 47 131 179

HSL 201.82, 0.58%, 0.44%

LAB 51.94, -8.8, -32.5

 

CMYK 68 / 25 / 0 / 22

HEX #4095C6

RGB 64 149 198

HSL 201.94, 0.54%, 0.51%

LAB 58.66, -9.99, -32.8

 

CMYK 63 / 23 / 0 / 15

HEX #51A7D9

RGB 81 167 217

HSL 202.06, 0.64%, 0.58%

LAB 65.28, -10.9, -33.07

 

CMYK 58 / 22 / 0 / 7

HEX #62B9EC

RGB 98 185 236

HSL 202.17, 0.78%, 0.65%

LAB 71.79, -11.61, -33.33

 

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

CMYK 95 / 35 / 0 / 43

HEX #085F92

RGB 8 95 146

HSL 202.17, 0.9%, 0.3%

LAB 38.4, -3.4, -34.43

 

CMYK 100 / 39 / 0 / 50

HEX #004D7F

RGB 0 77 127

HSL 203.62, 1%, 0.25%

LAB 31.44, -0.17, -33.87

 

CMYK 100 / 45 / 0 / 58

HEX #003B6C

RGB 0 59 108

HSL 207.22, 1%, 0.21%

LAB 24.36, 3.81, -33.2

 

CMYK 100 / 54 / 0 / 65

HEX #002959

RGB 0 41 89

HSL 212.36, 1%, 0.17%

LAB 17.02, 8.24, -32.57

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 85 / 55 / 0 / 36

HEX #184AA4

RGB 24 74 164

HSL 218.57, 0.74%, 0.37%

LAB 33.5, 18.88, -53.1

 

CMYK 85 / 78 / 0 / 36

HEX #1824A4

RGB 24 36 164

HSL 234.86, 0.74%, 0.37%

LAB 24.12, 43.51, -68.5

 

CMYK 70 / 85 / 0 / 36

HEX #3118A4

RGB 49 24 164

HSL 250.71, 0.74%, 0.37%

LAB 23.63, 50.97, -69.27

 

CMYK 47 / 85 / 0 / 36

HEX #5718A4

RGB 87 24 164

HSL 267, 0.74%, 0.37%

LAB 27.74, 54.83, -62.35

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 85 / 55 / 0 / 36

HEX #184AA4

RGB 24 74 164

HSL 218.57, 0.74%, 0.37%

LAB 33.5, 18.88, -53.1

 

CMYK 85 / 78 / 0 / 36

HEX #1824A4

RGB 24 36 164

HSL 234.86, 0.74%, 0.37%

LAB 24.12, 43.51, -68.5

 

CMYK 85 / 85 / 0 / 36

HEX #1818A4

RGB 24 24 164

HSL 240, 0.74%, 0.37%

LAB 22.04, 49.56, -71.95

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 95 / 35 / 0 / 30

HEX #0974B3

RGB 9 116 179

HSL 202.24, 0.9%, 0.37%

LAB 46.72, -3.19, -40.77

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 74 / 27 / 0 / 42

HEX #276C94

RGB 39 108 148

HSL 202.02, 0.58%, 0.37%

LAB 43.2, -7.57, -28.03

 

CMYK 59 / 22 / 0 / 48

HEX #376885

RGB 55 104 133

HSL 202.31, 0.41%, 0.37%

LAB 41.85, -7.5, -21.09

 

CMYK 41 / 15 / 0 / 54

HEX #466476

RGB 70 100 118

HSL 202.5, 0.26%, 0.37%

LAB 40.77, -5.93, -13.59

 

CMYK 17 / 7 / 0 / 60

HEX #556067

RGB 85 96 103

HSL 203.33, 0.1%, 0.37%

LAB 40.04, -2.59, -5.42

 

CMYK 85 / 0 / 15 / 36

HEX #18A48C

RGB 24 164 140

HSL 169.71, 0.74%, 0.37%

LAB 60.46, -40.41, 2.61

 

CMYK 85 / 9 / 0 / 36

HEX #1896A4

RGB 24 150 164

HSL 186, 0.74%, 0.37%

LAB 56.77, -26.62, -16.5

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 85 / 54 / 0 / 36

HEX #184BA4

RGB 24 75 164

HSL 218.14, 0.74%, 0.37%

LAB 33.79, 18.2, -52.64

 

CMYK 85 / 77 / 0 / 36

HEX #1826A4

RGB 24 38 164

HSL 234, 0.74%, 0.37%

LAB 24.52, 42.37, -67.84

 

CMYK 86 / 32 / 0 / 64

HEX #0D3F5C

RGB 13 63 92

HSL 202.03, 0.75%, 0.21%

LAB 24.99, -4.6, -21.82

 

CMYK 85 / 32 / 0 / 50

HEX #135780

RGB 19 87 128

HSL 202.57, 0.74%, 0.29%

LAB 35.03, -4.8, -28.78

 

CMYK 85 / 32 / 0 / 36

HEX #1870A4

RGB 24 112 164

HSL 202.29, 0.74%, 0.37%

LAB 44.89, -5.69, -34.88

 

CMYK 86 / 32 / 0 / 22

HEX #1D88C8

RGB 29 136 200

HSL 202.46, 0.75%, 0.45%

LAB 54.07, -5.94, -41.18

 

CMYK 79 / 29 / 0 / 13

HEX #2F9EDF

RGB 47 158 223

HSL 202.16, 0.73%, 0.53%

LAB 61.99, -8.61, -41.6

 

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

CMYK 37 / 85 / 0 / 36

HEX #6718A4

RGB 103 24 164

HSL 273.86, 0.74%, 0.37%

LAB 29.95, 57.01, -58.62

 

CMYK 0 / 3 / 85 / 36

HEX #A49F18

RGB 164 159 24

HSL 57.86, 0.74%, 0.37%

LAB 63.96, -12.47, 62.97

 

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

CMYK 0 / 85 / 32 / 36

HEX #A41870

RGB 164 24 112

HSL 322.29, 0.74%, 0.37%

LAB 37.33, 60.23, -14.09

 

CMYK 32 / 0 / 85 / 36

HEX #70A418

RGB 112 164 24

HSL 82.29, 0.74%, 0.37%

LAB 61.71, -36.94, 59.57

 

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

CMYK 37 / 85 / 0 / 36

HEX #6718A4

RGB 103 24 164

HSL 273.86, 0.74%, 0.37%

LAB 29.95, 57.01, -58.62

 

CMYK 0 / 54 / 85 / 36

HEX #A44B18

RGB 164 75 24

HSL 21.86, 0.74%, 0.37%

LAB 42.75, 33.85, 45.03

 

CMYK 48 / 0 / 85 / 36

HEX #55A418

RGB 85 164 24

HSL 93.86, 0.74%, 0.37%

LAB 60.38, -46.49, 57.9

 

CMYK 85 / 32 / 0 / 35

HEX #1971A5

RGB 25 113 165

HSL 202.29, 0.74%, 0.37%

LAB 45.27, -5.82, -34.87

 

CMYK 12 / 85 / 0 / 36

HEX #9118A4

RGB 145 24 164

HSL 291.86, 0.74%, 0.37%

LAB 36.66, 63.87, -47.44

 

CMYK 0 / 54 / 85 / 36

HEX #A44B18

RGB 164 75 24

HSL 21.86, 0.74%, 0.37%

LAB 42.75, 33.85, 45.03

 

CMYK 74 / 0 / 85 / 36

HEX #2BA418

RGB 43 164 24

HSL 111.86, 0.74%, 0.37%

LAB 59.09, -56.91, 56.27

 

Description

Color code: RGB 25 113 165 | qconv.com Color code: RGB 25 113 165 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 113 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 113 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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