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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 73 196 it is the complementary color RGB 0 182 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 73 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 73 196 shade: RGB 255 73 191, RGB 255 91 210, RGB 255 109 229, RGB 255 127 248 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 73 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 73 196 shade: RGB 255 73 196, RGB 238 55 177, RGB 221 37 158, RGB 204 19 139 and RGB 187 1 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 73 196 shade: RGB 255 71 195, RGB 255 71 145, RGB 255 71 96 and RGB 255 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 73 196 shade: RGB 255 71 195, RGB 255 71 244, RGB 215 71 255, RGB 165 71 255 and RGB 116 71 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 73 196 shade matches the following richer shades: RGB 255 71 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 73 196 shade: RGB 255 71 195, RGB 240 86 190, RGB 225 101 185, RGB 210 115 179 and RGB 195 130 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 73 196 shade: RGB 215 71 255, RGB 255 71 245, RGB 255 71 196, RGB 255 71 147 and RGB 255 71 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 73 196 shade: RGB 243 0 164, RGB 255 30 182, RGB 255 71 195, RGB 255 112 208 and RGB 255 153 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 73 196 shade: RGB 255 73 196, RGB 255 166 71 and RGB 71 255 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 73 196 shade: RGB 255 73 196, RGB 196 255 71 and RGB 71 196 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 73 196 shade: RGB 255 73 196, RGB 255 166 71, RGB 71 255 129 and RGB 71 160 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 73 196 shade: RGB 255 73 196, RGB 255 221 71, RGB 71 255 129 and RGB 71 105 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

Complementary color

CMYK 100 / 0 / 68 / 29

HEX #00B63B

RGB 0 182 59

HSL 139.45, 1%, 0.36%

LAB 64.78, -63.65, 49.85

 

CMYK 0 / 71 / 25 / 0

HEX #FF49BF

RGB 255 73 191

HSL 321.1, 1%, 0.64%

LAB 61.47, 77.69, -23.01

 

CMYK 0 / 64 / 18 / 0

HEX #FF5BD2

RGB 255 91 210

HSL 316.46, 1%, 0.68%

LAB 64.48, 73.8, -29.15

 

CMYK 0 / 57 / 10 / 0

HEX #FF6DE5

RGB 255 109 229

HSL 310.68, 1%, 0.71%

LAB 67.91, 69.24, -34.45

 

CMYK 0 / 50 / 3 / 0

HEX #FF7FF8

RGB 255 127 248

HSL 303.28, 1%, 0.75%

LAB 71.7, 64.23, -39.01

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

CMYK 0 / 77 / 26 / 7

HEX #EE37B1

RGB 238 55 177

HSL 320, 0.84%, 0.57%

LAB 56.17, 77.34, -23.31

 

CMYK 0 / 83 / 29 / 13

HEX #DD259E

RGB 221 37 158

HSL 320.54, 0.73%, 0.51%

LAB 50.88, 75.67, -20.53

 

CMYK 0 / 91 / 32 / 20

HEX #CC138B

RGB 204 19 139

HSL 321.08, 0.83%, 0.44%

LAB 45.86, 73.01, -17.07

 

CMYK 0 / 99 / 36 / 27

HEX #BB0178

RGB 187 1 120

HSL 321.61, 0.99%, 0.37%

LAB 41.12, 69.34, -12.91

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 72 / 43 / 0

HEX #FF4791

RGB 255 71 145

HSL 335.87, 1%, 0.64%

LAB 59.72, 73.47, 0.99

 

CMYK 0 / 72 / 62 / 0

HEX #FF4760

RGB 255 71 96

HSL 351.85, 1%, 0.64%

LAB 58.61, 69.83, 28.18

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 72 / 4 / 0

HEX #FF47F4

RGB 255 71 244

HSL 303.59, 1%, 0.64%

LAB 63.59, 85.44, -49.55

 

CMYK 16 / 72 / 0 / 0

HEX #D747FF

RGB 215 71 255

HSL 286.96, 1%, 0.64%

LAB 58.2, 79.24, -64.58

 

CMYK 35 / 72 / 0 / 0

HEX #A547FF

RGB 165 71 255

HSL 270.65, 1%, 0.64%

LAB 51.53, 70.1, -75.71

 

CMYK 55 / 72 / 0 / 0

HEX #7447FF

RGB 116 71 255

HSL 254.67, 1%, 0.64%

LAB 46.23, 62.49, -84.58

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 64 / 21 / 6

HEX #F056BE

RGB 240 86 190

HSL 319.48, 0.84%, 0.64%

LAB 60.69, 69.14, -23.84

 

CMYK 0 / 55 / 18 / 12

HEX #E165B9

RGB 225 101 185

HSL 319.35, 0.67%, 0.64%

LAB 60.62, 57.88, -21.28

 

CMYK 0 / 45 / 15 / 18

HEX #D273B3

RGB 210 115 179

HSL 319.58, 0.51%, 0.64%

LAB 60.97, 45.54, -17.5

 

CMYK 0 / 33 / 11 / 24

HEX #C382AE

RGB 195 130 174

HSL 319.38, 0.35%, 0.64%

LAB 62.19, 31.74, -13

 

CMYK 16 / 72 / 0 / 0

HEX #D747FF

RGB 215 71 255

HSL 286.96, 1%, 0.64%

LAB 58.2, 79.24, -64.58

 

CMYK 0 / 72 / 4 / 0

HEX #FF47F5

RGB 255 71 245

HSL 303.26, 1%, 0.64%

LAB 63.64, 85.59, -50.02

 

CMYK 0 / 72 / 23 / 0

HEX #FF47C4

RGB 255 71 196

HSL 319.24, 1%, 0.64%

LAB 61.44, 78.93, -25.91

 

CMYK 0 / 72 / 42 / 0

HEX #FF4793

RGB 255 71 147

HSL 335.22, 1%, 0.64%

LAB 59.77, 73.65, -0.09

 

CMYK 0 / 72 / 62 / 0

HEX #FF4762

RGB 255 71 98

HSL 351.2, 1%, 0.64%

LAB 58.65, 69.95, 27.06

 

CMYK 0 / 100 / 33 / 5

HEX #F300A4

RGB 243 0 164

HSL 319.51, 1%, 0.48%

LAB 53.74, 85.18, -19.34

 

CMYK 0 / 88 / 29 / 0

HEX #FF1EB6

RGB 255 30 182

HSL 319.47, 1%, 0.56%

LAB 57.62, 86.69, -23.73

 

CMYK 0 / 72 / 24 / 0

HEX #FF47C3

RGB 255 71 195

HSL 319.57, 1%, 0.64%

LAB 61.4, 78.81, -25.4

 

CMYK 0 / 56 / 18 / 0

HEX #FF70D0

RGB 255 112 208

HSL 319.72, 1%, 0.72%

LAB 67.58, 64.87, -23.27

 

CMYK 0 / 40 / 13 / 0

HEX #FF99DE

RGB 255 153 222

HSL 319.41, 1%, 0.8%

LAB 75.65, 47.32, -18.74

 

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

CMYK 0 / 35 / 72 / 0

HEX #FFA647

RGB 255 166 71

HSL 30.98, 1%, 0.64%

LAB 75.44, 25.05, 60.55

 

CMYK 72 / 0 / 6 / 0

HEX #47FFEF

RGB 71 255 239

HSL 174.78, 1%, 0.64%

LAB 91.28, -48.44, -5.54

 

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

CMYK 23 / 0 / 72 / 0

HEX #C4FF47

RGB 196 255 71

HSL 79.24, 1%, 0.64%

LAB 93.32, -43.12, 76.78

 

CMYK 72 / 23 / 0 / 0

HEX #47C4FF

RGB 71 196 255

HSL 199.24, 1%, 0.64%

LAB 74.85, -15.69, -38.9

 

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

CMYK 0 / 35 / 72 / 0

HEX #FFA647

RGB 255 166 71

HSL 30.98, 1%, 0.64%

LAB 75.44, 25.05, 60.55

 

CMYK 72 / 0 / 49 / 0

HEX #47FF81

RGB 71 255 129

HSL 138.91, 1%, 0.64%

LAB 89.13, -71.35, 47.05

 

CMYK 72 / 37 / 0 / 0

HEX #47A0FF

RGB 71 160 255

HSL 210.98, 1%, 0.64%

LAB 64.72, 4.25, -54.81

 

CMYK 0 / 71 / 23 / 0

HEX #FF49C4

RGB 255 73 196

HSL 319.45, 1%, 0.64%

LAB 61.66, 78.3, -25.56

 

CMYK 0 / 13 / 72 / 0

HEX #FFDD47

RGB 255 221 71

HSL 48.91, 1%, 0.64%

LAB 88.65, -3.38, 73.72

 

CMYK 72 / 0 / 49 / 0

HEX #47FF81

RGB 71 255 129

HSL 138.91, 1%, 0.64%

LAB 89.13, -71.35, 47.05

 

CMYK 72 / 59 / 0 / 0

HEX #4769FF

RGB 71 105 255

HSL 228.91, 1%, 0.64%

LAB 50.29, 37.59, -78.05

 

Description

Color code: RGB 255 73 196 | qconv.com Color code: RGB 255 73 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 73 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 73 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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