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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 72 189 it is the complementary color RGB 0 183 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 72 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 72 189 shade: RGB 255 72 184, RGB 255 90 203, RGB 255 108 222, RGB 255 126 241 and RGB 255 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 72 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 72 189 shade: RGB 255 72 189, RGB 238 54 170, RGB 221 36 151, RGB 204 18 132 and RGB 187 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 72 189 shade: RGB 255 71 188, RGB 255 71 139, RGB 255 71 89 and RGB 255 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 72 189 shade: RGB 255 71 188, RGB 255 71 238, RGB 222 71 255, RGB 172 71 255 and RGB 123 71 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 72 189 shade matches the following richer shades: RGB 255 71 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 72 189 shade: RGB 255 71 188, RGB 240 86 184, RGB 225 101 180, RGB 210 115 176 and RGB 195 130 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 72 189 shade: RGB 221 71 255, RGB 255 71 239, RGB 255 71 190, RGB 255 71 141 and RGB 255 71 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 72 189 shade: RGB 243 0 155, RGB 255 30 173, RGB 255 71 188, RGB 255 112 203 and RGB 255 153 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 72 189 shade: RGB 255 72 189, RGB 255 172 71 and RGB 71 255 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 72 189 shade: RGB 255 72 189, RGB 190 255 71 and RGB 71 190 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 72 189 shade: RGB 255 72 189, RGB 255 172 71, RGB 71 255 135 and RGB 71 154 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 72 189 shade: RGB 255 72 189, RGB 255 227 71, RGB 71 255 135 and RGB 71 98 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

Complementary color

CMYK 100 / 0 / 64 / 28

HEX #00B742

RGB 0 183 66

HSL 141.64, 1%, 0.36%

LAB 65.17, -63.18, 47.3

 

CMYK 0 / 72 / 28 / 0

HEX #FF48B8

RGB 255 72 184

HSL 323.28, 1%, 0.64%

LAB 61.09, 77.18, -19.57

 

CMYK 0 / 65 / 20 / 0

HEX #FF5ACB

RGB 255 90 203

HSL 318.91, 1%, 0.68%

LAB 64.07, 73.24, -25.84

 

CMYK 0 / 58 / 13 / 0

HEX #FF6CDE

RGB 255 108 222

HSL 313.47, 1%, 0.71%

LAB 67.47, 68.62, -31.25

 

CMYK 0 / 51 / 5 / 0

HEX #FF7EF1

RGB 255 126 241

HSL 306.51, 1%, 0.75%

LAB 71.24, 63.54, -35.91

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

CMYK 0 / 77 / 29 / 7

HEX #EE36AA

RGB 238 54 170

HSL 322.17, 0.84%, 0.57%

LAB 55.8, 76.8, -19.79

 

CMYK 0 / 84 / 32 / 13

HEX #DD2497

RGB 221 36 151

HSL 322.7, 0.73%, 0.5%

LAB 50.53, 75.1, -16.89

 

CMYK 0 / 91 / 35 / 20

HEX #CC1284

RGB 204 18 132

HSL 323.23, 0.84%, 0.44%

LAB 45.55, 72.41, -13.29

 

CMYK 0 / 100 / 40 / 27

HEX #BB0071

RGB 187 0 113

HSL 323.74, 1%, 0.37%

LAB 40.83, 68.76, -8.98

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 72 / 45 / 0

HEX #FF478B

RGB 255 71 139

HSL 337.83, 1%, 0.64%

LAB 59.55, 72.93, 4.27

 

CMYK 0 / 72 / 65 / 0

HEX #FF4759

RGB 255 71 89

HSL 354.13, 1%, 0.64%

LAB 58.5, 69.44, 32.09

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 72 / 7 / 0

HEX #FF47EE

RGB 255 71 238

HSL 305.54, 1%, 0.64%

LAB 63.29, 84.56, -46.68

 

CMYK 13 / 72 / 0 / 0

HEX #DE47FF

RGB 222 71 255

HSL 289.24, 1%, 0.64%

LAB 59.21, 80.59, -62.91

 

CMYK 33 / 72 / 0 / 0

HEX #AC47FF

RGB 172 71 255

HSL 272.93, 1%, 0.64%

LAB 52.39, 71.32, -74.25

 

CMYK 52 / 72 / 0 / 0

HEX #7B47FF

RGB 123 71 255

HSL 256.96, 1%, 0.64%

LAB 46.89, 63.46, -83.47

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 64 / 23 / 6

HEX #F056B8

RGB 240 86 184

HSL 321.82, 0.84%, 0.64%

LAB 60.46, 68.35, -20.75

 

CMYK 0 / 55 / 20 / 12

HEX #E165B4

RGB 225 101 180

HSL 321.77, 0.67%, 0.64%

LAB 60.44, 57.16, -18.7

 

CMYK 0 / 45 / 16 / 18

HEX #D273B0

RGB 210 115 176

HSL 321.47, 0.51%, 0.64%

LAB 60.87, 45.06, -15.95

 

CMYK 0 / 33 / 12 / 24

HEX #C382AC

RGB 195 130 172

HSL 321.23, 0.35%, 0.64%

LAB 62.12, 31.4, -11.96

 

CMYK 13 / 72 / 0 / 0

HEX #DD47FF

RGB 221 71 255

HSL 288.91, 1%, 0.64%

LAB 59.07, 80.4, -63.15

 

CMYK 0 / 72 / 6 / 0

HEX #FF47EF

RGB 255 71 239

HSL 305.22, 1%, 0.64%

LAB 63.34, 84.71, -47.16

 

CMYK 0 / 72 / 25 / 0

HEX #FF47BE

RGB 255 71 190

HSL 321.2, 1%, 0.64%

LAB 61.21, 78.21, -22.84

 

CMYK 0 / 72 / 45 / 0

HEX #FF478D

RGB 255 71 141

HSL 337.17, 1%, 0.64%

LAB 59.61, 73.11, 3.18

 

CMYK 0 / 72 / 64 / 0

HEX #FF475C

RGB 255 71 92

HSL 353.15, 1%, 0.64%

LAB 58.55, 69.6, 30.42

 

CMYK 0 / 100 / 36 / 5

HEX #F3009B

RGB 243 0 155

HSL 321.73, 1%, 0.48%

LAB 53.41, 84.3, -14.52

 

CMYK 0 / 88 / 32 / 0

HEX #FF1EAD

RGB 255 30 173

HSL 321.87, 1%, 0.56%

LAB 57.28, 85.75, -19.03

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 56 / 20 / 0

HEX #FF70CB

RGB 255 112 203

HSL 321.82, 1%, 0.72%

LAB 67.4, 64.17, -20.75

 

CMYK 0 / 40 / 15 / 0

HEX #FF99DA

RGB 255 153 218

HSL 321.76, 1%, 0.8%

LAB 75.52, 46.69, -16.75

 

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

CMYK 0 / 33 / 72 / 0

HEX #FFAC47

RGB 255 172 71

HSL 32.93, 1%, 0.64%

LAB 76.81, 21.91, 61.95

 

CMYK 72 / 0 / 4 / 0

HEX #47FFF5

RGB 71 255 245

HSL 176.74, 1%, 0.64%

LAB 91.44, -46.85, -8.41

 

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

CMYK 25 / 0 / 72 / 0

HEX #BEFF47

RGB 190 255 71

HSL 81.2, 1%, 0.64%

LAB 92.98, -45.32, 76.33

 

CMYK 72 / 25 / 0 / 0

HEX #47BEFF

RGB 71 190 255

HSL 201.2, 1%, 0.64%

LAB 73.15, -12.51, -41.55

 

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

CMYK 0 / 33 / 72 / 0

HEX #FFAC47

RGB 255 172 71

HSL 32.93, 1%, 0.64%

LAB 76.81, 21.91, 61.95

 

CMYK 72 / 0 / 47 / 0

HEX #47FF87

RGB 71 255 135

HSL 140.87, 1%, 0.64%

LAB 89.21, -70.45, 44.3

 

CMYK 72 / 40 / 0 / 0

HEX #479AFF

RGB 71 154 255

HSL 212.93, 1%, 0.64%

LAB 63.07, 7.76, -57.44

 

CMYK 0 / 72 / 26 / 0

HEX #FF48BD

RGB 255 72 189

HSL 321.64, 1%, 0.64%

LAB 61.28, 77.77, -22.15

 

CMYK 0 / 11 / 72 / 0

HEX #FFE347

RGB 255 227 71

HSL 50.87, 1%, 0.64%

LAB 90.16, -6.39, 75.18

 

CMYK 72 / 0 / 47 / 0

HEX #47FF87

RGB 71 255 135

HSL 140.87, 1%, 0.64%

LAB 89.21, -70.45, 44.3

 

CMYK 72 / 62 / 0 / 0

HEX #4762FF

RGB 71 98 255

HSL 231.2, 1%, 0.64%

LAB 48.63, 41.85, -80.77

 

Description

Color code: RGB 255 72 189 | qconv.com Color code: RGB 255 72 189 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 72 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 72 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 26 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 26% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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