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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 71 149 it is the complementary color RGB 0 184 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 71 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 71 149 shade: RGB 255 71 144, RGB 255 89 163, RGB 255 107 182, RGB 255 125 201 and RGB 255 143 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 71 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 238 53 130, RGB 221 35 111, RGB 204 17 92 and RGB 187 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 255 71 99 and RGB 255 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 255 71 198, RGB 255 71 248, RGB 212 71 255 and RGB 162 71 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 71 149 shade matches the following richer shades: RGB 255 71 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 240 86 151, RGB 225 101 153, RGB 210 115 156 and RGB 195 130 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 71 149 shade: RGB 255 71 248, RGB 255 71 199, RGB 255 71 150, RGB 255 71 102 and RGB 255 89 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 71 149 shade: RGB 243 0 103, RGB 255 30 125, RGB 255 71 149, RGB 255 112 172 and RGB 255 153 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 255 212 71 and RGB 71 224 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 150 255 71 and RGB 71 150 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 255 212 71, RGB 71 255 175 and RGB 71 114 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 71 149 shade: RGB 255 71 149, RGB 242 255 71, RGB 71 255 175 and RGB 83 71 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

Complementary color

CMYK 100 / 0 / 42 / 28

HEX #00B86A

RGB 0 184 106

HSL 154.57, 1%, 0.36%

LAB 66, -57.33, 28.81

 

CMYK 0 / 72 / 44 / 0

HEX #FF4790

RGB 255 71 144

HSL 336.2, 1%, 0.64%

LAB 59.69, 73.38, 1.54

 

CMYK 0 / 65 / 36 / 0

HEX #FF59A3

RGB 255 89 163

HSL 333.25, 1%, 0.67%

LAB 62.55, 68.85, -5.3

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB6

RGB 255 107 182

HSL 329.59, 1%, 0.71%

LAB 65.87, 63.63, -11.22

 

CMYK 0 / 51 / 21 / 0

HEX #FF7DC9

RGB 255 125 201

HSL 324.92, 1%, 0.75%

LAB 69.57, 57.96, -16.33

 

CMYK 0 / 44 / 14 / 0

HEX #FF8FDC

RGB 255 143 220

HSL 318.75, 1%, 0.78%

LAB 73.59, 52.03, -20.76

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 78 / 45 / 7

HEX #EE3582

RGB 238 53 130

HSL 335.03, 0.84%, 0.57%

LAB 54.38, 73.08, 1.73

 

CMYK 0 / 84 / 50 / 13

HEX #DD236F

RGB 221 35 111

HSL 335.48, 0.73%, 0.5%

LAB 49.16, 71.6, 5.27

 

CMYK 0 / 92 / 55 / 20

HEX #CC115C

RGB 204 17 92

HSL 335.94, 0.85%, 0.43%

LAB 44.25, 69.13, 9.6

 

CMYK 0 / 100 / 61 / 27

HEX #BB0049

RGB 187 0 73

HSL 336.58, 1%, 0.37%

LAB 39.66, 65.67, 14.74

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 72 / 61 / 0

HEX #FF4763

RGB 255 71 99

HSL 350.87, 1%, 0.64%

LAB 58.67, 70.01, 26.5

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 72 / 22 / 0

HEX #FF47C6

RGB 255 71 198

HSL 318.59, 1%, 0.64%

LAB 61.52, 79.18, -26.93

 

CMYK 0 / 72 / 3 / 0

HEX #FF47F8

RGB 255 71 248

HSL 302.28, 1%, 0.64%

LAB 63.79, 86.03, -51.44

 

CMYK 17 / 72 / 0 / 0

HEX #D447FF

RGB 212 71 255

HSL 285.98, 1%, 0.64%

LAB 57.77, 78.67, -65.29

 

CMYK 36 / 72 / 0 / 0

HEX #A247FF

RGB 162 71 255

HSL 269.67, 1%, 0.64%

LAB 51.16, 69.59, -76.32

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 64 / 37 / 6

HEX #F05697

RGB 240 86 151

HSL 334.68, 0.84%, 0.64%

LAB 59.36, 64.45, -3.33

 

CMYK 0 / 55 / 32 / 12

HEX #E16599

RGB 225 101 153

HSL 334.84, 0.67%, 0.64%

LAB 59.54, 53.58, -4.48

 

CMYK 0 / 45 / 26 / 18

HEX #D2739C

RGB 210 115 156

HSL 334.11, 0.51%, 0.64%

LAB 60.22, 42.11, -5.45

 

CMYK 0 / 33 / 19 / 24

HEX #C3829E

RGB 195 130 158

HSL 334.15, 0.35%, 0.64%

LAB 61.69, 29.11, -4.63

 

CMYK 0 / 72 / 3 / 0

HEX #FF47F8

RGB 255 71 248

HSL 302.28, 1%, 0.64%

LAB 63.79, 86.03, -51.44

 

CMYK 0 / 72 / 22 / 0

HEX #FF47C7

RGB 255 71 199

HSL 318.26, 1%, 0.64%

LAB 61.56, 79.3, -27.43

 

CMYK 0 / 72 / 41 / 0

HEX #FF4796

RGB 255 71 150

HSL 334.24, 1%, 0.64%

LAB 59.86, 73.93, -1.72

 

CMYK 0 / 72 / 60 / 0

HEX #FF4766

RGB 255 71 102

HSL 349.89, 1%, 0.64%

LAB 58.72, 70.19, 24.83

 

CMYK 0 / 65 / 72 / 0

HEX #FF5947

RGB 255 89 71

HSL 5.87, 1%, 0.64%

LAB 60.66, 62, 44.69

 

CMYK 0 / 100 / 58 / 5

HEX #F30067

RGB 243 0 103

HSL 334.57, 1%, 0.48%

LAB 51.88, 80.28, 14.61

 

CMYK 0 / 88 / 51 / 0

HEX #FF1E7D

RGB 255 30 125

HSL 334.67, 1%, 0.56%

LAB 55.76, 81.58, 7.11

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 56 / 33 / 0

HEX #FF70AC

RGB 255 112 172

HSL 334.83, 1%, 0.72%

LAB 66.39, 60.22, -4.77

 

CMYK 0 / 40 / 23 / 0

HEX #FF99C4

RGB 255 153 196

HSL 334.71, 1%, 0.8%

LAB 74.84, 43.45, -5.68

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 17 / 72 / 0

HEX #FFD447

RGB 255 212 71

HSL 45.98, 1%, 0.64%

LAB 86.41, 1.18, 71.54

 

CMYK 72 / 12 / 0 / 0

HEX #47E0FF

RGB 71 224 255

HSL 190.11, 1%, 0.64%

LAB 82.84, -29.82, -26.58

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 41 / 0 / 72 / 0

HEX #96FF47

RGB 150 255 71

HSL 94.24, 1%, 0.64%

LAB 90.99, -58.95, 73.7

 

CMYK 72 / 41 / 0 / 0

HEX #4796FF

RGB 71 150 255

HSL 214.24, 1%, 0.64%

LAB 61.97, 10.12, -59.19

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 0 / 17 / 72 / 0

HEX #FFD447

RGB 255 212 71

HSL 45.98, 1%, 0.64%

LAB 86.41, 1.18, 71.54

 

CMYK 72 / 0 / 31 / 0

HEX #47FFAF

RGB 71 255 175

HSL 153.91, 1%, 0.64%

LAB 89.84, -63.36, 25.36

 

CMYK 72 / 55 / 0 / 0

HEX #4772FF

RGB 71 114 255

HSL 225.98, 1%, 0.64%

LAB 52.5, 32.05, -74.45

 

CMYK 0 / 72 / 42 / 0

HEX #FF4795

RGB 255 71 149

HSL 334.57, 1%, 0.64%

LAB 59.83, 73.84, -1.18

 

CMYK 5 / 0 / 72 / 0

HEX #F2FF47

RGB 242 255 71

HSL 64.24, 1%, 0.64%

LAB 96.35, -25.29, 80.74

 

CMYK 72 / 0 / 31 / 0

HEX #47FFAF

RGB 71 255 175

HSL 153.91, 1%, 0.64%

LAB 89.84, -63.36, 25.36

 

CMYK 67 / 72 / 0 / 0

HEX #5347FF

RGB 83 71 255

HSL 243.91, 1%, 0.64%

LAB 43.6, 58.55, -88.99

 

Description

Color code: RGB 255 71 149 | qconv.com Color code: RGB 255 71 149 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 71 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 71 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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