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Color name
RGB 255 50 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 50 72 it is the complementary color RGB 0 205 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 50 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 50 72 shade: RGB 255 50 67, RGB 255 68 86, RGB 255 86 105, RGB 255 104 124 and RGB 255 122 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 50 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 238 32 53, RGB 221 14 34, RGB 204 0 15 and RGB 187 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 50 72 shade: RGB 255 50 72 and RGB 255 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 255 50 127, RGB 255 50 182, RGB 255 50 237 and RGB 217 50 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 50 72 shade matches the following richer shades: RGB 255 50 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 238 67 85, RGB 221 84 98, RGB 205 100 111 and RGB 188 117 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 50 72 shade: RGB 255 50 183, RGB 255 50 129, RGB 255 50 74, RGB 255 81 50 and RGB 255 136 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 50 72 shade: RGB 223 0 23, RGB 255 9 36, RGB 255 50 72, RGB 255 92 109 and RGB 255 133 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 238 255 50 and RGB 50 156 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 74 255 50 and RGB 50 74 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 238 255 50, RGB 50 255 231 and RGB 67 50 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 50 72 shade: RGB 255 50 72, RGB 176 255 50, RGB 50 255 231 and RGB 129 50 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

Complementary color

CMYK 100 / 0 / 11 / 20

HEX #00CDB7

RGB 0 205 183

HSL 173.56, 1%, 0.4%

LAB 74.24, -47.12, -1.03

 

CMYK 0 / 80 / 74 / 0

HEX #FF3243

RGB 255 50 67

HSL 355.02, 1%, 0.6%

LAB 56.03, 74.51, 41.69

 

CMYK 0 / 73 / 66 / 0

HEX #FF4456

RGB 255 68 86

HSL 354.22, 1%, 0.63%

LAB 58.1, 70.26, 33.32

 

CMYK 0 / 66 / 59 / 0

HEX #FF5669

RGB 255 86 105

HSL 353.25, 1%, 0.67%

LAB 60.72, 65.01, 25.73

 

CMYK 0 / 59 / 51 / 0

HEX #FF687C

RGB 255 104 124

HSL 352.05, 1%, 0.7%

LAB 63.85, 58.99, 19.01

 

CMYK 0 / 52 / 44 / 0

HEX #FF7A8F

RGB 255 122 143

HSL 350.53, 1%, 0.74%

LAB 67.4, 52.47, 13.13

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 87 / 78 / 7

HEX #EE2035

RGB 238 32 53

HSL 353.88, 0.86%, 0.53%

LAB 51.23, 73.38, 43.32

 

CMYK 0 / 94 / 85 / 13

HEX #DD0E22

RGB 221 14 34

HSL 354.2, 0.88%, 0.46%

LAB 46.71, 71.11, 47.93

 

CMYK 0 / 100 / 93 / 20

HEX #CC000F

RGB 204 0 15

HSL 355.59, 1%, 0.4%

LAB 42.57, 67.85, 51.8

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 80 / 50 / 0

HEX #FF327F

RGB 255 50 127

HSL 337.46, 1%, 0.6%

LAB 57.15, 77.88, 7.9

 

CMYK 0 / 80 / 29 / 0

HEX #FF32B6

RGB 255 50 182

HSL 321.37, 1%, 0.6%

LAB 58.9, 82.99, -21.77

 

CMYK 0 / 80 / 7 / 0

HEX #FF32ED

RGB 255 50 237

HSL 305.27, 1%, 0.6%

LAB 61.36, 89.85, -49.18

 

CMYK 15 / 80 / 0 / 0

HEX #D932FF

RGB 217 50 255

HSL 288.88, 1%, 0.6%

LAB 56.34, 85.82, -67.57

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 72 / 64 / 7

HEX #EE4355

RGB 238 67 85

HSL 353.68, 0.83%, 0.6%

LAB 54.91, 65.58, 29.25

 

CMYK 0 / 62 / 56 / 13

HEX #DD5462

RGB 221 84 98

HSL 353.87, 0.67%, 0.6%

LAB 54.65, 54.51, 20.72

 

CMYK 0 / 51 / 46 / 20

HEX #CD646F

RGB 205 100 111

HSL 353.71, 0.51%, 0.6%

LAB 55.32, 42.59, 13.59

 

CMYK 0 / 38 / 34 / 26

HEX #BC757C

RGB 188 117 124

HSL 354.08, 0.35%, 0.6%

LAB 56.95, 28.77, 7.97

 

CMYK 0 / 80 / 28 / 0

HEX #FF32B7

RGB 255 50 183

HSL 321.07, 1%, 0.6%

LAB 58.94, 83.1, -22.29

 

CMYK 0 / 80 / 49 / 0

HEX #FF3281

RGB 255 50 129

HSL 336.88, 1%, 0.6%

LAB 57.2, 78.03, 6.79

 

CMYK 0 / 80 / 71 / 0

HEX #FF324A

RGB 255 50 74

HSL 352.98, 1%, 0.6%

LAB 56.12, 74.79, 37.82

 

CMYK 0 / 68 / 80 / 0

HEX #FF5132

RGB 255 81 50

HSL 9.07, 1%, 0.6%

LAB 59.32, 64.34, 54

 

CMYK 0 / 47 / 80 / 0

HEX #FF8832

RGB 255 136 50

HSL 25.17, 1%, 0.6%

LAB 68.82, 39.67, 62.84

 

CMYK 0 / 100 / 90 / 13

HEX #DF0017

RGB 223 0 23

HSL 353.81, 1%, 0.44%

LAB 46.64, 72.62, 53.22

 

CMYK 0 / 96 / 86 / 0

HEX #FF0924

RGB 255 9 36

HSL 353.41, 1%, 0.52%

LAB 53.58, 79.88, 55.54

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 0 / 64 / 57 / 0

HEX #FF5C6D

RGB 255 92 109

HSL 353.74, 1%, 0.68%

LAB 61.67, 62.91, 24.68

 

CMYK 0 / 48 / 43 / 0

HEX #FF8592

RGB 255 133 146

HSL 353.61, 1%, 0.76%

LAB 69.55, 47.45, 14.46

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 7 / 0 / 80 / 0

HEX #EEFF32

RGB 238 255 50

HSL 64.98, 1%, 0.6%

LAB 95.97, -27.68, 86.2

 

CMYK 80 / 39 / 0 / 0

HEX #329CFF

RGB 50 156 255

HSL 208.98, 1%, 0.6%

LAB 63.07, 4.28, -57.47

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 71 / 0 / 80 / 0

HEX #4AFF32

RGB 74 255 50

HSL 112.98, 1%, 0.6%

LAB 88.55, -78.58, 76.77

 

CMYK 80 / 71 / 0 / 0

HEX #324AFF

RGB 50 74 255

HSL 232.98, 1%, 0.6%

LAB 42.45, 54.17, -90.95

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 7 / 0 / 80 / 0

HEX #EEFF32

RGB 238 255 50

HSL 64.98, 1%, 0.6%

LAB 95.97, -27.68, 86.2

 

CMYK 80 / 0 / 9 / 0

HEX #32FFE7

RGB 50 255 231

HSL 172.98, 1%, 0.6%

LAB 90.77, -52.57, -2.17

 

CMYK 74 / 80 / 0 / 0

HEX #4332FF

RGB 67 50 255

HSL 244.98, 1%, 0.6%

LAB 39.06, 67.34, -96.54

 

CMYK 0 / 80 / 72 / 0

HEX #FF3248

RGB 255 50 72

HSL 353.56, 1%, 0.6%

LAB 56.1, 74.7, 38.93

 

CMYK 31 / 0 / 80 / 0

HEX #B0FF32

RGB 176 255 50

HSL 83.12, 1%, 0.6%

LAB 92.12, -51.32, 81.34

 

CMYK 80 / 0 / 9 / 0

HEX #32FFE7

RGB 50 255 231

HSL 172.98, 1%, 0.6%

LAB 90.77, -52.57, -2.17

 

CMYK 49 / 80 / 0 / 0

HEX #8132FF

RGB 129 50 255

HSL 263.12, 1%, 0.6%

LAB 44.47, 72.99, -87.42

 

Description

Color code: RGB 255 50 72 | qconv.com Color code: RGB 255 50 72 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 50 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 50 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 72 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 72% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

89% - Site Name
Link: http://enge.aikotoba.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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