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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 44 75 it is the complementary color RGB 0 211 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 44 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 44 75 shade: RGB 255 44 70, RGB 255 62 89, RGB 255 80 108, RGB 255 98 127 and RGB 255 116 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 44 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 44 75 shade: RGB 255 44 75, RGB 238 26 56, RGB 221 8 37, RGB 204 0 18 and RGB 187 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 44 75 shade: RGB 255 45 76 and RGB 255 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 44 75 shade: RGB 255 45 76, RGB 255 45 133, RGB 255 45 189, RGB 255 45 245 and RGB 207 45 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 44 75 shade matches the following richer shades: RGB 255 45 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 44 75 shade: RGB 255 45 76, RGB 238 62 88, RGB 221 79 100, RGB 204 96 112 and RGB 187 113 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 44 75 shade: RGB 255 45 188, RGB 255 45 133, RGB 255 45 77, RGB 255 70 45 and RGB 255 126 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 44 75 shade: RGB 218 0 32, RGB 255 4 41, RGB 255 45 76, RGB 255 87 111 and RGB 255 128 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 44 75 shade: RGB 255 44 75, RGB 244 255 45 and RGB 45 160 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 44 75 shade: RGB 255 44 75, RGB 77 255 45 and RGB 45 77 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 44 75 shade: RGB 255 44 75, RGB 244 255 45, RGB 45 255 223 and RGB 56 45 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 44 75 shade: RGB 255 44 75, RGB 181 255 45, RGB 45 255 223 and RGB 119 45 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

Complementary color

CMYK 100 / 0 / 15 / 17

HEX #00D3B4

RGB 0 211 180

HSL 171.18, 1%, 0.41%

LAB 76, -50.41, 3.15

 

CMYK 0 / 83 / 73 / 0

HEX #FF2C46

RGB 255 44 70

HSL 352.61, 1%, 0.59%

LAB 55.59, 76, 39.48

 

CMYK 0 / 76 / 65 / 0

HEX #FF3E59

RGB 255 62 89

HSL 351.61, 1%, 0.62%

LAB 57.49, 72.26, 30.82

 

CMYK 0 / 69 / 58 / 0

HEX #FF506C

RGB 255 80 108

HSL 350.4, 1%, 0.66%

LAB 59.96, 67.45, 22.98

 

CMYK 0 / 62 / 50 / 0

HEX #FF627F

RGB 255 98 127

HSL 348.92, 1%, 0.69%

LAB 62.95, 61.81, 16.05

 

CMYK 0 / 55 / 43 / 0

HEX #FF7492

RGB 255 116 146

HSL 347.05, 1%, 0.73%

LAB 66.39, 55.58, 10

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

CMYK 0 / 89 / 76 / 7

HEX #EE1A38

RGB 238 26 56

HSL 351.51, 0.86%, 0.52%

LAB 50.92, 74.45, 41.31

 

CMYK 0 / 96 / 83 / 13

HEX #DD0825

RGB 221 8 37

HSL 351.83, 0.93%, 0.45%

LAB 46.55, 71.72, 46.24

 

CMYK 0 / 100 / 91 / 20

HEX #CC0012

RGB 204 0 18

HSL 354.71, 1%, 0.4%

LAB 42.58, 67.89, 50.63

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4C

RGB 255 45 76

HSL 351.14, 1%, 0.59%

LAB 55.74, 76.03, 36.22

 

CMYK 0 / 82 / 82 / 0

HEX #FF2D2D

RGB 255 45 45

HSL 0, 1%, 0.59%

LAB 55.41, 75.01, 52.77

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4C

RGB 255 45 76

HSL 351.14, 1%, 0.59%

LAB 55.74, 76.03, 36.22

 

CMYK 0 / 82 / 48 / 0

HEX #FF2D85

RGB 255 45 133

HSL 334.86, 1%, 0.59%

LAB 56.91, 79.47, 4

 

CMYK 0 / 82 / 26 / 0

HEX #FF2DBD

RGB 255 45 189

HSL 318.86, 1%, 0.59%

LAB 58.8, 84.85, -25.96

 

CMYK 0 / 82 / 4 / 0

HEX #FF2DF5

RGB 255 45 245

HSL 302.86, 1%, 0.59%

LAB 61.42, 91.99, -53.54

 

CMYK 19 / 82 / 0 / 0

HEX #CF2DFF

RGB 207 45 255

HSL 286.29, 1%, 0.59%

LAB 54.41, 85.4, -70.76

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4C

RGB 255 45 76

HSL 351.14, 1%, 0.59%

LAB 55.74, 76.03, 36.22

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4C

RGB 255 45 76

HSL 351.14, 1%, 0.59%

LAB 55.74, 76.03, 36.22

 

CMYK 0 / 74 / 63 / 7

HEX #EE3E58

RGB 238 62 88

HSL 351.14, 0.84%, 0.59%

LAB 54.37, 67.4, 26.79

 

CMYK 0 / 64 / 55 / 13

HEX #DD4F64

RGB 221 79 100

HSL 351.13, 0.68%, 0.59%

LAB 53.9, 56.78, 18.53

 

CMYK 0 / 53 / 45 / 20

HEX #CC6070

RGB 204 96 112

HSL 351.11, 0.51%, 0.59%

LAB 54.42, 44.33, 11.73

 

CMYK 0 / 40 / 34 / 27

HEX #BB717C

RGB 187 113 124

HSL 351.08, 0.35%, 0.59%

LAB 55.92, 30.58, 6.48

 

CMYK 0 / 82 / 26 / 0

HEX #FF2DBC

RGB 255 45 188

HSL 319.14, 1%, 0.59%

LAB 58.76, 84.74, -25.45

 

CMYK 0 / 82 / 48 / 0

HEX #FF2D85

RGB 255 45 133

HSL 334.86, 1%, 0.59%

LAB 56.91, 79.47, 4

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4D

RGB 255 45 77

HSL 350.86, 1%, 0.59%

LAB 55.76, 76.07, 35.65

 

CMYK 0 / 73 / 82 / 0

HEX #FF462D

RGB 255 70 45

HSL 7.14, 1%, 0.59%

LAB 57.88, 68.08, 55.02

 

CMYK 0 / 51 / 82 / 0

HEX #FF7E2D

RGB 255 126 45

HSL 23.14, 1%, 0.59%

LAB 66.8, 44.49, 62.98

 

CMYK 0 / 100 / 85 / 15

HEX #DA0020

RGB 218 0 32

HSL 351.19, 1%, 0.43%

LAB 45.65, 71.56, 47.78

 

CMYK 0 / 98 / 84 / 0

HEX #FF0429

RGB 255 4 41

HSL 351.16, 1%, 0.51%

LAB 53.5, 80.31, 53.05

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4C

RGB 255 45 76

HSL 351.14, 1%, 0.59%

LAB 55.74, 76.03, 36.22

 

CMYK 0 / 66 / 56 / 0

HEX #FF576F

RGB 255 87 111

HSL 351.43, 1%, 0.67%

LAB 60.98, 65.03, 22.6

 

CMYK 0 / 50 / 42 / 0

HEX #FF8093

RGB 255 128 147

HSL 351.02, 1%, 0.75%

LAB 68.61, 49.99, 12.58

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

CMYK 4 / 0 / 82 / 0

HEX #F4FF2D

RGB 244 255 45

HSL 63.14, 1%, 0.59%

LAB 96.39, -25.4, 87.88

 

CMYK 82 / 37 / 0 / 0

HEX #2DA0FF

RGB 45 160 255

HSL 207.14, 1%, 0.59%

LAB 64.1, 1.52, -55.85

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

CMYK 70 / 0 / 82 / 0

HEX #4DFF2D

RGB 77 255 45

HSL 110.86, 1%, 0.59%

LAB 88.58, -78.32, 78.05

 

CMYK 82 / 70 / 0 / 0

HEX #2D4DFF

RGB 45 77 255

HSL 230.86, 1%, 0.59%

LAB 42.89, 52.15, -90.23

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

CMYK 4 / 0 / 82 / 0

HEX #F4FF2D

RGB 244 255 45

HSL 63.14, 1%, 0.59%

LAB 96.39, -25.4, 87.88

 

CMYK 82 / 0 / 13 / 0

HEX #2DFFDF

RGB 45 255 223

HSL 170.86, 1%, 0.59%

LAB 90.51, -55.02, 1.59

 

CMYK 78 / 82 / 0 / 0

HEX #382DFF

RGB 56 45 255

HSL 243.14, 1%, 0.59%

LAB 37.73, 68.84, -98.77

 

CMYK 0 / 83 / 71 / 0

HEX #FF2C4B

RGB 255 44 75

HSL 351.18, 1%, 0.59%

LAB 55.65, 76.2, 36.69

 

CMYK 29 / 0 / 82 / 0

HEX #B5FF2D

RGB 181 255 45

HSL 81.14, 1%, 0.59%

LAB 92.37, -49.72, 82.85

 

CMYK 82 / 0 / 13 / 0

HEX #2DFFDF

RGB 45 255 223

HSL 170.86, 1%, 0.59%

LAB 90.51, -55.02, 1.59

 

CMYK 53 / 82 / 0 / 0

HEX #772DFF

RGB 119 45 255

HSL 261.14, 1%, 0.59%

LAB 42.79, 73.63, -90.23

 

Description

Color code: RGB 255 44 75 | qconv.com Color code: RGB 255 44 75 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 44 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 44 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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