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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 42 163 it is the complementary color RGB 0 213 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 42 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 42 163 shade: RGB 255 42 158, RGB 255 60 177, RGB 255 78 196, RGB 255 96 215 and RGB 255 114 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 42 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 42 163 shade: RGB 255 42 163, RGB 238 24 144, RGB 221 6 125, RGB 204 0 106 and RGB 187 0 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 42 163 shade: RGB 255 40 162, RGB 255 40 104, RGB 255 40 46 and RGB 255 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 42 163 shade: RGB 255 40 162, RGB 255 40 220, RGB 232 40 255, RGB 174 40 255 and RGB 116 40 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 42 163 shade matches the following richer shades: RGB 255 40 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 42 163 shade: RGB 255 40 162, RGB 237 58 160, RGB 220 75 157, RGB 203 92 155 and RGB 185 110 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 42 163 shade: RGB 230 40 255, RGB 255 40 222, RGB 255 40 165, RGB 255 40 108 and RGB 255 40 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 42 163 shade: RGB 213 0 121, RGB 254 0 144, RGB 255 40 162, RGB 255 82 180 and RGB 255 123 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 42 163 shade: RGB 255 42 163, RGB 255 172 40 and RGB 40 251 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 42 163 shade: RGB 255 42 163, RGB 165 255 40 and RGB 40 165 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 42 163 shade: RGB 255 42 163, RGB 255 172 40, RGB 40 255 130 and RGB 40 122 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 42 163 shade: RGB 255 42 163, RGB 255 237 40, RGB 40 255 130 and RGB 40 58 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

Complementary color

CMYK 100 / 0 / 57 / 16

HEX #00D55C

RGB 0 213 92

HSL 145.92, 1%, 0.42%

LAB 75.05, -69.04, 47.01

 

CMYK 0 / 84 / 38 / 0

HEX #FF2A9E

RGB 255 42 158

HSL 327.32, 1%, 0.58%

LAB 57.45, 82.25, -9.98

 

CMYK 0 / 76 / 31 / 0

HEX #FF3CB1

RGB 255 60 177

HSL 324, 1%, 0.62%

LAB 59.59, 79.95, -17.83

 

CMYK 0 / 69 / 23 / 0

HEX #FF4EC4

RGB 255 78 196

HSL 320, 1%, 0.65%

LAB 62.25, 76.65, -24.67

 

CMYK 0 / 62 / 16 / 0

HEX #FF60D7

RGB 255 96 215

HSL 315.09, 1%, 0.69%

LAB 65.38, 72.55, -30.57

 

CMYK 0 / 55 / 8 / 0

HEX #FF72EA

RGB 255 114 234

HSL 308.94, 1%, 0.72%

LAB 68.92, 67.84, -35.65

 

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

CMYK 0 / 90 / 39 / 7

HEX #EE1890

RGB 238 24 144

HSL 326.36, 0.86%, 0.51%

LAB 52.78, 80.16, -9

 

CMYK 0 / 97 / 43 / 13

HEX #DD067D

RGB 221 6 125

HSL 326.79, 0.95%, 0.45%

LAB 48.24, 76.6, -4.63

 

CMYK 0 / 100 / 48 / 20

HEX #CC006A

RGB 204 0 106

HSL 328.82, 1%, 0.4%

LAB 44.06, 71.85, 0.56

 

CMYK 0 / 100 / 53 / 27

HEX #BB0057

RGB 187 0 87

HSL 332.09, 1%, 0.37%

LAB 40, 66.59, 6.27

 

CMYK 0 / 84 / 36 / 0

HEX #FF28A2

RGB 255 40 162

HSL 325.95, 1%, 0.58%

LAB 57.45, 83.01, -12.33

 

CMYK 0 / 84 / 59 / 0

HEX #FF2868

RGB 255 40 104

HSL 342.14, 1%, 0.58%

LAB 55.86, 78.48, 19.83

 

CMYK 0 / 84 / 82 / 0

HEX #FF282E

RGB 255 40 46

HSL 358.33, 1%, 0.58%

LAB 55.05, 76.08, 51.94

 

CMYK 0 / 84 / 84 / 0

HEX #FF2828

RGB 255 40 40

HSL 0, 1%, 0.58%

LAB 55, 75.95, 54.84

 

CMYK 0 / 84 / 36 / 0

HEX #FF28A2

RGB 255 40 162

HSL 325.95, 1%, 0.58%

LAB 57.45, 83.01, -12.33

 

CMYK 0 / 84 / 14 / 0

HEX #FF28DC

RGB 255 40 220

HSL 309.77, 1%, 0.58%

LAB 59.84, 89.56, -42.03

 

CMYK 9 / 84 / 0 / 0

HEX #E828FF

RGB 232 40 255

HSL 293.58, 1%, 0.58%

LAB 57.94, 90.48, -64.87

 

CMYK 32 / 84 / 0 / 0

HEX #AE28FF

RGB 174 40 255

HSL 277.4, 1%, 0.58%

LAB 49.17, 81.72, -79.49

 

CMYK 55 / 84 / 0 / 0

HEX #7428FF

RGB 116 40 255

HSL 261.21, 1%, 0.58%

LAB 41.92, 74.95, -91.67

 

CMYK 0 / 84 / 36 / 0

HEX #FF28A2

RGB 255 40 162

HSL 325.95, 1%, 0.58%

LAB 57.45, 83.01, -12.33

 

CMYK 0 / 84 / 36 / 0

HEX #FF28A2

RGB 255 40 162

HSL 325.95, 1%, 0.58%

LAB 57.45, 83.01, -12.33

 

CMYK 0 / 76 / 32 / 7

HEX #ED3AA0

RGB 237 58 160

HSL 325.81, 0.83%, 0.58%

LAB 55.65, 74.34, -14.18

 

CMYK 0 / 66 / 29 / 14

HEX #DC4B9D

RGB 220 75 157

HSL 326.07, 0.67%, 0.58%

LAB 54.74, 63.79, -14.07

 

CMYK 0 / 55 / 24 / 20

HEX #CB5C9B

RGB 203 92 155

HSL 325.95, 0.52%, 0.58%

LAB 54.78, 51.14, -13.1

 

CMYK 0 / 41 / 17 / 27

HEX #B96E99

RGB 185 110 153

HSL 325.6, 0.35%, 0.58%

LAB 55.85, 35.69, -10.56

 

CMYK 10 / 84 / 0 / 0

HEX #E628FF

RGB 230 40 255

HSL 293.02, 1%, 0.58%

LAB 57.62, 90.15, -65.4

 

CMYK 0 / 84 / 13 / 0

HEX #FF28DE

RGB 255 40 222

HSL 309.21, 1%, 0.58%

LAB 59.94, 89.81, -43.01

 

CMYK 0 / 84 / 35 / 0

HEX #FF28A5

RGB 255 40 165

HSL 325.12, 1%, 0.58%

LAB 57.55, 83.3, -13.93

 

CMYK 0 / 84 / 58 / 0

HEX #FF286C

RGB 255 40 108

HSL 341.02, 1%, 0.58%

LAB 55.95, 78.73, 17.56

 

CMYK 0 / 84 / 80 / 0

HEX #FF2833

RGB 255 40 51

HSL 356.93, 1%, 0.58%

LAB 55.09, 76.21, 49.41

 

CMYK 0 / 100 / 43 / 16

HEX #D50079

RGB 213 0 121

HSL 325.92, 1%, 0.42%

LAB 46.35, 75.03, -5.16

 

CMYK 0 / 100 / 43 / 0

HEX #FE0090

RGB 254 0 144

HSL 325.98, 1%, 0.5%

LAB 55.16, 85.58, -5.13

 

CMYK 0 / 84 / 36 / 0

HEX #FF28A2

RGB 255 40 162

HSL 325.95, 1%, 0.58%

LAB 57.45, 83.01, -12.33

 

CMYK 0 / 68 / 29 / 0

HEX #FF52B4

RGB 255 82 180

HSL 326.01, 1%, 0.66%

LAB 62.16, 73.34, -15.66

 

CMYK 0 / 52 / 22 / 0

HEX #FF7BC6

RGB 255 123 198

HSL 325.91, 1%, 0.74%

LAB 69.11, 58.48, -15.35

 

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

CMYK 0 / 33 / 84 / 0

HEX #FFAC28

RGB 255 172 40

HSL 36.84, 1%, 0.58%

LAB 76.63, 20.84, 73.02

 

CMYK 84 / 2 / 0 / 0

HEX #28FBFF

RGB 40 251 255

HSL 181.12, 1%, 0.58%

LAB 90.17, -44.98, -15.54

 

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

CMYK 35 / 0 / 84 / 0

HEX #A5FF28

RGB 165 255 40

HSL 85.12, 1%, 0.58%

LAB 91.54, -55.48, 82.9

 

CMYK 84 / 35 / 0 / 0

HEX #28A5FF

RGB 40 165 255

HSL 205.12, 1%, 0.58%

LAB 65.42, -1.75, -53.75

 

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

CMYK 0 / 33 / 84 / 0

HEX #FFAC28

RGB 255 172 40

HSL 36.84, 1%, 0.58%

LAB 76.63, 20.84, 73.02

 

CMYK 84 / 0 / 49 / 0

HEX #28FF82

RGB 40 255 130

HSL 145.12, 1%, 0.58%

LAB 88.72, -74.64, 45.98

 

CMYK 84 / 52 / 0 / 0

HEX #287AFF

RGB 40 122 255

HSL 217.12, 1%, 0.58%

LAB 53.59, 24.14, -72.73

 

CMYK 0 / 84 / 36 / 0

HEX #FF2AA3

RGB 255 42 163

HSL 325.92, 1%, 0.58%

LAB 57.62, 82.72, -12.66

 

CMYK 0 / 7 / 84 / 0

HEX #FFED28

RGB 255 237 40

HSL 54.98, 1%, 0.58%

LAB 92.57, -12.36, 86.14

 

CMYK 84 / 0 / 49 / 0

HEX #28FF82

RGB 40 255 130

HSL 145.12, 1%, 0.58%

LAB 88.72, -74.64, 45.98

 

CMYK 84 / 77 / 0 / 0

HEX #283AFF

RGB 40 58 255

HSL 234.98, 1%, 0.58%

LAB 39.07, 62.2, -96.57

 

Description

Color code: RGB 255 42 163 | qconv.com Color code: RGB 255 42 163 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 42 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 42 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 36 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 36% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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