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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 40 241 it is the complementary color RGB 0 215 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 40 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 40 241 shade: RGB 255 40 236, RGB 255 58 255, RGB 255 76 255, RGB 255 94 255 and RGB 255 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 40 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 238 22 222, RGB 221 4 203, RGB 204 0 184 and RGB 187 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 255 40 183, RGB 255 40 125, RGB 255 40 67 and RGB 255 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 211 40 255, RGB 153 40 255, RGB 95 40 255 and RGB 40 40 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 40 241 shade matches the following richer shades: RGB 255 40 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 237 58 225, RGB 220 75 210, RGB 203 92 195 and RGB 185 110 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 40 241 shade: RGB 151 40 255, RGB 208 40 255, RGB 255 40 244, RGB 255 40 187 and RGB 255 40 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 40 241 shade: RGB 213 0 199, RGB 254 0 237, RGB 255 40 241, RGB 255 82 243 and RGB 255 123 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 255 94 40 and RGB 40 255 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 244 255 40 and RGB 40 244 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 255 94 40, RGB 40 255 51 and RGB 40 201 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 40 241 shade: RGB 255 40 241, RGB 255 158 40, RGB 40 255 51 and RGB 40 137 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

Complementary color

CMYK 100 / 0 / 93 / 16

HEX #00D70E

RGB 0 215 14

HSL 123.91, 1%, 0.42%

LAB 75.22, -75.51, 71.74

 

CMYK 0 / 84 / 7 / 0

HEX #FF28EC

RGB 255 40 236

HSL 305.3, 1%, 0.58%

LAB 60.63, 91.67, -49.77

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 91 / 7 / 7

HEX #EE16DE

RGB 238 22 222

HSL 304.44, 0.86%, 0.51%

LAB 56.11, 89.35, -49.24

 

CMYK 0 / 98 / 8 / 13

HEX #DD04CB

RGB 221 4 203

HSL 304.98, 0.96%, 0.44%

LAB 51.58, 85.41, -45.78

 

CMYK 0 / 100 / 10 / 20

HEX #CC00B8

RGB 204 0 184

HSL 305.88, 1%, 0.4%

LAB 47.36, 80.26, -41.61

 

CMYK 0 / 100 / 12 / 27

HEX #BB00A5

RGB 187 0 165

HSL 307.06, 1%, 0.37%

LAB 43.18, 74.73, -37.17

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 84 / 28 / 0

HEX #FF28B7

RGB 255 40 183

HSL 320.09, 1%, 0.58%

LAB 58.22, 85.16, -23.39

 

CMYK 0 / 84 / 51 / 0

HEX #FF287D

RGB 255 40 125

HSL 336.28, 1%, 0.58%

LAB 56.35, 79.88, 7.95

 

CMYK 0 / 84 / 74 / 0

HEX #FF2843

RGB 255 40 67

HSL 352.47, 1%, 0.58%

LAB 55.26, 76.72, 40.81

 

CMYK 0 / 84 / 84 / 0

HEX #FF2828

RGB 255 40 40

HSL 0, 1%, 0.58%

LAB 55, 75.95, 54.84

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 17 / 84 / 0 / 0

HEX #D328FF

RGB 211 40 255

HSL 287.72, 1%, 0.58%

LAB 54.64, 87.13, -70.35

 

CMYK 40 / 84 / 0 / 0

HEX #9928FF

RGB 153 40 255

HSL 271.53, 1%, 0.58%

LAB 46.32, 79, -84.27

 

CMYK 63 / 84 / 0 / 0

HEX #5F28FF

RGB 95 40 255

HSL 255.35, 1%, 0.58%

LAB 39.87, 73.14, -95.14

 

CMYK 84 / 84 / 0 / 0

HEX #2828FF

RGB 40 40 255

HSL 240, 1%, 0.58%

LAB 36.35, 70.19, -101.09

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 76 / 5 / 7

HEX #ED3AE1

RGB 237 58 225

HSL 304.02, 0.83%, 0.58%

LAB 58.48, 82.68, -47.2

 

CMYK 0 / 66 / 5 / 14

HEX #DC4BD2

RGB 220 75 210

HSL 304.14, 0.67%, 0.58%

LAB 56.98, 71.24, -41.25

 

CMYK 0 / 55 / 4 / 20

HEX #CB5CC3

RGB 203 92 195

HSL 304.32, 0.52%, 0.58%

LAB 56.38, 57.35, -33.81

 

CMYK 0 / 41 / 3 / 27

HEX #B96EB4

RGB 185 110 180

HSL 304, 0.35%, 0.58%

LAB 56.84, 40.34, -24.67

 

CMYK 41 / 84 / 0 / 0

HEX #9728FF

RGB 151 40 255

HSL 270.98, 1%, 0.58%

LAB 46.07, 78.75, -84.7

 

CMYK 18 / 84 / 0 / 0

HEX #D028FF

RGB 208 40 255

HSL 286.88, 1%, 0.58%

LAB 54.18, 86.67, -71.12

 

CMYK 0 / 84 / 4 / 0

HEX #FF28F4

RGB 255 40 244

HSL 303.07, 1%, 0.58%

LAB 61.05, 92.77, -53.57

 

CMYK 0 / 84 / 27 / 0

HEX #FF28BB

RGB 255 40 187

HSL 318.98, 1%, 0.58%

LAB 58.38, 85.6, -25.45

 

CMYK 0 / 84 / 49 / 0

HEX #FF2882

RGB 255 40 130

HSL 334.88, 1%, 0.58%

LAB 56.48, 80.25, 5.16

 

CMYK 0 / 100 / 7 / 16

HEX #D500C7

RGB 213 0 199

HSL 303.94, 1%, 0.42%

LAB 49.82, 83.82, -46.34

 

CMYK 0 / 100 / 7 / 0

HEX #FE00ED

RGB 254 0 237

HSL 304.02, 1%, 0.5%

LAB 59.15, 95.66, -52.7

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 68 / 5 / 0

HEX #FF52F3

RGB 255 82 243

HSL 304.16, 1%, 0.66%

LAB 64.78, 81.78, -47.12

 

CMYK 0 / 52 / 4 / 0

HEX #FF7BF6

RGB 255 123 246

HSL 304.09, 1%, 0.74%

LAB 70.93, 65.74, -39.13

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 63 / 84 / 0

HEX #FF5E28

RGB 255 94 40

HSL 15.07, 1%, 0.58%

LAB 61.15, 58.96, 60.08

 

CMYK 84 / 0 / 29 / 0

HEX #28FFB4

RGB 40 255 180

HSL 159.07, 1%, 0.58%

LAB 89.52, -65.49, 22.32

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 4 / 0 / 84 / 0

HEX #F4FF28

RGB 244 255 40

HSL 63.07, 1%, 0.58%

LAB 96.37, -25.52, 88.91

 

CMYK 84 / 4 / 0 / 0

HEX #28F4FF

RGB 40 244 255

HSL 183.07, 1%, 0.58%

LAB 88.15, -41.88, -18.58

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 63 / 84 / 0

HEX #FF5E28

RGB 255 94 40

HSL 15.07, 1%, 0.58%

LAB 61.15, 58.96, 60.08

 

CMYK 84 / 0 / 80 / 0

HEX #28FF33

RGB 40 255 51

HSL 123.07, 1%, 0.58%

LAB 88.07, -82.73, 75.89

 

CMYK 84 / 21 / 0 / 0

HEX #28C9FF

RGB 40 201 255

HSL 195.07, 1%, 0.58%

LAB 75.73, -21.27, -37.58

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F1

RGB 255 40 241

HSL 303.91, 1%, 0.58%

LAB 60.89, 92.35, -52.15

 

CMYK 0 / 38 / 84 / 0

HEX #FF9E28

RGB 255 158 40

HSL 32.93, 1%, 0.58%

LAB 73.46, 28.13, 70.39

 

CMYK 84 / 0 / 80 / 0

HEX #28FF33

RGB 40 255 51

HSL 123.07, 1%, 0.58%

LAB 88.07, -82.73, 75.89

 

CMYK 84 / 46 / 0 / 0

HEX #2889FF

RGB 40 137 255

HSL 212.93, 1%, 0.58%

LAB 57.62, 14.86, -66.22

 

Description

Color code: RGB 255 40 241 | qconv.com Color code: RGB 255 40 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 40 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 40 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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