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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 38 195 it is the complementary color RGB 0 217 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 38 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 38 195 shade: RGB 255 38 190, RGB 255 56 209, RGB 255 74 228, RGB 255 92 247 and RGB 255 110 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 38 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 38 195 shade: RGB 255 38 195, RGB 238 20 176, RGB 221 2 157, RGB 204 0 138 and RGB 187 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 38 195 shade: RGB 255 35 194, RGB 255 35 135, RGB 255 35 76 and RGB 255 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 38 195 shade: RGB 255 35 194, RGB 255 35 253, RGB 197 35 255, RGB 138 35 255 and RGB 79 35 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 38 195 shade matches the following richer shades: RGB 255 35 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 38 195 shade: RGB 255 35 194, RGB 237 53 186, RGB 219 71 178, RGB 201 88 170 and RGB 184 106 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 38 195 shade: RGB 196 35 255, RGB 255 35 255, RGB 255 35 196, RGB 255 35 138 and RGB 255 35 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 38 195 shade: RGB 208 0 150, RGB 249 0 180, RGB 255 35 194, RGB 255 76 205 and RGB 255 118 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 38 195 shade: RGB 255 38 195, RGB 255 138 35 and RGB 35 255 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 38 195 shade: RGB 255 38 195, RGB 196 255 35 and RGB 35 196 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 38 195 shade: RGB 255 38 195, RGB 255 138 35, RGB 35 255 94 and RGB 35 152 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 38 195 shade: RGB 255 38 195, RGB 255 203 35, RGB 35 255 94 and RGB 35 86 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

Complementary color

CMYK 100 / 0 / 72 / 15

HEX #00D93C

RGB 0 217 60

HSL 136.59, 1%, 0.43%

LAB 76.04, -73.7, 61.32

 

CMYK 0 / 85 / 25 / 0

HEX #FF26BE

RGB 255 38 190

HSL 317.97, 1%, 0.57%

LAB 58.38, 86.3, -27.18

 

CMYK 0 / 78 / 18 / 0

HEX #FF38D1

RGB 255 56 209

HSL 313.87, 1%, 0.61%

LAB 60.51, 84.75, -34.75

 

CMYK 0 / 71 / 11 / 0

HEX #FF4AE4

RGB 255 74 228

HSL 308.95, 1%, 0.65%

LAB 63.14, 82.21, -41.34

 

CMYK 0 / 64 / 3 / 0

HEX #FF5CF7

RGB 255 92 247

HSL 302.94, 1%, 0.68%

LAB 66.24, 78.83, -47.03

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

CMYK 0 / 92 / 26 / 7

HEX #EE14B0

RGB 238 20 176

HSL 317.06, 0.87%, 0.51%

LAB 53.83, 83.89, -26.34

 

CMYK 0 / 99 / 29 / 13

HEX #DD029D

RGB 221 2 157

HSL 317.53, 0.98%, 0.44%

LAB 49.31, 79.99, -22.34

 

CMYK 0 / 100 / 32 / 20

HEX #CC008A

RGB 204 0 138

HSL 319.41, 1%, 0.4%

LAB 45.18, 74.77, -17.51

 

CMYK 0 / 100 / 36 / 27

HEX #BB0077

RGB 187 0 119

HSL 321.82, 1%, 0.37%

LAB 41.05, 69.34, -12.4

 

CMYK 0 / 86 / 24 / 0

HEX #FF23C2

RGB 255 35 194

HSL 316.64, 1%, 0.57%

LAB 58.37, 87.25, -29.5

 

CMYK 0 / 86 / 47 / 0

HEX #FF2387

RGB 255 35 135

HSL 332.73, 1%, 0.57%

LAB 56.3, 81.54, 1.93

 

CMYK 0 / 86 / 70 / 0

HEX #FF234C

RGB 255 35 76

HSL 348.82, 1%, 0.57%

LAB 55.06, 77.99, 35.39

 

CMYK 0 / 86 / 86 / 0

HEX #FF2323

RGB 255 35 35

HSL 0, 1%, 0.57%

LAB 54.64, 76.79, 56.85

 

CMYK 0 / 86 / 24 / 0

HEX #FF23C2

RGB 255 35 194

HSL 316.64, 1%, 0.57%

LAB 58.37, 87.25, -29.5

 

CMYK 0 / 86 / 1 / 0

HEX #FF23FD

RGB 255 35 253

HSL 300.55, 1%, 0.57%

LAB 61.27, 94.84, -58.22

 

CMYK 23 / 86 / 0 / 0

HEX #C523FF

RGB 197 35 255

HSL 284.18, 1%, 0.57%

LAB 52.17, 86.04, -74.47

 

CMYK 46 / 86 / 0 / 0

HEX #8A23FF

RGB 138 35 255

HSL 268.09, 1%, 0.57%

LAB 43.98, 78.58, -88.19

 

CMYK 69 / 86 / 0 / 0

HEX #4F23FF

RGB 79 35 255

HSL 252, 1%, 0.57%

LAB 37.99, 73.68, -98.29

 

CMYK 0 / 86 / 24 / 0

HEX #FF23C2

RGB 255 35 194

HSL 316.64, 1%, 0.57%

LAB 58.37, 87.25, -29.5

 

CMYK 0 / 86 / 24 / 0

HEX #FF23C2

RGB 255 35 194

HSL 316.64, 1%, 0.57%

LAB 58.37, 87.25, -29.5

 

CMYK 0 / 78 / 22 / 7

HEX #ED35BA

RGB 237 53 186

HSL 316.63, 0.84%, 0.57%

LAB 56.18, 78.74, -28.53

 

CMYK 0 / 68 / 19 / 14

HEX #DB47B2

RGB 219 71 178

HSL 316.62, 0.67%, 0.57%

LAB 54.85, 67.76, -26.2

 

CMYK 0 / 56 / 15 / 21

HEX #C958AA

RGB 201 88 170

HSL 316.46, 0.51%, 0.57%

LAB 54.34, 54.61, -22.55

 

CMYK 0 / 42 / 12 / 28

HEX #B86AA2

RGB 184 106 162

HSL 316.92, 0.35%, 0.57%

LAB 55.18, 38.98, -16.82

 

CMYK 23 / 86 / 0 / 0

HEX #C423FF

RGB 196 35 255

HSL 283.91, 1%, 0.57%

LAB 52.02, 85.9, -74.72

 

CMYK 0 / 86 / 0 / 0

HEX #FF23FF

RGB 255 35 255

HSL 300, 1%, 0.57%

LAB 61.38, 95.13, -59.15

 

CMYK 0 / 86 / 23 / 0

HEX #FF23C4

RGB 255 35 196

HSL 316.09, 1%, 0.57%

LAB 58.46, 87.48, -30.51

 

CMYK 0 / 86 / 46 / 0

HEX #FF238A

RGB 255 35 138

HSL 331.91, 1%, 0.57%

LAB 56.38, 81.78, 0.26

 

CMYK 0 / 86 / 69 / 0

HEX #FF234F

RGB 255 35 79

HSL 348, 1%, 0.57%

LAB 55.1, 78.12, 33.69

 

CMYK 0 / 100 / 28 / 18

HEX #D00096

RGB 208 0 150

HSL 316.73, 1%, 0.41%

LAB 46.46, 76.85, -22.75

 

CMYK 0 / 100 / 28 / 2

HEX #F900B4

RGB 249 0 180

HSL 316.63, 1%, 0.49%

LAB 55.52, 87.98, -25.9

 

CMYK 0 / 86 / 24 / 0

HEX #FF23C2

RGB 255 35 194

HSL 316.64, 1%, 0.57%

LAB 58.37, 87.25, -29.5

 

CMYK 0 / 70 / 20 / 0

HEX #FF4CCD

RGB 255 76 205

HSL 316.76, 1%, 0.65%

LAB 62.37, 78.46, -29.59

 

CMYK 0 / 54 / 15 / 0

HEX #FF76D9

RGB 255 118 217

HSL 316.64, 1%, 0.73%

LAB 68.92, 63.48, -26.24

 

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

CMYK 0 / 46 / 86 / 0

HEX #FF8A23

RGB 255 138 35

HSL 28.09, 1%, 0.57%

LAB 69.15, 38.28, 68.42

 

CMYK 86 / 0 / 12 / 0

HEX #23FFE1

RGB 35 255 225

HSL 171.82, 1%, 0.57%

LAB 90.47, -55.16, 0.48

 

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

CMYK 23 / 0 / 86 / 0

HEX #C4FF23

RGB 196 255 35

HSL 76.09, 1%, 0.57%

LAB 93.18, -44.49, 85.91

 

CMYK 86 / 23 / 0 / 0

HEX #23C4FF

RGB 35 196 255

HSL 196.09, 1%, 0.57%

LAB 74.23, -19.01, -39.91

 

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

CMYK 0 / 46 / 86 / 0

HEX #FF8A23

RGB 255 138 35

HSL 28.09, 1%, 0.57%

LAB 69.15, 38.28, 68.42

 

CMYK 86 / 0 / 63 / 0

HEX #23FF5E

RGB 35 255 94

HSL 136.09, 1%, 0.57%

LAB 88.3, -79.69, 61.42

 

CMYK 86 / 40 / 0 / 0

HEX #2398FF

RGB 35 152 255

HSL 208.09, 1%, 0.57%

LAB 61.68, 5.48, -59.7

 

CMYK 0 / 85 / 24 / 0

HEX #FF26C3

RGB 255 38 195

HSL 316.59, 1%, 0.57%

LAB 58.59, 86.86, -29.74

 

CMYK 0 / 20 / 86 / 0

HEX #FFCB23

RGB 255 203 35

HSL 45.82, 1%, 0.57%

LAB 84.01, 4.62, 80.3

 

CMYK 86 / 0 / 63 / 0

HEX #23FF5E

RGB 35 255 94

HSL 136.09, 1%, 0.57%

LAB 88.3, -79.69, 61.42

 

CMYK 86 / 66 / 0 / 0

HEX #2356FF

RGB 35 86 255

HSL 226.09, 1%, 0.57%

LAB 44.57, 46.27, -87.48

 

Description

Color code: RGB 255 38 195 | qconv.com Color code: RGB 255 38 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 38 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 38 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 24 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 24% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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