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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 37 218 it is the complementary color RGB 0 218 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 37 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 37 218 shade: RGB 255 37 213, RGB 255 55 232, RGB 255 73 251, RGB 255 91 255 and RGB 255 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 37 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 37 218 shade: RGB 255 37 218, RGB 238 19 199, RGB 221 1 180, RGB 204 0 161 and RGB 187 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 37 218 shade: RGB 255 35 217, RGB 255 35 158, RGB 255 35 99, RGB 255 35 40 and RGB 255 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 37 218 shade: RGB 255 35 217, RGB 233 35 255, RGB 173 35 255, RGB 114 35 255 and RGB 55 35 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 37 218 shade matches the following richer shades: RGB 255 35 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 37 218 shade: RGB 255 35 217, RGB 237 53 206, RGB 219 71 194, RGB 201 88 182 and RGB 184 106 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 37 218 shade: RGB 174 35 255, RGB 233 35 255, RGB 255 35 218, RGB 255 35 159 and RGB 255 35 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 37 218 shade: RGB 208 0 172, RGB 249 0 207, RGB 255 35 217, RGB 255 76 224 and RGB 255 118 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 37 218 shade: RGB 255 37 218, RGB 255 116 35 and RGB 35 255 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 37 218 shade: RGB 255 37 218, RGB 218 255 35 and RGB 35 218 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 37 218 shade: RGB 255 37 218, RGB 255 116 35, RGB 35 255 72 and RGB 35 174 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 37 218 shade: RGB 255 37 218, RGB 255 181 35, RGB 35 255 72 and RGB 35 108 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

Complementary color

CMYK 100 / 0 / 83 / 15

HEX #00DA25

RGB 0 218 37

HSL 130.18, 1%, 0.43%

LAB 76.24, -75.5, 68.45

 

CMYK 0 / 85 / 16 / 0

HEX #FF25D5

RGB 255 37 213

HSL 311.56, 1%, 0.57%

LAB 59.33, 89.19, -38.86

 

CMYK 0 / 78 / 9 / 0

HEX #FF37E8

RGB 255 55 232

HSL 306.9, 1%, 0.61%

LAB 61.5, 88.03, -46.16

 

CMYK 0 / 71 / 2 / 0

HEX #FF49FB

RGB 255 73 251

HSL 301.32, 1%, 0.64%

LAB 64.15, 85.88, -52.52

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

CMYK 0 / 92 / 16 / 7

HEX #EE13C7

RGB 238 19 199

HSL 310.68, 0.87%, 0.5%

LAB 54.83, 86.69, -38.13

 

CMYK 0 / 100 / 19 / 13

HEX #DD01B4

RGB 221 1 180

HSL 311.18, 0.99%, 0.44%

LAB 50.32, 82.69, -34.39

 

CMYK 0 / 100 / 21 / 20

HEX #CC00A1

RGB 204 0 161

HSL 312.65, 1%, 0.4%

LAB 46.19, 77.34, -29.83

 

CMYK 0 / 100 / 24 / 27

HEX #BB008E

RGB 187 0 142

HSL 314.44, 1%, 0.37%

LAB 42.03, 71.84, -25.09

 

CMYK 0 / 86 / 15 / 0

HEX #FF23D9

RGB 255 35 217

HSL 310.36, 1%, 0.57%

LAB 59.41, 90.01, -41.01

 

CMYK 0 / 86 / 38 / 0

HEX #FF239E

RGB 255 35 158

HSL 326.45, 1%, 0.57%

LAB 57.01, 83.52, -10.64

 

CMYK 0 / 86 / 61 / 0

HEX #FF2363

RGB 255 35 99

HSL 342.55, 1%, 0.57%

LAB 55.44, 79.11, 22.26

 

CMYK 0 / 86 / 84 / 0

HEX #FF2328

RGB 255 35 40

HSL 358.64, 1%, 0.57%

LAB 54.67, 76.89, 54.56

 

CMYK 0 / 86 / 86 / 0

HEX #FF2323

RGB 255 35 35

HSL 0, 1%, 0.57%

LAB 54.64, 76.79, 56.85

 

CMYK 0 / 86 / 15 / 0

HEX #FF23D9

RGB 255 35 217

HSL 310.36, 1%, 0.57%

LAB 59.41, 90.01, -41.01

 

CMYK 9 / 86 / 0 / 0

HEX #E923FF

RGB 233 35 255

HSL 294, 1%, 0.57%

LAB 57.79, 91.53, -65.09

 

CMYK 32 / 86 / 0 / 0

HEX #AD23FF

RGB 173 35 255

HSL 277.64, 1%, 0.57%

LAB 48.64, 82.74, -80.36

 

CMYK 55 / 86 / 0 / 0

HEX #7223FF

RGB 114 35 255

HSL 261.55, 1%, 0.57%

LAB 41.22, 76.24, -92.85

 

CMYK 78 / 86 / 0 / 0

HEX #3723FF

RGB 55 35 255

HSL 245.45, 1%, 0.57%

LAB 36.43, 72.52, -100.93

 

CMYK 0 / 86 / 15 / 0

HEX #FF23D9

RGB 255 35 217

HSL 310.36, 1%, 0.57%

LAB 59.41, 90.01, -41.01

 

CMYK 0 / 86 / 15 / 0

HEX #FF23D9

RGB 255 35 217

HSL 310.36, 1%, 0.57%

LAB 59.41, 90.01, -41.01

 

CMYK 0 / 78 / 13 / 7

HEX #ED35CE

RGB 237 53 206

HSL 310.11, 0.84%, 0.57%

LAB 57.08, 81.33, -38.62

 

CMYK 0 / 68 / 11 / 14

HEX #DB47C2

RGB 219 71 194

HSL 310.14, 0.67%, 0.57%

LAB 55.54, 70.04, -34.36

 

CMYK 0 / 56 / 9 / 21

HEX #C958B6

RGB 201 88 182

HSL 310.09, 0.51%, 0.57%

LAB 54.84, 56.49, -28.75

 

CMYK 0 / 42 / 8 / 28

HEX #B86AAA

RGB 184 106 170

HSL 310.77, 0.35%, 0.57%

LAB 55.48, 40.36, -21

 

CMYK 32 / 86 / 0 / 0

HEX #AE23FF

RGB 174 35 255

HSL 277.91, 1%, 0.57%

LAB 48.79, 82.87, -80.12

 

CMYK 9 / 86 / 0 / 0

HEX #E923FF

RGB 233 35 255

HSL 294, 1%, 0.57%

LAB 57.79, 91.53, -65.09

 

CMYK 0 / 86 / 15 / 0

HEX #FF23DA

RGB 255 35 218

HSL 310.09, 1%, 0.57%

LAB 59.46, 90.14, -41.5

 

CMYK 0 / 86 / 38 / 0

HEX #FF239F

RGB 255 35 159

HSL 326.18, 1%, 0.57%

LAB 57.04, 83.61, -11.18

 

CMYK 0 / 86 / 60 / 0

HEX #FF2365

RGB 255 35 101

HSL 342, 1%, 0.57%

LAB 55.48, 79.23, 21.12

 

CMYK 0 / 100 / 17 / 18

HEX #D000AC

RGB 208 0 172

HSL 310.38, 1%, 0.41%

LAB 47.48, 79.42, -34.3

 

CMYK 0 / 100 / 17 / 2

HEX #F900CF

RGB 249 0 207

HSL 310.12, 1%, 0.49%

LAB 56.73, 91.03, -39.6

 

CMYK 0 / 86 / 15 / 0

HEX #FF23D9

RGB 255 35 217

HSL 310.36, 1%, 0.57%

LAB 59.41, 90.01, -41.01

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE0

RGB 255 76 224

HSL 310.39, 1%, 0.65%

LAB 63.19, 81.01, -39.03

 

CMYK 0 / 54 / 9 / 0

HEX #FF76E7

RGB 255 118 231

HSL 310.51, 1%, 0.73%

LAB 69.46, 65.6, -33.16

 

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

CMYK 0 / 55 / 86 / 0

HEX #FF7423

RGB 255 116 35

HSL 22.09, 1%, 0.57%

LAB 64.86, 49.05, 65

 

CMYK 86 / 0 / 20 / 0

HEX #23FFCB

RGB 35 255 203

HSL 165.82, 1%, 0.57%

LAB 89.95, -60.63, 11.11

 

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

CMYK 15 / 0 / 86 / 0

HEX #DAFF23

RGB 218 255 35

HSL 70.09, 1%, 0.57%

LAB 94.55, -36.03, 87.6

 

CMYK 86 / 15 / 0 / 0

HEX #23DAFF

RGB 35 218 255

HSL 190.09, 1%, 0.57%

LAB 80.58, -30.06, -30.09

 

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

CMYK 0 / 55 / 86 / 0

HEX #FF7423

RGB 255 116 35

HSL 22.09, 1%, 0.57%

LAB 64.86, 49.05, 65

 

CMYK 86 / 0 / 72 / 0

HEX #23FF48

RGB 35 255 72

HSL 130.09, 1%, 0.57%

LAB 88.13, -81.74, 69.55

 

CMYK 86 / 32 / 0 / 0

HEX #23AEFF

RGB 35 174 255

HSL 202.09, 1%, 0.57%

LAB 67.91, -7.16, -49.82

 

CMYK 0 / 85 / 15 / 0

HEX #FF25DA

RGB 255 37 218

HSL 310.18, 1%, 0.57%

LAB 59.57, 89.81, -41.33

 

CMYK 0 / 29 / 86 / 0

HEX #FFB523

RGB 255 181 35

HSL 39.82, 1%, 0.57%

LAB 78.71, 16.02, 76.06

 

CMYK 86 / 0 / 72 / 0

HEX #23FF48

RGB 35 255 72

HSL 130.09, 1%, 0.57%

LAB 88.13, -81.74, 69.55

 

CMYK 86 / 58 / 0 / 0

HEX #236CFF

RGB 35 108 255

HSL 220.09, 1%, 0.57%

LAB 49.86, 32.61, -78.8

 

Description

Color code: RGB 255 37 218 | qconv.com Color code: RGB 255 37 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 37 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 37 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 15 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 15% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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