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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 18 149 it is the complementary color RGB 0 237 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 18 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 18 149 shade: RGB 255 18 144, RGB 255 36 163, RGB 255 54 182, RGB 255 72 201 and RGB 255 90 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 18 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 18 149 shade: RGB 255 18 149, RGB 238 0 130, RGB 221 0 111, RGB 204 0 92 and RGB 187 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 18 149 shade: RGB 255 20 150, RGB 255 20 86, RGB 255 20 23 and RGB 255 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 18 149 shade: RGB 255 20 150, RGB 255 20 213, RGB 233 20 255, RGB 170 20 255 and RGB 106 20 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 18 149 shade matches the following richer shades: RGB 255 20 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 18 149 shade: RGB 255 20 150, RGB 236 39 148, RGB 217 58 146, RGB 198 77 144 and RGB 179 96 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 18 149 shade: RGB 231 20 255, RGB 255 20 215, RGB 255 20 153, RGB 255 20 90 and RGB 255 20 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 18 149 shade: RGB 192 0 106, RGB 234 0 129, RGB 255 20 150, RGB 255 61 168 and RGB 255 102 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 18 149 shade: RGB 255 18 149, RGB 255 168 20 and RGB 20 247 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 18 149 shade: RGB 255 18 149, RGB 153 255 20 and RGB 20 153 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 18 149 shade: RGB 255 18 149, RGB 255 168 20, RGB 20 255 122 and RGB 20 106 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 18 149 shade: RGB 255 18 149, RGB 255 239 20, RGB 20 255 122 and RGB 20 36 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

Complementary color

CMYK 100 / 0 / 55 / 7

HEX #00ED6A

RGB 0 237 106

HSL 146.84, 1%, 0.46%

LAB 82.71, -74.44, 49.71

 

CMYK 0 / 93 / 44 / 0

HEX #FF1290

RGB 255 18 144

HSL 328.1, 1%, 0.54%

LAB 55.79, 84.5, -4.17

 

CMYK 0 / 86 / 36 / 0

HEX #FF24A3

RGB 255 36 163

HSL 325.21, 1%, 0.57%

LAB 57.24, 83.82, -13.24

 

CMYK 0 / 79 / 29 / 0

HEX #FF36B6

RGB 255 54 182

HSL 321.79, 1%, 0.61%

LAB 59.23, 82.05, -21.27

 

CMYK 0 / 72 / 21 / 0

HEX #FF48C9

RGB 255 72 201

HSL 317.7, 1%, 0.64%

LAB 61.75, 79.24, -28.28

 

CMYK 0 / 65 / 14 / 0

HEX #FF5ADC

RGB 255 90 220

HSL 312.73, 1%, 0.68%

LAB 64.76, 75.56, -34.34

 

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

CMYK 0 / 100 / 45 / 7

HEX #EE0082

RGB 238 0 130

HSL 327.23, 1%, 0.47%

LAB 51.6, 81.09, -2.34

 

CMYK 0 / 100 / 50 / 13

HEX #DD006F

RGB 221 0 111

HSL 329.86, 1%, 0.43%

LAB 47.65, 75.96, 3.1

 

CMYK 0 / 100 / 55 / 20

HEX #CC005C

RGB 204 0 92

HSL 332.94, 1%, 0.4%

LAB 43.67, 70.82, 8.78

 

CMYK 0 / 100 / 61 / 27

HEX #BB0049

RGB 187 0 73

HSL 336.58, 1%, 0.37%

LAB 39.66, 65.67, 14.74

 

CMYK 0 / 92 / 41 / 0

HEX #FF1496

RGB 255 20 150

HSL 326.81, 1%, 0.54%

LAB 56.05, 84.81, -7.35

 

CMYK 0 / 92 / 66 / 0

HEX #FF1456

RGB 255 20 86

HSL 343.15, 1%, 0.54%

LAB 54.48, 80.54, 28.77

 

CMYK 0 / 92 / 91 / 0

HEX #FF1417

RGB 255 20 23

HSL 359.23, 1%, 0.54%

LAB 53.84, 78.74, 61.18

 

CMYK 0 / 92 / 92 / 0

HEX #FF1414

RGB 255 20 20

HSL 0, 1%, 0.54%

LAB 53.83, 78.7, 62.22

 

CMYK 0 / 92 / 41 / 0

HEX #FF1496

RGB 255 20 150

HSL 326.81, 1%, 0.54%

LAB 56.05, 84.81, -7.35

 

CMYK 0 / 92 / 16 / 0

HEX #FF14D5

RGB 255 20 213

HSL 310.72, 1%, 0.54%

LAB 58.57, 91.42, -40.06

 

CMYK 9 / 92 / 0 / 0

HEX #E914FF

RGB 233 20 255

HSL 294.38, 1%, 0.54%

LAB 57.12, 93.52, -66.18

 

CMYK 33 / 92 / 0 / 0

HEX #AA14FF

RGB 170 20 255

HSL 278.3, 1%, 0.54%

LAB 47.32, 85.02, -82.54

 

CMYK 58 / 92 / 0 / 0

HEX #6A14FF

RGB 106 20 255

HSL 261.96, 1%, 0.54%

LAB 39.22, 79.1, -96.19

 

CMYK 0 / 92 / 41 / 0

HEX #FF1496

RGB 255 20 150

HSL 326.81, 1%, 0.54%

LAB 56.05, 84.81, -7.35

 

CMYK 0 / 92 / 41 / 0

HEX #FF1496

RGB 255 20 150

HSL 326.81, 1%, 0.54%

LAB 56.05, 84.81, -7.35

 

CMYK 0 / 83 / 37 / 7

HEX #EC2794

RGB 236 39 148

HSL 326.8, 0.84%, 0.54%

LAB 53.41, 77.58, -10.48

 

CMYK 0 / 73 / 33 / 15

HEX #D93A92

RGB 217 58 146

HSL 326.79, 0.68%, 0.54%

LAB 51.67, 67.78, -12.25

 

CMYK 0 / 61 / 27 / 22

HEX #C64D90

RGB 198 77 144

HSL 326.78, 0.51%, 0.54%

LAB 51.07, 55, -12.28

 

CMYK 0 / 46 / 21 / 30

HEX #B3608E

RGB 179 96 142

HSL 326.75, 0.35%, 0.54%

LAB 51.73, 39.4, -10.38

 

CMYK 9 / 92 / 0 / 0

HEX #E714FF

RGB 231 20 255

HSL 293.87, 1%, 0.54%

LAB 56.79, 93.22, -66.73

 

CMYK 0 / 92 / 16 / 0

HEX #FF14D7

RGB 255 20 215

HSL 310.21, 1%, 0.54%

LAB 58.66, 91.66, -41.04

 

CMYK 0 / 92 / 40 / 0

HEX #FF1499

RGB 255 20 153

HSL 326.04, 1%, 0.54%

LAB 56.15, 85.08, -8.98

 

CMYK 0 / 92 / 65 / 0

HEX #FF145A

RGB 255 20 90

HSL 342.13, 1%, 0.54%

LAB 54.55, 80.73, 26.47

 

CMYK 0 / 92 / 89 / 0

HEX #FF141C

RGB 255 20 28

HSL 357.96, 1%, 0.54%

LAB 53.86, 78.8, 59.27

 

CMYK 0 / 100 / 45 / 25

HEX #C0006A

RGB 192 0 106

HSL 326.88, 1%, 0.38%

LAB 41.61, 69.21, -3.32

 

CMYK 0 / 100 / 45 / 8

HEX #EA0081

RGB 234 0 129

HSL 326.92, 1%, 0.46%

LAB 50.78, 80.17, -3.03

 

CMYK 0 / 92 / 41 / 0

HEX #FF1496

RGB 255 20 150

HSL 326.81, 1%, 0.54%

LAB 56.05, 84.81, -7.35

 

CMYK 0 / 76 / 34 / 0

HEX #FF3DA8

RGB 255 61 168

HSL 326.91, 1%, 0.62%

LAB 59.37, 78.71, -12.95

 

CMYK 0 / 60 / 27 / 0

HEX #FF66BA

RGB 255 102 186

HSL 327.06, 1%, 0.7%

LAB 65.21, 66.26, -14.48

 

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

CMYK 0 / 34 / 92 / 0

HEX #FFA814

RGB 255 168 20

HSL 37.79, 1%, 0.54%

LAB 75.65, 22.55, 76.9

 

CMYK 92 / 3 / 0 / 0

HEX #14F7FF

RGB 20 247 255

HSL 182.04, 1%, 0.54%

LAB 88.87, -44.14, -17.5

 

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

CMYK 40 / 0 / 92 / 0

HEX #99FF14

RGB 153 255 20

HSL 86.04, 1%, 0.54%

LAB 90.94, -59.95, 85.39

 

CMYK 92 / 40 / 0 / 0

HEX #1499FF

RGB 20 153 255

HSL 206.04, 1%, 0.54%

LAB 61.78, 4.13, -59.55

 

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

CMYK 0 / 34 / 92 / 0

HEX #FFA814

RGB 255 168 20

HSL 37.79, 1%, 0.54%

LAB 75.65, 22.55, 76.9

 

CMYK 92 / 0 / 52 / 0

HEX #14FF7A

RGB 20 255 122

HSL 146.04, 1%, 0.54%

LAB 88.48, -77.04, 49.38

 

CMYK 92 / 58 / 0 / 0

HEX #146AFF

RGB 20 106 255

HSL 218.04, 1%, 0.54%

LAB 49.1, 33.18, -80.05

 

CMYK 0 / 93 / 42 / 0

HEX #FF1295

RGB 255 18 149

HSL 326.84, 1%, 0.54%

LAB 55.95, 84.93, -6.91

 

CMYK 0 / 6 / 92 / 0

HEX #FFEF14

RGB 255 239 20

HSL 55.91, 1%, 0.54%

LAB 93.03, -13.69, 89.8

 

CMYK 92 / 0 / 52 / 0

HEX #14FF7A

RGB 20 255 122

HSL 146.04, 1%, 0.54%

LAB 88.48, -77.04, 49.38

 

CMYK 92 / 86 / 0 / 0

HEX #1424FF

RGB 20 36 255

HSL 235.91, 1%, 0.54%

LAB 35.26, 71.24, -102.91

 

Description

Color code: RGB 255 18 149 | qconv.com Color code: RGB 255 18 149 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 18 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 18 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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