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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 149 196 it is the complementary color RGB 0 106 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 149 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 149 196 shade: RGB 255 149 191, RGB 255 167 210, RGB 255 185 229, RGB 255 203 248 and RGB 255 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 149 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 149 196 shade: RGB 255 149 196, RGB 238 131 177, RGB 221 113 158, RGB 204 95 139 and RGB 187 77 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 149 196 shade: RGB 255 147 195, RGB 255 147 166 and RGB 255 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 149 196 shade: RGB 255 147 195, RGB 255 147 224, RGB 255 147 253, RGB 227 147 255 and RGB 199 147 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 149 196 shade matches the following richer shades: RGB 255 147 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 149 196 shade: RGB 255 147 195, RGB 246 156 196, RGB 237 165 197, RGB 229 173 198 and RGB 220 182 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 149 196 shade: RGB 255 147 253, RGB 255 147 224, RGB 255 147 196, RGB 255 147 167 and RGB 255 156 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 149 196 shade: RGB 255 65 149, RGB 255 106 172, RGB 255 147 195, RGB 255 189 218 and RGB 255 230 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 149 196 shade: RGB 255 149 196, RGB 255 228 147 and RGB 147 238 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 149 196 shade: RGB 255 149 196, RGB 196 255 147 and RGB 147 196 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 149 196 shade: RGB 255 149 196, RGB 255 228 147, RGB 147 255 206 and RGB 147 174 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 149 196 shade: RGB 255 149 196, RGB 249 255 147, RGB 147 255 206 and RGB 153 147 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

Complementary color

CMYK 100 / 0 / 44 / 58

HEX #006A3B

RGB 0 106 59

HSL 153.4, 1%, 0.21%

LAB 38.94, -38.35, 19.15

 

CMYK 0 / 42 / 25 / 0

HEX #FF95BF

RGB 255 149 191

HSL 336.23, 1%, 0.79%

LAB 73.88, 44.8, -4.35

 

CMYK 0 / 35 / 18 / 0

HEX #FFA7D2

RGB 255 167 210

HSL 330.68, 1%, 0.83%

LAB 78.2, 38.27, -8.37

 

CMYK 0 / 27 / 10 / 0

HEX #FFB9E5

RGB 255 185 229

HSL 322.29, 1%, 0.86%

LAB 82.71, 31.87, -11.91

 

CMYK 0 / 20 / 3 / 0

HEX #FFCBF8

RGB 255 203 248

HSL 308.08, 1%, 0.9%

LAB 87.36, 25.65, -15.07

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

CMYK 0 / 45 / 26 / 7

HEX #EE83B1

RGB 238 131 177

HSL 334.21, 0.76%, 0.72%

LAB 67.71, 46.3, -5.9

 

CMYK 0 / 49 / 29 / 13

HEX #DD719E

RGB 221 113 158

HSL 335, 0.61%, 0.65%

LAB 61.35, 47.11, -4.76

 

CMYK 0 / 53 / 32 / 20

HEX #CC5F8B

RGB 204 95 139

HSL 335.78, 0.52%, 0.59%

LAB 54.95, 47.89, -3.42

 

CMYK 0 / 59 / 36 / 27

HEX #BB4D78

RGB 187 77 120

HSL 336.55, 0.45%, 0.52%

LAB 48.55, 48.58, -1.82

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C3

RGB 255 147 195

HSL 333.33, 1%, 0.79%

LAB 73.59, 46.36, -6.99

 

CMYK 0 / 42 / 35 / 0

HEX #FF93A6

RGB 255 147 166

HSL 349.44, 1%, 0.79%

LAB 72.81, 42.64, 7.94

 

CMYK 0 / 42 / 42 / 0

HEX #FF9393

RGB 255 147 147

HSL 0, 1%, 0.79%

LAB 72.38, 40.53, 17.85

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C3

RGB 255 147 195

HSL 333.33, 1%, 0.79%

LAB 73.59, 46.36, -6.99

 

CMYK 0 / 42 / 12 / 0

HEX #FF93E0

RGB 255 147 224

HSL 317.22, 1%, 0.79%

LAB 74.51, 50.66, -21.55

 

CMYK 0 / 42 / 1 / 0

HEX #FF93FD

RGB 255 147 253

HSL 301.11, 1%, 0.79%

LAB 75.59, 55.47, -35.7

 

CMYK 11 / 42 / 0 / 0

HEX #E393FF

RGB 227 147 255

HSL 284.44, 1%, 0.79%

LAB 72.51, 47.81, -41.81

 

CMYK 22 / 42 / 0 / 0

HEX #C793FF

RGB 199 147 255

HSL 268.89, 1%, 0.79%

LAB 69.63, 39.93, -46.52

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C3

RGB 255 147 195

HSL 333.33, 1%, 0.79%

LAB 73.59, 46.36, -6.99

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C3

RGB 255 147 195

HSL 333.33, 1%, 0.79%

LAB 73.59, 46.36, -6.99

 

CMYK 0 / 37 / 20 / 4

HEX #F69CC4

RGB 246 156 196

HSL 333.33, 0.83%, 0.79%

LAB 74.42, 38.85, -6.43

 

CMYK 0 / 30 / 17 / 7

HEX #EDA5C5

RGB 237 165 197

HSL 333.33, 0.67%, 0.79%

LAB 75.42, 31.17, -5.61

 

CMYK 0 / 24 / 14 / 10

HEX #E5ADC6

RGB 229 173 198

HSL 333.21, 0.52%, 0.79%

LAB 76.45, 24.26, -4.73

 

CMYK 0 / 17 / 10 / 14

HEX #DCB6C7

RGB 220 182 199

HSL 333.16, 0.35%, 0.79%

LAB 77.75, 16.43, -3.45

 

CMYK 0 / 42 / 1 / 0

HEX #FF93FD

RGB 255 147 253

HSL 301.11, 1%, 0.79%

LAB 75.59, 55.47, -35.7

 

CMYK 0 / 42 / 12 / 0

HEX #FF93E0

RGB 255 147 224

HSL 317.22, 1%, 0.79%

LAB 74.51, 50.66, -21.55

 

CMYK 0 / 42 / 23 / 0

HEX #FF93C4

RGB 255 147 196

HSL 332.78, 1%, 0.79%

LAB 73.62, 46.5, -7.5

 

CMYK 0 / 42 / 35 / 0

HEX #FF93A7

RGB 255 147 167

HSL 348.89, 1%, 0.79%

LAB 72.84, 42.75, 7.42

 

CMYK 0 / 39 / 42 / 0

HEX #FF9C93

RGB 255 156 147

HSL 5, 1%, 0.79%

LAB 74.28, 35.91, 20.47

 

CMYK 0 / 75 / 42 / 0

HEX #FF4195

RGB 255 65 149

HSL 333.47, 1%, 0.63%

LAB 59.17, 75.7, -2.15

 

CMYK 0 / 58 / 33 / 0

HEX #FF6AAC

RGB 255 106 172

HSL 333.42, 1%, 0.71%

LAB 65.39, 62.87, -6.24

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C3

RGB 255 147 195

HSL 333.33, 1%, 0.79%

LAB 73.59, 46.36, -6.99

 

CMYK 0 / 26 / 15 / 0

HEX #FFBDDA

RGB 255 189 218

HSL 333.64, 1%, 0.87%

LAB 83.29, 28, -5.15

 

CMYK 0 / 10 / 5 / 0

HEX #FFE6F1

RGB 255 230 241

HSL 333.6, 1%, 0.95%

LAB 93.54, 10.35, -2.23

 

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

CMYK 0 / 11 / 42 / 0

HEX #FFE493

RGB 255 228 147

HSL 45, 1%, 0.79%

LAB 91.17, -1.44, 42.84

 

CMYK 42 / 7 / 0 / 0

HEX #93EEFF

RGB 147 238 255

HSL 189.44, 1%, 0.79%

LAB 89.19, -22.94, -16.73

 

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

CMYK 23 / 0 / 42 / 0

HEX #C4FF93

RGB 196 255 147

HSL 92.78, 1%, 0.79%

LAB 94.04, -36.54, 45.63

 

CMYK 42 / 23 / 0 / 0

HEX #93C4FF

RGB 147 196 255

HSL 212.78, 1%, 0.79%

LAB 77.82, -1.24, -34.06

 

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

CMYK 0 / 11 / 42 / 0

HEX #FFE493

RGB 255 228 147

HSL 45, 1%, 0.79%

LAB 91.17, -1.44, 42.84

 

CMYK 42 / 0 / 19 / 0

HEX #93FFCE

RGB 147 255 206

HSL 152.78, 1%, 0.79%

LAB 92.65, -41.98, 13.78

 

CMYK 42 / 32 / 0 / 0

HEX #93AEFF

RGB 147 174 255

HSL 225, 1%, 0.79%

LAB 72.02, 10.91, -43.07

 

CMYK 0 / 42 / 23 / 0

HEX #FF95C4

RGB 255 149 196

HSL 333.4, 1%, 0.79%

LAB 74.02, 45.49, -6.9

 

CMYK 2 / 0 / 42 / 0

HEX #F9FF93

RGB 249 255 147

HSL 63.33, 1%, 0.79%

LAB 97.54, -17.12, 50.77

 

CMYK 42 / 0 / 19 / 0

HEX #93FFCE

RGB 147 255 206

HSL 152.78, 1%, 0.79%

LAB 92.65, -41.98, 13.78

 

CMYK 40 / 42 / 0 / 0

HEX #9993FF

RGB 153 147 255

HSL 243.33, 1%, 0.79%

LAB 65.64, 27.79, -53.09

 

Description

Color code: RGB 255 149 196 | qconv.com Color code: RGB 255 149 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 149 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 149 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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