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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 137 198 it is the complementary color RGB 0 118 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 137 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 137 198 shade: RGB 255 137 193, RGB 255 155 212, RGB 255 173 231, RGB 255 191 250 and RGB 255 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 137 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 238 119 179, RGB 221 101 160, RGB 204 83 141 and RGB 187 65 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 255 137 166 and RGB 255 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 255 137 229, RGB 248 137 255, RGB 216 137 255 and RGB 185 137 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 137 198 shade matches the following richer shades: RGB 255 137 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 245 147 198, RGB 236 156 197, RGB 226 166 197 and RGB 217 175 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 137 198 shade: RGB 247 137 255, RGB 255 137 231, RGB 255 137 200, RGB 255 137 168 and RGB 255 137 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 137 198 shade: RGB 255 55 158, RGB 255 96 178, RGB 255 137 198, RGB 255 178 218 and RGB 255 220 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 255 215 137 and RGB 137 247 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 200 255 137 and RGB 137 200 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 255 215 137, RGB 137 255 192 and RGB 137 176 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 137 198 shade: RGB 255 137 198, RGB 255 251 137, RGB 137 255 192 and RGB 137 141 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

Complementary color

CMYK 100 / 0 / 52 / 54

HEX #007639

RGB 0 118 57

HSL 148.98, 1%, 0.23%

LAB 43.14, -43.19, 25.66

 

CMYK 0 / 46 / 24 / 0

HEX #FF89C1

RGB 255 137 193

HSL 331.53, 1%, 0.77%

LAB 71.56, 51.07, -8.9

 

CMYK 0 / 39 / 17 / 0

HEX #FF9BD4

RGB 255 155 212

HSL 325.8, 1%, 0.8%

LAB 75.73, 44.76, -13.14

 

CMYK 0 / 32 / 9 / 0

HEX #FFADE7

RGB 255 173 231

HSL 317.56, 1%, 0.84%

LAB 80.13, 38.47, -16.85

 

CMYK 0 / 25 / 2 / 0

HEX #FFBFFA

RGB 255 191 250

HSL 304.69, 1%, 0.87%

LAB 84.7, 32.3, -20.14

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 50 / 25 / 7

HEX #EE77B3

RGB 238 119 179

HSL 329.75, 0.78%, 0.7%

LAB 65.46, 52.51, -10.38

 

CMYK 0 / 54 / 28 / 13

HEX #DD65A0

RGB 221 101 160

HSL 330.5, 0.64%, 0.63%

LAB 59.18, 53.2, -9.14

 

CMYK 0 / 59 / 31 / 20

HEX #CC538D

RGB 204 83 141

HSL 331.24, 0.54%, 0.56%

LAB 52.89, 53.77, -7.66

 

CMYK 0 / 65 / 35 / 27

HEX #BB417A

RGB 187 65 122

HSL 331.97, 0.48%, 0.49%

LAB 46.65, 54.12, -5.85

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 46 / 35 / 0

HEX #FF89A6

RGB 255 137 166

HSL 345.25, 1%, 0.77%

LAB 70.81, 47.66, 5.06

 

CMYK 0 / 46 / 46 / 0

HEX #FF8989

RGB 255 137 137

HSL 0, 1%, 0.77%

LAB 70.15, 44.58, 20.31

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 46 / 10 / 0

HEX #FF89E5

RGB 255 137 229

HSL 313.22, 1%, 0.77%

LAB 72.77, 56.38, -26.96

 

CMYK 3 / 46 / 0 / 0

HEX #F889FF

RGB 248 137 255

HSL 296.44, 1%, 0.77%

LAB 72.94, 58.76, -40.97

 

CMYK 15 / 46 / 0 / 0

HEX #D889FF

RGB 216 137 255

HSL 280.17, 1%, 0.77%

LAB 69.26, 49.94, -46.98

 

CMYK 27 / 46 / 0 / 0

HEX #B989FF

RGB 185 137 255

HSL 264.41, 1%, 0.77%

LAB 66.08, 41.61, -52.22

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 40 / 19 / 4

HEX #F593C6

RGB 245 147 198

HSL 328.78, 0.83%, 0.77%

LAB 72.47, 43.47, -10.45

 

CMYK 0 / 34 / 17 / 7

HEX #EC9CC5

RGB 236 156 197

HSL 329.25, 0.68%, 0.77%

LAB 73.31, 35.59, -8.75

 

CMYK 0 / 27 / 13 / 11

HEX #E2A6C5

RGB 226 166 197

HSL 329, 0.51%, 0.77%

LAB 74.49, 26.81, -7.11

 

CMYK 0 / 19 / 9 / 15

HEX #D9AFC5

RGB 217 175 197

HSL 328.57, 0.36%, 0.77%

LAB 75.73, 18.8, -5.38

 

CMYK 3 / 46 / 0 / 0

HEX #F789FF

RGB 247 137 255

HSL 295.93, 1%, 0.77%

LAB 72.82, 58.48, -41.16

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E7

RGB 255 137 231

HSL 312.2, 1%, 0.77%

LAB 72.84, 56.7, -27.95

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C8

RGB 255 137 200

HSL 327.97, 1%, 0.77%

LAB 71.77, 52.04, -12.46

 

CMYK 0 / 46 / 34 / 0

HEX #FF89A8

RGB 255 137 168

HSL 344.24, 1%, 0.77%

LAB 70.86, 47.89, 4.01

 

CMYK 0 / 46 / 46 / 0

HEX #FF8989

RGB 255 137 137

HSL 0, 1%, 0.77%

LAB 70.15, 44.58, 20.31

 

CMYK 0 / 78 / 38 / 0

HEX #FF379E

RGB 255 55 158

HSL 329.1, 1%, 0.61%

LAB 58.47, 79.31, -8.45

 

CMYK 0 / 62 / 30 / 0

HEX #FF60B2

RGB 255 96 178

HSL 329.06, 1%, 0.69%

LAB 64.03, 67.77, -11.69

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 30 / 15 / 0

HEX #FFB2DA

RGB 255 178 218

HSL 328.83, 1%, 0.85%

LAB 80.83, 33.77, -8.8

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCEE

RGB 255 220 238

HSL 329.14, 1%, 0.93%

LAB 91.06, 15.03, -4.3

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 16 / 46 / 0

HEX #FFD789

RGB 255 215 137

HSL 39.66, 1%, 0.77%

LAB 87.81, 4.2, 43.55

 

CMYK 46 / 3 / 0 / 0

HEX #89F7FF

RGB 137 247 255

HSL 184.07, 1%, 0.77%

LAB 91.26, -29.57, -13.67

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 22 / 0 / 46 / 0

HEX #C8FF89

RGB 200 255 137

HSL 87.97, 1%, 0.77%

LAB 94.14, -36.29, 50.57

 

CMYK 46 / 22 / 0 / 0

HEX #89C8FF

RGB 137 200 255

HSL 207.97, 1%, 0.77%

LAB 78.37, -5.8, -33.25

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 16 / 46 / 0

HEX #FFD789

RGB 255 215 137

HSL 39.66, 1%, 0.77%

LAB 87.81, 4.2, 43.55

 

CMYK 46 / 0 / 25 / 0

HEX #89FFC0

RGB 137 255 192

HSL 147.97, 1%, 0.77%

LAB 91.97, -47.26, 19.94

 

CMYK 46 / 31 / 0 / 0

HEX #89B0FF

RGB 137 176 255

HSL 220.17, 1%, 0.77%

LAB 71.95, 7.36, -43.22

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C6

RGB 255 137 198

HSL 328.98, 1%, 0.77%

LAB 71.71, 51.76, -11.45

 

CMYK 0 / 2 / 46 / 0

HEX #FFFB89

RGB 255 251 137

HSL 57.97, 1%, 0.77%

LAB 96.85, -13.82, 54.74

 

CMYK 46 / 0 / 25 / 0

HEX #89FFC0

RGB 137 255 192

HSL 147.97, 1%, 0.77%

LAB 91.97, -47.26, 19.94

 

CMYK 46 / 45 / 0 / 0

HEX #898DFF

RGB 137 141 255

HSL 237.97, 1%, 0.77%

LAB 63, 27.47, -57.36

 

Description

Color code: RGB 255 137 198 | qconv.com Color code: RGB 255 137 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 137 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 137 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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