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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 112 107 it is the complementary color RGB 0 143 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 112 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 112 107 shade: RGB 255 112 102, RGB 255 130 121, RGB 255 148 140, RGB 255 166 159 and RGB 255 184 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 112 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 238 94 88, RGB 221 76 69, RGB 204 58 50 and RGB 187 40 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 112 107 shade: RGB 255 112 107 and RGB 255 107 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 255 151 107, RGB 255 191 107, RGB 255 231 107 and RGB 238 255 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 112 107 shade matches the following richer shades: RGB 255 112 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 243 123 119, RGB 231 134 131, RGB 219 145 142 and RGB 207 156 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 112 107 shade: RGB 255 107 181, RGB 255 107 141, RGB 255 112 107, RGB 255 151 107 and RGB 255 190 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 112 107 shade: RGB 255 32 24, RGB 255 72 65, RGB 255 112 107, RGB 255 151 148 and RGB 255 191 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 220 255 107 and RGB 107 161 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 107 255 112 and RGB 112 107 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 220 255 107, RGB 107 250 255 and RGB 141 107 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 112 107 shade: RGB 255 112 107, RGB 176 255 107, RGB 107 250 255 and RGB 185 107 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

Complementary color

CMYK 100 / 3 / 0 / 42

HEX #008F94

RGB 0 143 148

HSL 182.03, 1%, 0.29%

LAB 53.8, -29.64, -11.83

 

CMYK 0 / 56 / 60 / 0

HEX #FF7066

RGB 255 112 102

HSL 3.92, 1%, 0.7%

LAB 64.81, 53.78, 32.72

 

CMYK 0 / 49 / 53 / 0

HEX #FF8279

RGB 255 130 121

HSL 4.03, 1%, 0.74%

LAB 68.46, 46.63, 26.93

 

CMYK 0 / 42 / 45 / 0

HEX #FF948C

RGB 255 148 140

HSL 4.17, 1%, 0.77%

LAB 72.45, 39.31, 21.8

 

CMYK 0 / 35 / 38 / 0

HEX #FFA69F

RGB 255 166 159

HSL 4.38, 1%, 0.81%

LAB 76.7, 32.03, 17.27

 

CMYK 0 / 28 / 30 / 0

HEX #FFB8B2

RGB 255 184 178

HSL 4.68, 1%, 0.85%

LAB 81.16, 24.91, 13.25

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 61 / 63 / 7

HEX #EE5E58

RGB 238 94 88

HSL 2.4, 0.82%, 0.64%

LAB 58.87, 55.15, 32.51

 

CMYK 0 / 66 / 69 / 13

HEX #DD4C45

RGB 221 76 69

HSL 2.76, 0.69%, 0.57%

LAB 52.92, 56.05, 35.36

 

CMYK 0 / 72 / 75 / 20

HEX #CC3A32

RGB 204 58 50

HSL 3.12, 0.61%, 0.5%

LAB 47.1, 56.67, 38.62

 

CMYK 0 / 79 / 83 / 27

HEX #BB281F

RGB 187 40 31

HSL 3.46, 0.72%, 0.43%

LAB 41.5, 56.79, 42.19

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 58 / 58 / 0

HEX #FF6B6B

RGB 255 107 107

HSL 0, 1%, 0.71%

LAB 64.03, 56.38, 28.92

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 41 / 58 / 0

HEX #FF976B

RGB 255 151 107

HSL 17.84, 1%, 0.71%

LAB 72.53, 34.96, 39.73

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 0 / 9 / 58 / 0

HEX #FFE76B

RGB 255 231 107

HSL 50.27, 1%, 0.71%

LAB 91.45, -6.36, 62.09

 

CMYK 7 / 0 / 58 / 0

HEX #EEFF6B

RGB 238 255 107

HSL 66.89, 1%, 0.71%

LAB 96.31, -24.8, 67.15

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 49 / 51 / 5

HEX #F37B77

RGB 243 123 119

HSL 1.94, 0.84%, 0.71%

LAB 65.4, 45.58, 23.65

 

CMYK 0 / 42 / 43 / 9

HEX #E78683

RGB 231 134 131

HSL 1.8, 0.68%, 0.71%

LAB 66.27, 36.73, 17.84

 

CMYK 0 / 34 / 35 / 14

HEX #DB918E

RGB 219 145 142

HSL 2.34, 0.52%, 0.71%

LAB 67.47, 27.63, 13.13

 

CMYK 0 / 25 / 26 / 19

HEX #CF9C9A

RGB 207 156 154

HSL 2.26, 0.36%, 0.71%

LAB 69.02, 18.71, 8.45

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB5

RGB 255 107 181

HSL 330, 1%, 0.71%

LAB 65.84, 63.51, -10.7

 

CMYK 0 / 58 / 45 / 0

HEX #FF6B8D

RGB 255 107 141

HSL 346.22, 1%, 0.71%

LAB 64.72, 59.17, 10.5

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 41 / 58 / 0

HEX #FF976B

RGB 255 151 107

HSL 17.84, 1%, 0.71%

LAB 72.53, 34.96, 39.73

 

CMYK 0 / 25 / 58 / 0

HEX #FFBE6B

RGB 255 190 107

HSL 33.65, 1%, 0.71%

LAB 81.37, 14.64, 50.45

 

CMYK 0 / 87 / 91 / 0

HEX #FF2018

RGB 255 32 24

HSL 2.08, 1%, 0.55%

LAB 54.41, 77.13, 61.18

 

CMYK 0 / 72 / 75 / 0

HEX #FF4841

RGB 255 72 65

HSL 2.21, 1%, 0.63%

LAB 58.3, 68.03, 45.3

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 0 / 41 / 42 / 0

HEX #FF9794

RGB 255 151 148

HSL 1.68, 1%, 0.79%

LAB 73.24, 38.59, 18.49

 

CMYK 0 / 25 / 26 / 0

HEX #FFBFBD

RGB 255 191 189

HSL 1.82, 1%, 0.87%

LAB 83.02, 22.7, 9.99

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 14 / 0 / 58 / 0

HEX #DCFF6B

RGB 220 255 107

HSL 74.19, 1%, 0.71%

LAB 95.08, -31.74, 65.43

 

CMYK 58 / 37 / 0 / 0

HEX #6BA1FF

RGB 107 161 255

HSL 218.11, 1%, 0.71%

LAB 66.39, 9.47, -52.08

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 58 / 0 / 56 / 0

HEX #6BFF70

RGB 107 255 112

HSL 122.03, 1%, 0.71%

LAB 89.77, -66.95, 55.79

 

CMYK 56 / 58 / 0 / 0

HEX #706BFF

RGB 112 107 255

HSL 242.03, 1%, 0.71%

LAB 53.15, 42.35, -73.3

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 14 / 0 / 58 / 0

HEX #DCFF6B

RGB 220 255 107

HSL 74.19, 1%, 0.71%

LAB 95.08, -31.74, 65.43

 

CMYK 58 / 2 / 0 / 0

HEX #6BFAFF

RGB 107 250 255

HSL 182.03, 1%, 0.71%

LAB 91.11, -36.84, -14.01

 

CMYK 45 / 58 / 0 / 0

HEX #8D6BFF

RGB 141 107 255

HSL 253.78, 1%, 0.71%

LAB 55.48, 47.85, -69.41

 

CMYK 0 / 56 / 58 / 0

HEX #FF706B

RGB 255 112 107

HSL 2.03, 1%, 0.71%

LAB 64.89, 54.12, 30.03

 

CMYK 31 / 0 / 58 / 0

HEX #B0FF6B

RGB 176 255 107

HSL 92.03, 1%, 0.71%

LAB 92.49, -47.68, 61.82

 

CMYK 58 / 2 / 0 / 0

HEX #6BFAFF

RGB 107 250 255

HSL 182.03, 1%, 0.71%

LAB 91.11, -36.84, -14.01

 

CMYK 27 / 58 / 0 / 0

HEX #B96BFF

RGB 185 107 255

HSL 271.62, 1%, 0.71%

LAB 59.93, 57.47, -62.01

 

Description

Color code: RGB 255 112 107 | qconv.com Color code: RGB 255 112 107 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 112 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 112 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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