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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 92 247 it is the complementary color RGB 1 163 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 92 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 92 247 shade: RGB 255 92 242, RGB 255 110 255, RGB 255 128 255, RGB 255 146 255 and RGB 255 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 92 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 237 74 228, RGB 220 56 209, RGB 203 38 190 and RGB 186 20 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 254 92 203, RGB 254 92 160, RGB 254 92 116 and RGB 254 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 217 92 254, RGB 174 92 254, RGB 130 92 254 and RGB 92 92 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 92 247 shade matches the following richer shades: RGB 254 92 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 240 105 235, RGB 227 119 223, RGB 214 132 211 and RGB 201 145 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 92 247 shade: RGB 173 92 254, RGB 216 92 254, RGB 254 92 248, RGB 254 92 205 and RGB 254 92 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 92 247 shade: RGB 253 10 243, RGB 253 51 245, RGB 254 92 247, RGB 254 133 249 and RGB 254 174 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 254 130 92 and RGB 92 254 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 248 254 92 and RGB 92 248 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 254 130 92, RGB 92 254 98 and RGB 92 216 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 92 247 shade: RGB 254 92 247, RGB 254 178 92, RGB 92 254 98 and RGB 92 168 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

Complementary color

CMYK 99 / 0 / 95 / 36

HEX #01A308

RGB 1 163 8

HSL 122.59, 0.99%, 0.32%

LAB 58.24, -61.39, 58.36

 

CMYK 0 / 64 / 5 / 0

HEX #FF5CF2

RGB 255 92 242

HSL 304.79, 1%, 0.68%

LAB 66, 78.06, -44.63

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 69 / 4 / 7

HEX #ED4AE4

RGB 237 74 228

HSL 303.31, 0.82%, 0.61%

LAB 60.34, 78.24, -45.94

 

CMYK 0 / 75 / 5 / 14

HEX #DC38D1

RGB 220 56 209

HSL 304.02, 0.7%, 0.54%

LAB 54.71, 77.38, -44.27

 

CMYK 0 / 81 / 6 / 20

HEX #CB26BE

RGB 203 38 190

HSL 304.73, 0.68%, 0.47%

LAB 49.25, 75.8, -42.13

 

CMYK 0 / 89 / 8 / 27

HEX #BA14AB

RGB 186 20 171

HSL 305.42, 0.81%, 0.4%

LAB 44.06, 73.22, -39.38

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 64 / 20 / 0

HEX #FE5CCB

RGB 254 92 203

HSL 318.89, 0.99%, 0.68%

LAB 64.19, 72.21, -25.67

 

CMYK 0 / 64 / 37 / 0

HEX #FE5CA0

RGB 254 92 160

HSL 334.81, 0.99%, 0.68%

LAB 62.73, 67.07, -3.32

 

CMYK 0 / 64 / 54 / 0

HEX #FE5C74

RGB 254 92 116

HSL 351.11, 0.99%, 0.68%

LAB 61.64, 63.1, 20.58

 

CMYK 0 / 64 / 64 / 0

HEX #FE5C5C

RGB 254 92 92

HSL 0, 0.99%, 0.68%

LAB 61.22, 61.51, 33.75

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 15 / 64 / 0 / 0

HEX #D95CFE

RGB 217 92 254

HSL 286.3, 0.99%, 0.68%

LAB 61.27, 71.44, -59.09

 

CMYK 31 / 64 / 0 / 0

HEX #AE5CFE

RGB 174 92 254

HSL 270.37, 0.99%, 0.68%

LAB 55.9, 62.2, -68.02

 

CMYK 49 / 64 / 0 / 0

HEX #825CFE

RGB 130 92 254

HSL 254.07, 0.99%, 0.68%

LAB 51.33, 53.67, -75.63

 

CMYK 64 / 64 / 0 / 0

HEX #5C5CFE

RGB 92 92 254

HSL 240, 0.99%, 0.68%

LAB 48.37, 47.67, -80.59

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 56 / 2 / 6

HEX #F069EB

RGB 240 105 235

HSL 302.22, 0.82%, 0.68%

LAB 65.46, 68.01, -41.76

 

CMYK 0 / 48 / 2 / 11

HEX #E377DF

RGB 227 119 223

HSL 302.22, 0.66%, 0.68%

LAB 65.63, 56.01, -34.95

 

CMYK 0 / 38 / 1 / 16

HEX #D684D3

RGB 214 132 211

HSL 302.2, 0.5%, 0.68%

LAB 66.14, 43.41, -27.61

 

CMYK 0 / 28 / 1 / 21

HEX #C991C6

RGB 201 145 198

HSL 303.21, 0.34%, 0.68%

LAB 67.09, 29.85, -19.04

 

CMYK 32 / 64 / 0 / 0

HEX #AD5CFE

RGB 173 92 254

HSL 270, 0.99%, 0.68%

LAB 55.78, 61.99, -68.21

 

CMYK 15 / 64 / 0 / 0

HEX #D85CFE

RGB 216 92 254

HSL 285.93, 0.99%, 0.68%

LAB 61.14, 71.22, -59.31

 

CMYK 0 / 64 / 2 / 0

HEX #FE5CF8

RGB 254 92 248

HSL 302.22, 0.99%, 0.68%

LAB 66.14, 78.76, -47.74

 

CMYK 0 / 64 / 19 / 0

HEX #FE5CCD

RGB 254 92 205

HSL 318.15, 0.99%, 0.68%

LAB 64.27, 72.48, -26.68

 

CMYK 0 / 64 / 36 / 0

HEX #FE5CA2

RGB 254 92 162

HSL 334.07, 0.99%, 0.68%

LAB 62.79, 67.28, -4.39

 

CMYK 0 / 96 / 4 / 1

HEX #FD0AF3

RGB 253 10 243

HSL 302.47, 0.98%, 0.52%

LAB 59.5, 95.71, -55.5

 

CMYK 0 / 80 / 3 / 1

HEX #FD33F5

RGB 253 51 245

HSL 302.38, 0.98%, 0.6%

LAB 61.52, 90.39, -53.4

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 48 / 2 / 0

HEX #FE85F9

RGB 254 133 249

HSL 302.48, 0.98%, 0.76%

LAB 72.68, 61.31, -38.04

 

CMYK 0 / 31 / 1 / 0

HEX #FEAEFB

RGB 254 174 251

HSL 302.25, 0.98%, 0.84%

LAB 80.91, 41.06, -26.44

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 49 / 64 / 0

HEX #FE825C

RGB 254 130 92

HSL 14.07, 0.99%, 0.68%

LAB 67.88, 44.19, 41.91

 

CMYK 64 / 0 / 24 / 0

HEX #5CFEC2

RGB 92 254 194

HSL 157.78, 0.99%, 0.68%

LAB 90.35, -55.86, 16.44

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 2 / 0 / 64 / 0

HEX #F8FE5C

RGB 248 254 92

HSL 62.22, 0.99%, 0.68%

LAB 96.66, -21.36, 73.77

 

CMYK 64 / 2 / 0 / 0

HEX #5CF8FE

RGB 92 248 254

HSL 182.22, 0.99%, 0.68%

LAB 90.12, -38.58, -15

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 49 / 64 / 0

HEX #FE825C

RGB 254 130 92

HSL 14.07, 0.99%, 0.68%

LAB 67.88, 44.19, 41.91

 

CMYK 64 / 0 / 61 / 0

HEX #5CFE62

RGB 92 254 98

HSL 122.22, 0.99%, 0.68%

LAB 88.94, -71.32, 60.75

 

CMYK 64 / 15 / 0 / 0

HEX #5CD8FE

RGB 92 216 254

HSL 194.07, 0.99%, 0.68%

LAB 81.04, -23.28, -28.76

 

CMYK 0 / 64 / 3 / 0

HEX #FE5CF7

RGB 254 92 247

HSL 302.59, 0.99%, 0.68%

LAB 66.09, 78.6, -47.26

 

CMYK 0 / 30 / 64 / 0

HEX #FEB25C

RGB 254 178 92

HSL 31.85, 0.99%, 0.68%

LAB 78.28, 19.49, 54.03

 

CMYK 64 / 0 / 61 / 0

HEX #5CFE62

RGB 92 254 98

HSL 122.22, 0.99%, 0.68%

LAB 88.94, -71.32, 60.75

 

CMYK 64 / 34 / 0 / 0

HEX #5CA8FE

RGB 92 168 254

HSL 211.85, 0.99%, 0.68%

LAB 67.6, 2.43, -49.66

 

Description

Color code: RGB 254 92 247 | qconv.com Color code: RGB 254 92 247 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 92 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 92 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 3 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 3% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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