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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 77 219 it is the complementary color RGB 1 178 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 77 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 77 219 shade: RGB 255 77 214, RGB 255 95 233, RGB 255 113 252, RGB 255 131 255 and RGB 255 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 77 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 237 59 200, RGB 220 41 181, RGB 203 23 162 and RGB 186 5 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 254 77 171, RGB 254 77 123 and RGB 254 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 241 77 254, RGB 193 77 254, RGB 146 77 254 and RGB 98 77 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 77 219 shade matches the following richer shades: RGB 254 77 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 239 91 210, RGB 225 106 201, RGB 210 120 192 and RGB 196 135 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 77 219 shade: RGB 192 77 254, RGB 239 77 254, RGB 254 77 221, RGB 254 77 174 and RGB 254 77 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 77 219 shade: RGB 247 1 199, RGB 253 36 210, RGB 254 77 219, RGB 254 118 227 and RGB 254 159 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 254 145 77 and RGB 77 254 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 221 254 77 and RGB 77 221 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 254 145 77, RGB 77 254 109 and RGB 77 186 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 77 219 shade: RGB 254 77 219, RGB 254 198 77, RGB 77 254 109 and RGB 77 133 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

Complementary color

CMYK 99 / 0 / 80 / 30

HEX #01B224

RGB 1 178 36

HSL 131.86, 0.99%, 0.35%

LAB 63.32, -64.39, 56.7

 

CMYK 0 / 70 / 16 / 0

HEX #FF4DD6

RGB 255 77 214

HSL 313.82, 1%, 0.65%

LAB 62.86, 79.32, -33.91

 

CMYK 0 / 63 / 9 / 0

HEX #FF5FE9

RGB 255 95 233

HSL 308.25, 1%, 0.69%

LAB 66, 75.55, -39.64

 

CMYK 0 / 56 / 1 / 0

HEX #FF71FC

RGB 255 113 252

HSL 301.27, 1%, 0.72%

LAB 69.54, 71.17, -44.58

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 75 / 16 / 7

HEX #ED3BC8

RGB 237 59 200

HSL 312.47, 0.83%, 0.58%

LAB 57.37, 78.9, -34.74

 

CMYK 0 / 81 / 18 / 14

HEX #DC29B5

RGB 220 41 181

HSL 313.07, 0.72%, 0.51%

LAB 51.99, 77.35, -32.37

 

CMYK 0 / 89 / 20 / 20

HEX #CB17A2

RGB 203 23 162

HSL 313.67, 0.8%, 0.44%

LAB 46.87, 74.88, -29.39

 

CMYK 0 / 97 / 23 / 27

HEX #BA058F

RGB 186 5 143

HSL 314.25, 0.95%, 0.37%

LAB 42.05, 71.27, -25.68

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 70 / 33 / 0

HEX #FE4DAB

RGB 254 77 171

HSL 328.14, 0.99%, 0.65%

LAB 61.06, 73.81, -12.15

 

CMYK 0 / 70 / 52 / 0

HEX #FE4D7B

RGB 254 77 123

HSL 344.41, 0.99%, 0.65%

LAB 59.72, 69.31, 13.86

 

CMYK 0 / 70 / 70 / 0

HEX #FE4D4D

RGB 254 77 77

HSL 0, 0.99%, 0.65%

LAB 58.9, 66.49, 39.34

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 5 / 70 / 0 / 0

HEX #F14DFE

RGB 241 77 254

HSL 295.59, 0.99%, 0.65%

LAB 62.65, 82.21, -56.7

 

CMYK 24 / 70 / 0 / 0

HEX #C14DFE

RGB 193 77 254

HSL 279.32, 0.99%, 0.65%

LAB 55.89, 72.59, -67.91

 

CMYK 43 / 70 / 0 / 0

HEX #924DFE

RGB 146 77 254

HSL 263.39, 0.99%, 0.65%

LAB 50.19, 63.99, -77.43

 

CMYK 61 / 70 / 0 / 0

HEX #624DFE

RGB 98 77 254

HSL 247.12, 0.99%, 0.65%

LAB 45.72, 56.8, -84.92

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 62 / 12 / 6

HEX #EF5BD2

RGB 239 91 210

HSL 311.76, 0.82%, 0.65%

LAB 62.07, 69.71, -33.08

 

CMYK 0 / 53 / 11 / 12

HEX #E16AC9

RGB 225 106 201

HSL 312.1, 0.66%, 0.65%

LAB 62.11, 57.99, -28.09

 

CMYK 0 / 43 / 9 / 18

HEX #D278C0

RGB 210 120 192

HSL 312, 0.5%, 0.65%

LAB 62.46, 45.09, -22.63

 

CMYK 0 / 31 / 6 / 23

HEX #C487B8

RGB 196 135 184

HSL 311.8, 0.34%, 0.65%

LAB 63.77, 31.09, -16.26

 

CMYK 24 / 70 / 0 / 0

HEX #C04DFE

RGB 192 77 254

HSL 278.98, 0.99%, 0.65%

LAB 55.76, 72.39, -68.13

 

CMYK 6 / 70 / 0 / 0

HEX #EF4DFE

RGB 239 77 254

HSL 294.92, 0.99%, 0.65%

LAB 62.35, 81.8, -57.19

 

CMYK 0 / 70 / 13 / 0

HEX #FE4DDD

RGB 254 77 221

HSL 311.19, 0.99%, 0.65%

LAB 63.01, 80.04, -37.63

 

CMYK 0 / 70 / 31 / 0

HEX #FE4DAE

RGB 254 77 174

HSL 327.12, 0.99%, 0.65%

LAB 61.16, 74.14, -13.73

 

CMYK 0 / 70 / 50 / 0

HEX #FE4D7F

RGB 254 77 127

HSL 343.05, 0.99%, 0.65%

LAB 59.81, 69.63, 11.64

 

CMYK 0 / 100 / 19 / 3

HEX #F701C7

RGB 247 1 199

HSL 311.71, 0.99%, 0.49%

LAB 56.01, 89.66, -36.17

 

CMYK 0 / 86 / 17 / 1

HEX #FD24D2

RGB 253 36 210

HSL 311.89, 0.98%, 0.57%

LAB 58.79, 88.6, -38.04

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 54 / 11 / 0

HEX #FE76E3

RGB 254 118 227

HSL 311.91, 0.99%, 0.73%

LAB 69.16, 64.71, -31.42

 

CMYK 0 / 37 / 7 / 0

HEX #FE9FEB

RGB 254 159 235

HSL 312, 0.98%, 0.81%

LAB 77.2, 46.05, -23.47

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 43 / 70 / 0

HEX #FE914D

RGB 254 145 77

HSL 23.05, 0.99%, 0.65%

LAB 70.77, 35.8, 52.82

 

CMYK 70 / 0 / 15 / 0

HEX #4DFED7

RGB 77 254 215

HSL 166.78, 0.99%, 0.65%

LAB 90.49, -53.33, 5.77

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 13 / 0 / 70 / 0

HEX #DDFE4D

RGB 221 254 77

HSL 71.19, 0.99%, 0.65%

LAB 94.65, -32.84, 76.59

 

CMYK 70 / 13 / 0 / 0

HEX #4DDDFE

RGB 77 221 254

HSL 191.19, 0.99%, 0.65%

LAB 82.08, -27.92, -27.21

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 43 / 70 / 0

HEX #FE914D

RGB 254 145 77

HSL 23.05, 0.99%, 0.65%

LAB 70.77, 35.8, 52.82

 

CMYK 70 / 0 / 57 / 0

HEX #4DFE6D

RGB 77 254 109

HSL 130.85, 0.99%, 0.65%

LAB 88.72, -72.77, 55.69

 

CMYK 70 / 27 / 0 / 0

HEX #4DBAFE

RGB 77 186 254

HSL 203.05, 0.99%, 0.65%

LAB 72.13, -9.89, -42.59

 

CMYK 0 / 70 / 14 / 0

HEX #FE4DDB

RGB 254 77 219

HSL 311.86, 0.99%, 0.65%

LAB 62.92, 79.77, -36.65

 

CMYK 0 / 22 / 70 / 0

HEX #FEC64D

RGB 254 198 77

HSL 41.02, 0.99%, 0.65%

LAB 82.91, 8.24, 65.66

 

CMYK 70 / 0 / 57 / 0

HEX #4DFE6D

RGB 77 254 109

HSL 130.85, 0.99%, 0.65%

LAB 88.72, -72.77, 55.69

 

CMYK 70 / 48 / 0 / 0

HEX #4D85FE

RGB 77 133 254

HSL 221.02, 0.99%, 0.65%

LAB 57.57, 20.81, -65.7

 

Description

Color code: RGB 254 77 219 | qconv.com Color code: RGB 254 77 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 77 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 77 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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