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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 63 57 it is the complementary color RGB 1 192 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 63 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 63 57 shade: RGB 255 63 52, RGB 255 81 71, RGB 255 99 90, RGB 255 117 109 and RGB 255 135 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 63 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 237 45 38, RGB 220 27 19, RGB 203 9 0 and RGB 186 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 63 57 shade: RGB 254 63 57 and RGB 254 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 254 116 57, RGB 254 169 57, RGB 254 222 57 and RGB 232 254 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 63 57 shade matches the following richer shades: RGB 254 63 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 237 78 73, RGB 221 93 89, RGB 205 108 105 and RGB 189 123 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 63 57 shade: RGB 254 57 158, RGB 254 57 106, RGB 254 60 57, RGB 254 112 57 and RGB 254 165 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 63 57 shade: RGB 227 8 1, RGB 253 23 16, RGB 254 63 57, RGB 254 102 98 and RGB 254 142 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 211 254 57 and RGB 57 132 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 57 254 60 and RGB 60 57 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 211 254 57, RGB 57 250 254 and RGB 99 57 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 63 57 shade: RGB 254 63 57, RGB 152 254 57, RGB 57 250 254 and RGB 158 57 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

Complementary color

CMYK 99 / 3 / 0 / 22

HEX #01C0C6

RGB 1 192 198

HSL 181.83, 0.99%, 0.39%

LAB 70.72, -36.98, -14.41

 

CMYK 0 / 75 / 80 / 0

HEX #FF3F34

RGB 255 63 52

HSL 3.25, 1%, 0.6%

LAB 57.14, 70.48, 50.9

 

CMYK 0 / 68 / 72 / 0

HEX #FF5147

RGB 255 81 71

HSL 3.26, 1%, 0.64%

LAB 59.53, 65.08, 43.42

 

CMYK 0 / 61 / 65 / 0

HEX #FF635A

RGB 255 99 90

HSL 3.27, 1%, 0.68%

LAB 62.44, 58.81, 36.42

 

CMYK 0 / 54 / 57 / 0

HEX #FF756D

RGB 255 117 109

HSL 3.29, 1%, 0.71%

LAB 65.82, 51.94, 30.12

 

CMYK 0 / 47 / 50 / 0

HEX #FF8780

RGB 255 135 128

HSL 3.31, 1%, 0.75%

LAB 69.57, 44.75, 24.53

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 81 / 84 / 7

HEX #ED2D26

RGB 237 45 38

HSL 2.11, 0.85%, 0.54%

LAB 51.86, 69.97, 51.7

 

CMYK 0 / 88 / 91 / 14

HEX #DC1B13

RGB 220 27 19

HSL 2.39, 0.84%, 0.47%

LAB 47.04, 68.82, 54.78

 

CMYK 0 / 96 / 100 / 20

HEX #CB0900

RGB 203 9 0

HSL 2.66, 1%, 0.4%

LAB 42.6, 66.6, 56.71

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 78 / 78 / 0

HEX #FE3939

RGB 254 57 57

HSL 0, 0.99%, 0.61%

LAB 56.38, 72.08, 47.48

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 54 / 78 / 0

HEX #FE7439

RGB 254 116 57

HSL 17.97, 0.99%, 0.61%

LAB 64.85, 49.29, 56.04

 

CMYK 0 / 33 / 78 / 0

HEX #FEA939

RGB 254 169 57

HSL 34.11, 0.99%, 0.61%

LAB 75.91, 22.5, 66.66

 

CMYK 0 / 13 / 78 / 0

HEX #FEDE39

RGB 254 222 57

HSL 50.25, 0.99%, 0.61%

LAB 88.74, -4.85, 78.43

 

CMYK 9 / 0 / 78 / 0

HEX #E8FE39

RGB 232 254 57

HSL 66.7, 0.99%, 0.61%

LAB 95.3, -29.38, 83.66

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 67 / 69 / 7

HEX #ED4E49

RGB 237 78 73

HSL 1.83, 0.82%, 0.61%

LAB 56.02, 60.64, 37.46

 

CMYK 0 / 58 / 60 / 13

HEX #DD5D59

RGB 221 93 89

HSL 1.82, 0.66%, 0.61%

LAB 56.01, 49.82, 27.75

 

CMYK 0 / 47 / 49 / 20

HEX #CD6C69

RGB 205 108 105

HSL 1.8, 0.5%, 0.61%

LAB 56.81, 37.92, 19.13

 

CMYK 0 / 35 / 36 / 26

HEX #BD7B79

RGB 189 123 121

HSL 1.76, 0.34%, 0.61%

LAB 58.38, 25.48, 11.75

 

CMYK 0 / 78 / 38 / 0

HEX #FE399E

RGB 254 57 158

HSL 329.24, 0.99%, 0.61%

LAB 58.48, 78.55, -8.46

 

CMYK 0 / 78 / 58 / 0

HEX #FE396A

RGB 254 57 106

HSL 345.08, 0.99%, 0.61%

LAB 57.11, 74.38, 20.3

 

CMYK 0 / 76 / 78 / 0

HEX #FE3C39

RGB 254 60 57

HSL 0.91, 0.99%, 0.61%

LAB 56.68, 71.23, 47.79

 

CMYK 0 / 56 / 78 / 0

HEX #FE7039

RGB 254 112 57

HSL 16.75, 0.99%, 0.61%

LAB 64.12, 51.16, 55.32

 

CMYK 0 / 35 / 78 / 0

HEX #FEA539

RGB 254 165 57

HSL 32.89, 0.99%, 0.61%

LAB 75, 24.59, 65.8

 

CMYK 0 / 96 / 100 / 11

HEX #E30801

RGB 227 8 1

HSL 1.86, 0.99%, 0.45%

LAB 47.63, 72.73, 61.34

 

CMYK 0 / 91 / 94 / 1

HEX #FD1710

RGB 253 23 16

HSL 1.77, 0.98%, 0.53%

LAB 53.53, 77.82, 63.1

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 0 / 60 / 61 / 0

HEX #FE6662

RGB 254 102 98

HSL 1.54, 0.99%, 0.69%

LAB 62.89, 57.65, 32.48

 

CMYK 0 / 44 / 45 / 0

HEX #FE8E8B

RGB 254 142 139

HSL 1.57, 0.98%, 0.77%

LAB 71.06, 41.9, 20.44

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 17 / 0 / 78 / 0

HEX #D3FE39

RGB 211 254 57

HSL 73.1, 0.99%, 0.61%

LAB 93.9, -37.63, 81.86

 

CMYK 78 / 48 / 0 / 0

HEX #3984FE

RGB 57 132 254

HSL 217.16, 0.99%, 0.61%

LAB 56.61, 19.02, -67.27

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 78 / 0 / 76 / 0

HEX #39FE3C

RGB 57 254 60

HSL 120.91, 0.99%, 0.61%

LAB 88.01, -80.14, 73.37

 

CMYK 76 / 78 / 0 / 0

HEX #3C39FE

RGB 60 57 254

HSL 240.91, 0.99%, 0.61%

LAB 39.65, 63.42, -95.01

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 17 / 0 / 78 / 0

HEX #D3FE39

RGB 211 254 57

HSL 73.1, 0.99%, 0.61%

LAB 93.9, -37.63, 81.86

 

CMYK 78 / 2 / 0 / 0

HEX #39FAFE

RGB 57 250 254

HSL 181.22, 0.99%, 0.61%

LAB 90.04, -43.58, -15.19

 

CMYK 61 / 78 / 0 / 0

HEX #6339FE

RGB 99 57 254

HSL 252.79, 0.99%, 0.61%

LAB 42.36, 66.65, -90.44

 

CMYK 0 / 75 / 78 / 0

HEX #FE3F39

RGB 254 63 57

HSL 1.83, 0.99%, 0.61%

LAB 57, 70.34, 48.12

 

CMYK 40 / 0 / 78 / 0

HEX #98FE39

RGB 152 254 57

HSL 91.07, 0.99%, 0.61%

LAB 90.71, -58.7, 77.77

 

CMYK 78 / 2 / 0 / 0

HEX #39FAFE

RGB 57 250 254

HSL 181.22, 0.99%, 0.61%

LAB 90.04, -43.58, -15.19

 

CMYK 38 / 78 / 0 / 0

HEX #9E39FE

RGB 158 57 254

HSL 270.76, 0.99%, 0.61%

LAB 48.7, 74.15, -79.8

 

Description

Color code: RGB 254 63 57 | qconv.com Color code: RGB 254 63 57 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 63 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 63 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 78% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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