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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 62 145 it is the complementary color RGB 1 193 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 62 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 62 145 shade: RGB 255 62 140, RGB 255 80 159, RGB 255 98 178, RGB 255 116 197 and RGB 255 134 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 62 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 237 44 126, RGB 220 26 107, RGB 203 8 88 and RGB 186 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 254 62 93 and RGB 254 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 254 62 196, RGB 254 62 248, RGB 207 62 254 and RGB 155 62 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 62 145 shade matches the following richer shades: RGB 254 62 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 238 77 147, RGB 222 93 149, RGB 206 109 151 and RGB 191 124 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 62 145 shade: RGB 254 62 247, RGB 254 62 196, RGB 254 62 145, RGB 254 62 94 and RGB 254 81 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 62 145 shade: RGB 232 1 101, RGB 253 21 121, RGB 254 62 145, RGB 254 103 168 and RGB 254 144 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 254 209 62 and RGB 62 222 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 145 254 62 and RGB 62 145 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 254 209 62, RGB 62 254 170 and RGB 62 106 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 62 145 shade: RGB 254 62 145, RGB 241 254 62, RGB 62 254 170 and RGB 74 62 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

Complementary color

CMYK 99 / 0 / 43 / 24

HEX #01C16E

RGB 1 193 110

HSL 154.06, 0.99%, 0.38%

LAB 68.95, -59.64, 30.58

 

CMYK 0 / 76 / 45 / 0

HEX #FF3E8C

RGB 255 62 140

HSL 335.75, 1%, 0.62%

LAB 58.6, 75.77, 2.31

 

CMYK 0 / 69 / 38 / 0

HEX #FF509F

RGB 255 80 159

HSL 332.91, 1%, 0.66%

LAB 61.22, 71.76, -4.95

 

CMYK 0 / 62 / 30 / 0

HEX #FF62B2

RGB 255 98 178

HSL 329.43, 1%, 0.69%

LAB 64.33, 66.95, -11.25

 

CMYK 0 / 55 / 23 / 0

HEX #FF74C5

RGB 255 116 197

HSL 325.04, 1%, 0.73%

LAB 67.86, 61.57, -16.68

 

CMYK 0 / 47 / 15 / 0

HEX #FF86D8

RGB 255 134 216

HSL 319.34, 1%, 0.76%

LAB 71.74, 55.83, -21.38

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 81 / 47 / 7

HEX #ED2C7E

RGB 237 44 126

HSL 334.51, 0.84%, 0.55%

LAB 53.29, 74.75, 2.52

 

CMYK 0 / 88 / 51 / 14

HEX #DC1A6B

RGB 220 26 107

HSL 334.95, 0.79%, 0.48%

LAB 48.28, 72.71, 6.45

 

CMYK 0 / 96 / 57 / 20

HEX #CB0858

RGB 203 8 88

HSL 335.38, 0.92%, 0.41%

LAB 43.62, 69.58, 11.2

 

CMYK 0 / 100 / 63 / 27

HEX #BA0045

RGB 186 0 69

HSL 337.74, 1%, 0.36%

LAB 39.36, 65.2, 16.86

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5D

RGB 254 62 93

HSL 350.31, 0.99%, 0.62%

LAB 57.37, 72.2, 28.3

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 76 / 23 / 0

HEX #FE3EC4

RGB 254 62 196

HSL 318.13, 0.99%, 0.62%

LAB 60.34, 81.35, -27.62

 

CMYK 0 / 76 / 2 / 0

HEX #FE3EF8

RGB 254 62 248

HSL 301.88, 0.99%, 0.62%

LAB 62.75, 88.36, -53.09

 

CMYK 19 / 76 / 0 / 0

HEX #CF3EFE

RGB 207 62 254

HSL 285.31, 0.99%, 0.62%

LAB 55.95, 80.54, -67.71

 

CMYK 39 / 76 / 0 / 0

HEX #9B3EFE

RGB 155 62 254

HSL 269.06, 0.99%, 0.62%

LAB 48.97, 71.84, -79.37

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 68 / 38 / 7

HEX #EE4D93

RGB 238 77 147

HSL 333.91, 0.83%, 0.62%

LAB 57.65, 66.93, -3.55

 

CMYK 0 / 58 / 33 / 13

HEX #DE5D95

RGB 222 93 149

HSL 333.95, 0.66%, 0.62%

LAB 57.59, 55.83, -5.1

 

CMYK 0 / 47 / 27 / 19

HEX #CE6D97

RGB 206 109 151

HSL 334.02, 0.5%, 0.62%

LAB 58.31, 43.14, -5.44

 

CMYK 0 / 35 / 20 / 25

HEX #BF7C99

RGB 191 124 153

HSL 334.03, 0.34%, 0.62%

LAB 59.7, 30.18, -4.75

 

CMYK 0 / 76 / 3 / 0

HEX #FE3EF7

RGB 254 62 247

HSL 302.19, 0.99%, 0.62%

LAB 62.7, 88.21, -52.62

 

CMYK 0 / 76 / 23 / 0

HEX #FE3EC4

RGB 254 62 196

HSL 318.13, 0.99%, 0.62%

LAB 60.34, 81.35, -27.62

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 0 / 68 / 76 / 0

HEX #FE513E

RGB 254 81 62

HSL 5.94, 0.99%, 0.62%

LAB 59.25, 64.41, 47.87

 

CMYK 0 / 100 / 56 / 9

HEX #E80165

RGB 232 1 101

HSL 334.03, 0.99%, 0.46%

LAB 49.64, 77.63, 12.39

 

CMYK 0 / 92 / 52 / 1

HEX #FD1579

RGB 253 21 121

HSL 334.14, 0.98%, 0.54%

LAB 54.87, 82, 8.19

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 59 / 34 / 0

HEX #FE67A8

RGB 254 103 168

HSL 334.17, 0.99%, 0.7%

LAB 64.64, 63.4, -5.09

 

CMYK 0 / 43 / 25 / 0

HEX #FE90BF

RGB 254 144 191

HSL 334.36, 0.98%, 0.78%

LAB 72.75, 46.99, -6.04

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 18 / 76 / 0

HEX #FED13E

RGB 254 209 62

HSL 45.94, 0.99%, 0.62%

LAB 85.51, 1.92, 73.86

 

CMYK 76 / 13 / 0 / 0

HEX #3EDEFE

RGB 62 222 254

HSL 190, 0.99%, 0.62%

LAB 82.07, -30.15, -27.25

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 43 / 0 / 76 / 0

HEX #91FE3E

RGB 145 254 62

HSL 94.06, 0.99%, 0.62%

LAB 90.44, -60.64, 75.95

 

CMYK 76 / 43 / 0 / 0

HEX #3E91FE

RGB 62 145 254

HSL 214.06, 0.99%, 0.62%

LAB 60.28, 11.66, -61.38

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 0 / 18 / 76 / 0

HEX #FED13E

RGB 254 209 62

HSL 45.94, 0.99%, 0.62%

LAB 85.51, 1.92, 73.86

 

CMYK 76 / 0 / 33 / 0

HEX #3EFEAA

RGB 62 254 170

HSL 153.75, 0.99%, 0.62%

LAB 89.3, -65.11, 27.14

 

CMYK 76 / 58 / 0 / 0

HEX #3E6AFE

RGB 62 106 254

HSL 226.25, 0.99%, 0.62%

LAB 50.08, 35.65, -77.85

 

CMYK 0 / 76 / 43 / 0

HEX #FE3E91

RGB 254 62 145

HSL 334.06, 0.99%, 0.62%

LAB 58.57, 75.96, -0.71

 

CMYK 5 / 0 / 76 / 0

HEX #F1FE3E

RGB 241 254 62

HSL 64.06, 0.99%, 0.62%

LAB 95.97, -25.59, 83.1

 

CMYK 76 / 0 / 33 / 0

HEX #3EFEAA

RGB 62 254 170

HSL 153.75, 0.99%, 0.62%

LAB 89.3, -65.11, 27.14

 

CMYK 71 / 76 / 0 / 0

HEX #4A3EFE

RGB 74 62 254

HSL 243.75, 0.99%, 0.62%

LAB 41.31, 62, -92.25

 

Description

Color code: RGB 254 62 145 | qconv.com Color code: RGB 254 62 145 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 62 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 62 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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