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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 31 254 it is the complementary color RGB 1 224 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 31 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 31 254 shade: RGB 255 31 249, RGB 255 49 255, RGB 255 67 255, RGB 255 85 255 and RGB 255 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 31 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 31 254 shade: RGB 254 31 254, RGB 237 13 235, RGB 220 0 216, RGB 203 0 197 and RGB 186 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 31 254 shade: RGB 253 31 253, RGB 253 31 193, RGB 253 31 134, RGB 253 31 74 and RGB 253 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 31 254 shade: RGB 253 31 253, RGB 193 31 253, RGB 134 31 253, RGB 74 31 253 and RGB 31 31 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 31 254 shade matches the following richer shades: RGB 253 31 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 31 254 shade: RGB 253 31 253, RGB 235 49 235, RGB 217 68 217, RGB 199 86 199 and RGB 181 104 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 31 254 shade: RGB 135 31 253, RGB 194 31 253, RGB 253 31 253, RGB 253 31 194 and RGB 253 31 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 31 254 shade: RGB 202 1 202, RGB 243 1 243, RGB 253 31 253, RGB 254 72 254 and RGB 254 113 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 31 254 shade: RGB 254 31 254, RGB 253 76 31 and RGB 31 253 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 31 254 shade: RGB 254 31 254, RGB 253 253 31 and RGB 31 253 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 31 254 shade: RGB 254 31 254, RGB 253 76 31, RGB 31 253 31 and RGB 31 209 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 31 254 shade: RGB 254 31 254, RGB 253 142 31, RGB 31 253 31 and RGB 31 142 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

Complementary color

CMYK 100 / 0 / 100 / 12

HEX #01E001

RGB 1 224 1

HSL 120, 0.99%, 0.44%

LAB 78.06, -78.09, 75.33

 

CMYK 0 / 88 / 2 / 0

HEX #FF1FF9

RGB 255 31 249

HSL 301.61, 1%, 0.56%

LAB 60.85, 94.85, -56.67

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

CMYK 0 / 95 / 1 / 7

HEX #ED0DEB

RGB 237 13 235

HSL 300.54, 0.9%, 0.49%

LAB 56.38, 91.83, -56.17

 

CMYK 0 / 100 / 2 / 14

HEX #DC00D8

RGB 220 0 216

HSL 301.09, 1%, 0.43%

LAB 52.03, 87.32, -52.52

 

CMYK 0 / 100 / 3 / 20

HEX #CB00C5

RGB 203 0 197

HSL 301.77, 1%, 0.4%

LAB 47.92, 81.88, -48.33

 

CMYK 0 / 100 / 4 / 27

HEX #BA00B2

RGB 186 0 178

HSL 302.58, 1%, 0.36%

LAB 43.73, 76.36, -44.05

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 0 / 88 / 24 / 1

HEX #FD1FC1

RGB 253 31 193

HSL 316.22, 0.98%, 0.56%

LAB 57.76, 87.35, -29.9

 

CMYK 0 / 88 / 47 / 1

HEX #FD1F86

RGB 253 31 134

HSL 332.16, 0.98%, 0.56%

LAB 55.67, 81.65, 1.56

 

CMYK 0 / 88 / 71 / 1

HEX #FD1F4A

RGB 253 31 74

HSL 348.38, 0.98%, 0.56%

LAB 54.4, 78.08, 35.68

 

CMYK 0 / 88 / 88 / 1

HEX #FD1F1F

RGB 253 31 31

HSL 0, 0.98%, 0.56%

LAB 53.99, 76.88, 57.92

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 24 / 88 / 0 / 1

HEX #C11FFD

RGB 193 31 253

HSL 283.78, 0.98%, 0.56%

LAB 51.16, 85.86, -75.01

 

CMYK 47 / 88 / 0 / 1

HEX #861FFD

RGB 134 31 253

HSL 267.84, 0.98%, 0.56%

LAB 42.97, 78.7, -88.75

 

CMYK 71 / 88 / 0 / 1

HEX #4A1FFD

RGB 74 31 253

HSL 251.62, 0.98%, 0.56%

LAB 36.98, 74.11, -98.86

 

CMYK 88 / 88 / 0 / 1

HEX #1F1FFD

RGB 31 31 253

HSL 240, 0.98%, 0.56%

LAB 34.73, 72.59, -102.67

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 0 / 79 / 0 / 8

HEX #EB31EB

RGB 235 49 235

HSL 300, 0.82%, 0.56%

LAB 57.9, 86.04, -53.75

 

CMYK 0 / 69 / 0 / 15

HEX #D944D9

RGB 217 68 217

HSL 300, 0.66%, 0.56%

LAB 55.98, 74.18, -46.83

 

CMYK 0 / 57 / 0 / 22

HEX #C756C7

RGB 199 86 199

HSL 300, 0.5%, 0.56%

LAB 54.99, 59.71, -38.31

 

CMYK 0 / 43 / 0 / 29

HEX #B568B5

RGB 181 104 181

HSL 300, 0.34%, 0.56%

LAB 55.13, 42.47, -27.93

 

CMYK 47 / 88 / 0 / 1

HEX #871FFD

RGB 135 31 253

HSL 268.11, 0.98%, 0.56%

LAB 43.1, 78.8, -88.54

 

CMYK 23 / 88 / 0 / 1

HEX #C21FFD

RGB 194 31 253

HSL 284.05, 0.98%, 0.56%

LAB 51.31, 86, -74.76

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 0 / 88 / 23 / 1

HEX #FD1FC2

RGB 253 31 194

HSL 315.95, 0.98%, 0.56%

LAB 57.81, 87.47, -30.41

 

CMYK 0 / 88 / 47 / 1

HEX #FD1F87

RGB 253 31 135

HSL 331.89, 0.98%, 0.56%

LAB 55.7, 81.73, 1

 

CMYK 0 / 100 / 0 / 21

HEX #CA01CA

RGB 202 1 202

HSL 300, 0.99%, 0.4%

LAB 48.06, 82.35, -51

 

CMYK 0 / 100 / 0 / 5

HEX #F301F3

RGB 243 1 243

HSL 300, 0.99%, 0.48%

LAB 57.6, 94.67, -58.63

 

CMYK 0 / 88 / 0 / 1

HEX #FD1FFD

RGB 253 31 253

HSL 300, 0.98%, 0.56%

LAB 60.74, 95.08, -59.08

 

CMYK 0 / 72 / 0 / 0

HEX #FE48FE

RGB 254 72 254

HSL 300, 0.99%, 0.64%

LAB 64.05, 86.44, -54.35

 

CMYK 0 / 56 / 0 / 0

HEX #FE71FE

RGB 254 113 254

HSL 300, 0.99%, 0.72%

LAB 69.5, 71.25, -45.75

 

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

CMYK 0 / 70 / 88 / 1

HEX #FD4C1F

RGB 253 76 31

HSL 12.16, 0.98%, 0.56%

LAB 58.18, 65.11, 61.08

 

CMYK 88 / 0 / 35 / 1

HEX #1FFDA5

RGB 31 253 165

HSL 156.22, 0.98%, 0.56%

LAB 88.57, -68.45, 28.61

 

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

CMYK 0 / 0 / 88 / 1

HEX #FDFD1F

RGB 253 253 31

HSL 60, 0.98%, 0.56%

LAB 96.51, -21.1, 90.9

 

CMYK 88 / 0 / 0 / 1

HEX #1FFDFD

RGB 31 253 253

HSL 180, 0.98%, 0.56%

LAB 90.61, -46.91, -13.84

 

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

CMYK 0 / 70 / 88 / 1

HEX #FD4C1F

RGB 253 76 31

HSL 12.16, 0.98%, 0.56%

LAB 58.18, 65.11, 61.08

 

CMYK 88 / 0 / 88 / 1

HEX #1FFD1F

RGB 31 253 31

HSL 120, 0.98%, 0.56%

LAB 87.31, -83.75, 79.54

 

CMYK 88 / 17 / 0 / 1

HEX #1FD1FD

RGB 31 209 253

HSL 191.89, 0.98%, 0.56%

LAB 77.87, -26.51, -33.21

 

CMYK 0 / 88 / 0 / 0

HEX #FE1FFE

RGB 254 31 254

HSL 300, 0.99%, 0.56%

LAB 60.96, 95.39, -59.27

 

CMYK 0 / 44 / 88 / 1

HEX #FD8E1F

RGB 253 142 31

HSL 30, 0.98%, 0.56%

LAB 69.7, 35.37, 69.91

 

CMYK 88 / 0 / 88 / 1

HEX #1FFD1F

RGB 31 253 31

HSL 120, 0.98%, 0.56%

LAB 87.31, -83.75, 79.54

 

CMYK 88 / 44 / 0 / 1

HEX #1F8EFD

RGB 31 142 253

HSL 210, 0.98%, 0.56%

LAB 58.72, 10.48, -63.35

 

Description

Color code: RGB 254 31 254 | qconv.com Color code: RGB 254 31 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 31 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 31 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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