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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 175 97 it is the complementary color RGB 1 80 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 175 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 175 97 shade: RGB 255 175 92, RGB 255 193 111, RGB 255 211 130, RGB 255 229 149 and RGB 255 247 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 175 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 237 157 78, RGB 220 139 59, RGB 203 121 40 and RGB 186 103 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 254 133 97 and RGB 254 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 254 217 97, RGB 248 254 97, RGB 206 254 97 and RGB 164 254 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 175 97 shade matches the following richer shades: RGB 254 175 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 241 175 110, RGB 228 175 123, RGB 215 175 136 and RGB 203 175 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 175 97 shade: RGB 254 97 105, RGB 254 131 97, RGB 254 173 97, RGB 254 215 97 and RGB 251 254 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 175 97 shade: RGB 253 133 15, RGB 254 154 56, RGB 254 175 97, RGB 254 196 138 and RGB 254 216 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 147 254 97 and RGB 110 97 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 97 254 173 and RGB 173 97 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 147 254 97, RGB 97 178 254 and RGB 204 97 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 175 97 shade: RGB 254 175 97, RGB 100 254 97, RGB 97 178 254 and RGB 251 97 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

Complementary color

CMYK 99 / 49 / 0 / 38

HEX #01509E

RGB 1 80 158

HSL 209.81, 0.99%, 0.31%

LAB 34.42, 11.01, -48.03

 

CMYK 0 / 31 / 64 / 0

HEX #FFAF5C

RGB 255 175 92

HSL 30.55, 1%, 0.68%

LAB 77.69, 21.47, 53.4

 

CMYK 0 / 24 / 56 / 0

HEX #FFC16F

RGB 255 193 111

HSL 34.17, 1%, 0.72%

LAB 82.13, 13.37, 49.41

 

CMYK 0 / 17 / 49 / 0

HEX #FFD382

RGB 255 211 130

HSL 38.88, 1%, 0.75%

LAB 86.73, 5.62, 45.67

 

CMYK 0 / 10 / 42 / 0

HEX #FFE595

RGB 255 229 149

HSL 45.28, 1%, 0.79%

LAB 91.45, -1.74, 42.21

 

CMYK 0 / 3 / 34 / 0

HEX #FFF7A8

RGB 255 247 168

HSL 54.48, 1%, 0.83%

LAB 96.25, -8.68, 38.99

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 34 / 67 / 7

HEX #ED9D4E

RGB 237 157 78

HSL 29.81, 0.82%, 0.62%

LAB 71.33, 22.74, 52.35

 

CMYK 0 / 37 / 73 / 14

HEX #DC8B3B

RGB 220 139 59

HSL 29.81, 0.7%, 0.55%

LAB 64.96, 24.28, 53.72

 

CMYK 0 / 40 / 80 / 20

HEX #CB7928

RGB 203 121 40

HSL 29.82, 0.67%, 0.48%

LAB 58.53, 26.03, 54.8

 

CMYK 0 / 45 / 89 / 27

HEX #BA6715

RGB 186 103 21

HSL 29.82, 0.8%, 0.41%

LAB 52.06, 28.02, 55.12

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 48 / 62 / 0

HEX #FE8561

RGB 254 133 97

HSL 13.76, 0.99%, 0.69%

LAB 68.54, 43.01, 40.06

 

CMYK 0 / 62 / 62 / 0

HEX #FE6161

RGB 254 97 97

HSL 0, 0.99%, 0.69%

LAB 62.07, 59.74, 32

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 15 / 62 / 0

HEX #FED961

RGB 254 217 97

HSL 45.86, 0.99%, 0.69%

LAB 87.76, -0.38, 62.34

 

CMYK 2 / 0 / 62 / 0

HEX #F8FE61

RGB 248 254 97

HSL 62.29, 0.99%, 0.69%

LAB 96.7, -21.06, 71.86

 

CMYK 19 / 0 / 62 / 0

HEX #CEFE61

RGB 206 254 97

HSL 78.34, 0.99%, 0.69%

LAB 93.83, -37.32, 67.93

 

CMYK 35 / 0 / 62 / 0

HEX #A4FE61

RGB 164 254 97

HSL 94.39, 0.99%, 0.69%

LAB 91.52, -52.15, 64.75

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 27 / 54 / 5

HEX #F1AF6E

RGB 241 175 110

HSL 29.77, 0.82%, 0.69%

LAB 76.37, 17.05, 42.56

 

CMYK 0 / 23 / 46 / 11

HEX #E4AF7B

RGB 228 175 123

HSL 29.71, 0.66%, 0.69%

LAB 75.19, 12.97, 34.05

 

CMYK 0 / 19 / 37 / 16

HEX #D7AF88

RGB 215 175 136

HSL 29.62, 0.5%, 0.69%

LAB 74.12, 9.18, 25.49

 

CMYK 0 / 14 / 27 / 20

HEX #CBAF94

RGB 203 175 148

HSL 29.45, 0.35%, 0.69%

LAB 73.22, 6.02, 17.59

 

CMYK 0 / 62 / 59 / 0

HEX #FE6169

RGB 254 97 105

HSL 356.94, 0.99%, 0.69%

LAB 62.2, 60.25, 27.64

 

CMYK 0 / 48 / 62 / 0

HEX #FE8361

RGB 254 131 97

HSL 12.99, 0.99%, 0.69%

LAB 68.14, 44, 39.58

 

CMYK 0 / 32 / 62 / 0

HEX #FEAD61

RGB 254 173 97

HSL 29.04, 0.99%, 0.69%

LAB 77.17, 22.42, 50.36

 

CMYK 0 / 15 / 62 / 0

HEX #FED761

RGB 254 215 97

HSL 45.1, 0.99%, 0.69%

LAB 87.26, 0.64, 61.79

 

CMYK 1 / 0 / 62 / 0

HEX #FBFE61

RGB 251 254 97

HSL 61.15, 0.99%, 0.69%

LAB 96.92, -19.86, 72.17

 

CMYK 0 / 47 / 94 / 1

HEX #FD850F

RGB 253 133 15

HSL 29.75, 0.98%, 0.53%

LAB 67.79, 39.69, 72.16

 

CMYK 0 / 39 / 78 / 0

HEX #FE9A38

RGB 254 154 56

HSL 29.7, 0.99%, 0.61%

LAB 72.54, 30.27, 63.88

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 0 / 23 / 46 / 0

HEX #FEC48A

RGB 254 196 138

HSL 30, 0.98%, 0.77%

LAB 83.12, 13.74, 37.03

 

CMYK 0 / 15 / 30 / 0

HEX #FED8B3

RGB 254 216 179

HSL 29.6, 0.97%, 0.85%

LAB 88.66, 7.97, 23.17

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 42 / 0 / 62 / 0

HEX #93FE61

RGB 147 254 97

HSL 100.89, 0.99%, 0.69%

LAB 90.76, -57.52, 63.69

 

CMYK 57 / 62 / 0 / 0

HEX #6E61FE

RGB 110 97 254

HSL 244.97, 0.99%, 0.69%

LAB 50.71, 47.48, -76.71

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 62 / 0 / 32 / 0

HEX #61FEAD

RGB 97 254 173

HSL 149.04, 0.99%, 0.69%

LAB 90.06, -59.24, 26.77

 

CMYK 32 / 62 / 0 / 0

HEX #AD61FE

RGB 173 97 254

HSL 269.04, 0.99%, 0.69%

LAB 56.67, 59.56, -66.77

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 42 / 0 / 62 / 0

HEX #93FE61

RGB 147 254 97

HSL 100.89, 0.99%, 0.69%

LAB 90.76, -57.52, 63.69

 

CMYK 62 / 30 / 0 / 0

HEX #61B2FE

RGB 97 178 254

HSL 209.04, 0.99%, 0.69%

LAB 70.55, -2.35, -45.01

 

CMYK 20 / 62 / 0 / 0

HEX #CC61FE

RGB 204 97 254

HSL 280.89, 0.99%, 0.69%

LAB 60.38, 66.37, -60.62

 

CMYK 0 / 31 / 62 / 0

HEX #FEAF61

RGB 254 175 97

HSL 29.81, 0.99%, 0.69%

LAB 77.63, 21.38, 50.9

 

CMYK 61 / 0 / 62 / 0

HEX #64FE61

RGB 100 254 97

HSL 118.85, 0.99%, 0.69%

LAB 89.14, -69.77, 61.44

 

CMYK 62 / 30 / 0 / 0

HEX #61B2FE

RGB 97 178 254

HSL 209.04, 0.99%, 0.69%

LAB 70.55, -2.35, -45.01

 

CMYK 1 / 62 / 0 / 0

HEX #FB61FE

RGB 251 97 254

HSL 298.85, 0.99%, 0.69%

LAB 66.68, 77.12, -50.21

 

Description

Color code: RGB 254 175 97 | qconv.com Color code: RGB 254 175 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 175 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 175 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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