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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 148 117 it is the complementary color RGB 1 107 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 148 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 148 117 shade: RGB 255 148 112, RGB 255 166 131, RGB 255 184 150, RGB 255 202 169 and RGB 255 220 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 148 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 237 130 98, RGB 220 112 79, RGB 203 94 60 and RGB 186 76 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 148 117 shade: RGB 254 148 117 and RGB 254 117 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 254 185 117, RGB 254 222 117, RGB 249 254 117 and RGB 212 254 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 148 117 shade matches the following richer shades: RGB 254 148 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 243 154 129, RGB 232 161 140, RGB 220 167 151 and RGB 209 173 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 148 117 shade: RGB 254 117 161, RGB 254 117 124, RGB 254 147 117, RGB 254 183 117 and RGB 254 220 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 148 117 shade: RGB 253 85 35, RGB 254 117 76, RGB 254 148 117, RGB 254 180 159 and RGB 254 212 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 197 254 117 and RGB 117 142 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 117 254 147 and RGB 147 117 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 197 254 117, RGB 117 224 254 and RGB 174 117 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 148 117 shade: RGB 254 148 117, RGB 156 254 117, RGB 117 224 254 and RGB 215 117 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

Complementary color

CMYK 99 / 22 / 0 / 46

HEX #016B8A

RGB 1 107 138

HSL 193.58, 0.99%, 0.27%

LAB 41.78, -14.12, -24.32

 

CMYK 0 / 42 / 56 / 0

HEX #FF9470

RGB 255 148 112

HSL 15.1, 1%, 0.72%

LAB 71.97, 36.87, 36.37

 

CMYK 0 / 35 / 49 / 0

HEX #FFA683

RGB 255 166 131

HSL 16.94, 1%, 0.76%

LAB 76.17, 29.15, 31.66

 

CMYK 0 / 28 / 41 / 0

HEX #FFB896

RGB 255 184 150

HSL 19.43, 1%, 0.79%

LAB 80.6, 21.62, 27.44

 

CMYK 0 / 21 / 34 / 0

HEX #FFCAA9

RGB 255 202 169

HSL 23.02, 1%, 0.83%

LAB 85.18, 14.37, 23.64

 

CMYK 0 / 14 / 26 / 0

HEX #FFDCBC

RGB 255 220 188

HSL 28.66, 1%, 0.87%

LAB 89.9, 7.45, 20.21

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 45 / 59 / 7

HEX #ED8262

RGB 237 130 98

HSL 13.81, 0.79%, 0.66%

LAB 65.63, 38.16, 35.42

 

CMYK 0 / 49 / 64 / 14

HEX #DC704F

RGB 220 112 79

HSL 14.04, 0.67%, 0.59%

LAB 59.31, 39.53, 37.43

 

CMYK 0 / 54 / 70 / 20

HEX #CB5E3C

RGB 203 94 60

HSL 14.27, 0.58%, 0.52%

LAB 52.98, 41, 39.65

 

CMYK 0 / 59 / 78 / 27

HEX #BA4C29

RGB 186 76 41

HSL 14.48, 0.64%, 0.45%

LAB 46.67, 42.51, 42.03

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 54 / 54 / 0

HEX #FE7575

RGB 254 117 117

HSL 0, 0.99%, 0.73%

LAB 65.81, 52.2, 25.6

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 27 / 54 / 0

HEX #FEB975

RGB 254 185 117

HSL 29.78, 0.99%, 0.73%

LAB 80.21, 17.61, 44.06

 

CMYK 0 / 13 / 54 / 0

HEX #FEDE75

RGB 254 222 117

HSL 45.99, 0.99%, 0.73%

LAB 89.2, -1.49, 54.92

 

CMYK 2 / 0 / 54 / 0

HEX #F9FE75

RGB 249 254 117

HSL 62.19, 0.99%, 0.73%

LAB 96.95, -19.28, 63.8

 

CMYK 17 / 0 / 54 / 0

HEX #D4FE75

RGB 212 254 117

HSL 78.39, 0.99%, 0.73%

LAB 94.38, -33.46, 60.18

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 37 / 47 / 5

HEX #F39A81

RGB 243 154 129

HSL 13.16, 0.83%, 0.73%

LAB 72.06, 30.62, 27.04

 

CMYK 0 / 31 / 40 / 9

HEX #E8A18C

RGB 232 161 140

HSL 13.7, 0.67%, 0.73%

LAB 72.59, 23.81, 21.54

 

CMYK 0 / 24 / 31 / 14

HEX #DCA797

RGB 220 167 151

HSL 13.91, 0.5%, 0.73%

LAB 72.95, 17.3, 15.83

 

CMYK 0 / 17 / 22 / 18

HEX #D1ADA2

RGB 209 173 162

HSL 14.04, 0.34%, 0.73%

LAB 73.58, 11.39, 10.55

 

CMYK 0 / 54 / 37 / 0

HEX #FE75A1

RGB 254 117 161

HSL 340.73, 0.99%, 0.73%

LAB 66.8, 56.37, 2.06

 

CMYK 0 / 54 / 51 / 0

HEX #FE757C

RGB 254 117 124

HSL 356.93, 0.99%, 0.73%

LAB 65.94, 52.76, 21.84

 

CMYK 0 / 42 / 54 / 0

HEX #FE9375

RGB 254 147 117

HSL 13.14, 0.99%, 0.73%

LAB 71.71, 37.39, 33.33

 

CMYK 0 / 28 / 54 / 0

HEX #FEB775

RGB 254 183 117

HSL 28.91, 0.99%, 0.73%

LAB 79.74, 18.66, 43.48

 

CMYK 0 / 13 / 54 / 0

HEX #FEDC75

RGB 254 220 117

HSL 45.11, 0.99%, 0.73%

LAB 88.71, -0.48, 54.33

 

CMYK 0 / 66 / 86 / 1

HEX #FD5523

RGB 253 85 35

HSL 13.76, 0.98%, 0.56%

LAB 59.44, 61.81, 60.52

 

CMYK 0 / 54 / 70 / 0

HEX #FE754C

RGB 254 117 76

HSL 13.82, 0.99%, 0.65%

LAB 65.21, 49.6, 47.15

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 0 / 29 / 37 / 0

HEX #FEB49F

RGB 254 180 159

HSL 13.26, 0.98%, 0.81%

LAB 79.74, 24.33, 21.46

 

CMYK 0 / 17 / 21 / 0

HEX #FED4C8

RGB 254 212 200

HSL 13.33, 0.96%, 0.89%

LAB 88.13, 12.89, 11.42

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 22 / 0 / 54 / 0

HEX #C5FE75

RGB 197 254 117

HSL 84.96, 0.99%, 0.73%

LAB 93.47, -38.96, 58.88

 

CMYK 54 / 44 / 0 / 0

HEX #758EFE

RGB 117 142 254

HSL 229.05, 0.99%, 0.73%

LAB 61.9, 22.27, -58.64

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 54 / 0 / 42 / 0

HEX #75FE93

RGB 117 254 147

HSL 133.14, 0.99%, 0.73%

LAB 90.22, -59.54, 40.02

 

CMYK 42 / 54 / 0 / 0

HEX #9375FE

RGB 147 117 254

HSL 253.14, 0.99%, 0.73%

LAB 58.11, 43.25, -64.58

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 22 / 0 / 54 / 0

HEX #C5FE75

RGB 197 254 117

HSL 84.96, 0.99%, 0.73%

LAB 93.47, -38.96, 58.88

 

CMYK 54 / 12 / 0 / 0

HEX #75E0FE

RGB 117 224 254

HSL 193.14, 0.99%, 0.73%

LAB 84.1, -22.82, -24.03

 

CMYK 31 / 54 / 0 / 0

HEX #AE75FE

RGB 174 117 254

HSL 264.96, 0.99%, 0.73%

LAB 60.67, 49.46, -60.34

 

CMYK 0 / 42 / 54 / 0

HEX #FE9475

RGB 254 148 117

HSL 13.58, 0.99%, 0.73%

LAB 71.92, 36.88, 33.6

 

CMYK 39 / 0 / 54 / 0

HEX #9CFE75

RGB 156 254 117

HSL 102.92, 0.99%, 0.73%

LAB 91.34, -52.79, 55.86

 

CMYK 54 / 12 / 0 / 0

HEX #75E0FE

RGB 117 224 254

HSL 193.14, 0.99%, 0.73%

LAB 84.1, -22.82, -24.03

 

CMYK 15 / 54 / 0 / 0

HEX #D775FE

RGB 215 117 254

HSL 282.92, 0.99%, 0.73%

LAB 65.22, 59.57, -52.83

 

Description

Color code: RGB 254 148 117 | qconv.com Color code: RGB 254 148 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 148 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 148 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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