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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 112 124 it is the complementary color RGB 1 143 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 112 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 112 124 shade: RGB 255 112 119, RGB 255 130 138, RGB 255 148 157, RGB 255 166 176 and RGB 255 184 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 112 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 237 94 105, RGB 220 76 86, RGB 203 58 67 and RGB 186 40 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 112 124 shade: RGB 254 112 124 and RGB 254 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 254 112 162, RGB 254 112 201, RGB 254 112 239 and RGB 231 112 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 112 124 shade matches the following richer shades: RGB 254 112 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 242 124 134, RGB 231 136 144, RGB 219 147 153 and RGB 208 159 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 112 124 shade: RGB 254 112 202, RGB 254 112 164, RGB 254 112 127, RGB 254 136 112 and RGB 254 174 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 112 124 shade: RGB 253 30 49, RGB 254 71 87, RGB 254 112 124, RGB 254 153 162 and RGB 254 195 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 240 254 112 and RGB 112 183 254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 127 254 112 and RGB 112 127 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 240 254 112, RGB 112 254 240 and RGB 127 112 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 112 124 shade: RGB 254 112 124, RGB 197 254 112, RGB 112 254 240 and RGB 169 112 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

Complementary color

CMYK 99 / 0 / 8 / 44

HEX #018F83

RGB 1 143 131

HSL 174.93, 0.99%, 0.28%

LAB 53.27, -34.93, -2.8

 

CMYK 0 / 56 / 53 / 0

HEX #FF7077

RGB 255 112 119

HSL 357.06, 1%, 0.72%

LAB 65.11, 55.01, 23.56

 

CMYK 0 / 49 / 46 / 0

HEX #FF828A

RGB 255 130 138

HSL 356.16, 1%, 0.75%

LAB 68.79, 48.13, 17.89

 

CMYK 0 / 42 / 38 / 0

HEX #FF949D

RGB 255 148 157

HSL 354.95, 1%, 0.79%

LAB 72.81, 41.1, 12.92

 

CMYK 0 / 35 / 31 / 0

HEX #FFA6B0

RGB 255 166 176

HSL 353.26, 1%, 0.83%

LAB 77.08, 34.07, 8.54

 

CMYK 0 / 28 / 24 / 0

HEX #FFB8C3

RGB 255 184 195

HSL 350.7, 1%, 0.86%

LAB 81.56, 27.2, 4.67

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 60 / 56 / 7

HEX #ED5E69

RGB 237 94 105

HSL 355.38, 0.8%, 0.65%

LAB 59, 55.97, 22.91

 

CMYK 0 / 65 / 61 / 14

HEX #DC4C56

RGB 220 76 86

HSL 355.83, 0.67%, 0.58%

LAB 53.01, 56.7, 25.59

 

CMYK 0 / 71 / 67 / 20

HEX #CB3A43

RGB 203 58 67

HSL 356.28, 0.58%, 0.51%

LAB 47.14, 57.15, 28.78

 

CMYK 0 / 78 / 74 / 27

HEX #BA2830

RGB 186 40 48

HSL 356.71, 0.65%, 0.44%

LAB 41.49, 57.07, 32.57

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 56 / 36 / 0

HEX #FE70A2

RGB 254 112 162

HSL 338.87, 0.99%, 0.72%

LAB 65.96, 58.77, 0.26

 

CMYK 0 / 56 / 21 / 0

HEX #FE70C9

RGB 254 112 201

HSL 322.39, 0.99%, 0.72%

LAB 67.18, 63.61, -19.96

 

CMYK 0 / 56 / 6 / 0

HEX #FE70EF

RGB 254 112 239

HSL 306.34, 0.99%, 0.72%

LAB 68.67, 69.24, -38.81

 

CMYK 9 / 56 / 0 / 0

HEX #E770FE

RGB 231 112 254

HSL 290.28, 0.99%, 0.72%

LAB 66.32, 65.95, -50.97

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 49 / 45 / 5

HEX #F27C86

RGB 242 124 134

HSL 354.92, 0.82%, 0.72%

LAB 65.76, 46.12, 15.66

 

CMYK 0 / 41 / 38 / 9

HEX #E78890

RGB 231 136 144

HSL 354.95, 0.66%, 0.72%

LAB 66.98, 37.12, 11.52

 

CMYK 0 / 33 / 30 / 14

HEX #DB9399

RGB 219 147 153

HSL 355, 0.5%, 0.72%

LAB 68.19, 27.96, 7.99

 

CMYK 0 / 24 / 22 / 18

HEX #D09FA3

RGB 208 159 163

HSL 355.1, 0.34%, 0.72%

LAB 70.07, 18.76, 4.97

 

CMYK 0 / 56 / 20 / 0

HEX #FE70CA

RGB 254 112 202

HSL 321.97, 0.99%, 0.72%

LAB 67.22, 63.75, -20.47

 

CMYK 0 / 56 / 35 / 0

HEX #FE70A4

RGB 254 112 164

HSL 338.03, 0.99%, 0.72%

LAB 66.01, 58.99, -0.79

 

CMYK 0 / 56 / 50 / 0

HEX #FE707F

RGB 254 112 127

HSL 353.66, 0.99%, 0.72%

LAB 65.11, 55.33, 19.01

 

CMYK 0 / 46 / 56 / 0

HEX #FE8870

RGB 254 136 112

HSL 10.14, 0.99%, 0.72%

LAB 69.36, 42.57, 33.02

 

CMYK 0 / 31 / 56 / 0

HEX #FEAE70

RGB 254 174 112

HSL 26.2, 0.99%, 0.72%

LAB 77.59, 22.97, 43.36

 

CMYK 0 / 88 / 81 / 1

HEX #FD1E31

RGB 253 30 49

HSL 354.89, 0.98%, 0.55%

LAB 54.06, 77.41, 49.32

 

CMYK 0 / 72 / 66 / 0

HEX #FE4757

RGB 254 71 87

HSL 354.75, 0.99%, 0.64%

LAB 58.29, 69.05, 32.94

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 0 / 40 / 36 / 0

HEX #FE99A2

RGB 254 153 162

HSL 354.65, 0.98%, 0.8%

LAB 73.84, 38.75, 11.6

 

CMYK 0 / 23 / 21 / 0

HEX #FEC3C8

RGB 254 195 200

HSL 354.92, 0.97%, 0.88%

LAB 84.11, 21.78, 5.66

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 6 / 0 / 56 / 0

HEX #F0FE70

RGB 240 254 112

HSL 65.92, 0.99%, 0.72%

LAB 96.24, -23.18, 64.98

 

CMYK 56 / 28 / 0 / 0

HEX #70B7FE

RGB 112 183 254

HSL 210, 0.99%, 0.72%

LAB 72.54, -2.3, -41.86

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 50 / 0 / 56 / 0

HEX #7FFE70

RGB 127 254 112

HSL 113.66, 0.99%, 0.72%

LAB 90.12, -61.7, 56.36

 

CMYK 56 / 50 / 0 / 0

HEX #707FFE

RGB 112 127 254

HSL 233.66, 0.99%, 0.72%

LAB 57.83, 30.2, -65.19

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 6 / 0 / 56 / 0

HEX #F0FE70

RGB 240 254 112

HSL 65.92, 0.99%, 0.72%

LAB 96.24, -23.18, 64.98

 

CMYK 56 / 0 / 6 / 0

HEX #70FEF0

RGB 112 254 240

HSL 174.08, 0.99%, 0.72%

LAB 91.96, -41.62, -4.94

 

CMYK 50 / 56 / 0 / 0

HEX #7F70FE

RGB 127 112 254

HSL 246.34, 0.99%, 0.72%

LAB 55.34, 41.93, -69.15

 

CMYK 0 / 56 / 51 / 0

HEX #FE707C

RGB 254 112 124

HSL 354.93, 0.99%, 0.72%

LAB 65.05, 55.08, 20.63

 

CMYK 22 / 0 / 56 / 0

HEX #C5FE70

RGB 197 254 112

HSL 84.08, 0.99%, 0.72%

LAB 93.42, -39.42, 61.03

 

CMYK 56 / 0 / 6 / 0

HEX #70FEF0

RGB 112 254 240

HSL 174.08, 0.99%, 0.72%

LAB 91.96, -41.62, -4.94

 

CMYK 33 / 56 / 0 / 0

HEX #A970FE

RGB 169 112 254

HSL 264.08, 0.99%, 0.72%

LAB 59.14, 50.96, -62.83

 

Description

Color code: RGB 254 112 124 | qconv.com Color code: RGB 254 112 124 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 112 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 112 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 51 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 51% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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