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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 74 6 it is the complementary color RGB 2 181 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 74 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 74 6 shade: RGB 255 74 1, RGB 255 92 20, RGB 255 110 39, RGB 255 128 58 and RGB 255 146 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 74 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 74 6 shade: RGB 253 74 6, RGB 236 56 0, RGB 219 38 0, RGB 202 20 0 and RGB 185 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 74 6 shade: RGB 252 75 7, RGB 252 8 7 and RGB 252 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 74 6 shade: RGB 252 75 7, RGB 252 141 7, RGB 252 207 7, RGB 231 252 7 and RGB 165 252 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 74 6 shade matches the following richer shades: RGB 252 75 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 74 6 shade: RGB 252 75 7, RGB 232 84 27, RGB 212 93 48, RGB 191 102 68 and RGB 171 111 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 74 6 shade: RGB 252 7 72, RGB 252 7 7, RGB 252 72 7, RGB 252 138 7 and RGB 252 203 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 74 6 shade: RGB 175 49 1, RGB 216 61 2, RGB 252 75 7, RGB 252 104 48 and RGB 253 134 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 74 6 shade: RGB 253 74 6, RGB 138 252 7 and RGB 7 40 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 74 6 shade: RGB 253 74 6, RGB 7 252 72 and RGB 72 7 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 74 6 shade: RGB 253 74 6, RGB 138 252 7, RGB 7 187 252 and RGB 121 7 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 74 6 shade: RGB 253 74 6, RGB 64 252 7, RGB 7 187 252 and RGB 195 7 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

Complementary color

CMYK 99 / 27 / 0 / 2

HEX #02B5F9

RGB 2 181 249

HSL 196.52, 0.98%, 0.49%

LAB 69.4, -14.39, -44.24

 

CMYK 0 / 71 / 100 / 0

HEX #FF4A01

RGB 255 74 1

HSL 17.24, 1%, 0.5%

LAB 58.19, 66.11, 69.05

 

CMYK 0 / 64 / 92 / 0

HEX #FF5C14

RGB 255 92 20

HSL 18.38, 1%, 0.54%

LAB 60.75, 59.43, 66.57

 

CMYK 0 / 57 / 85 / 0

HEX #FF6E27

RGB 255 110 39

HSL 19.72, 1%, 0.58%

LAB 63.8, 51.92, 62.7

 

CMYK 0 / 50 / 77 / 0

HEX #FF803A

RGB 255 128 58

HSL 21.32, 1%, 0.61%

LAB 67.28, 43.92, 58.03

 

CMYK 0 / 43 / 70 / 0

HEX #FF924D

RGB 255 146 77

HSL 23.26, 1%, 0.65%

LAB 71.11, 35.69, 53.23

 

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

CMYK 0 / 76 / 100 / 7

HEX #EC3800

RGB 236 56 0

HSL 14.24, 1%, 0.46%

LAB 52.58, 66.2, 64.68

 

CMYK 0 / 83 / 100 / 14

HEX #DB2600

RGB 219 38 0

HSL 10.41, 1%, 0.43%

LAB 47.55, 66.14, 60.61

 

CMYK 0 / 90 / 100 / 21

HEX #CA1400

RGB 202 20 0

HSL 5.94, 1%, 0.4%

LAB 42.85, 65.01, 56.67

 

CMYK 0 / 99 / 100 / 27

HEX #B90200

RGB 185 2 0

HSL 0.65, 1%, 0.36%

LAB 38.48, 62.73, 52.84

 

CMYK 0 / 70 / 97 / 1

HEX #FC4B07

RGB 252 75 7

HSL 16.65, 0.98%, 0.51%

LAB 57.79, 64.87, 67.37

 

CMYK 0 / 97 / 97 / 1

HEX #FC0807

RGB 252 8 7

HSL 0.24, 0.98%, 0.51%

LAB 52.82, 78.89, 64.94

 

CMYK 0 / 97 / 97 / 1

HEX #FC0707

RGB 252 7 7

HSL 0, 0.98%, 0.51%

LAB 52.8, 78.95, 64.93

 

CMYK 0 / 70 / 97 / 1

HEX #FC4B07

RGB 252 75 7

HSL 16.65, 0.98%, 0.51%

LAB 57.79, 64.87, 67.37

 

CMYK 0 / 44 / 97 / 1

HEX #FC8D07

RGB 252 141 7

HSL 32.82, 0.98%, 0.51%

LAB 69.3, 35.17, 74.25

 

CMYK 0 / 18 / 97 / 1

HEX #FCCF07

RGB 252 207 7

HSL 48.98, 0.98%, 0.51%

LAB 84.66, 0.92, 84.78

 

CMYK 8 / 0 / 97 / 1

HEX #E7FC07

RGB 231 252 7

HSL 65.14, 0.98%, 0.51%

LAB 94.58, -29.87, 91.3

 

CMYK 35 / 0 / 97 / 1

HEX #A5FC07

RGB 165 252 7

HSL 81.31, 0.98%, 0.51%

LAB 90.61, -54.93, 86.53

 

CMYK 0 / 70 / 97 / 1

HEX #FC4B07

RGB 252 75 7

HSL 16.65, 0.98%, 0.51%

LAB 57.79, 64.87, 67.37

 

CMYK 0 / 70 / 97 / 1

HEX #FC4B07

RGB 252 75 7

HSL 16.65, 0.98%, 0.51%

LAB 57.79, 64.87, 67.37

 

CMYK 0 / 64 / 88 / 9

HEX #E8541B

RGB 232 84 27

HSL 16.68, 0.82%, 0.51%

LAB 55.66, 55.04, 59.03

 

CMYK 0 / 56 / 77 / 17

HEX #D45D30

RGB 212 93 48

HSL 16.46, 0.66%, 0.51%

LAB 54.07, 44.36, 47.4

 

CMYK 0 / 47 / 64 / 25

HEX #BF6644

RGB 191 102 68

HSL 16.59, 0.49%, 0.51%

LAB 52.95, 32.64, 34.81

 

CMYK 0 / 35 / 49 / 33

HEX #AB6F58

RGB 171 111 88

HSL 16.63, 0.33%, 0.51%

LAB 52.65, 21.16, 22.6

 

CMYK 0 / 97 / 71 / 1

HEX #FC0748

RGB 252 7 72

HSL 344.08, 0.98%, 0.51%

LAB 53.29, 80.31, 35.48

 

CMYK 0 / 97 / 97 / 1

HEX #FC0707

RGB 252 7 7

HSL 0, 0.98%, 0.51%

LAB 52.8, 78.95, 64.93

 

CMYK 0 / 71 / 97 / 1

HEX #FC4807

RGB 252 72 7

HSL 15.92, 0.98%, 0.51%

LAB 57.41, 65.92, 67.17

 

CMYK 0 / 45 / 97 / 1

HEX #FC8A07

RGB 252 138 7

HSL 32.08, 0.98%, 0.51%

LAB 68.67, 36.7, 73.84

 

CMYK 0 / 19 / 97 / 1

HEX #FCCB07

RGB 252 203 7

HSL 48, 0.98%, 0.51%

LAB 83.66, 2.97, 84.08

 

CMYK 0 / 72 / 99 / 31

HEX #AF3101

RGB 175 49 1

HSL 16.55, 0.99%, 0.35%

LAB 40.1, 49.42, 51.95

 

CMYK 0 / 72 / 99 / 15

HEX #D83D02

RGB 216 61 2

HSL 16.54, 0.98%, 0.43%

LAB 49.42, 58.43, 60.57

 

CMYK 0 / 70 / 97 / 1

HEX #FC4B07

RGB 252 75 7

HSL 16.65, 0.98%, 0.51%

LAB 57.79, 64.87, 67.37

 

CMYK 0 / 59 / 81 / 1

HEX #FC6830

RGB 252 104 48

HSL 16.47, 0.97%, 0.59%

LAB 62.35, 53.8, 57.57

 

CMYK 0 / 47 / 65 / 1

HEX #FD8659

RGB 253 134 89

HSL 16.46, 0.98%, 0.67%

LAB 68.5, 41.64, 44.19

 

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

CMYK 45 / 0 / 97 / 1

HEX #8AFC07

RGB 138 252 7

HSL 87.92, 0.98%, 0.51%

LAB 89.41, -63.71, 85.07

 

CMYK 97 / 84 / 0 / 1

HEX #0728FC

RGB 7 40 252

HSL 231.92, 0.98%, 0.51%

LAB 35.18, 68.71, -101.36

 

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

CMYK 97 / 0 / 71 / 1

HEX #07FC48

RGB 7 252 72

HSL 135.92, 0.98%, 0.51%

LAB 87.06, -82.24, 68.4

 

CMYK 71 / 97 / 0 / 1

HEX #4807FC

RGB 72 7 252

HSL 255.92, 0.98%, 0.51%

LAB 35.12, 78.63, -101.4

 

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

CMYK 45 / 0 / 97 / 1

HEX #8AFC07

RGB 138 252 7

HSL 87.92, 0.98%, 0.51%

LAB 89.41, -63.71, 85.07

 

CMYK 97 / 26 / 0 / 1

HEX #07BBFC

RGB 7 187 252

HSL 195.92, 0.98%, 0.51%

LAB 71.29, -16.42, -42.89

 

CMYK 52 / 97 / 0 / 1

HEX #7907FC

RGB 121 7 252

HSL 267.92, 0.98%, 0.51%

LAB 39.99, 81.28, -93.17

 

CMYK 0 / 71 / 98 / 1

HEX #FD4A06

RGB 253 74 6

HSL 16.52, 0.98%, 0.51%

LAB 57.84, 65.53, 67.69

 

CMYK 75 / 0 / 97 / 1

HEX #40FC07

RGB 64 252 7

HSL 106.04, 0.98%, 0.51%

LAB 87.35, -80.52, 82.56

 

CMYK 97 / 26 / 0 / 1

HEX #07BBFC

RGB 7 187 252

HSL 195.92, 0.98%, 0.51%

LAB 71.29, -16.42, -42.89

 

CMYK 23 / 97 / 0 / 1

HEX #C307FC

RGB 195 7 252

HSL 286.04, 0.98%, 0.51%

LAB 50.43, 88.83, -75.63

 

Description

Color code: RGB 253 74 6 | qconv.com Color code: RGB 253 74 6 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 74 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 74 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 98 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 98% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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