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Color name
RGB 253 73 138

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 73 138 it is the complementary color RGB 2 182 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 73 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 73 138 shade: RGB 255 73 133, RGB 255 91 152, RGB 255 109 171, RGB 255 127 190 and RGB 255 145 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 73 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 236 55 119, RGB 219 37 100, RGB 202 19 81 and RGB 185 1 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 253 73 89 and RGB 253 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 253 73 186, RGB 253 73 235, RGB 222 73 253 and RGB 174 73 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 73 138 shade matches the following richer shades: RGB 253 73 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 238 88 142, RGB 223 102 146, RGB 208 117 150 and RGB 193 132 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 73 138 shade: RGB 253 73 235, RGB 253 73 187, RGB 253 73 139, RGB 253 73 91 and RGB 253 103 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 73 138 shade: RGB 241 2 88, RGB 252 32 111, RGB 253 73 138, RGB 253 114 164 and RGB 253 154 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 253 223 73 and RGB 73 211 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 139 253 73 and RGB 73 139 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 253 223 73, RGB 73 253 187 and RGB 73 103 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 73 138 shade: RGB 253 73 138, RGB 229 253 73, RGB 73 253 187 and RGB 97 73 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

Complementary color

CMYK 99 / 0 / 36 / 29

HEX #02B675

RGB 2 182 117

HSL 158.33, 0.98%, 0.36%

LAB 65.56, -54.32, 22.4

 

CMYK 0 / 71 / 48 / 0

HEX #FF4985

RGB 255 73 133

HSL 340.22, 1%, 0.64%

LAB 59.63, 71.77, 7.9

 

CMYK 0 / 64 / 40 / 0

HEX #FF5B98

RGB 255 91 152

HSL 337.68, 1%, 0.68%

LAB 62.52, 66.94, 1

 

CMYK 0 / 57 / 33 / 0

HEX #FF6DAB

RGB 255 109 171

HSL 334.52, 1%, 0.71%

LAB 65.86, 61.44, -4.99

 

CMYK 0 / 50 / 25 / 0

HEX #FF7FBE

RGB 255 127 190

HSL 330.47, 1%, 0.75%

LAB 69.58, 55.52, -10.17

 

CMYK 0 / 43 / 18 / 0

HEX #FF91D1

RGB 255 145 209

HSL 325.09, 1%, 0.78%

LAB 73.62, 49.37, -14.67

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 77 / 50 / 7

HEX #EC3777

RGB 236 55 119

HSL 338.78, 0.83%, 0.57%

LAB 53.92, 71.09, 7.6

 

CMYK 0 / 83 / 54 / 14

HEX #DB2564

RGB 219 37 100

HSL 339.23, 0.72%, 0.5%

LAB 48.64, 69.85, 11.23

 

CMYK 0 / 91 / 60 / 21

HEX #CA1351

RGB 202 19 81

HSL 339.67, 0.83%, 0.43%

LAB 43.68, 67.66, 15.65

 

CMYK 0 / 99 / 66 / 27

HEX #B9013E

RGB 185 1 62

HSL 340.11, 0.99%, 0.36%

LAB 39.04, 64.48, 20.89

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 71 / 65 / 1

HEX #FD4959

RGB 253 73 89

HSL 354.67, 0.98%, 0.64%

LAB 58.39, 68.18, 31.87

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 71 / 26 / 1

HEX #FD49BA

RGB 253 73 186

HSL 322.33, 0.98%, 0.64%

LAB 60.95, 76.6, -20.97

 

CMYK 0 / 71 / 7 / 1

HEX #FD49EB

RGB 253 73 235

HSL 306, 0.98%, 0.64%

LAB 63.05, 83.09, -45.41

 

CMYK 12 / 71 / 0 / 1

HEX #DE49FD

RGB 222 73 253

HSL 289.67, 0.98%, 0.64%

LAB 59.33, 79.56, -61.61

 

CMYK 31 / 71 / 0 / 1

HEX #AE49FD

RGB 174 73 253

HSL 273.67, 0.98%, 0.64%

LAB 52.79, 70.43, -72.49

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 63 / 40 / 7

HEX #EE588E

RGB 238 88 142

HSL 338.4, 0.82%, 0.64%

LAB 59.08, 62.11, 1.47

 

CMYK 0 / 54 / 35 / 13

HEX #DF6692

RGB 223 102 146

HSL 338.18, 0.65%, 0.64%

LAB 59.22, 51.63, -0.93

 

CMYK 0 / 44 / 28 / 18

HEX #D07596

RGB 208 117 150

HSL 338.24, 0.49%, 0.64%

LAB 60.19, 39.55, -2.06

 

CMYK 0 / 32 / 20 / 24

HEX #C1849A

RGB 193 132 154

HSL 338.36, 0.33%, 0.64%

LAB 61.8, 26.66, -2.2

 

CMYK 0 / 71 / 7 / 1

HEX #FD49EB

RGB 253 73 235

HSL 306, 0.98%, 0.64%

LAB 63.05, 83.09, -45.41

 

CMYK 0 / 71 / 26 / 1

HEX #FD49BB

RGB 253 73 187

HSL 322, 0.98%, 0.64%

LAB 60.99, 76.72, -21.48

 

CMYK 0 / 71 / 45 / 1

HEX #FD498B

RGB 253 73 139

HSL 338, 0.98%, 0.64%

LAB 59.45, 71.73, 4.07

 

CMYK 0 / 71 / 64 / 1

HEX #FD495B

RGB 253 73 91

HSL 354, 0.98%, 0.64%

LAB 58.42, 68.29, 30.76

 

CMYK 0 / 59 / 71 / 1

HEX #FD6749

RGB 253 103 73

HSL 10, 0.98%, 0.64%

LAB 62.56, 55.52, 45.68

 

CMYK 0 / 99 / 63 / 5

HEX #F10258

RGB 241 2 88

HSL 338.41, 0.98%, 0.48%

LAB 51.21, 78.84, 22.78

 

CMYK 0 / 87 / 56 / 1

HEX #FC206F

RGB 252 32 111

HSL 338.45, 0.97%, 0.56%

LAB 54.94, 79.61, 14.29

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 55 / 35 / 1

HEX #FD72A4

RGB 253 114 164

HSL 338.42, 0.97%, 0.72%

LAB 66.21, 57.77, -0.52

 

CMYK 0 / 39 / 25 / 1

HEX #FD9ABE

RGB 253 154 190

HSL 338.18, 0.96%, 0.8%

LAB 74.64, 41.43, -2.7

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 12 / 71 / 1

HEX #FDDF49

RGB 253 223 73

HSL 50, 0.98%, 0.64%

LAB 88.99, -5.13, 73.27

 

CMYK 71 / 17 / 0 / 1

HEX #49D3FD

RGB 73 211 253

HSL 194, 0.98%, 0.64%

LAB 79.1, -23.78, -31.26

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 45 / 0 / 71 / 1

HEX #8BFD49

RGB 139 253 73

HSL 98, 0.98%, 0.64%

LAB 89.96, -61.41, 71.84

 

CMYK 71 / 45 / 0 / 1

HEX #498BFD

RGB 73 139 253

HSL 218, 0.98%, 0.64%

LAB 58.95, 16.27, -62.93

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 0 / 12 / 71 / 1

HEX #FDDF49

RGB 253 223 73

HSL 50, 0.98%, 0.64%

LAB 88.99, -5.13, 73.27

 

CMYK 71 / 0 / 26 / 1

HEX #49FDBB

RGB 73 253 187

HSL 158, 0.98%, 0.64%

LAB 89.51, -59.85, 18.8

 

CMYK 71 / 59 / 0 / 1

HEX #4967FD

RGB 73 103 253

HSL 230, 0.98%, 0.64%

LAB 49.75, 38.35, -77.82

 

CMYK 0 / 71 / 45 / 1

HEX #FD498A

RGB 253 73 138

HSL 338.33, 0.98%, 0.64%

LAB 59.42, 71.64, 4.62

 

CMYK 9 / 0 / 71 / 1

HEX #E5FD49

RGB 229 253 73

HSL 68, 0.98%, 0.64%

LAB 94.9, -29.44, 78.38

 

CMYK 71 / 0 / 26 / 1

HEX #49FDBB

RGB 73 253 187

HSL 158, 0.98%, 0.64%

LAB 89.51, -59.85, 18.8

 

CMYK 62 / 71 / 0 / 1

HEX #6149FD

RGB 97 73 253

HSL 248, 0.98%, 0.64%

LAB 44.8, 58.47, -85.87

 

Description

Color code: RGB 253 73 138 | qconv.com Color code: RGB 253 73 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 73 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 73 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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