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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 52 131 it is the complementary color RGB 2 203 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 52 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 52 131 shade: RGB 255 52 126, RGB 255 70 145, RGB 255 88 164, RGB 255 106 183 and RGB 255 124 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 52 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 52 131 shade: RGB 253 52 131, RGB 236 34 112, RGB 219 16 93, RGB 202 0 74 and RGB 185 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 52 131 shade: RGB 252 53 131, RGB 252 53 77 and RGB 252 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 52 131 shade: RGB 252 53 131, RGB 252 53 185, RGB 252 53 239, RGB 212 53 252 and RGB 158 53 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 52 131 shade matches the following richer shades: RGB 252 53 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 52 131 shade: RGB 252 53 131, RGB 236 69 135, RGB 219 86 138, RGB 203 102 142 and RGB 186 119 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 52 131 shade: RGB 252 53 239, RGB 252 53 186, RGB 252 53 133, RGB 252 53 79 and RGB 252 79 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 52 131 shade: RGB 221 2 88, RGB 252 12 106, RGB 252 53 131, RGB 253 93 156 and RGB 253 134 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 52 131 shade: RGB 253 52 131, RGB 252 212 53 and RGB 53 212 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 52 131 shade: RGB 253 52 131, RGB 133 252 53 and RGB 53 133 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 52 131 shade: RGB 253 52 131, RGB 252 212 53, RGB 53 252 172 and RGB 53 93 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 52 131 shade: RGB 253 52 131, RGB 232 252 53, RGB 53 252 172 and RGB 73 53 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

Complementary color

CMYK 99 / 0 / 39 / 20

HEX #02CB7C

RGB 2 203 124

HSL 156.42, 0.98%, 0.4%

LAB 72.35, -60.37, 27.81

 

CMYK 0 / 80 / 51 / 0

HEX #FF347E

RGB 255 52 126

HSL 338.13, 1%, 0.6%

LAB 57.29, 77.32, 8.7

 

CMYK 0 / 73 / 43 / 0

HEX #FF4691

RGB 255 70 145

HSL 335.68, 1%, 0.64%

LAB 59.6, 73.79, 0.83

 

CMYK 0 / 65 / 36 / 0

HEX #FF58A4

RGB 255 88 164

HSL 332.69, 1%, 0.67%

LAB 62.44, 69.34, -6.04

 

CMYK 0 / 58 / 28 / 0

HEX #FF6AB7

RGB 255 106 183

HSL 328.99, 1%, 0.71%

LAB 65.74, 64.19, -11.98

 

CMYK 0 / 51 / 21 / 0

HEX #FF7CCA

RGB 255 124 202

HSL 324.27, 1%, 0.74%

LAB 69.43, 58.57, -17.11

 

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

CMYK 0 / 86 / 53 / 7

HEX #EC2270

RGB 236 34 112

HSL 336.83, 0.84%, 0.53%

LAB 52, 75.51, 9.11

 

CMYK 0 / 93 / 58 / 14

HEX #DB105D

RGB 219 16 93

HSL 337.24, 0.86%, 0.46%

LAB 47.26, 72.87, 13.63

 

CMYK 0 / 100 / 63 / 21

HEX #CA004A

RGB 202 0 74

HSL 338.02, 1%, 0.4%

LAB 42.84, 69.25, 18.93

 

CMYK 0 / 100 / 70 / 27

HEX #B90037

RGB 185 0 55

HSL 342.16, 1%, 0.36%

LAB 38.88, 64.25, 25.13

 

CMYK 0 / 79 / 48 / 1

HEX #FC3583

RGB 252 53 131

HSL 336.48, 0.97%, 0.6%

LAB 56.96, 76.7, 5.19

 

CMYK 0 / 79 / 69 / 1

HEX #FC354D

RGB 252 53 77

HSL 352.76, 0.97%, 0.6%

LAB 55.86, 73.35, 35.65

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 0 / 79 / 48 / 1

HEX #FC3583

RGB 252 53 131

HSL 336.48, 0.97%, 0.6%

LAB 56.96, 76.7, 5.19

 

CMYK 0 / 79 / 27 / 1

HEX #FC35B9

RGB 252 53 185

HSL 320.2, 0.97%, 0.6%

LAB 58.74, 81.96, -23.8

 

CMYK 0 / 79 / 5 / 1

HEX #FC35EF

RGB 252 53 239

HSL 303.92, 0.97%, 0.6%

LAB 61.2, 88.89, -50.58

 

CMYK 16 / 79 / 0 / 1

HEX #D435FC

RGB 212 53 252

HSL 287.94, 0.97%, 0.6%

LAB 55.66, 83.69, -67.04

 

CMYK 37 / 79 / 0 / 1

HEX #9E35FC

RGB 158 53 252

HSL 271.66, 0.97%, 0.6%

LAB 48.06, 75.09, -79.72

 

CMYK 0 / 79 / 48 / 1

HEX #FC3583

RGB 252 53 131

HSL 336.48, 0.97%, 0.6%

LAB 56.96, 76.7, 5.19

 

CMYK 0 / 79 / 48 / 1

HEX #FC3583

RGB 252 53 131

HSL 336.48, 0.97%, 0.6%

LAB 56.96, 76.7, 5.19

 

CMYK 0 / 71 / 43 / 7

HEX #EC4587

RGB 236 69 135

HSL 336.29, 0.81%, 0.6%

LAB 55.93, 68.05, 0.96

 

CMYK 0 / 61 / 37 / 14

HEX #DB568A

RGB 219 86 138

HSL 336.54, 0.65%, 0.6%

LAB 55.64, 56.73, -1.57

 

CMYK 0 / 50 / 30 / 20

HEX #CB668E

RGB 203 102 142

HSL 336.24, 0.49%, 0.6%

LAB 56.24, 44.47, -3.31

 

CMYK 0 / 36 / 22 / 27

HEX #BA7791

RGB 186 119 145

HSL 336.72, 0.33%, 0.6%

LAB 57.73, 29.88, -3.11

 

CMYK 0 / 79 / 5 / 1

HEX #FC35EF

RGB 252 53 239

HSL 303.92, 0.97%, 0.6%

LAB 61.2, 88.89, -50.58

 

CMYK 0 / 79 / 26 / 1

HEX #FC35BA

RGB 252 53 186

HSL 319.9, 0.97%, 0.6%

LAB 58.78, 82.07, -24.31

 

CMYK 0 / 79 / 47 / 1

HEX #FC3585

RGB 252 53 133

HSL 335.88, 0.97%, 0.6%

LAB 57.01, 76.86, 4.08

 

CMYK 0 / 79 / 69 / 1

HEX #FC354F

RGB 252 53 79

HSL 352.16, 0.97%, 0.6%

LAB 55.89, 73.44, 34.52

 

CMYK 0 / 69 / 79 / 1

HEX #FC4F35

RGB 252 79 53

HSL 7.84, 0.97%, 0.6%

LAB 58.55, 64.23, 51.61

 

CMYK 0 / 99 / 60 / 13

HEX #DD0258

RGB 221 2 88

HSL 336.44, 0.98%, 0.44%

LAB 47.13, 74.27, 16.62

 

CMYK 0 / 95 / 58 / 1

HEX #FC0C6A

RGB 252 12 106

HSL 336.5, 0.98%, 0.52%

LAB 54.03, 81.64, 16.03

 

CMYK 0 / 79 / 48 / 1

HEX #FC3583

RGB 252 53 131

HSL 336.48, 0.97%, 0.6%

LAB 56.96, 76.7, 5.19

 

CMYK 0 / 63 / 38 / 1

HEX #FD5D9C

RGB 253 93 156

HSL 336.38, 0.98%, 0.68%

LAB 62.6, 65.96, -1.22

 

CMYK 0 / 47 / 28 / 1

HEX #FD86B5

RGB 253 134 181

HSL 336.3, 0.97%, 0.76%

LAB 70.36, 50.31, -4

 

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

CMYK 0 / 16 / 79 / 1

HEX #FCD435

RGB 252 212 53

HSL 47.94, 0.97%, 0.6%

LAB 86.03, -0.77, 77.15

 

CMYK 79 / 16 / 0 / 1

HEX #35D4FC

RGB 53 212 252

HSL 192.06, 0.97%, 0.6%

LAB 78.97, -26.75, -30.96

 

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

CMYK 47 / 0 / 79 / 1

HEX #85FC35

RGB 133 252 53

HSL 95.88, 0.97%, 0.6%

LAB 89.33, -63.95, 77.31

 

CMYK 79 / 47 / 0 / 1

HEX #3585FC

RGB 53 133 252

HSL 215.88, 0.97%, 0.6%

LAB 56.64, 17.28, -66.12

 

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

CMYK 0 / 16 / 79 / 1

HEX #FCD435

RGB 252 212 53

HSL 47.94, 0.97%, 0.6%

LAB 86.03, -0.77, 77.15

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 79 / 63 / 0 / 1

HEX #355DFC

RGB 53 93 252

HSL 227.94, 0.97%, 0.6%

LAB 46.46, 42.13, -82.67

 

CMYK 0 / 79 / 48 / 1

HEX #FD3483

RGB 253 52 131

HSL 336.42, 0.98%, 0.6%

LAB 57.05, 77.2, 5.35

 

CMYK 8 / 0 / 79 / 1

HEX #E8FC35

RGB 232 252 53

HSL 66.03, 0.97%, 0.6%

LAB 94.75, -28.59, 84.23

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 71 / 79 / 0 / 1

HEX #4935FC

RGB 73 53 252

HSL 246.03, 0.97%, 0.6%

LAB 39.57, 65.58, -94.01

 

Description

Color code: RGB 253 52 131 | qconv.com Color code: RGB 253 52 131 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 52 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 52 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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